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Set in the far future amidst a sprawling feudal interstellar empire where planetary dynasties are controlled by noble houses that owe an allegiance to the imperial House Corrino, Dune tells the story of young Paul Atreides (the heir apparent to Duke Leto Atreides and heir of House Atreides) as he and his family accept control of the desert planet Arrakis, the only source of the 'spice' melange, the most important and valuable substance in the cosmos. The story explores the complex, multi-layered interactions of politics, religion, ecology, technology, and human emotion as the forces of the empire confront each other for control of Arrakis.Published in 1965, it won the Hugo Award in 1966 and the inaugural Nebula Award for Best Novel. Dune is frequently cited as the world's best-selling sf novel.

The Picture of Dorian Gray altered the way Victorians understood the world they inhabited. It heralded the end of a repressive Victorianism, and after its publication, literature had--in the words of biographer Richard Ellmann--a different look. Yet the Dorian Gray that Victorians never knew was even more daring than the novel the British press condemned as vulgar, unclean, poisonous, discreditable, and a sham. Now, more than 120 years after Wilde handed it over to his publisher, J. B. Lippincott &amp; Company, Wilde's uncensored typescript is published for the first time, in an annotated, extensively illustrated edition. The novel's first editor, J. M. Stoddart, excised material--especially homosexual content--he thought would offend his readers' sensibilities. When Wilde enlarged the novel for the 1891 edition, he responded to his critics by further toning down its immoral elements. The differences between the text Wilde submitted to Lippincott and published versions of the novel have until now been evident to only the handful of scholars who have examined Wilde's typescript.

First published in French as a serial in 1909, The Phantom of the Opera is a riveting story that revolves around the young, Swedish Christine Daaé. Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

When Jack Kerouac’s On the Road first appeared in 1957, readers instantly felt the beat of a new literary rhythm. A fictionalised account of his own journeys across America with his friend Neal Cassady, Kerouac’s beatnik odyssey captured the soul of a generation and changed the landscape of American fiction for ever.Influenced by Jack London and Thomas Wolfe, Kerouac always wanted to be a writer, but his true voice only emerged when he wrote about his own experiences in On the Road. Leaving a broken marriage behind him, Sal Paradise (Kerouac) joins Dean Moriarty (Cassady), a tearaway and former reform school boy, on a series of journeys that takes them from New York to San Francisco, then south to Mexico. Hitching rides and boarding buses, they enter a world of hobos and drifters, fruit-pickers and migrant families, small towns and wide horizons. Adrift from conventional society, they experience America in the raw: a place where living is hard, but ‘life is holy and every moment is precious’.With its smoky, jazz-filled atmosphere and its restless, yearning spirit of adventure, On the Road left its mark on the culture of the late 20th century, influencing countless books, films and songs. Kerouac’s prose is remarkable both for its colloquial swing and for the pure lyricism inspired by the American landscape – ‘the backroads, the black-tar roads that curve among the mournful rivers like Susquehanna, Monongahela, old Potomac and Monocacy’. This Folio Society edition is illustrated with evocative photographs of Kerouac and the landscapes of 1950s America. Now acknowledged as a modern classic, On the Road remains a thrilling and poignant story of the road less travelled.

Oscar Wilde's madcap farce about mistaken identities, secret engagements, and lovers entanglements still delights readers more than a century after its 1895 publication and premiere performance. The rapid-fire wit and eccentric characters of The Importance of Being Earnest have made it a mainstay of the high school curriculum for decades.Cecily Cardew and Gwendolen Fairfax are both in love with the same mythical suitor. Jack Worthing has wooed Gwendolen as Ernest while Algernon has also posed as Ernest to win the heart of Jack's ward, Cecily. When all four arrive at Jack's country home on the same weekend the "rivals" to fight for Ernest's undivided attention and the "Ernests" to claim their beloveds pandemonium breaks loose. Only a senile nursemaid and an old, discarded hand-bag can save the day!This Prestwick House Literary Touchstone Edition includes a glossary and reader's notes to help the modern reader appreciate Wilde's wry wit and elaborate plot twists.

