Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

'My Decade in the Premier League' is Wayne's first hand account of his 10 years playing at the highest level in English football - and for the biggest club in the world. This is his inside story of life on the pitch for Manchester Utd; the League titles, FA Cups, League Cups and Champions League adventures. A must for any Utd fan. Wayne Rooney is widely regarded as one of the leading football players of his generation. A talisman for Manchester United, since his transfer to them in 2004, Rooney is their star player and the first name on the team sheet. In the 10 years since he made his debut as a 16 year old for Everton, he has acquired trophy after trophy, accolade after accolade and headline after headline. 'My Decade in the Premier League' is the inside account of life as a Premier League footballer from the man every one wants to hear from. This is his story, in his words. From gracing the ground at Goodison as an excitable 16 year old to lifting the Champions League trophy with Manchester United. From the emotional high of scoring the winner against Manchester City with that overhead bicycle kick to the crushing low of the thrashing City handed out at Old Trafford in the 2011-12 season. This is a book for the fan who would kill to get just 30 seconds on the pitch at The Theatre of Dreams - to run on the famous turf and score in front of the Stretford End. 'My Decade in the Premier League' gives a real insight in to what goes in to being part of the biggest club in the world; the training pitch, the dressing room, the manager, the coaches and, most importantly, the buzz of crossing that white line and hearing the 76,000 strong crowd chant your name. In intricate, emotional detail Wayne talks about every season he has spent in the Premier League and how it feels to be one the most celebrated footballers on the planet.

I had removed this review, which violates Article 2 of the Terms of Use:You agree not to post User Content that: (i) may create a risk of harm, loss, physical or mental injury, emotional distress, death, disability, disfigurement, or physical or mental illness to you, to any other person, or to any animal.Looking at the comment thread, it is abundantly clear that the review not only may, but indeed has caused emotional distress to several Potter fans. I would like to offer my apologies to these unfortunate people, who had every right to expect better service from Goodreads. But, despite the above, I have decided on mature consideration that I will attempt an experiment: I am reinstating the original review, hiding the dangerous and inflammatory content inside a spoiler tag. If you are a person easily offended by negative comments about Harry Potter and still decide to click it, then you have only yourself to blame. You have been warned.(view spoiler)[I got into an argument the other day with an articulate 17 year old Harry Potter fan - let's call him D - who wanted to know why I was being so nasty in my review of Deathly Hallows. What was wrong with it? I offered various structural criticisms: the ending is abrupt and unconvincing, the subplot with the Horcruxes has not been adequately foreshadowed in the earlier volumes, and the book as a whole is overlong and boring. D expressed surprise that I could call Deathly Hallows boring, when I'd given five stars to Madame Bovary and Animal Farm, both of which he considered far duller. The discussion continued for some time. In the end, I said I would write a review summarising my objections to the series as a whole. Here it is.As I said to D, it's not the books or the author. The early Potter books are cute and entertaining, and J.K. Rowling seems like a nice person - if someone's going to scoop the literary Powerball jackpot, why not her? What I very strongly object to is the way the books have been marketed. About 10 years ago, it seems to me, some clever people figured out a new marketing strategy, which they first applied to Potter; when that came to an end, the same methods were used for Twilight. Both series have enjoyed a level of success which is utterly disproportionate to their quality, and which is also unprecedented in literary history. Twilight clearly follows Potter; I've had several discussions about what preceded Potter, and the answer, everyone seems to agree, is that there was no earlier success story of this kind. Before Potter, there was no YA series of dubious merit that absolutely everyone read. I think it's uncontroversial that Potter, in terms of literary quality, is better than Twilight, but Twilight has been even more successful. At one point, the four volumes occupied the top four spots in the New York Times bestseller list. On Goodreads, nearly half of the top 50 reviews are of Twilight books. This is an absurd and unnatural state of affairs. Even though Twilight may not be quite as bad as is sometimes made out - I'm one of many people who have tried to defend it - there's no way it deserves this level of attention.So why is everyone reading it, and why, before that, was everyone reading Potter? As I said, I think it's primarily about the marketing, though I wish I was more sure about the details. Here, at any rate, are some thoughts. First, the publishers are aggressively using economies of scale and deals with third parties. They print very large numbers of copies, and they work together with movie studios, game companies and merchandisers to cross-promote them. I think it's particularly important that a large proportion of the books are sold, not at bookstores, but at normal supermarkets. It's well known that the cover price is usually marked down to the point where the supermarket is not in fact making any profit; they have discovered that they can successfully treat it as a loss leader. This is causing great pain to independent bookstores. Some of them, I have read, have adopted the desperate expedient of buying copies at supermarkets and then reselling them. Second, let's look at the content and style. Even though Potter and Twilight are fairly different in some ways, they also have many strong similarities. Above all, they are extremely easy to read, at every level. The vocabulary is unchallenging; the sentences are short and simple; most characters are one-dimensional stereotypes; the story is uncomplicatedly plot-driven; there are few references to other works of literature. You can read these books if you're tired, if you're sleepy, if you have poor reading skills, if you've never read anything else. They consequently have a very large potential audience.Third, they describe a comforting, emasculated world in which most of the things that make our own world so difficult and unpleasant have been removed. Most strikingly, there is no sex; in Harry Potter, which is supposed to be about fairly normal teens, no one masturbates, no girls get pregnant, none of them are labelled sluts because they've had sex with more than one boy (sometimes one is enough, for that matter), no one gets their heart broken and drops out of school or starts taking drugs as a result, no one is stuck in a dead-end relationship that they wish they could escape from, but can't. The worst thing that happens in either series is the sequence in New Moon where Edward temporarily leaves Bella. Meyer notoriously doesn't describe Bella's feelings at all, but just leaves several pages blank. Once, in fact not so long ago, most adults would have been embarrassed to be seen reading YA literature of this kind; to start with, the comforting word "YA" hadn't been invented yet, and they would have been reading children's books. Somehow, there's been a shift in standards. You look around you on a bus to see what people are reading, and you can be pretty sure you'll see at least a couple of people over 20 engrossed in Potter or Twilight. It's odd that this has happened, and I wish I understood why.In conclusion, I couldn't help being struck by the two books D chose to contrast against Potter. D, Madame Bovary is going to outlast both of these authors because Emma is a real person who experiences the crazy and contradictory emotions that real people experience when they are very unhappy, and as a result she behaves in a crazy and contradictory way; also, Flaubert, unlike Rowling and Meyer, took a great deal of trouble over his prose, and created some of the most beautiful and ironic passages in world literature. There aren't many books I'd call masterpieces, but this is one of them. And finally, Animal Farm is indeed an allegory of the Russian Revolution. More importantly, though, it's about how smart, unscrupulous people manipulate trusting, weak people. Tens of millions of people are reading Potter and Twilight, not because the books are well-written or interesting, but because the readers have been manipulated into buying them by the Napoleons and Squealers of this world. That's what I'm objecting to. Think about it for a moment. (hide spoiler)]

