Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

In the foreword to \
  Human Action: A Treatise on Economics,\
 Mises explains complex market phenomena as "the outcomes of countless conscious, purposive actions, choices, and preferences of individuals, each of whom was trying as best as he or she could under the circumstances to attain various wants and ends and to avoid undesired consequences." It is individual choices in response to personal subjective value judgments that ultimately determine market phenomena—supply and demand, prices, the pattern of production, and even profits and losses. Although governments may presume to set "prices," it is individuals who, by their actions and choices through competitive bidding for money, products, and services, actually determine "prices". Thus, Mises presents economics—not as a study of material goods, services, and products—but as a study of human actions. He sees the science of human action, praxeology, as a science of reason and logic, which recognizes a regularity in the sequence and interrelationships among market phenomena. Mises defends the methodology of praxeology against the criticisms of Marxists, socialists, positivists, and mathematical statisticians.Mises attributes the tremendous technological progress and the consequent increase in wealth and general welfare in the last two centuries to the introduction of liberal government policies based on free-market economic teachings, creating an economic and political environment which permits individuals to pursue their respective goals in freedom and peace. Mises also explains the futility and counter-productiveness of government attempts to regulate, control, and equalize all people's circumstances: "Men are born unequal and ... it is precisely their inequality that generates social cooperation and civilization."Ludwig von Mises (1881–1973) was the leading spokesman of the Austrian School of Economics throughout most of the twentieth century. He earned his doctorate in law and economics from the University of Vienna in 1906. In 1926, Mises founded the Austrian Institute for Business Cycle Research. From 1909 to 1934, he was an economist for the Vienna Chamber of Commerce. Before the Anschluss, in 1934 Mises left for Geneva, where he was a professor at the Graduate Institute of International Studies until 1940, when he emigrated to New York City. From 1948 to 1969, he was a visiting professor at New York University.Bettina Bien Greaves is a former resident scholar, trustee, and longtime staff member of the Foundation for Economic Education. She has written and lectured extensively on topics of free market economics. Her articles have appeared in such journals as Human Events, Reason, and The Freeman: Ideas on Liberty. A student of Mises, Greaves has become an expert on his work in particular and that of the Austrian School of economics in general. She has translated several Mises monographs, compiled an annotated bibliography of his work, and edited collections of papers by Mises and other members of the Austrian School.

Arthur C. Clarke, creator of one of the world's best-loved science fiction tales, revisits the most famous future ever imagined in this NEW YORK TIMES bestseller, as two expeditions into space become inextricably tangled. Heywood Floyd, survivor of two previous encounters with the mysterious monloiths, must again confront Dave Bowman, HAL, and an alien race that has decided that Mankind is to play a part in the evolution of the galaxy whether it wishes to or not. --This text refers to an out of print or unavailable edition of this title.

When 2001: A Space Odyssey first shocked, amazed, and delighted millions in the late 1960s, the novel was quickly recognized as a classic. Since then, its fame has grown steadily among the multitudes who have read the novel or seen the film based on it. Yet, along with almost universal acclaim, a host of questions has grown more insistent through the years:Who or what transformed Dave Bowman into the Star-Child? What purpose lay behind the transformation? What would become of the Star-Child?What alien purpose lay behind the monoliths on the Moon and out in space?What could drive HAL, a stable, intelligent computer, to kill the crew? Was HAL really insane? What happened to HAL and the spaceship Discovery after Dave Bowman disappeared?Would there be a sequel?Now all those questions and many more have been answered. In this stunning sequel to his international bestseller, Clarke has written what will truly be one of the great books of the '80s. Cosmic in sweep, eloquent in its depiction of Man's place in the Universe, and filled with the romance of space, this novel is a monumental achievement.

The book is always better than the film, but I'd never read 2001 before. What I didn't know, until reading the foreword, is that this novel was literally written in tandem with the film, with Clarke and Kubrick feeding each other ideas. At some points, however, filming overtook writing, or vice versa, and the two stories, though similar, split along two different paths. After reading the book, the film becomes little more than a very well crafted container: It's pretty and neat to look at it, but open it up, and it's empty. There is none of Clarke's vision of how a being we'd call God would communicate with us across unfathomable time spans, or teach us, or lead us into higher consciousness. Stripped away by Kubrick is the sense that this being truly wants us to be in its image, and that the whole breadcrumb trail of monoliths was designed to do just that. And completely erased is the notion that David Bowman, as Star Child, is now one with the Universe, in some Zen-like way, and also much more like something we'd called a god.Don't get me wrong, 2001 is still one of my favorite films, but to get the full meaning and understand the full weight of why 2001 has been called "the perfect science fiction story," you must read the book. Clarke marries science, mysticism, theory, and fantasy in ways like no other. Unfortunately, Kubrick stripped away the mysticism and theory and left us what is, in comparison to the book, only a glimmer at something bigger.Kubrick touched the monolith, but Clarke went inside.

