Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

Here is the first volume in George R. R. Martin’s magnificent cycle of novels that includes A Clash of Kings and A Storm of Swords. As a whole, this series comprises a genuine masterpiece of modern fantasy, bringing together the best the genre has to offer. Magic, mystery, intrigue, romance, and adventure fill these pages and transport us to a world unlike any we have ever experienced. Already hailed as a classic, George R. R. Martin’s stunning series is destined to stand as one of the great achievements of imaginative fiction.A GAME OF THRONESLong ago, in a time forgotten, a preternatural event threw the seasons out of balance. In a land where summers can last decades and winters a lifetime, trouble is brewing. The cold is returning, and in the frozen wastes to the north of Winterfell, sinister and supernatural forces are massing beyond the kingdom’s protective Wall. At the center of the conflict lie the Starks of Winterfell, a family as harsh and unyielding as the land they were born to. Sweeping from a land of brutal cold to a distant summertime kingdom of epicurean plenty, here is a tale of lords and ladies, soldiers and sorcerers, assassins and bastards, who come together in a time of grim omens.Here an enigmatic band of warriors bear swords of no human metal; a tribe of fierce wildlings carry men off into madness; a cruel young dragon prince barters his sister to win back his throne; and a determined woman undertakes the most treacherous of journeys. Amid plots and counterplots, tragedy and betrayal, victory and terror, the fate of the Starks, their allies, and their enemies hangs perilously in the balance, as each endeavors to win that deadliest of conflicts: the game of thrones.source: georgerrmartin.com

I had removed this review, which violates Article 2 of the Terms of Use:You agree not to post User Content that: (i) may create a risk of harm, loss, physical or mental injury, emotional distress, death, disability, disfigurement, or physical or mental illness to you, to any other person, or to any animal.Looking at the comment thread, it is abundantly clear that the review not only may, but indeed has caused emotional distress to several Potter fans. I would like to offer my apologies to these unfortunate people, who had every right to expect better service from Goodreads. But, despite the above, I have decided on mature consideration that I will attempt an experiment: I am reinstating the original review, hiding the dangerous and inflammatory content inside a spoiler tag. If you are a person easily offended by negative comments about Harry Potter and still decide to click it, then you have only yourself to blame. You have been warned.(view spoiler)[I got into an argument the other day with an articulate 17 year old Harry Potter fan - let's call him D - who wanted to know why I was being so nasty in my review of Deathly Hallows. What was wrong with it? I offered various structural criticisms: the ending is abrupt and unconvincing, the subplot with the Horcruxes has not been adequately foreshadowed in the earlier volumes, and the book as a whole is overlong and boring. D expressed surprise that I could call Deathly Hallows boring, when I'd given five stars to Madame Bovary and Animal Farm, both of which he considered far duller. The discussion continued for some time. In the end, I said I would write a review summarising my objections to the series as a whole. Here it is.As I said to D, it's not the books or the author. The early Potter books are cute and entertaining, and J.K. Rowling seems like a nice person - if someone's going to scoop the literary Powerball jackpot, why not her? What I very strongly object to is the way the books have been marketed. About 10 years ago, it seems to me, some clever people figured out a new marketing strategy, which they first applied to Potter; when that came to an end, the same methods were used for Twilight. Both series have enjoyed a level of success which is utterly disproportionate to their quality, and which is also unprecedented in literary history. Twilight clearly follows Potter; I've had several discussions about what preceded Potter, and the answer, everyone seems to agree, is that there was no earlier success story of this kind. Before Potter, there was no YA series of dubious merit that absolutely everyone read. I think it's uncontroversial that Potter, in terms of literary quality, is better than Twilight, but Twilight has been even more successful. At one point, the four volumes occupied the top four spots in the New York Times bestseller list. On Goodreads, nearly half of the top 50 reviews are of Twilight books. This is an absurd and unnatural state of affairs. Even though Twilight may not be quite as bad as is sometimes made out - I'm one of many people who have tried to defend it - there's no way it deserves this level of attention.So why is everyone reading it, and why, before that, was everyone reading Potter? As I said, I think it's primarily about the marketing, though I wish I was more sure about the details. Here, at any rate, are some thoughts. First, the publishers are aggressively using economies of scale and deals with third parties. They print very large numbers of copies, and they work together with movie studios, game companies and merchandisers to cross-promote them. I think it's particularly important that a large proportion of the books are sold, not at bookstores, but at normal supermarkets. It's well known that the cover price is usually marked down to the point where the supermarket is not in fact making any profit; they have discovered that they can successfully treat it as a loss leader. This is causing great pain to independent bookstores. Some of them, I have read, have adopted the desperate expedient of buying copies at supermarkets and then reselling them. Second, let's look at the content and style. Even though Potter and Twilight are fairly different in some ways, they also have many strong similarities. Above all, they are extremely easy to read, at every level. The vocabulary is unchallenging; the sentences are short and simple; most characters are one-dimensional stereotypes; the story is uncomplicatedly plot-driven; there are few references to other works of literature. You can read these books if you're tired, if you're sleepy, if you have poor reading skills, if you've never read anything else. They consequently have a very large potential audience.Third, they describe a comforting, emasculated world in which most of the things that make our own world so difficult and unpleasant have been removed. Most strikingly, there is no sex; in Harry Potter, which is supposed to be about fairly normal teens, no one masturbates, no girls get pregnant, none of them are labelled sluts because they've had sex with more than one boy (sometimes one is enough, for that matter), no one gets their heart broken and drops out of school or starts taking drugs as a result, no one is stuck in a dead-end relationship that they wish they could escape from, but can't. The worst thing that happens in either series is the sequence in New Moon where Edward temporarily leaves Bella. Meyer notoriously doesn't describe Bella's feelings at all, but just leaves several pages blank. Once, in fact not so long ago, most adults would have been embarrassed to be seen reading YA literature of this kind; to start with, the comforting word "YA" hadn't been invented yet, and they would have been reading children's books. Somehow, there's been a shift in standards. You look around you on a bus to see what people are reading, and you can be pretty sure you'll see at least a couple of people over 20 engrossed in Potter or Twilight. It's odd that this has happened, and I wish I understood why.In conclusion, I couldn't help being struck by the two books D chose to contrast against Potter. D, Madame Bovary is going to outlast both of these authors because Emma is a real person who experiences the crazy and contradictory emotions that real people experience when they are very unhappy, and as a result she behaves in a crazy and contradictory way; also, Flaubert, unlike Rowling and Meyer, took a great deal of trouble over his prose, and created some of the most beautiful and ironic passages in world literature. There aren't many books I'd call masterpieces, but this is one of them. And finally, Animal Farm is indeed an allegory of the Russian Revolution. More importantly, though, it's about how smart, unscrupulous people manipulate trusting, weak people. Tens of millions of people are reading Potter and Twilight, not because the books are well-written or interesting, but because the readers have been manipulated into buying them by the Napoleons and Squealers of this world. That's what I'm objecting to. Think about it for a moment. (hide spoiler)]

