Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

You can find an alternative cover edition for this ISBN here and here.A rich selection of background and source materials is provided in three areas: Contexts includes probable inspirations for Dracula in the earlier works of James Malcolm Rymer and Emily Gerard. Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.A Chronology and a Selected Bibliography are included.

Lestat is back, saviour and demon, presiding over a gothic story of family greed and hatred through generations, a terrifying drama of blood lust and betrayal, possession and matricide. Blackwood Farm with its grand Southern mansion, set among dark cypress swamps in Louisiana, harbours terrible blood-stained secrets and family ghosts. Heir to them all is Quinn Blackwood, young, rash and beautiful, himself a 'bloodhunter' whom Lestat takes under his wing. But Quinn is in thrall not only to the past and his own appetites but, even more dangerously, to a companion spirit, a 'goblin' succubus who could destroy him and others. Only the unearthly power of Lestat combined with the earthly powers of the Mayfair clan could hope to save Quinn from himself and his ghosts, or to rescue the doomed girl Quinn loves from her own mortality. Shocking, savage and richly erotic, this novel with the deceptively gentle title bring us Anne Rice at her most powerfully disturbing. Here are vampires and witches, men and women, demons and a doppelganger, caught up in a maelstrom of death and destruction, blood and fire, cruelty and fate.

'When you have eliminated all which is impossible, then whatever remains, however improbable, must be the truth.'In this, the final collection of Sherlock Holmes adventures, the intrepid detective and his faithful companion Dr Watson examine and solve twelve cases that puzzle clients, baffle the police and provide readers with the thrill of the chase.These mysteries - involving an illustrious client and a Sussex vampire; the problems of Thor Bridge and of the Lions Mane; a creeping man and the three-gabled house - all test the bravery of Dr Watson and the brilliant mind of Mr Sherlock Homes, the greatest detective we have ever known.

From the Flap:NO MORE THAN A DARK PENCIL LINE ON A BLANK PAGE. A HORIZON LINE, MAYBE, BUT ALSO A SLOT FOR BLACKNESS TO POUR THROUGH . . . A terrible construction site accident takes Edgar Freemantle's right arm and scrambles his memory and his mind, leaving him with little but rage as he begins the ordeal of rehabilitation. A marriage that produced two lovely daughters suddenly ends, and Edgar begins to wish he hadn't survived the injuries that could have killed him. He wants out. His psychologist, Dr. Kamen, suggests a "geographic cure," a new life distant from the Twin Cities and the building business Edgar grew from scratch. And Kamen suggests something else. "Edgar does anything make you happy?" "I used to sketch." "Take it up again. You need hedges . . . hedges against the night."Edgar leaves Minnesota for a rented house on Duma Key, a stunningly beautiful, eerily undeveloped splinter of the Florida coast. The sun setting into the Gulf of Mexico and the tidal rattling of shells on the beach call out to him, and Edgar draws. A visit from Ilse, the daughter he dotes on, starts his movement out of solitude. He meets a kindred spirit in Wireman, a man reluctant to reveal his own wounds, and then Elizabeth Eastlake, a sick old woman whose roots are tangled deep in Duma Key. Now Edgar paints, sometimes feverishly, his exploding talent both a wonder and a weapon. Many of his paintings have a power that cannot be controlled. When Elizabeth's past unfolds and the ghosts of her childhood begin to appear, the damage of which they are capable is truly devastating.The tenacity of love, the perils of creativity, the mysteries of memory and the nature of the supernatural--Stephen King gives us a novel as fascinating as it is gripping and terrifying.

Anne Rice's Violin tells the story of two charismatic figures bound to each other by a passionate commitment to music as a means of rapture, seduction, and liberation.At the novel's center: a uniquely fascinating woman, Triana, and the demonic fiddler Stefan, a tormented ghost who begins to prey upon her, using his magic violin to draw her into a state of madness. But Triana sets out to resist Stefan, and the struggle thrusts them both into a terrifying supernatural realm.Violin flows abundant with the history, the drama, and the romantic intensity that have become synonymous with Anne Rice at her incomparable best.Anne Rice is the author of eighteen books. She lives in New Orleans.

Literary critics can moan all they want about Stephen King's "penny dreadful" oeuvre, but his mastery at the craft of storytelling is indisputable. King writes his novels like a seduction, the story unfolding delicately and deliberately. As any Stephen King fan knows, his coy expository chapters often take up the first hundred pages or more. In Cell, however, the reader is brutally dragged into the main action--unspeakable, senseless violence--within the first seven pages. Cell is by far King's most brutal, transgressive work to date.Many have compared Cell to his earlier epic, The Stand. On the surface, the novels are quite similar: an apocolyptic event threatens the very existence of the human race as a band of survivors struggle to come to terms with the carnage and avert further catastrophe. Cell, however, is the far more mature novel of the pair. The Stand was, in many ways, a novel by an idealistic youth, whereas Cell is filled with the trenchant and world-weary observations of an adult. The subtext is laden with so much chillingly apt futurist rhetoric that it is as though the author had Marshall McLuhan whispering plot devices and metaphors into his ear as he labored over his typewriter. King manages to explore several of the major sociocultural conflicts of our time, most persuasively the end of the era of individualism and the rise of collectivism, here symptomatic of heavy reliance on technology. Whereas many dystopian novels are almost comically blunt when expounding upon the dangers of collectivism, King's horrific plot and action give his metaphors a sort of subtlety that renders his subtext much more graceful and easier to stomach than the work of Ayn Rand.As the epigraphs indicate, it is also a meditation on the intrinsic violence of the human race. King clearly feels as though the world is out of control and wants to find out why. His preferred genre, horror, is an excellent one with which to consider the depravaties of modern life. The Stand was a novel that, if not upbeat, was at least optimistic--a reflection of the times in which it was written. There was also violence, but it had its own biblical logic, if violence can ever be called logical. In Cell, the violence is senseless, oppressive, and omnipresent. There seems to be little promise for a better world... at least not one inhabited by human beings.Many reviewers took issue with the unresolved ending. Considering the subtext of the novel, however, the reader will find that the ending's abruptness actually informs the sense that Cell, besides being an excellent horror yarn, is a meticulously painted portrait of the horrors of global culture. The many crises of our time are still developing and mutating. The end is not yet, it seems, in sight.