Real Madrid versus Barcelona is regarded by many as the most captivating fixture in world football. But it is not only the on-pitch battles that have forged their rivalry. From General Franco and bloody civil war to the Catalan city of Barcelona�s lukewarm reaction to Spain�s recent World Cup and European Championship triumphs, bitterness is never far from the surface. In El Clásico, Richard Fitzpatrick charts the key political and historical flashpoints between the two clubs. With exclusive interviews with key figures, including Luís Figo, Hristo Stoichkov, Joan Laporta and Vicente del Bosque, El Clásico is the definitive guide to football�s greatest feud.

When Cristiano Ronaldo transferred to Real Madrid for a world record-shattering £80 million in 2009, it cemented his position as one of the best players of his era.This is the story of the two-time Ballon d'Or winner, the first Premier League player to be named FIFA World Player of the Year, and winnter of the 2010–2011 Golden Shoe.Luca Caioli is a renowned Italian sports journalist who crafted his reputation at ITV in Britain and as chief editor of Euronews TV in France. He settled in Spain five years ago where he is a correspondent for SKY Italia.

World Soccer LegendsEverything you need to know about most exciting clubs and the best players on the planet.Real MadridLearn about the ups and downs on Madrid’s path to European Cup dominationThe stories of current stars—including Casillas, Alonso, and Ramos—and the next generation of soccer legendsProfiles of the most successful coaches—like José Mourinho—who have discovered some of Spain’s best playersFun facts and all the stats on the most successful club in the world!A portion of the book’s proceeds are donated to the Hugo Bustamante AYSO Playership Fund, a national scholarship program to help ensure that no child misses the chance to play AYSO Soccer. Donations cover the cost of registration and a uniform for a child in need. AYSO Soccer is a family experience and an opportunity to create memories for a lifetime. The positive environment of AYSO is the right place for kids to learn soccer, but it’s also where they learn important life lessons, social skills and get active.

After the devastating events of Avengers: Infinity War (2018), the universe is in ruins due to the efforts of the Mad Titan, Thanos. With the help of remaining allies, the Avengers must assemble once more in order to undo Thanos's actions and undo the chaos to the universe, no matter what consequences may be in store, and no matter who they face...

2019 film directed by Anthony and Joe Russo

movies

books

Active tastebuds