A sure-to-be-controversial defense of the  fossil fuel industry Conventional wisdom says fossil fuels are an unsustainable form of energy that is destroying our planet. But Alex Epstein shows that if we look at the big picture, the much-hated fossil fuel industry is dramatically improving our planet by making it a far safer and richer place.  The key difference between a healthy and unhealthy environment, Epstein argues, is development—the transformation of nature to meet human needs. And the energy required for development is overwhelmingly made possible by the fossil fuel industry, the only way to produce cheap, plentiful, reliable energy on a global scale.  While acknowledging the challenges of fossil fuels (and every form of energy), Epstein argues that the overall benefits, including the largely ignored environmental benefits, are incomparably greater.

Ist es Nostalgie …… oder schreiben sie heutzutage nicht mehr so gute Kinderbücher? Ich habe in meinem Glas Senf zu Jim Knopf und Lukas der Lokomotivführer ja schon meinen Unmut über heutige Kinderbücher zum Ausdruck gebracht und muß dies nicht wieder tun, aber wenn man ein solches Buch wie Jim Knopf und die Wilde 13 zur Hand nimmt, dann fragt man sich, wo die Kinderbuchautoren sind, die zum einen ihr Publikum als denkende, sich wundernde und humorbegabte Wesen ernstnehmen und zum anderen davon ausgehen, daß auch Kinder für die Schönheit der Sprache empfänglich gemacht und an einen breiteren Wortschatz herangeführt werden können. Daß es mithin nicht unbedingt von Respekt gegenüber kleinen Lesern zeugt, immer wieder die gleichen 150 Wörter zu benutzen, sondern die Sprache gezielt – man denke nur an die gehobenen Ausdrücke in den Weissagungen des Drachen – einzusetzen, um Stimmung zu erzeugen und Kindern zu vermitteln, daß es eben einen Unterschied zwischen einem Antlitz, einem Gesicht und einer Visage gibt.Klar, ein wenig befremdlich ist es doch, daß Prinzessin Li Si nicht mit auf das Abenteuer gegen die Wilde 13 gehen darf, weil es einfach zu gefährlich sei, während niemand den Schatten eines Vorbehaltes dagegen hegt, Jim, der ja immerhin auch ein Kind ist, mit auf die Expedition – und auf alle anderen gefahrvollen Unternehmungen – zu nehmen. Auch, daß Li Si am Ende fast das Unternehmen durch ihr plötzliches Auftauchen zum Scheitern bringt und daß sie später von Frau Waas lernt, wie man den Haushalt führt … naja, geschenkt. Diese Geschlechterstereotype entsprechen wohl kaum unseren heutigen Vorstellungen, aber dennoch ist mir ein Buch wie dieses tausendmal lieber als bemüht didaktische Kinderbücher, die vor politischer Korrektheit kaum noch kreativ sein mögen, sondern lieber langweilige Mittelstandsalltagsprosa verbreiten.In Jim Knopf und die Wilde 13 hingegen feiert die Phantasie wieder fröhliche Urständ, und dies nicht nur im Großen, sondern auch in kleinen Details – wie beispielsweise in dem, daß die Burschen der Wilden 13 allesamt nur jeweils einen Buchstaben schreiben können und hieraus dann mühselig ihre Drohbriefe zusammenstümpern. Darüber hinaus lernen wir, wie es mit den Figuren, die schon im ersten Teil eingeführt wurden, weitergeht und, ganz klar, welche Bewandtnis es mit dem Geheimnis um Jims Herkunft hat. Auch hier werden, ganz wie im ersten Buch, Werte wie Zusammenarbeit, das Aushandeln von Kompromissen, der Blick hinter die erste Fassade eines möglichen Vorurteils großgeschrieben, auch ohne daß der Autor dies allzu offensichtlich zum Thema macht. Statt dessen flicht er dies einfach glaubwürdig und zwanglos in die Geschichte ein.Alles in allem ist auch diese Fortsetzung, die sich ganz natürlich aus den losen Fäden und offenen Fragen des ersten Buches ergibt, ein Kinderbuchklassiker, den man unbedingt an die nächsten Generationen weitergeben sollte.