On a brisk autumn day, a twelve-year-old boy stands on the shores of the gray Atlantic, near a silent amusement park and a fading ocean resort called the Alhambra. The past has driven Jack Sawyer here: his father is gone, his mother is dying, and the world no longer makes sense. But for Jack everything is about to change. For he has been chosen to make a journey back across America--and into another realm.One of the most influential and heralded works of fantasy ever written, The Talisman is an extraordinary novel of loyalty, awakening, terror, and mystery. Jack Sawyer, on a desperate quest to save his mother's life, must search for a prize across an epic landscape of innocents and monsters, of incredible dangers and even more incredible truths. The prize is essential, but the journey means even more. Let the quest begin. . . .

Nine-year-old Trisha McFarland strays from the path while she and her recently divorced mother and brother take a hike along a branch of the Appalachian Trail. Lost for days, wandering farther and farther astray, Trisha has only her portable radio for comfort. A huge fan of Tom Gordon, a Boston Red Sox relief pitcher, she listens to baseball games and fantasizes that her hero will save her. Nature isn't her only adversary, though - something dangerous may be tracking Trisha through the dark woods.

”In our sleep, pain, which cannot forget, fallsdrop by drop upon the heart until, in our own despair, against our will, come wisdomthrough the awful grace of God. --AeschylusI get a wild hair every so often and recently I decided that I needed to go on a 1970s blockbuster horror novel extravaganza tour. It all started with shifted some books around and finding this ratty well loved copy of The Exorcist that inexplicably found its way into my book collection. I’d swear it was stolen from one of Kemper’s now famous Rubbermaid container boxes of nostalgic paperbacks, but I gave my midget ninjas specific instructions NOT to take anything from Kemper’s abode, but simply take a look around, so the presence of this book on my shelves is still a mystery.\
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The Mysterious copy of The Exorcist.When I was in middle school I rode the bus to school and every day this teenager with rumpled hair and scuffed motorcycle boots would catch a ride with us. He had been clocked for speeding by the cops and had led them on a merry chase around the countryside until he turned a corner too quickly, hit gravel, and rolled his car. He was a LEGEND. Needless to say he lost his driving privileges for a long, long time. He would always sit in the front and there was always this sweet scent coming off his clothes that later when I went to college and attended my first party I had that ah ha moment. He’d lean back against the window and hoist those boots out in the aisle where we could all admire them. He always had a paperback novel with him, usually of the horror genre, and he would studiously ignore us and read his book. We of course were boring holes through him with fevered eyes because he was the most fascinating thing we’d ever seen. One day he looked back down the bus at us and said, “You want me to read you some of this?” as he flopped the latest paperback in the air. It was called The Exorcist. I don’t know if he understood or even understands today how cool a gesture that was, but it was pretty damn cool. So he started reading to us. We never got the whole story just bits here and there. Sometimes he would disappear for a while usually because he was jammed up in a little more trouble than normal. He’d show up with different paperbacks, The Omen, Psycho, Rosemary’s Baby, The Other, and The Amityville Horror to name a few. We were enraptured.He scared the crap out of us. The ghastly images those books inspired in my mind kept my eyes wide open late into the late which might have something to do with why my mom wouldn’t let me read such books.Those moments on the bus with him reading to us and scaring us are some of my most fond childhood memories. Boy, did we feel like we were getting away with something. So I started reading my ratty, not Kemper’s copy, of The Exorcist and could not believe how much I was struggling with the writing. The dialogue was horrible. How could this guy sell millions of copies of this book? I did some research. It seems that William Peter Blatty finished writing the rough draft of this book and was offered a lucrative screenwriting job and never polished the book. An editor, obviously not someone in the same category as Maxwell Perkins, allowed the book to go to print as basically a rough draft. Decades later Blatty is asked to read the book for the audio version. He kept having to stop to ask “who wrote this crap?” This story does have a happy ending. Blatty went back through and polished and rewrote and even added a critical scene to the book. It was released in time for the fortieth anniversary edition. \
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William Peter Blatty looking like he is ready for his casting call for a spaghetti western.The Dodge City Public library, they never has anything I absolutely need immediately, had a copy of the fortieth anniversary edition. Hallelujah! Praise the book gods! The difference between the books is a two star rating which I was already worried about how I was going to explain that rating to the legions of fans out there, and a four star rating which is much easier and much more fun to write a review for. So if you have thoughts of reading this book make sure you read the fortieth anniversary edition because as Blatty stated. ”This is the version I would like to be remembered for.”This is a novel about a demon possession of a twelve year old girl, but Blatty also spends a good amount of time explaining the other psychological aspects that could be causing the symptoms other than a demonic possession. The priest Damien Karras, who also happens to be a psychologist, finds himself confronting not only an evil entity beyond his wildest imaginations, but also his personal struggles with his own faith. He is damaged, dark, and brooding...a magnet for women if he were interested. \