Frank (Bruce Willis) is retired, bored, and lonely living off of his government pension in a nondescript suburb in an equally nondescript house. The only joy in Frank's life is his calls to the government pension processing center when he gets to talk to his case worker, Sarah (Mary-Louis Parker). Sarah is as bored and lonely as Frank and marks her conversations with the unknown Frank and her spy novels as the only things fun in her life. When something in Frank's past forces him back into his old line of work and puts an unwitting Sarah in the middle of the intrigue, Frank and Sarah begin a journey into his past and the people with whom he used to work. Like Frank they are all "R.E.D." - Retired Extremely Dangerous.

Due to a shuttle's unfortunate demise in outer space, NASA becomes aware of a doomsday asteroid that is on a collision course with Earth. It seems that the only way to knock it off course is to drill into its surface and detonate a nuclear weapon. But as NASA's under-funded yet resourceful team train the world's best drillers for the job, the social order of the world begins to break down as the information reaches the public and hysteria results. As high-ranking officials play politics with the effort, the drilling team all faces deep personal issues which may jeopardize humanity's last chance...

1998 science fiction film directed by Michael Bay

Bound by an inescapable blood debt to the Italian crime lord, Santino D'Antonio, and with his precious 1969 Mustang still stolen, John Wick--the taciturn and pitiless assassin who thirsts for seclusion--is forced to visit Italy to honour his promise. But, soon, the Bogeyman will find himself dragged into an impossible task in the heart of Rome's secret criminal society, as every killer in the business dreams of cornering the legendary Wick who now has an enormous price on his head. Drenched in blood and mercilessly hunted down, John Wick can surely forget a peaceful retirement as no one can make it out in one piece.

Joe is classified as a "looper", a job in which his employers use time travel to send men from the future to be killed into the past, where Joe can properly dispose of their bodies. However, to tie up loose ends and erase the evidence of his ever being a looper, Joe knows that one day his future self will be sent back for him to kill. When this day comes, Joe's future self is prepared and escapes, and the two men struggle separately in the past trying to evade capture and attempting to fulfill their own personal agendas.

In this third installment of the adrenaline-fueled action franchise, skilled assassin John Wick (Keanu Reeves) returns with a $14 million price tag on his head and an army of bounty-hunting killers on his trail. After killing a member of the shadowy international assassin's guild, the High Table, John Wick is excommunicado, but the world's most ruthless hit men and women await his every turn.