"Pippi," said Annika one day when they were eating pancakes in Villa Villekulla's pleasant kitchen, "Everyone knows you're the strongest person in the world. But who's next strongest?""Starke Adolf," said Pippi at once. "Remember I wrestled him to the ground at the fair and won a hundred kronor?""Oh yes!" said Tommy. "Of course. And who's third?""Ah," said Pippi. "I'm glad you asked me that question. It's my old friend Lukas the Engine-Driver, and now I think I need to go visit him again.""Where does he live?" asked Annika."He lives in Lummerland," said Pippi. "Lummerland is the smallest country in the world. It's a little island and there's only room for four people. There's the King, and Herr Ärmel, and Frau Waas, and Lukas. And his engine. She is called Emma, and she is brave and loyal but not very smart. Engines never are you know.""And he's really the third strongest person in the world?" asked Tommy."He certainly is!" said Pippi. "He can twist an iron bar into a knot with his bare hands and he is amazingly good at spitting. He can spit even better than I can. He can spit out a lighted match at twenty paces and make his spit do a loop on the way.""But that's impossible," said Tommy. "I mean how--""Impossible for you," said Pippi. "Impossible for me. Even impossible for my father, Captain Långstrump, who is the spitting champion of the whole of the South Seas. But not impossible for Lukas the Engine-Driver. He has a special secret trick."Tommy was about to ask another question, but Annika, who thought spitting was disgusting, interrupted him. "You said Lummerland was only big enough for four people," she said."That's right," said Pippi. "Just enough for four people. And Emma. And the King's castle, and Frau Waas's shop, and two mountains and a railway line. And a tiny bit over.""But what would happen if someone had a baby?" asked Annika."That is exactly what happened," said Pippi. "One day, a packet arrived at Lummerland. They opened it up and there was a baby boy inside. A black baby boy.""But babies don't come in packets," said Annika."This one did," said Pippi. "And anyway, how could he breathe?" asked Tommy."They had made air-holes in the packet," said Pippi. "But when Lukas saw it, he got so mad. He said, 'If I ever find who put this poor baby in a packet and sent him here, his life won't be worth a plugged nickle'. He got so mad the baby started crying and he had to calm down"."What did they do with the baby?" asked Annika. She loved babies, and she already felt sorry for him."Frau Waas adopted him," said Pippi. "And Lukas was his best friend. They called him Jim. And when Jim was small, that was fine. Like I said, there was just a little space left over. But he started getting bigger and then the King got more and more worried. Because there wasn't enough room for another grown-up person.""So what happened?" asked Annika. "Well," said Pippi, "first the King said Emma had to leave Lummerland. But Lukas couldn't let that happen, because Emma was his engine, and what's an engine-driver without an engine? So he told Jim that he and Emma would leave together. But Jim was Lukas's best friend, and he said that then he was leaving too. So that night they all left together. They sailed away in Emma and had so many adventures that I could spend a week telling you about them.""You can't sail away in an engine," said Tommy. "It would sink.""You have to make them watertight," said Pippi. "Then they float. Lukas knows how to do it.""Pippi," said Annika. "Is all this really true?""Cross my heart!" said Pippi. "I just remembered that my friend Michael Ende wrote down the whole story in a book. I told him it was such a good story he had to do that and he did. Michael is the best writer in the world.""Do you have this book?" asked Annika suspiciously."Course I do!" said Pippi. "It's in my old steamer trunk. Here, I'll get it for you."She flung open the trunk and began to toss out the things she found in it. There were all sorts of interesting objects - gold coins, old pistols, stuffed parrots, maps of strange places Annika had never heard of - but no book."Pippi," said Annika. "Admit it. You've been lying again.""I have not!" said Pippi. "Look! Here it is!"She pulled out a large book. There was a picture of two people on the cover, a man with a dark brown face and a boy with a coal-black face. They were both smoking pipes and grinning from ear to ear. The title of the book was Jim Knopf und Lukas der Lokomotivführer."There!" said Pippi triumphantly. "Now do you believe me?"

In 1865, English author CHARLES LUTWIDGE DODGSON (1832-1898), aka Lewis Carroll, wrote a fantastical adventure story for the young daughters of a friend. The adventures of Alice-named for one of the little girls to whom the book was dedicated-who journeys down a rabbit hole and into a whimsical underworld realm instantly struck a chord with the British public, and then with readers around the world. In 1872, in reaction to the universal acclaim *Alice's Adventures in Wonderland* received, Dodgson published this sequel. Nothing is quite what it seems once Alice journeys through the looking-glass, and Dodgson's wit is infectious as he explores concepts of mirror imagery, time running backward, and strategies of chess-all wrapped up in the exploits of a spirited young girl who parries with the Red Queen, Tweedledee and Tweedledum, and other unlikely characters. In many ways, this sequel has had an even greater impact on today's pop culture than the first book.

"I can't explain myself, I'm afraid, sir," said Alice, "Because I'm not myself, you see."When Alice sees a white rabbit take a watch out of its waistcoat pocket she decides to follow it, and a sequence of most unusual events is set in motion. This mini book contains the entire topsy-turvy stories of Alice's Adventures in Wonderland and Through the Looking-Glass, accompanied by practical notes and Martina Pelouso's memorable full-colour illustrations.

Douglas Hofstadter's book is concerned directly with the nature of “maps” or links between formal systems. However, according to Hofstadter, the formal system that underlies all mental activity transcends the system that supports it. If life can grow out of the formal chemical substrate of the cell, if consciousness can emerge out of a formal system of firing neurons, then so too will computers attain human intelligence. Gödel, Escher, Bach is a wonderful exploration of fascinating ideas at the heart of cognitive science: meaning, reduction, recursion, and much more.