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Jason Miller is Damien Karras in the movie.”As he lifted the Host in consecration, it trembled in his fingers with a hope that he dared not hope, that he fought with every particle and fiber of his will. “‘For this--is--My body.’” he intoned with a whispered intensity.No, it’s bread! It’s nothing but bread!He dared not love again and lose. That loss was too great, that pain too keen. The cause of his skepticism and his doubts, his attempts to eliminate natural causes in the case of Regan’s seeming possession, was the fiery intensity of his yearning to be able to believe. He bowed his head and placed the consecrated Host in his mouth, where in a moment it would stick in the dryness of his throat. And of his faith.”The thought that kept going through my head as I read this book is if you find proof of the devil or a demon or even true evil doesn't that mean you’ve found proof of God? \
  Glory be to God for dappled things,For skies of couple-color as a brindled cow;For rose-moles all in stipple upon trout that swim;Fresh-fire-coal chestnut falls; finches’ wings...He fathers forth whose beauty is past change.Praise him.\
Regan or Rags as her mother likes to call her starts exhibiting strange behavior, talking in tongues, and levitating. It is never really explained how or why she becomes possessed. Unless I somehow missed that part. Changing editions midstream has me a little worried about that as I did not go back and read the hundred or so pages that I’d read before the switch. She goes from being a creative, likable, normal twelve year old girl into something that is not only horrifying, but barely recognizable as human. \
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Linda Blair played Regan in the famous movie version.”Reining in his revulsion, he closed the door and then his eyes locked, stunned, on the thing that was Regan, on the creature that was lying on its back on the bed, head propped against a pillow while eyes bulged wide in their hollow sockets shone with mad cunning and burning intelligence, with interest and with spite, as they fixed upon his; as they watched him intently, seething in a face shaped into a skeletal mask of unthinkable malevolence. Karras shifted his gaze to the tangled and thickly matted hair; to the wasted arms and legs and distended stomach jutting up so grotesquely; then back to the eyes: they were watching him...pinning him...”\
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Transformed!!!Terrifying stuff!”Requested and performed exorcisms had begun to decline in the Western world by the 18th century due to advancements in medical understanding, and occurred rarely until the latter half of the 20th century when the public saw a sharp rise due to the media attention exorcisms were getting. There was “a 50% increase in the number of exorcisms performed between the early 1960s and the mid-1970s”.Media suggested hysteria. \
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Iconic shot from the movie.The church has a priest who had performed the last exorcism in 1949. He is an elderly Jesuit priest named Lankester Merrin. The two priests know they are over their heads, but in a true act of courage and faith take on the demon. No need for more details as I’m sure most of you have seen the movie and if you have not I would encourage you to read the book before watching the movie. The movie was nominated for ten academy awards and grossed over $441 million worldwide. No wonder the demand for priests and their knowledge of exorcisms went up exponentially. The tour of 1970s horror will continue with Jaws. Stay tuned. ADDENDUMMy friend, Gary Wyatt, supplied me with a picture of the house where the famous exorcism case happened in 1949. This was the case that inspired William Peter Blatty to write this book. Instead of a girl this case involved a thirteen year old boy named Roland Doe. Walter Halloran a Catholic priest of the Society of Jesus performed the exorcism. The setting: St. Louis, Missouri. \
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Exorcism House in St. LouisIf you wish to see more of my most recent book and movie reviews, visit http://www.jeffreykeeten.comI also have a Facebook blogger page at:https://www.facebook.com/JeffreyKeeten

Once upon a time, in the haunted city of Derry, four boys stood together and did a brave thing. Certainly a good thing, perhaps even a great thing. Something that changed them in ways they could never begin to understand.Twenty-five years later, the boys are now men with separate lives and separate troubles. But the ties endure. Each hunting season the foursome reunite in the woods of Maine. This year, a stranger stumbles into their camp, disoriented, mumbling something about lights in the sky. His incoherent ravings prove to be disturbingly prescient. Before long, these men will be plunged into a horrifying struggle with a creature from another world. Their only chance of survival is locked in their shared past - and in the Dreamcatcher.Stephen King's first full-length novel since Bag of Bones is, more than anything, a story of how men remember, and how they find their courage. Not since The Stand has King crafted a story of such astonishing range—and never before has he contended so frankly with the heart of darkness.