In the wake of a devastating terrorist attack on a slow New Orleans ferry, the A.T.F. special agent, Doug Carlin, joins an experimental top-secret government program to find the bomber. Designed to bend the very fabric of time, this state-of-the-art technology enables the user to observe a detailed representation of what happened four days and six hours in the past, tracking the target's every move prior to the attack. However, the man responsible for the deadly explosion is bound to strike again. Can Carlin figure out who he is, when he is always precisely four days behind?

After being captured by Turks during the Crusades, Robin of Locksley and a Moor, Azeem, escape back to England, where Azeem vows to remain until he repays Robin for saving his life. Meanwhile, Robin's father, a nobleman loyal to King Richard the Lionheart, has been murdered by the brutal Sheriff of Nottingham, who helped install Richard's treacherous brother, Prince John, as King while Richard is overseas fighting the Crusades. When Robin returns home, he vows to avenge his father's death and restore Richard to the throne. Even though Maid Marian, his childhood friend, cannot help him, he escapes to the Forest of Sherwood where he joins a band of exiled villagers and becomes their leader. With their help, he attempts to cleanse the land of the evil that the Sheriff has spread.

The Bride must kill her ex-boss and lover Bill who betrayed her at her wedding rehearsal, shot her in the head and took away her unborn daughter. But first, she must make the other four members of the Deadly Viper Assassination Squad suffer.

The series follows John Nolan, a 40-year-old man who moves from his comfortable, small-town life to Los Angeles to pursue his dream of being a police officer for the Los Angeles Police Department. He must navigate the dangerous, humorous, and unpredictable world of a "young" cop, determined to make his second shot at life count.

2018 American police procedural television series

A modern take on the cases of Sherlock Holmes, with the detective now living in New York City.

Based on the real life of Walter O'Brien, a genius with an IQ of 197. Walter is asked by Homeland Security to put together a special group of gifted individuals to troubleshoot the most difficult problems that the US & the world may encounter.

American television action drama series (2014-2018)

Explores the high-pressure experiences of police, paramedics and firefighters who are thrust into the most frightening, shocking and heart-stopping situations. They must try to balance saving people with solving problems in their own lives.

American procedural drama television series

2018 American crime drama television series

Special Agent Leroy Jethro Gibbs is the leader of a team of special agents belonging to the NCIS (Naval Criminal Investigative Service) Major Case Response Team. Gibbs, a former Marine, is a tough investigator and a highly skilled interrogator who relies on his gut instinct as much as evidence. Gibbs' second in command is Senior Field Agent Tony DiNozzo, a womanizing, movie-quoting former Baltimore Homicide Detective, who despite being the class clown always gets the job done. The team also consists of probationary field agent Eleanor Bishop, a former NSA agent, as well as Junior Field Agent Timothy McGee, a computer-savvy agent often mocked by DiNozzo. Assisting them are Abby Sciuto, the energetic-but-Goth lab tech who is like a daughter to Gibbs, and Dr. Donald Mallard, nicknamed Ducky, the eccentric medical examiner full of unusual stories. This team of elite agents, based in Washington, D.C., solve criminal cases involving Marine and Navy personnel and their families, sometimes traveling the United States - or the world - to do it.

American military drama/police procedural fictional television series

An international unit of the FBI charged with coming to the aid of, and solving crimes involving, American citizens in foreign countries. A spin-off from Criminal Minds.

A look at the lives of young FBI recruits training at the Quantico base in Virginia when one of them is suspected of being a sleeper terrorist.

This grounded new thriller follows Mara Kint, a former hostage negotiator and expert on human behavior, who became a college professor after facing an unimaginable personal tragedy. But when she's brought in to save ordinary people who have lost themselves in a highly advanced virtual-reality program in which you can literally live your dreams, she finds that in saving others, she may actually have discovered a way to save herself.

Ransom is inspired by the professional experiences of crisis negotiator Laurent Combalbert, who with his partner, Marwan Mery, are among the top negotiators in the world. Together, they travel around the globe to help multinational corporations and governmental agencies with complex negotiations and conflict resolution.

internationally co-produced drama television series

The Naval Criminal Investigation Service's Office of Special Projects takes on the undercover work and the hard to crack cases in LA. Key agents are G. Callen and Sam Hanna, streets kids risen through the ranks.

American military drama/police procedural television series

A brilliant attorney and former First Daughter is blackmailed to heading a unit that investigates cases of wrongful conviction.