Stefan Zweig's memoir, The World of Yesterday, recalls the golden age of prewar Europe - its seeming permanence, its promise and its devastating fall with the onset of two world wars. Zweig's passionate, evocative prose paints a stunning portrait of an era that danced brilliantly on the brink of extinction. It is an unusually humane account of Europe from the closing years of the 19th century through to World War II, seen through the eyes of one of the most famous writers of his era. Zweig's books (novels, biographies, essays) were translated into numerous languages, and he moved in the highest literary circles; he also encountered many leading political and social figures of his day.The World of Yesterday is a remarkable, totally engrossing history. This translation by the award-winning Anthea Bell captures the spirit of Zweig's writing in arguably his most important work, completed shortly before his tragic death in 1942. It is read with sympathy and understanding by David Horovitch.

Ayn Rand chose Leonard Peikoff to be her successor as the spokesman for Objectivism. And in this brilliantly reasoned, thought-provoking work we learn why, as he demonstrates how far America has been detoured from its original path and led down the same road that Germany followed to Nazism. Self-sacrifice, Oriental mysticism, racial "truth," the public good, doing one's duty--these are among the seductive catch-phrases that Leonard Peikoff dissects, examining the kind of philosophy they symbolize, the type of thinking that lured Germany to its doom and that he says is now prevalent in the United States. Here is a frightening look at where America may be heading, a clarion call for all who are concerned about preserving our right to individual freedom.

In her ethics Ayn Rand extolled the virtue of selfishness—and in her theory of art she was no less radical. Piercing the fog of mysticism and sentimentality that engulfs art, the essays in The Romantic Manifesto explain why, since time immemorial, man has created and consumed works of art.Ayn Rand argues that objective standards in art are possible because art is not a subjective luxury, but rather a critical need of human life—not a material need, but a need of man’s rational mind, the faculty on which his material survival depends.Ayn Rand explains the indispensable function of art in man’s life (ch. 1), the objective source of man’s deeply personal, emotional response to art (ch. 2), and how an artist’s fundamental, often unstated view of man and of the world shapes his creations (ch. 3).Turning to her own field of artistic creation, Rand elaborates (ch. 5) on her distinctive theory of literature and identifies principles by which to judge an artwork objectively. “What is Romanticism?” (ch. 6) sheds new light on the nature and philosophy of the school of literature under which Rand classified her own work. Later essays explain how contemporary art reveals the debased intellectual state of our culture (ch. 7, 8 and 9).In the final essay Rand articulates the goal of her own fiction writing as “the projection of an ideal man, as an end in itself”—and explains that she originated her philosophy as a means to this end.Table of ContentsIntroductionThe Psycho-Epistemology of ArtPhilosophy and Sense of LifeArt and Sense of LifeArt and CognitionBasic Principles of LiteratureWhat Is Romanticism?The Esthetic Vacuum of Our AgeBootleg RomanticismArt and Moral TreasonIntroduction to Ninety-ThreeThe Goal of My WritingThe Simplest Thing in the WorldIndex

A prolific writer, bestselling novelist, and world-renowned philosopher, Ayn Rand defined a full system of thought--from epistemology to aesthetics. Her writing is so extensive and the range of issues she covers so enormous that those interested in finding her discussions of a given topic may have to search through many sources to locate the relevant passage. The Ayn Rand Lexicon brings together all the key ideas of her philosophy of Objectivism. Begun under Rand's supervision, this unique volume is an invaluable guide to her philosophy or reason, self-interest and laissez-faire capitalism--the philosophy so brilliantly dramatized in her novels The Fountainhead, We the Living, and Anthem.

The foundations of capitalism are being battered by a flood of altruism, which is the cause of the modern world's collapse. This is the view of Ayn Rand, a view so radically opposed to prevailing attitudes that it constitutes a major philosophic revolution. In this series of essays, she presents her stand on the persecution of big business, the causes of war, the default of conservatism, and the evils of altruism. Here is a challenging new look at modern society by one of the most provocative intellectuals on the American scene.   This edition includes two articles by Ayn Rand that did not appear in the hardcover edition: “The Wreckage of the Consensus,” which presents the Objectivists’ views on Vietnam and the draft; and “Requiem for Man,” an answer to the Papal encyclical Progresso Populorum.

Ayn Rand here sets forth the moral principles of Objectivism, the philosophy that holds human life--the life proper to a rational being--as the standard of moral values and regards altruism as incompatible with man's nature, with the creative requirements of his survival, and with a free society.

Goat Simulator is the latest in goat simulation technology, bringing next-gen goat simulation to YOU. You no longer have to fantasize about being a goat, your d...

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With the Empire attacking the Kingdoms of the North and the Wild Hunt, a cavalcade of ghastly riders, breathing down your neck, the only way to survive is to f...