Stephen King returns to the characters and territory of one of his most popular novels ever, The Shining, in this instantly riveting novel about the now middle-aged Dan Torrance (the boy protagonist of The Shining) and the very special 12-year-old girl he must save from a tribe of murderous paranormals.On highways across America, a tribe of people called The True Knot travel in search of sustenance. They look harmless - mostly old, lots of polyester, and married to their RVs. But as Dan Torrance knows, and spunky 12-year-old Abra Stone learns, The True Knot are quasi-immortal, living off the "steam" that children with the "shining" produce when they are slowly tortured to death.Haunted by the inhabitants of the Overlook Hotel where he spent one horrific childhood year, Dan has been drifting for decades, desperate to shed his father's legacy of despair, alcoholism, and violence. Finally, he settles in a New Hampshire town, an AA community that sustains him, and a job at a nursing home where his remnant "shining" power provides the crucial final comfort to the dying. Aided by a prescient cat, he becomes "Doctor Sleep."Then Dan meets the evanescent Abra Stone, and it is her spectacular gift, the brightest shining ever seen, that reignites Dan's own demons and summons him to a battle for Abra's soul and survival. This is an epic war between good and evil, a gory, glorious story that will thrill the millions of hyper-devoted fans of The Shining and wildly satisfy anyone new to the territory of this icon in the King canon.

A modern classic, Carrie introduced a distinctive new voice in American fiction -- Stephen King. The story of misunderstood high school girl Carrie White, her extraordinary telekinetic powers, and her violent rampage of revenge, remains one of the most barrier-breaking and shocking novels of all time.Make a date with terror and live the nightmare that is...Carrie--back cover

Johnny, the small boy who skated at breakneck speed into an accident that for one horrifying moment plunged him into The Dead Zone. Johnny Smith, the small-town schoolteacher who spun the wheel of fortune and won a four-and-a-half-year trip into The Dead Zone. John Smith, who awakened from an interminable coma with an accursed power—the power to see the future and the terrible fate awaiting mankind in The Dead Zone.~

Four years after the sudden death of his wife, forty-year-old bestselling novelist Mike Noonan is still grieving. Unable to write, and plagued by vivid nightmares set at the western Maine summerhouse he calls Sara Laughs, Mike reluctantly returns to the lakeside getaway. There, he finds his beloved Yankee town held in the grip of a powerful millionaire, Max Devore, whose vindictive purpose is to take his three-year-old granddaughter, Kyra, away from her widowed young mother, Mattie. As Mike is drawn into Mattie and Kyra's struggle, as he falls in love with both of them, he is also drawn into the mystery of Sara Laughs, now the site of ghostly visitations and escalating terrors. What are the forces that have been unleashed here—and what do they want of Mike Noonan?It is no secret that King is one of our most mesmerizing storytellers. In Bag of Bones, he proves to be one of our most moving as well.(back cover)

This needs to be said in capital letters so that it will grab people's attention and hopefully stop them from rating this book what they would have given King's novella:THIS BOOK IS NOT KING'S NOVELLA (RITA HAYWORTH AND SHAWSHANK REDEMPTION), WHICH THE MOVIE WAS BASED ON. IT IS A CRITICAL ANALYSIS OF THE FILM WRITTEN BY MARK KERMODE AND RELEASED BY BFI MODERN CLASSICS.With that said, on with my actual review. This is well written, in terms of actual writing style and readability, but ultimately lacking. Mark Kermode basically goes through the movie from beginning to end and attempts to translate a lot of the scenes and actions into symbols and themes. A lot of the conclusions he draws seem like a bit of a stretch to me. For example, Kermode writes, "Although Darabont has subsequently informed me that no such parallels were intended, it is possible (should one so wish) to find powerful echoes of the Last Supper in [the roof-tarring scene:]...a head-count of the inmates depicted in this sequence clearly reveals thirteen prisoners on the roof...More strikingly still, both King's source and Darabont's adaptation make it clear that, having provided the blessed beer, 'Only Andy didn't drink', a detail which fits neatly with the biblical descriptions of Jesus blessing, giving, but crucially not partaking of the wine..." (32). It seems to me that these two, what more likely are coincidences, don't provide enough substantial evidence to open up this scene to any necessary parallels between it and the last supper. I understand that Dufresne (Tim Robbins) is, I guess in some way -- maybe time and effort -- sacrificing himself to do the paperwork to get the beers that he hands out. And that because of his sacrifice they are all able to celebrate and enjoy the reward together, ultimately giving hope that there is life amongst the death of the prison. And that that event leads to the beginning of him being seen as a sort of legend that lives on through the passing of his story from one person to another (or as Kermode would say, from one disciple to another). However, when you study this scene in terms of the bigger-picture impact it has on the course of the film in comparison to what the last supper meant, and how it impacted the bigger-picture ministry of Jesus Christ, the parallels break down (and to be noted, some of the parallels that I listed above Kermode doesn't even go into.) Excuse me for getting theological, but some clarification on the first communion need to be made. The last supper was about Jesus Christ breaking bread and taking wine as a symbol for the giving over of His body and blood (meaning his death on the cross) for the disciples, and essentially the world, and the promise that we too would have to go to this cross if we were to believe in Him. As Christ's blood bound together the disciples in that moment, so would Christ's blood, shed through the giving of his follower's lives by way of the cross, bind together the Church in the future. None of this is evident in the roof-tarring scene. Andy's sacrifice is merely a way through which he can work the system in order for him and a couple guys to feel more human again. His sacrifice doesn't provide the way through which the other disciples will learn to live: other prisoners don't start trying to subvert the system and undermine authority because of him. And also, Kermode's second claim that Jesus didn't drink from the cup at first communion isn't as clearly stated in the gospels as he would have you believe. A lot of the gospels give slightly different accounts of this event, and even the gospels that he cites, Matthew and Mark, don't clearly state that Jesus didn't drink from the cup. Jesus's language about not drinking from the wine again until his second coming, leads me to believe that he drank from the cup the first time. There is the possibility that he drank wine during the meal, and then didn't drink wine during communion, being that some gospels list him saying he passed the cup after the meal, but there is no way of really telling. At best, we could say that it isn't conclusive whether he did or didn't. I don't mean to get overly religious, but I wanted to give an in-depth critique of one of his claims to show what I meant when I said many of his claims are a stretch. Much of the book gives analysis in the same way: concentrating on very specific, seemingly correct, but ultimately superficial connections between the movie and the Christian worldview. Kermode never really connects the dots between a lot of his claims which leaves the reader with great things to throw out at someone if your citing off references as to what this movie is "really" about, but leaves them paralyzed to offer any serious, well-thought out and congruent arguments. It's as if Kermode didn't have an all encompassing thesis for the book, but instead decided to analyze each scene individually and make connections where he could. If one knows a little something of the bible and what's in it, it becomes more obvious that Kermode's argument is lacking. I don't want to act like religious parallels cannot be made. I do believe there are some religious themes in the movie (an innocent man, condemned for a crime he didn't commit, is placed into a world he never belonged in, and helps the other guilty prisoners, through what he does and how he lives, see that humanity and another life are still possible if we learn to subvert the system and always continue to have hope.) However, Kermode doesn't do a great job of presenting these themes. Also, I don't want to act like there is nothing I took from this book (I did give it three stars, not one). Kermode gives an interesting interpretation having to do with the church of cinema and how Dufresne escapes through that and also gives a lot of little interesting tidbits about the movie along the way. Overall, the book is a short read, and a pretty easy one at that, and even with it's problems it might be worth reading just to get thinking more critically about the movie. However, if you're looking for a thorough and insightful analysis of this movie, especially in terms of why it worked, you might have to look elsewhere.