A surreal sequel to the first volume of the series, More Tales of the City heightens the stakes of the original: mystery, romance, and drama now feature even more prominently in the intertwining storylines of the residents of 28 Barbary Lane. Maupin established his characters' personalities and their relationship to each other in Tales of the City, and he here has fun placing them in increasingly absurd and convoluted scenarios, be it a brush with a near fatal illness or the revelation of hidden parentage. The sheer amount of chaos makes the second entry of the series read as at once more thrilling and more tedious than the first.

Michael Tolliver, the sweet-spirited Southerner in Armistead Maupin's classic Tales of the City series, is arguably the most beloved gay character in fiction. Now, almost twenty years after ending his groundbreaking saga of San Francisco life, Maupin revisits his all-too-human hero, letting the 55-year-old gardener tell his story in his own voice.Having survived the plague that took so many of his friends and lovers, Michael has learned to embrace the random pleasures of life, the tender alliances that sustain him in the hardest of times, Michael Tolliver Lives follows its protagonist as he finds love with a younger man, attends to his dying fundamentalist mother in Florida, and finally reaffirms his allegiance to a wise octogenarian who was once his landlady.While Maupin insists that this book is not, strictly speaking, a continuation of Tales of the City, a reassuring number of familiar faces appear along the way. As usual, the author's mordant wit and ear for pitch-perfect dialogue serve every aspect of the story-- from the bawdy to the bittersweet. Michael Tolliver Lives is a novel about the act of growing older joyfully and the everyday miracles that somehow make that possible.

It took me 21 months to read this third volume. When Maupin comes up with a totally unbelievable plot line involving a resurrected Jim Jones, his kidnapping of two four-year-old children from an Alaskan cruise and then perhaps through Little Diomedes (a US island) to Big Diomedes (a Russian island) and then on to Nome which is "over eleven hundred miles from here [Diomedes]" Mary Ann says, right off the top of her head, the last half of this volume turns into a ridiculously thriller. And not even a drug-induced one via Mrs. Mardigal's magical backyard plants! Finally, Maupin returns to form by having Jon (Micheal's ex-doctor/lover) show up at 28 Barbary Lane while Father Paddy and Officer Rivera enjoy an afternoon delight behind park shrubbery. I'll read the rest of this series but I hope Maupin sticks to what he does best: love, sex, and lovesexdrugsdisco in San Francisco of the 1980s.

San Francisco, 1976. A naïve young secretary, fresh out of Cleveland, tumbles headlong into a brave new world of laundromat Lotharios, pot-growing landladies, cut throat debutantes, and Jockey Shorts dance contests. The saga that ensues is manic, romantic, tawdry, touching, and outrageous—unmistakably the handiwork of Armistead Maupin.