Jump behind the wheel of some iconic cars and put the pedal to the metal through Ventura Bay, a sprawling urban playground. Explore overlapping stories as you e...

Engage in a relentless ride to infiltrate and subvert the 510s, a gang that has come to power around Detroit's illegal street racing scene. Your mission? Build...

Three separate but parallel stories of the U.S mortgage housing crisis of 2005 are told. Michael Burry, an eccentric ex-physician turned one-eyed Scion Capital hedge fund manager, has traded traditional office attire for shorts, bare feet and a Supercuts haircut. He believes that the US housing market is built on a bubble that will burst within the next few years. Autonomy within the company allows Burry to do largely as he pleases, so Burry proceeds to bet against the housing market with the banks, who are more than happy to accept his proposal for something that has never happened in American history. The banks believe that Burry is a crackpot and therefore are confident in that they will win the deal. Jared Vennett with Deutschebank gets wind of what Burry is doing and, as an investor believes he too can cash in on Burry's beliefs. An errant telephone call to FrontPoint Partners gets this information into the hands of Mark Baum, an idealist who is fed up with the corruption in the financial industry. Baum and his associates, who work at an arms length under Morgan Stanley, decide to join forces with Vennett despite not totally trusting him. In addition to Burry's information, they further believe that most of the mortgages are overrated by the bond agencies, with the banks collating all the sub-prime mortgages under AAA packages. Charlie Geller and Jamie Shipley, who are minor players in a $30 million start-up garage company called Brownfield, get a hold of Vennett's prospectus on the matter. Wanting in on the action but not having the official clout to play, they decide to call an old "friend", retired investment banker Ben Rickert, to help out. All three of these groups work on the premise that the banks are stupid and don't know what's going on, while for them to win, the general economy has to lose, which means the suffering of the general investor who trusts the financial institutions. That latter aspect may not sit well with Baum. Some of these assumptions may be incorrect and may be far more manipulative than they could have ever imagined, which in turn may throw curves into the process.

In 1930s Italy, a carefree Jewish waiter named Guido starts a fairy tale life by courting and marrying a lovely woman from a nearby city. Guido and his wife have a son and live happily together until the occupation of Italy by German forces. In an attempt to hold his family together and help his son survive the horrors of a Jewish Concentration Camp, Guido imagines that the Holocaust is a game and that the grand prize for winning is a tank.

On the day that Hurricane Katrina hits New Orleans, elderly Daisy Williams (nee Fuller) is on her deathbed in a New Orleans hospital. At her side is her adult daughter, Caroline. Daisy asks Caroline to read to her aloud the diary of Daisy's lifelong friend, Benjamin Button. Benjamin's diary recounts his entire extraordinary life, the primary unusual aspect of which was his aging backwards, being diagnosed with several aging diseases at birth and thus given little chance of survival, but who does survive and gets younger with time. Abandoned by his biological father, Thomas Button, after Benjamin's biological mother died in childbirth, Benjamin was raised by Queenie, a black woman and caregiver at a seniors home. Daisy's grandmother was a resident at that home, which is where she first met Benjamin. Although separated through the years, Daisy and Benjamin remain in contact throughout their lives, reconnecting in their forties when in age they finally match up. Some of the revelations in Benjamin's diary are difficult for Caroline to read, especially as it relates to the time past this reconnection between Benjamin and Daisy, when Daisy gets older and Benjamin grows younger into his childhood years.

McMurphy has a criminal past and has once again gotten himself into trouble and is sentenced by the court. To escape labor duties in prison, McMurphy pleads insanity and is sent to a ward for the mentally unstable. Once here, McMurphy both endures and stands witness to the abuse and degradation of the oppressive Nurse Ratched, who gains superiority and power through the flaws of the other inmates. McMurphy and the other inmates band together to make a rebellious stance against the atrocious Nurse.

In the dystopian world of 2027 London, humans have been incapable of reproducing for 18 year for an unknown reason, meaning the imminent extinction of the species. Britain is the one remaining civilized society on the planet, which has resulted in people wanting to migrate there, so it has become a police state to handle the immigrants, who are placed into refugee camps. Lowly government bureaucrat Theo Faron, once an activist, is approached by the Fishes, deemed a terrorist group, led by his ex-wife Julian Taylor, whom he hasn't seen in almost 20 years, since their marriage disintegrated after their infant son Dylan's death during the 2008 flu pandemic. Although the Fishes did use terrorist means in their on-going revolution against the state in the fight for immigrant rights, Julian vows that they now garner support solely by speaking to the people, and she wants Theo to use his connections to get transit papers for a young immigrant woman named Kee who needs to get to the coast. Although initially reluctant to do it because of the difficulty, Theo is able to grant Julian this favor, however with the change that he now needs to accompany Kee on her journey. As Theo and Kee progress on that journey, Theo learns more and more about what's going on, including the reason that Kee needs to get to the coast, the fact that no one in the group knows if their end destination even exists, and that his and Kee's lives are in greater danger than he believed when they started the journey. But Theo's sole mission becomes to help Kee at any cost for the survival of the species.