It's a hot, lazy day, perfect for a cookout, until you see those strange dark clouds. Suddenly a violent storm sweeps across the lake and ends as abruptly and unexpectedly as it had begun. Then comes the mist...creeping slowly, inexorably into town, where it settles and waits, trapping you in the supermarket with dozens of others, cut off from your families and the world. The mist is alive, seething with unearthly sounds and movements. What unleashed this terror? Was it the Arrowhead Project---the top secret government operation that everyone has noticed but no one quite understands? And what happens when the provisions have run out and you're forced to make your escape, edging blindly through the dim light?

The Department of Scientific Intelligence (aka "The Shop") never anticipated that two participants in their research program would marry and have a child. Charlie McGee inherited pyrokinetic powers from her parents, who had been given a low-grade hallucinogen called "Lot Six" while at college. Now the government is trying to capture young Charlie and harness her powerful firestarting skills as a weapon.--stephenking.com

Five interconnected, sequential narratives, set in the years from 1960 to 1999. Each story is deeply rooted in the sixties, and each is haunted by the Vietnam War.Stephen King, whose first novel, Carrie, was published in 1974, the year before the last U.S. troops withdrew from Vietnam, is the first hugely popular writer of the TV generation. Images from that war -- and the protests against it -- had flooded America's living rooms for a decade. Hearts in Atlantis, King's newest fiction, is composed of five interconnected, sequential narratives, set in the years from 1960 to 1999. Each story is deeply rooted in the sixties, and each is haunted by the Vietnam War. In Part One, "Low Men in Yellow Coats," eleven-year-old Bobby Garfield discovers a world of predatory malice in his own neighborhood. He also discovers that adults are sometimes not rescuers but at the heart of the terror. In the title story, a bunch of college kids get hooked on a card game, discover the possibility of protest...and confront their own collective heart of darkness, where laughter may be no more than the thinly disguised cry of the beast. In "Blind Willie" and "Why We're in Vietnam," two men who grew up with Bobby in suburban Connecticut try to fill the emptiness of the post-Vietnam era in an America which sometimes seems as hollow -- and as haunted -- as their own lives. And in "Heavenly Shades of Night Are Falling," this remarkable book's denouement, Bobby returns to his hometown where one final secret, the hope of redemption, and his heart's desire may await him. Full of danger, full of suspense, most of all full of heart, Stephen King's new book will take some readers to a place they have never been...and others to a place they have never been able to completely leave.

Nevada is mostly a long stretch of desert you cross on the way to somewhere else. And with someone else, if you're lucky...because it's a scary place. Headed down Route 50 in the brutal summer heat are people who are never going to reach their destinations. Like the Jacksons, a professor and his wife going home to New York City; the Carvers, a Wentworth, Ohio, family bound for a vacation at Lake Tahoe; and aging literary lion Johnny Marinville, inventing a gonzo image for himself astride a 700-pound Harley.A dead cat nailed to a road sign heralds the little mining town of Desperation, a town that seems withered in the shade of a man-made mountain known as the China Pit. But it's worse than that, much worse. Regulating the traffic there is Collie Entragian, an outsize uniformed madman who considers himself the only law west of the Pecos. God forbid you should be missing a license plate or find yourself with a flat tire.There's something very wrong here, all right, and Entragian is only the surface of it. The secrets embedded in Desperation's landscape, and the evil that infects the town like some viral hot zone, are both awesome and terrifying. But as young David Carver seems to know--though it scares him nearly to death to realize it--so are the forces summoned to combat them. In Desperation Stephen King's sweeping brush paints an apocalyptic drama of God and evil, madness and revelation. His genius for suspense has never been so finely honed, his imagination so shudderingly vivid,as when his wayfarers--and readers who dare to follow their course--begin to discover the true meaning of the word desperation.