After reading Adventures of Huckleberry Finn, I realized that I had absolutely nothing to say about it. And yet here, as you see, I have elected to say it anyway, and at great length. Reading this novel now, at the age of mumble-mumble, is a bit like arriving at the circus after the tents have been packed, the bearded lady has been depilated, and the funnel cake trailers have been hitched to pick-up trucks and captained, like a formidable vending armada, toward the auburn sunset. All the fun has already been used up, and I’m left behind circumnavigating the islands of elephant dung and getting drunk on Robitussin®. Same story, different day. How exactly did I make it through eight total years of high school and undergraduate studies in English without having read any Mark Twain but a brief (and forgotten) excerpt from Life on the Mississippi? Isn’t this illegal by now? I mean, isn’t there a clause in the Patriot Act... an eleventh commandment... a dictate from Xenu? Isn’t Huckleberry Finn, like Romeo and Juliet and To Kill a Mockingbird, now an unavoidable teenage road bump between rainbow parties and huffing spray paint? Isn’t it the role of tedious classic literature to add color and texture to the pettiness of an adolescence circumscribed by status updates, muff shaving, and shooting each other? Or am I old-fashioned? Let’s face it. In the greater social consciousness, there are two stars of this book: (1) the word 'nigger' and (2) the Sherwood Schwartz-style ending in which Tom Sawyer reappears and makes even the most casual reader wonder whether he might not be retarded. Huckleberry Finn, for all his white trash pedigree, is actually a pretty smart kid -- the kind of dirty-faced boy you see, in his younger years, in a shopping cart at Wal-Mart, being barked at by a monstrously obese mother in wedgied sweatpants and a stalagmite of a father who sweats tobacco juice and thinks the word 'coloreds' is too P.C. Orbiting the cart, filled with generic cigarette cartons, tabloids, and canned meats, are a half-dozen kids, glazed with spittle and howling like Helen Keller over the water pump, but your eyes return to the small, sad boy sitting in the cart. His gaze, imploring, suggestive of a caged intellect, breaks your heart, so you turn and comparison-shop for chewing gum or breath mints. He is condemned to a very dim horizon, and there’s absolutely nothing you can do about it, so you might as well buy some Altoids and forget about it... That boy is the spiritual descendant of Huckleberry Finn. The 'nigger' controversy -- is there still one? -- is terribly inconsequential. It almost seems too obvious to point out that this is (a) firstly a 'period novel,' meaning it that occurs at a very specific historical moment at a specific location and (b) secondly a first-person narrative, which is therefore saddled with the language, perspective, and nascent ideologies of its narrator. Should we expect a mostly uneducated, abused adolescent son of a racist alcoholic who is living in the South before the Civil War to have a respectful, intellectually-enlightened perspective toward black people? Should the character of Huck Finn, in other words, be ahistorical, anachronistic? Certainly not, if we expect any semblance of honesty from our national literature. Far more troubling to many critics is the ending of Huckleberry Finn, when -- by a freakishly literary coincidence -- Huck Finn is mistaken for Tom Sawyer by Tom’s relatives, who happen to be holding Jim (the slave on the run) in hopes of collecting a reward from his owners. There are all sorts of contrivances in this scenario -- the likes of which haven’t been seen since the golden age of Three’s Company -- which ends with Tom arriving and devising a ridiculously elaborate scheme for rescuing Jim. All in all, the ending didn’t bother me as much as it bothered some essayists I’ve read. That is, it didn’t strike me as especially conspicuous in a novel which relies a great deal on narrative implausibility and coincidence. Sure, Tom Sawyer is something of an idiot, as we discover, but in a novel that includes faked deaths and absurd con jobs, his idiocy seems well-placed. In the end, I suppose the greatest thing I can say about this novel is that it left me wondering what happened to Huck Finn. Would his intellect and compassion escape from his circumstances or would he become yet another bigoted, abusive father squiring another brood of dirty, doomed children around a fluorescently-lit Wal-Mart?

One by one the boys begin to fall…In 1914 a room full of German schoolboys, fresh-faced and idealistic, are goaded by their schoolmaster to troop off to the ‘glorious war’. With the fire and patriotism of youth they sign up. What follows is the moving story of a young ‘unknown soldier’ experiencing the horror and disillusionment of life in the trenches.

I was five and a half years old when my mother gave me The Adventures of Tom Sawyer as a New Year's gift (she is a literature teacher, and I have been reading novels since the tender age of four or so, and so it seemed appropriate).Being a diligent and serious¹ child (neither of those qualities have stuck with me, unfortunately), I opened it to page 1 and started reading. I even took it with me to kindergarten, where other kids were learning letters and I was mercifully allowed to read hefty tomes, having obviously achieved full literacy by that point.¹ \
Me (age 5) and Mom. The diligent seriousness is *all over* this picture. This book initially left me quite confused, but I was undeterred - after all, the world was a confusing place, full of adults and rules and great books - even those without pictures. (And I was very proud to own books without pictures, after all). But his one was just too strange - its beginning did not quite fit with the rest of the quite fun story - it was odd and dry and incomprehensible for the first 40 pages or so, and it even was about some other guy (Samuel Clemens?) who was not Tom Sawyer.A few years later I reread my early childhood favorite (I probably reached a ripe old age of eight or so, still diligent but a bit less serious already). It was then that I figured out what seemed strange about the beginning of this book when I was five.You see, I diligently slogged my way through the most boring academic foreword, assuming that was the first chapter. What amazes me that I managed to stay awake through it. Good job, five-year-old me! Excellent preparation for that painfully boring biochemistry course a couple of decades later!After that foreword, slogging through any classic was a comparative breeze. Yes, I'm looking at you, War and Peace! You know what you did, you endless tome.Also, as it turns out, when you include two characters named Joe in one book (Injun Joe and Tom's classmate Joe Harper) that can cause a certain amount of confusion to a five-year-old who assumes they have to be the same person and struggles really hard to reconcile their seemingly conflicting characters. And, as a side note, I have always been disappointed at Tom Sawyer tricking his friends to do the infamous fence whitewashing. A *real* kid knows after all that painting stuff is fun. Five-year-old me was a bit disapproving of the silliness. I have told bits and pieces of this book to my friends on the playground, while dangling from the monkey bars or building sandcastles (in a sandbox, that in retrospect I suspect was used by the neighborhood stray cats as a litterbox - but I guess you have to develop immunity to germs somehow). We may have planned an escape to an island in a true Tom Sawyer fashion, but the idea fizzled. After all, we did not have an island nearby, which was a problem. Also, we may have got distracted by the afternoon cartoons.Someday, I just may have to leave this book within a reach of my future hypothetical daughter - as long as I make sure it does not come with a long-winded boring introduction.