Following a truck hijack in New York, five criminals are arrested and brought together for questioning. As none of them are guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser Söze is felt. It becomes clear that each one of them has wronged Söze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser Söze?

Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the streets of Britain..

After Black September's assassination of Israeli athletes at the Munich Olympics in 1972, Prime Minister Golda Meir okays a covert operation to hunt down and kill all involved. A team of five gathers in Switzerland led by Avner, a low-level Mossad techie whose father was a war hero and whose wife is pregnant. It's an expendable team, but relying on paid informants, they track and kill several in Europe and Lebanon. They must constantly look over their shoulders for the CIA, KGB, PLO, and their own sources. As the body count mounts -- with retribution following retribution -- so do questions, doubts, and sleepless nights. Loyalties blur. What does it mean to be a Jew?

While exploring uncharted wilderness in 1823, legendary frontiersman Hugh Glass sustains injuries from a brutal bear attack. When his hunting team leaves him for dead, Glass must utilize his survival skills to find a way back home while avoiding natives on their own hunt. Grief-stricken and fueled by vengeance, Glass treks through the wintry terrain to track down John Fitzgerald, the former confidant who betrayed and abandoned him.

2015 film directed by Alejandro González Iñárritu

As the Avengers and their allies have continued to protect the world from threats too large for any one hero to handle, a new danger has emerged from the cosmic shadows: Thanos. A despot of intergalactic infamy, his goal is to collect all six Infinity Stones, artifacts of unimaginable power, and use them to inflict his twisted will on all of reality. Everything the Avengers have fought for has led up to this moment, the fate of Earth and existence has never been more uncertain.

2018 film directed by Anthony and Joe Russo

Blondie, The Good (Clint Eastwood), is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes, The Bad (Lee Van Cleef), is a hitman who always commits to a task and sees it through--as long as he's paid to do so. And Tuco, The Ugly (Eli Wallach), is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership making money off of Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor, Bill Carson (Antonio Casale), that he and a few other men have buried a stash of gold in a cemetery. Unfortunately, Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows they know where the gold is; now he needs them to lead him to it. Now The Good, the Bad, and the Ugly must all battle it out to get their hands on $200,000.00 worth of gold.

In this adaptation of the autobiography "The Pianist: The Extraordinary True Story of One Man's Survival in Warsaw, 1939-1945,"

In the distant future, the crew of the commercial spaceship Nostromo are on their way home when they pick up a distress call from a distant moon. The crew are under obligation to investigate and the spaceship descends on the moon afterwards. After a rough landing, three crew members leave the spaceship to explore the area on the moon. At the same time as they discover a hive colony of some unknown creature, the ship's computer deciphers the message to be a warning, not a distress call. When one of the eggs is disturbed, the crew realizes that they are not alone on the spaceship and they must deal with the consequences.

1979 science fiction horror film by Ridley Scott

Sara Goldfarb (Ellen Burstyn) is a retired widow, living in a small apartment. She spends most of her time watching TV, especially a particular self-help show. She has delusions of rising above her current dull existence by being a guest on that show. Her son, Harry (Jared Leto) is a junkie but along with his friend Tyrone (Marlon Wayans) has visions of making it big by becoming a drug dealer. Harry's girlfriend Marion (Jennifer Connelly) could be fashion designer or artist but is swept along in Harry's drug-centric world. Meanwhile Sara has developed an addiction of her own. She desperately wants to lose weight and so goes on a crash course involving popping pills, pills which turn out to be very addictive and harmful to her mental state.

Paranoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy through a back door mechanism a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff, General Buck Turgidson, and President Merkin Muffley. Only Ripper knows the code to recall the B-52 bombers and he has shut down communication in and out of Burpelson as a measure to protect this attack. Ripper's executive officer, RAF Group Captain Lionel Mandrake (on exchange from Britain), who is being held at Burpelson by Ripper, believes he knows the recall codes if he can only get a message to the outside world. Meanwhile at the Pentagon War Room, key persons including Muffley, Turgidson and nuclear scientist and adviser, a former Nazi named Dr. Strangelove, are discussing measures to stop the attack or mitigate its blow-up into an all out nuclear war with the Soviets. Against Turgidson's wishes, Muffley brings Soviet Ambassador Alexi de Sadesky into the War Room, and get his boss, Soviet Premier Dimitri Kisov, on the hot line to inform him of what's going on. The Americans in the War Room are dismayed to learn that the Soviets have an as yet unannounced Doomsday Device to detonate if any of their key targets are hit. As Ripper, Mandrake and those in the War Room try and work the situation to their end goal, Major T.J. "King" Kong, one of the B-52 bomber pilots, is working on his own agenda of deploying his bomb where ever he can on enemy soil if he can't make it to his intended target.