Twenty years ago, a boy named Jack Sawyer travelled to a parallel universe called The Territories to save his mother and her Territories "twinner" from a premature and agonizing death that would have brought cataclysm to the other world. Now Jack is a retired Los Angeles homicide detective living in the nearly nonexistent hamlet of Tamarack, WI. He has no recollection of his adventures in the Territories and was compelled to leave the police force when an odd, happenstance event threatened to awaken those memories.When a series of gruesome murders occur in western Wisconsin that are reminiscent of those committed several decades earlier by a real-life madman named Albert Fish, the killer is dubbed "The Fisherman" and Jack's buddy, the local chief of police, begs Jack to help his inexperienced force find him. But is this merely the work of a disturbed individual, or has a mysterious and malignant force been unleashed in this quiet town? What causes Jack's inexplicable waking dreams, if that is what they are, of robins' eggs and red feathers? It's almost as if someone is trying to tell him something. As that message becomes increasingly impossible to ignore, Jack is drawn back to the Territories and to his own hidden past, where he may find the soul-strength to enter a terrifying house at the end of a deserted track of forest, there to encounter the obscene and ferocious evils sheltered within it.

Obsessed with the idea of overcoming the obstacle of death and determined to vindicate himself by backing up his theory, the ambitious medical student, Herbert West, arrives in New England, after the horrific incident at the Institute of Medicine in Switzerland. Before long, Herbert will pick up where he left off--at first, experimenting with dead feline tissue, and then, with fresh human cadavers--talking his sceptic roommate, Dan Cain, into joining his audacious project. Inevitably, as the two young scientists burrow deeper and deeper into uncharted territories, the campus will start brimming with West's reanimated corpses, catching the eye of his arch-nemesis, Dr Hill, who yearns to take credit for this astounding discovery. The dead will rise again, even with a bit of help; however, can the young re-animator harness the power of his phosphorescent green reagent?

A band straying into a secluded part of the Pacific Northwest stumbles onto a horrific act of violence. Because they are the only witnesses, they become the targets of a terrifying gang of skinheads who want to make sure all the evidence is eliminated.

A radio host interprets the possible outbreak of a deadly virus which infects the small Ontario town he is stationed in.

Harry and Lloyd are two good friends who happen to be really stupid. The duo set out on a cross country trip from Providence to Aspen, Colorado to return a briefcase full of money to its rightful owner, a beautiful woman named Mary Swanson. After a trip of one mishap after another, the duo eventually make it to Aspen. But the two soon realize that Mary and her briefcase are the least of their problems.

To be a Pet Detective, you have to understand both the criminals and animals. Ace Ventura goes even further... He behaves like a criminal animal. When a football team's mascot (a dolphin) is stolen just before the Superbowl, Ace Ventura is put on the case. Now, who would want to steal a dolphin, and why?

In New Zealand's peaceful town of Wellington, Lionel Cosgrove--an oppressed bachelor who is still living with his despotic mother, Vera--has finally found his soulmate: the kind grocery store clerk, Paquita. However, before long, things will take a turn for the worse in Lionel's already messed-up world, when Skull Island's vicious Sumatran Rat-Monkey bites Vera after a visit to the local zoo. Now that Vera's got the "bite", the virulent infection is rapidly turning her into a puss-squirting flesh-eating living dead, and the volatile situation is bound to get out of hand, as an ever-growing collection of dead bodies and other stimulant-enhanced zombie misfits start to cram Lionel's basement. Poor Lionel--whether you like it or not--you need to man up and clean up the mess; moreover, summon up the courage to confront your decomposing mummy, and the family's ugly secret. Nevertheless, has Lionel what it takes to save the day, and get the girl?

En route to visit their grandfather's grave (which has apparently been ritualistically desecrated), five teenagers drive past a slaughterhouse, pick up (and quickly drop) a sinister hitch-hiker, eat some delicious home-cured meat at a roadside gas station, before ending up at the old family home... where they're plunged into a never-ending nightmare as they meet a family of cannibals who more than make up in power tools what they lack in social skills...

Jean-Baptiste Grenouille (Ben Whishaw) came into the world unwanted, expected to die, yet born with an unnerving sense of smell that created alienation, as well as talent. Of all of the smells around him, Grenouille is beckoned to the scent of a woman's body, and spends the rest of his life attempting to smell her essence again by becoming a perfumer, and creating the essence of an innocence lost.

In the early 1970s, Sixto Rodriguez was a Detroit folksinger who had a short-lived recording career with only two well received but non-selling albums. Unknown to Rodriguez, his musical story continued in South Africa where he became a pop music icon and inspiration for generations. Long rumored there to be dead by suicide, a few fans in the 1990s decided to seek out the truth of their hero's fate. What follows is a bizarrely heartening story in which they found far more in their quest than they ever hoped, while a Detroit construction laborer discovered that his lost artistic dreams came true after all.