The Pulitzer Prize and Drama Critics Circle Award winning play—reissued with an introduction by Arthur Miller (Death of a Salesman and The Crucible), and Williams’ essay “The World I Live In.”It is a very short list of 20th-century American plays that continue to have the same power and impact as when they first appeared—57 years after its Broadway premiere, Tennessee Williams’ A Streetcar Named Desire is one of those plays. The story famously recounts how the faded and promiscuous Blanche DuBois is pushed over the edge by her sexy and brutal brother-in-law, Stanley Kowalski. Streetcar launched the careers of Marlon Brando, Jessica Tandy, Kim Hunter, and Karl Malden, and solidified the position of Tennessee Williams as one of the most important young playwrights of his generation, as well as that of Elia Kazan as the greatest American stage director of the ’40s and ’50s.

When an army of invading Martians lands in England, panic and terror seize the population. As the aliens traverse the country in huge three-legged machines, incinerating all in their path with a heat ray and spreading noxious toxic gases, the people of the Earth must come to terms with the prospect of the end of human civilization and the beginning of Martian rule.Inspiring films, radio dramas, comic-book adaptations, television series and sequels,The War of the Worlds is a prototypical work of science fiction which has influenced every alien story that has come since, and is unsurpassed in its ability to thrill, well over a century since it was first published.

Against the backdrop of twenty half naked models on DD land, and in the midst of fighting the oil establishment that just won't give Riley a chance, Texas Heat is the story of one hot summer in Texas with a Gay Rodeo, humor, angst and a love between two men that just grows stronger every day.Jack hires Robbie, a man recovering from a great loss, to be his right hand man. Meanwhile Riley's mischievous photographer friend, Eli, decides the DD is the perfect backdrop for a cowboy themed model shoot. Eli has secrets not even Riley knows about but despite what he is hiding he falls in lust with Robbie at first sight. Everyone except Robbie can see how perfect Eli would be for him. What happens when secrets spill and lies are discovered? And just how far will Riley and Jack go to play matchmaker?

High-powered stock trader. Simple handyman. Can they find common ground?Will Spencer is a player with a reputation for using and discarding lovers as easily as he earns big money on Wall Street. Handsome, sexy and openly gay, he’s used to having whatever—and whoever—he wants at the snap of his fingers.And what he wants now is his new handyman, Jack Crawford. But Jack is skittish. One lingering touch, one stolen kiss could send the older man into full retreat. Where Will might have quickly moved on to a more ready-and-willing partner, he unexpectedly finds himself wanting to go slow. With just a little coaxing, he’s sure he can show Jack how good it could be between them.Jack, a recent widower, never thought of himself as gay. Frightened years ago by an erotic encounter with his best friend, he focused firmly on his marriage. Now that his bed is empty, however, those deep sexual longings are rising dangerously close to the surface.Their connection is deep, instant, and one that Jack tries to ignore. Yet friendship grows into an erotic journey that must cross a divide of different generations, backgrounds and worlds.The prize is the one thing neither is sure he can handle—true love.