1964 British satire film directed by Stanley Kubrick

Over 10 years have passed since the first machine called The Terminator tried to kill Sarah Connor and her unborn son, John. The man who will become the future leader of the human resistance against the Machines is now a healthy young boy. However, another Terminator, called the T-1000, is sent back through time by the supercomputer Skynet. This new Terminator is more advanced and more powerful than its predecessor and its mission is to kill John Connor when he's still a child. However, Sarah and John do not have to face the threat of the T-1000 alone. Another Terminator (identical to the same model that tried and failed to kill Sarah Connor in 1984) is also sent back through time to protect them. Now, the battle for tomorrow has begun.

A touching tale of a wayward young man who struggles to find his identity, living in a world where he can solve any problem, except the one brewing deep within himself, until one day he meets his soul mate who opens his mind and his heart.

Luke Skywalker battles Jabba the Hutt and Darth Vader to save his comrades in the Rebel Alliance and triumph over the Galactic Empire. Han Solo and Princess Leia reaffirm their love, and team with Chewbacca, Lando Calrissian, the Ewoks, and droids C-3PO and R2-D2 to aid in the disruption of the Dark Side, and the defeat of the evil emperor.

1983 American epic space opera film directed by Richard Marquand

Italian composer, orchestrator and conductor (1928–2020)

Italian composer and violinist (1678-1741)

German composer, organist, harpsichordist, violist, and violinist

British musician, actor, record producer and arranger

The body of a young girl (Laura Palmer) is washed up on a beach near the small Washington state town of Twin Peaks. FBI Special Agent Dale Cooper is called in to investigate her strange demise only to uncover a web of mystery that ultimately leads him deep into the heart of the surrounding woodland and his very own soul.

American drama television series from 1990–1991

A former lawyer attends a community college when it is discovered he faked his Bachelor's degree. In an attempt to get with a student in his Spanish class, he forms a Spanish study group. To his surprise, more people attend the study group and the group of misfits form an unlikely community.

American comedy television series created by Dan Harmon

Sheriff Deputy Rick Grimes gets shot and falls into a coma. When awoken he finds himself in a Zombie Apocalypse. Not knowing what to do he sets out to find his family, after he's done that, he gets connected to a group to become the leader. He takes charge and tries to help this group of people survive, find a place to live and get them food. This show is all about survival, the risks and the things you'll have to do to survive.

American post-apocalyptic drama television series

As a child Matt Murdock was blinded by a chemical spill in a freak accident. Instead of limiting him it gave him superhuman senses that enabled him to see the world in a unique and powerful way. Now he uses these powers to deliver justice, not only as a lawyer in his own law firm, but also as vigilante at night, stalking the streets of Hell's Kitchen as Daredevil, the man without fear.

Meet the wildly dysfunctional Bluth family. This family was once at the height of real estate development in Orange County, California. But when the family business - the Bluth Company - goes bust, they're suddenly found penniless with their assets frozen. They move into their last remaining asset - the model home left over from their latest housing tract. Their luxury vehicles are replaced with a reminder of the family's former wealth: 'the stair car that accompanied their private jet'. The patriarch of the family is George Bluth - he's now in prison, and loving every minute of it. His wife Lucille and daughter Lindsay are spoiled socialites who can't handle getting kicked out of family restaurants. His son Buster is in his mid 30's and lives at home. His son George Oscar Bluth is a magician who started a group to get magicians to be taken seriously, and gets kicked out when his own tricks are revealed. Lindsay is married to a man named Tobias Funke, once a psychiatrist, who decides to become an actor. The only sane member of the family: Michael Bluth, along with his son George Michael, want nothing to do with the family business. But one bizarre circumstance after another keeps Michael and George Michael from leaving their eccentric family.

The professional and personal lives of those who work in advertising on Madison Avenue - self-coined "mad men" - in the 1960s are presented. The stories focus on those at one of the avenue's smaller firms, Sterling Cooper, and its various incarnations over the decade. At the heart of these stories is Donald Draper, the creative genius of the company. That professional creative brilliance belies the fact of a troubled childhood, one that he would rather forget and not let anyone know about except for a select few, but one that shaped who he is as an adult and as an ad man in the need not only to sell products but sell himself to the outside world. His outward confidence also masks many insecurities as evidenced through his many vices, such as excessive smoking, drinking and womanizing - the latter despite being a family man - and how he deals with the aftermath of some of the negative aspects of his life.

Captain Ray Holt takes over Brooklyn's 99th precinct, which includes Detective Jake Peralta, a talented but carefree detective who's used to doing whatever he wants. The other employees of the 99th precinct include Detective Amy Santiago, Jake's over achieving and competitive partner; Detective Rosa Diaz, a tough and kept to herself coworker; Detective Charles Boyle, Jake's best friend who also has crush on Rosa; Detective Sergeant Terry Jeffords, who was recently taken off the field after the birth of his twin girls; and Gina Linetti, the precinct's sarcastic administrator.