Naval Destroyer Nathan James is sent on what they're told is a research mission in the Arctic. Accompanying them is scientist, Rachel Scott. After a few months in the Arctic while Scott is on the ice doing research, some men attack them. They get back to the ship and the Commander, Tom Chandler asks the doctor what's going on. She says that a deadly disease broke out a few months ago. At first, they thought it was contained but they had no cure. They felt that the cure was in the Arctic which why she's here. But she has since received word that it has now spread to most of the globe. Chandler tries to call the President but learns the President and Vice President are dead and the US government might not have long to survive. The current President tells him that the Nathan James was not in the hot zone so he and his crew are OK. But now it's up to them to safeguard Scott because she holds the key to the planet's survival. But there are those who want the cure too and they will do whatever they have to, to get it. So they keep going and trying to find supplies and what they need so Scott can make the cure.

American post-apocalyptic drama television series

Based on the novel "Six Days of the Condor" by James Grady and screenplay "Three Days of the Condor" by Lorenzo Semple Jr. and David Rayfiel, CONDOR follows CIA analyst Joe Turner who stumbles onto a plan that threatens the lives of millions. Joe has always been conflicted about his work for the CIA. But when something he's discovered gets his entire office killed, leaving Joe as the only survivor and forcing him to go on the run, the theoretical reservations he's harbored turn into all-too-real moral dilemmas. Under pressure, Joe will be forced to redefine who he is and what he's capable of in order to discover the truth and to stop a plot that threatens the lives of millions.

Based on the best-selling novel "Point of Impact" by Stephen Hunter, and the 2007 Paramount film starring Mark Wahlberg. The series, starring Ryan Phillippe, follows the journey of Bob Lee Swagger, a highly-decorated veteran who is coaxed back into action to prevent a plot to kill the President. When Swagger's former commanding officer Isaac Johnson solicits his expertise in a clandestine operation, Swagger discovers that he has been framed and must do everything in his power to protect his family and clear his name.

Captain Ray Holt takes over Brooklyn's 99th precinct, which includes Detective Jake Peralta, a talented but carefree detective who's used to doing whatever he wants. The other employees of the 99th precinct include Detective Amy Santiago, Jake's over achieving and competitive partner; Detective Rosa Diaz, a tough and kept to herself coworker; Detective Charles Boyle, Jake's best friend who also has crush on Rosa; Detective Sergeant Terry Jeffords, who was recently taken off the field after the birth of his twin girls; and Gina Linetti, the precinct's sarcastic administrator.

Inspired by the television series and the feature film, S.W.A.T. stars Shemar Moore as a former Marine and locally born and raised S.W.A.T. sergeant, tasked to run a specialized tactical unit that is the last stop in law enforcement in Los Angeles. Torn between loyalty to where he was raised and allegiance to his brothers in blue, Daniel "Hondo" Harrelson strives to bridge the divide between his two worlds and acclimate to his new duties as the legal guardian of a teenager. Hondo's elite unit includes David "Deacon" Kay, an experienced S.W.A.T. officer and dedicated family man who always puts the team first; Christina "Chris" Alonso, a skilled officer and the team's canine trainer; Dominique Luca, an expert driver who gets them in and out of high risk situations; Victor Tan, who started in the LAPD Hollywood Division and uses his confidential informants in the community to help the team; and Jim Street, the team's cocky newest member who is re-instated to S.W.A.T. after being fired for compromising the unit. Responsible for the management of all Metro Division S.W.A.T. units is Commander Robert Hicks, a senior LAPD official with the Special Operations Bureau. Following Captain Jessica Cortez's departure for the FBI, the Mayor assigns Lieutenant Piper Lynch to SWAT as a tactical consultant, where she challenges the team's field strategy, which raises questions about her loyalty. With Hondo leading the charge, these dedicated men and women bravely put themselves at risk to protect their community and save lives.

American crime drama television series (2017)

Steve McGarrett (Alex O'Loughlin) comes to Hawaii to avenge his father's death, but when the Governor offers his own task force, he accepts. He picks up team members on the way, Danny Williams (Scott Caan), the head detective on his father's case, Chin Ho Kelly (Daniel Dae Kim), a former Honolulu Police Department Detective who was fired for accused corruption, and McGarrett's father's old patrol partner, Kono Kalakaua (Grace Park), a Cadet at the Police Academy who's one week from graduating, Lori Weston (Lauren German), entry to Five-O temporarily, Catharine Rollins (Michelle Borth), a girlfriend of Steve, and Captain Lou Grover (Chi McBride), a former Chicago Police Department Head of S.W.A.T.

2010 version of the American television series

After the Battle of New York, the world has changed. It now knows not only about the Avengers, but also the powerful menaces that require those superheroes and more to face them. In response, Phil Coulson of the Strategic Homeland Intervention, Enforcement and Logistics Division assembles an elite covert team to find and deal with these threats wherever they are found. With a world rapidly becoming more bizarre and dangerous than ever before as the supervillains arise, these agents of S.H.I.E.L.D. are ready to take them on.

The complex world of our bravest military heroes who make personal sacrifices while executing the most challenging and dangerous missions behind enemy lines.

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