Six years ago, a hoof to the head ended Leslie Hardin's show-jumping career and his relationship with the man he loved. Broken, hurt, and rejected, Les has focused his energies on rebuilding his life. Les's accident has shown him that the most valuable treasures are usually found under an imperfect surface, and his reputation for taking in strays starts to grow. But it's one of these strays in particular, injured rodeo cowboy Randy Hersch, who captures more than just his compassion. Between his disapproving father and his chosen career path, Randy has always felt the need to deny his passion. But when Les takes him under his wing, Randy begins to realize that he is truly strong enough to admit his true self-to himself and the rest of the world. But in the arms of a broken man, can he find acceptance.and love?

A rocky past that sent Shane fleeing his home and seeking refuge on The Broken H has kept him from the one thing that has always been dear to him.Grayson.Sheriff Grayson Hunter hasn't felt like he belonged for a long time. Once he loved The Broken H, his ancestral home, and Shane Cortez with all that he was. Now he tries to stay as far away from the ranch and the man as possible until an accident brings them together.Gray didn't count on Shane's decision to let go of the past...and get a hold of Gray.Publisher's Note:  This book is a male/male love story and contains homoerotic sex acts that may be offensive to some readers.

When James Killian comes out to his father, he finds himself banished from his home and fired from his job. His savior comes in the unlikely form of Ethan Whitehall, his older brother's best friend. Ethan has always had a soft spot where Jamie Killian was concerned, and he will do whatever it takes to keep his new lover safe. PUBLISHER'S NOTE: This book contains explicit homoerotic sex that some readers may find offensive.

Board games that incorporate video footage.

A seventeen-year-old aristocrat falls in love with a kind but poor artist aboard the luxurious, ill-fated R.M.S. Titanic.

After John Nash, a brilliant but asocial mathematician, accepts secret work in cryptography, his life takes a turn for the nightmarish.

After training with his mentor, Batman begins his fight to free crime-ridden Gotham City from corruption.

2005 British-American superhero film directed by Christopher Nolan

The presidencies of Kennedy and Johnson, the Vietnam War, the Watergate scandal and other historical events unfold from the perspective of an Alabama man with an IQ of 75, whose only desire is to be reunited with his childhood sweeth

1994 American film directed by Robert Zemeckis

A young boy befriends a giant robot from outer space that a paranoid government agent wants to destroy.

Raiders of the Lost Ark is a 1981 American action-adventure film directed by Steven Spielberg and written by Lawrence Kasdan, based on a story by George Lucas and Philip Kaufman. Set in 1936, the film stars Harrison Ford as Indiana Jones, a globetrotting archaeologist vying with Nazi German forces to recover the long-lost Ark of the Covenant which is said to make an army invincible. Teaming up with his tough former romantic interest Marion Ravenwood, Jones races to stop rival archaeologist Dr. René Belloq from guiding the Nazis to the Ark and its power.

Lion prince Simba and his father are targeted by his bitter uncle, who wants to ascend the throne himself.

Maverick teacher John Keating uses poetry to embolden his boarding school students to new heights of self-expression.

1989 American film directed by Peter Weir

After his son is captured in the Great Barrier Reef and taken to Sydney, a timid clownfish sets out on a journey to bring him home.

In 1951, a group of high schoolers come of age in a bleak, isolated, atrophied North Texas town that is slowly dying, both culturally and economically.

Two youngsters from rival New York City gangs fall in love, but tensions between their respective friends build toward tragedy.

Two friends who are dissatisfied with their jobs decide to join the army for a bit of fun.

Jake Blues, just released from prison, puts together his old band to save the Catholic home where he and his brother Elwood were raised.

1980 musical comedy film directed by John Landis

Following the death of publishing tycoon Charles Foster Kane, reporters scramble to uncover the meaning of his final utterance; 'Rosebud'.

1941 American drama film directed by Orson Welles

A cynical expatriate American cafe owner struggles to decide whether or not to help his former lover and her fugitive husband escape the Nazis in French Morocco.

When a killer shark unleashes chaos on a beach community, it's up to a local sheriff, a marine biologist, and an old seafarer to hunt the beast down.

1975 American thriller film directed by Steven Spielberg

A troubled child summons the courage to help a friendly alien escape Earth and return to his home world.

In the 1940s, a young boy named Ralphie attempts to convince his parents, his teacher and Santa that a Red Ryder BB gun really is the perfect Christmas gift.