The Byrdes and their teenage kids, Charlotte and Jonah, are, for all intents and purposes, an ordinary family with ordinary lives. Except for the job of Marty, a Chicago financial advisor who also serves as the top money launderer for the second largest drug cartel in Mexico. When things go awry, Marty must uproot his family from the skyscrapers of Chicago and relocate to the lazy lake region of the Missouri Ozarks.

The show follows the personal and professional lives of Dev, a 30-year-old actor who has trouble deciding what he wants to eat, much less the pathway for the rest of his life. Dev's story takes him through subjects as diverse as the plight of the elderly, the immigrant experience, and how to find the most delicious pasta for dinner.

Ted Mosby sits down with his kids, to tell them the story of how he met their mother. The story is told through memories of his friends Marshall, Lily, Robin, and Barney Stinson. All legendary 9 seasons lead up to the moment of Ted's final encounter with "the one."

Nine year-old orphan Beth Harmon is quiet, sullen, and by all appearances unremarkable. That is, until she plays her first game of chess. Her senses grow sharper, her thinking clearer, and for the first time in her life she feels herself fully in control. By the age of sixteen, she's competing for the U.S. Open championship. But as Beth hones her skills on the professional circuit, the stakes get higher, her isolation grows more frightening, and the thought of escape becomes all the more tempting. Based on the book by Walter Tevis.

The curious, adventure-seeking, fourth grade group of 10 year old boys, Stan, Kyle, Cartman, and Kenny, all join in in buffoonish adventures that sometimes evolve nothing. Sometimes something that was simple at the start, turns out to get out of control. Everything is odd in the small mountain town, South Park, and the boys always find something to do with it.

Leonard Hofstadter and Sheldon Cooper are both brilliant physicists working at Cal Tech in Pasadena, California. They are colleagues, best friends, and roommates, although in all capacities their relationship is always tested primarily by Sheldon's regimented, deeply eccentric, and non-conventional ways. They are also friends with their Cal Tech colleagues mechanical engineer Howard Wolowitz and astrophysicist Rajesh Koothrappali. The foursome spend their time working on their individual work projects, playing video games, watching science-fiction movies, or reading comic books. As they are self-professed nerds, all have little or no luck with women. When Penny, a pretty woman and an aspiring actress from Omaha, moves into the apartment across the hall from Leonard and Sheldon's, Leonard has another aspiration in life, namely to get Penny to be his girlfriend.

Narcos tells the true-life story of the growth and spread of cocaine drug cartels across the globe and attendant efforts of law enforcement to meet them head on in brutal, bloody conflict. It centers around the notorious Colombian cocaine kingpin Pablo Escobar (Wagner Moura) and Steve Murphy (Holbrook), a DEA agent sent to Colombia on a U.S. mission to capture him and ultimately kill him.

American-Colombian-Mexican crime drama television series

Based on Caroline Kepnes' best-selling novel of the same name, YOU is a 21st century love story that asks, "What would you do for love?" When a brilliant bookstore manager crosses paths with an aspiring writer, his answer becomes clear: anything. Using the internet and social media as his tools to gather the most intimate of details and get close to her, a charming and awkward crush quickly becomes obsession as he quietly and strategically removes every obstacle - and person - in his way.

2018 American psychological thriller television series

A mediocre paper company in the hands of Scranton, PA branch manager Michael Scott. This mockumentary follows the everyday lives of the manager and the employees he "manages." The crew follows the employees around 24/7 and captures their quite humorous and bizarre encounters as they will do what it takes to keep the company thriving.

In the mythical continent of Westeros, several powerful families fight for control of the Seven Kingdoms. As conflict erupts in the kingdoms of men, an ancient enemy rises once again to threaten them all. Meanwhile, the last heirs of a recently usurped dynasty plot to take back their homeland from across the Narrow Sea.

Love, Death + Robots is a 5-time Emmy winning animation anthology series produced by Blur Studio. Launched in March of 2019 on Netflix, Love, Death + Robots delivers a variety of style and story unlike anything else, spanning the genres of science fiction, fantasy, comedy, horror, and more. Created by Tim Miller with David Fincher as executive producer, the series brings together a global team of directors and animation studios to push and expand the medium. Eighteen shorts in all, Love, Death + Robots has something for everyone.

In 2012, Louisiana State Police Detectives Rust Cohle and Martin Hart are brought in to revisit a homicide case they worked in 1995. As the inquiry unfolds in present day through separate interrogations, the two former detectives narrate the story of their investigation, reopening unhealed wounds, and drawing into question their supposed solving of a bizarre ritualistic murder in 1995. The timelines braid and converge in 2012 as each man is pulled back into a world they believed they'd left behind. In learning about each other and their killer, it becomes clear that darkness lives on both sides of the law.

Picks up 25 years after the inhabitants of a quaint northwestern town are stunned when their homecoming queen is murdered.

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