This is the story of Melvin, the Tromaville Health Club mop boy, who inadvertently and naively trusts the hedonistic, contemptuous and vain health club members, to the point of accidentally ending up in a vat of toxic waste. The devastating results then have a transmogrification effect, his alter ego is released, and the Toxic Avenger is born, to deadly and comical results. The local mop boy is now the local Superhero, the saviour of corruption, thuggish bullies and indifference. Troma classic with good make-up effects and stunts, a pleasant surprise indeed.

1984 film directed by Michael Herz and Lloyd Kaufman

Nursery teacher Jenny and her boyfriend Steve, escape for a romantic weekend away. Steve, planning to propose, has found an idyllic setting: a remote lake enclosed by woodlands and seemingly deserted. The couple's peace is shattered when a gang of obnoxious kids encircles their campsite. Reveling in provoking the adults, the gang steals the couple's belongings and vandalizes their car leaving them completely stranded. When Steve confronts them, tempers flare and he suffers a shocking and violent attack. Fleeing for help, Jenny is subject to a brutal and relentless game of cat-and-mouse as she desperately tries to evade her young pursuers and find her way out of the woods.

Based on the Bram Stoker Award nominee short story by cult author Joe R. Lansdale, Bubba Ho-tep tells the "true" story of what really did become of Elvis Presley. We find Elvis (Bruce Campbell) as an elderly resident in an East Texas rest home, who switched identities with an Elvis impersonator years before his "death", then missed his chance to switch back. Elvis teams up with Jack (Ossie Davis), a fellow nursing home resident who thinks that he is actually President John F. Kennedy, and the two valiant old codgers sally forth to battle an evil Egyptian entity who has chosen their long-term care facility as his happy hunting grounds.

Three backpackers travel into the Australian Outback only to find themselves stranded at Wolf Creek crater. Once there, they are encountered by a bushman, Mick Taylor, who offers them a ride back to his place. Little do the three know that their adventure into the Outback would be a complete nightmare after the backpackers find a way to escape.

Six challenging months after the horrific events of

2007 film directed by Juan Carlos Fresnadillo

A television reporter and her cameraman are assigned to spend the night shift with a Los Angeles fire crew. After a routine 911 call takes them to a small apartment building, they find police officers already on the scene in response to blood curdling screams coming from one of the apartments. They soon learn that a woman living in the building has been infected by something unknown. After a few of the residents are viciously attacked, they try to leave with the news crew, only to find the building has quarantined. All communication in and it is stopped; the only evidence of what took place is the news crew's videotape.

All that Neal Page wants to do is to get home for Thanksgiving. His flight has been cancelled due to bad weather, so he decides on other means of transport. As well as bad luck, Neal is blessed with the presence of Del Griffith, shower curtain ring salesman and all-around blabbermouth who is never short of advice, conversation, bad jokes, or company. And when he decides that he is going the same direction as Neal....

The cynical and skeptical writer Mike Enslin writes books evaluating supernatural phenomena in hotels, graveyards and other haunted places, usually debunking the mystery. While writing his latest book, he travels from Los Angeles to New York to spend one night in the Dolphin Hotel's posessed room 1408, which is permanently unavailable for guests. The reluctant manager Mr. Gerald Olin objects to his request and offers an upgrade, expensive booze and finally relates the death of more than fifty guests over decades in the cursed room. However Mike threatens Mr. Olin, promising to sue the hotel, and is finally allowed to check into the room. Later in the night, he finds that guests of room 1408, once they have checked in, might never leave the room alive.

Mike, a young teenage boy who has just lost his parents, afraid to lose his brother follow him to a funeral, where Mike witnesses the Tall Man lifting a coffin on his own. Mike decides to investigate, and discovers that the Tall Man, protected by his flying spheres, is shrinking dead bodies down to half their normal size and reanimating them as slaves. It is then up to Mike, his brother, and Reggie the ice cream man to stop the Tall man.

A leisurely Mexican holiday takes a turn for the worse when a group of friends and a fellow tourist embark on a remote archaeological dig in the jungle, where something evil lives among the ruins.

American singer, songwriter and actress (born 1958)

American blues and soul singer and record producer

American singer, songwriter, and pianist (1942-2018)

The series follows the life of anti-social, pain killer addict, witty and arrogant medical doctor Gregory House (Hugh Laurie) with only half a muscle in his right leg. He and his team of medical doctors try to cure complex and rare diseases from very ill ordinary people in the United States of America.

"In every generation there is a chosen one... she alone will stand against the vampires, the demons and the forces of darkness. She is the slayer." Buffy Summers knows this tale by heart, and no matter how hard she tries to be just a "normal girl", she can not escape from her destiny... Thankfully, she is not alone in her quest to save the world, as she has the help of her friends, the hilarious (and surprisingly quite effective) evil-fighting team called "The Scooby Gang". Together, Buffy & co. will slay their demons, survive one apocalypse after another, attend high school and college... and above all, understand that growing up can truly be Hell sometimes... literally.

1997 American supernatural drama TV series

An innovative look at the life of fictional Mafia Capo Tony Soprano, this serial is presented largely first person, but additional perspective is conveyed by the intimate conversations Tony has with his psychotherapist. We see Tony at work, at home, and in therapy. Moments of black comedy intersperse this aggressive, adult drama, with adult language, and extreme violence.