A group of young misfits called The Goonies discover an ancient map and set out on an adventure to find a legendary pirate's long-lost treasure.

1985 American film directed by Richard Donner

An American grandson of the infamous scientist, struggling to prove that his grandfather was not as insane as people believe, is invited to Transylvania, where he discovers the process that reanimates a dead body.

American singer-songwriter, multi-instrumentalist, record producer, and actor

Gerald Rafferty (16 April 1947 – 4 January 2011) was a Scottish singer, songwriter, musician, and record producer. He was a founding member of Stealers Wheel, whose biggest hit was "Stuck in the Middle with You" in 1973. His solo hits in the late 1970s included "Baker Street", "Right Down the Line", and "Night Owl".Rafferty was born into a working-class family in Paisley, Renfrewshire, Scotland. His mother taught him both Irish and Scottish folk songs when he was a boy; later, he was influenced by the music of the Beatles and Bob Dylan. He joined the folk-pop group the Humblebums (of which Billy Connolly was a member) in 1969. After they disbanded in 1971, he recorded his first solo album, Can I Have My Money Back?. Rafferty and Joe Egan formed the group Stealers Wheel in 1972 and produced several hits, most notably "Stuck in the Middle with You" and "Star". In 1978, he recorded his second solo album, City to City, which included "Baker Street", his most popular song. On 4 January 2011, then 63 years old, Rafferty died of liver failure.

House (also called House, M.D.) is an American medical drama television series that originally ran on the Fox network for eight seasons, from November 16, 2004, to May 21, 2012. The series' main character is Dr. Gregory House (Hugh Laurie), an unconventional, misanthropic medical genius who, despite his dependence on pain medication, leads a team of diagnosticians at the fictional Princeton–Plainsboro Teaching Hospital (PPTH) in New Jersey. The series' premise originated with Paul Attanasio, while David Shore, who is credited as creator, was primarily responsible for the conception of the title character.The series' executive producers included Shore, Attanasio, Attanasio's business partner Katie Jacobs, and film director Bryan Singer. It was filmed largely in a neighborhood and business district in Los Angeles County's Westside called Century City. The show received high critical acclaim, and was consistently one of the highest rated series in the United States.

A group of ambitious law students and their brilliant criminal defense professor become involved in a twisted murder plot that promises to change the course of their lives.

2014 American legal drama television series

A chronicle of the lives of the British aristocratic Crawley family and their servants in the early twentieth century.

British historical drama television series

The Caped Crusader and his young ward battle evildoers in Gotham City.

The misadventures of a blissfully macabre but extremely loving family.

A working class man constantly squabbles with his family over the important issues of the day.

Dr. Frasier Crane moves back to his hometown of Seattle, where he lives with his father, and works as a radio psychiatrist.

The staff of an Army hospital in the Korean War find that laughter is the best way to deal with their situation.

American TV series about the fictional 4077th Mobile Army Surgical Hospital

An aging Sheriff tries to keep the peace in Rome, Wisconsin, a small town plagued by bizarre and violent crimes.

During a government experiment into time travel, a scientist finds himself trapped in the past, "leaping" into the bodies of different people on a regular basis and sorting out their problems whilst trying to get back home to his own

A newly graduated doctor is required to set up his practice in an eccentric Alaskan town.

A wacky alien comes to Earth to study its residents and the life of the human woman he boards with is never the same.

Brothers Brian and Joe Hackett attempt to run an airline on the New England island of Nantucket while surrounded by their various wacky friends and employees.

Mad About You centers on the trials and tribulations of a married couple living in New York.

Kevin Arnold recalls growing up during the late 60s and early 70s; the turbulent social times make the transition from child to adult unusually interesting.

The misadventures of a struggling pop group.

1966–1968 American situation comedy television series

The misadventures of two women and one man living in one apartment and their neighbors.

A woman who moves into an apartment across the hall from two brilliant but socially awkward physicists shows them how little they know about life outside of the laboratory.

Four previously married women live together in Miami, sharing their various experiences together and enjoying themselves despite hard times. Spin-offs Nurses (1991) and Empty Nest (1988).

When rich video-store magnate Johnny Rose and his family suddenly find themselves broke, they are forced to leave their pampered lives to regroup in Schitt's Creek.

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