Pacific Heat is set on the glitzy, glamorous Gold Coast, a sun-drenched paradise where sun and surf meet soaring crime rates. The animated comedy series is based on the exploits of an undercover special unit established by police authorities to tackle everyone from petty crooks to international drug cartels. Unconventional, uncompromising and with an arrest rate second to none, the team are not afraid to operate outside the law - provided at least one of them is wearing a fluorescent safety vest. The 13-part series comes from the creative minds of Working Dog productions, the highly successful Australian production company responsible for the popular TV series Have You Been Paying Attention?, Frontline, Thank God You're Here, and The Panel.

A drug-addicted nurse struggles to find a balance between the demands of her frenetic job at a New York City hospital and an array of personal dramas.

2009 American medical comedy-drama television series

Creator/showrunner Jenji Kohan's hit Showtime satirical drama series told of Nancy Botwin (Mary-Louise Parker), a widowed mother of two boys - Silas and Shane (Hunter Parish and Alexander Gould) - who begins selling marijuana to support her family. Other main characters include Nancy's lax brother-in-law Andy (Justin Kirk) moving in to help raise her children; foolish acquaintance Doug Wilson (Kevin Nealon); narcissistic neighbor Celia Hodes (Elizabeth Perkins), who lives with her husband Dean (Andy Milder) and their daughter Isabelle (Allie Grant); as well as Nancy's wholesalers Heylia James and her son Conrad (Tonye Patano and Romany Malco). Over the course of the show, the Botwin family become increasingly entangled in illegal activity.

2005-2012 American dark comedy-drama television series

Set in modern times, vampires roam the Earth and are humans' mortal enemies. However, a substitute has been found for human blood, a substitute that vampires can consume with the same effect as human blood. This is True Blood. Now humans and vampires can co-exist in harmony, and even form relationships. But there will always be rogue elements on both sides ready to exploit the uneasy truce.

It's eviction night at the Big Brother house, but something very strange is happening; the dead are coming alive and attacking the living. When zombies attack all of the audience outside, the Big Brother contestants are unaware of the death outside the fan-proof (and zombie-proof) big brother house until the show's runner, Kelly, comes into the house and warns them of the doom outside. Stuck with even less contact with the outside world, the house-mates must sneak out of the house to get supplies, without being seen by the zombies.

From actor/writer duo James Corden and Mathew Baynton, The Wrong Mans series centers on Sam Pinkett and Phil Bourne, office workers for Berkshire County Council, who have their menial existence turned upside-down by a chance phone-call and a case of mistaken identity. After being sole witness to a car crash on a desolate country road, Sam answers an abandoned mobile telephone and hears a message that was clearly not meant for him: "If you are not here by 5 o'clock, we will kill your wife". Encouraged by office mail-room delivery boy Phil that they can be the heroes of the hour, the duo soon find themselves plunged into a deadly kidnap situation. The Wrong Mans involves a world of unexpected international conspiracy and intrigue, with the mysterious Scarlett and Stevens and the enigmatic secret agent Walker at the heart of the unfurling chaos. Sam and Phil must dodge bullets and escape explosions in their quest to save not just themselves, but their loved ones and ultimately their whole town.

Watch as Tim finds himself in several awkward situations in this HBO cartoon comedy.

When chemistry teacher Walter White is diagnosed with Stage III cancer and given only two years to live, he decides he has nothing to lose. He lives with his teenage son, who has cerebral palsy, and his wife, in New Mexico. Determined to ensure that his family will have a secure future, Walt embarks on a career of drugs and crime. He proves to be remarkably proficient in this new world as he begins manufacturing and selling methamphetamine with one of his former students. The series tracks the impacts of a fatal diagnosis on a regular, hard working man, and explores how a fatal diagnosis affects his morality and transforms him into a major player of the drug trade.

The Black Dynamite animated series further chronicles the exploits of the central character, Black Dynamite and his crew. Action comedy-spoof that follows ex-C.I.A. Agent and full-time ladies man, Black Dynamite, who's out to avenge the death of his brother against kung-fu masters, drug-dealing pimps, and The Man.

After breaking up with his girlfriend, Josh comes to the realization that he is homosexual. With the support of his now ex girlfriend Claire, and his best friend and house mate Tom, Josh must help his mother with her battle with depression and the rest of his family embrace his new found orientation. All of this becomes a little more complicated when he explores his sexuality with a young and handsome Geoffrey.

A series of sketches by British comedian Peter Serafinowicz

Although Jill's husband seems to respond well to cancer treatment, she tells him that he's dying. Jill pretends she's already a widow and pursues her next-door neighbor, Don. Jill manipulates and torments Don's wife, who suffers from MS.

The lives of two men sharing a flat in South London.

A definitely-not-for-children animated series with each episode made up of an array of perverse skits.

Mister Ed (Himself) is a horse who is owned by Wilbur Post (Alan Young). Mister Ed is not just any horse, he talks to Wilbur. But this gets Wilbur in all kinds of trouble because Mister Ed won't talk to anyone else, so Carol (Connie Hines), Wilbur's wife, thinks that Wilbur loves Mister Ed more then he loves her, because he spends so much time with Mister Ed. Mister Ed also talks on the telephone and goes out of his barn to cause mischief, for which Wilbur gets blamed.

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