Emo Nemo

Mily

Sarah

Shaidrian Rios

Jimmy Beans

miCCwatreSSop

Julie Wynne - videos

Kapuster

Nicky Tallon

Harini Sen

Vastralaya

Evan Shively (Perseus271)

When literature student Anastasia Steele goes to interview young entrepreneur Christian Grey, she encounters a man who is beautiful, brilliant, and intimidating. The unworldly, innocent Ana is startled to realize she wants this man and, despite his enigmatic reserve, finds she is desperate to get close to him. Unable to resist Ana’s quiet beauty, wit, and independent spirit, Grey admits he wants her, too—but on his own terms. Shocked yet thrilled by Grey’s singular erotic tastes, Ana hesitates. For all the trappings of success—his multinational businesses, his vast wealth, his loving family—Grey is a man tormented by demons and consumed by the need to control. When the couple embarks on a daring, passionately physical affair, Ana discovers Christian Grey’s secrets and explores her own dark desires.Erotic, amusing, and deeply moving, the Fifty Shades Trilogy is a tale that will obsess you, possess you, and stay with you forever.This book is intended for mature audiences.

Cath and Wren are identical twins and until recently they did absolutely everything together. Now they're off to university and Wren's decided she doesn't want to be one half of a pair any more - she wants to dance, meet boys, go to parties and let loose. It's not so easy for Cath. She would rather bury herself in the fanfiction she writes where there's romance far more intense than anything she's experienced in real life.Now Cath has to decide whether she's ready to open her heart to new people and new experiences, and she's realizing that there's more to learn about love than she ever thought possible ...A tale of fanfiction, family and first love

For years, Grace has watched the wolves in the woods behind her house. One yellow-eyed wolf—her wolf—is a chilling presence she can't seem to live without.Meanwhile, Sam has lived two lives: In winter, the frozen woods, the protection of the pack, and the silent company of a fearless girl. In summer, a few precious months of being human… until the cold makes him shift back again.Now, Grace meets a yellow-eyed boy whose familiarity takes her breath away. It's her wolf. It has to be. But as winter nears, Sam must fight to stay human—or risk losing himself, and Grace, forever.

As Omega Point prepares to launch an all-out assault on The Reestablishment soldiers stationed in Sector 45, Adam's focus couldn't be further from the upcoming battle. He's reeling from his breakup with Juliette, scared for his best friend's life, and as concerned as ever for his brother James's safety. And just as Adam begins to wonder if this life is really for him, the alarms sound. It's time for war.On the battlefield, it seems like the odds are in their favor—but taking down Warner, Adam's newly discovered half brother, won't be that easy. The Reestablishment can't tolerate a rebellion, and they'll do anything to crush the resistance... including killing everyone Adam has ever cared about.Fracture Me sets the stage for Ignite Me, the explosive finale in Tahereh Mafi's epic dystopian series. Set during and soon after the final moments of Unravel Me, Fracture Me is told from Adam's perspective.

Juliette escaped from The Reestablishment by seducing Warner—and then putting a bullet in his shoulder. But as she’ll learn in Destroy Me, Warner is not that easy to get rid of...Back at the base and recovering from his near-fatal wound, Warner must do everything in his power to keep his soldiers in check and suppress any mention of a rebellion in the sector. Still as obsessed with Juliette as ever, his first priority is to find her, bring her back, and dispose of Adam and Kenji, the two traitors who helped her escape. But when Warner’s father, The Supreme Commander of The Reestablishment, arrives to correct his son’s mistakes, it’s clear that he has much different plans for Juliette. Plans Warner simply cannot allow.Set after Shatter Me and before its forthcoming sequel, Unravel Me, Destroy Me is a novella told from the perspective of Warner, the ruthless leader of Sector 45.

Ruby can't look back. Fractured by an unbearable loss, she and the kids who survived the government's attack on Los Angeles travel north to regroup. With them is a prisoner: Clancy Gray, son of the president, and one of the few people Ruby has encountered with abilities like hers. Only Ruby has any power over him, and just one slip could lead to Clancy wreaking havoc on their minds. They are armed only with a volatile secret: proof of a government conspiracy to cover up the real cause of IAAN, the disease that has killed most of America's children and left Ruby and others like her with powers the government will kill to keep contained. But internal strife may destroy their only chance to free the "rehabilitation camps" housing thousands of other Psi kids.Meanwhile, reunited with Liam, the boy she would-and did-sacrifice everything for to keep alive, Ruby must face the painful repercussions of having tampered with his memories of her. She turns to Cole, his older brother, to provide the intense training she knows she will need to take down Gray and the government. But Cole has demons of his own, and one fatal mistake may be the spark that sets the world on fire.

Katsa has been able to kill a man with her bare hands since she was eight—she’s a Graceling, one of the rare people in her land born with an extreme skill. As niece of the king, she should be able to live a life of privilege, but Graced as she is with killing, she is forced to work as the king’s thug. She never expects to fall in love with beautiful Prince Po. She never expects to learn the truth behind her Grace—or the terrible secret that lies hidden far away . . . a secret that could destroy all seven kingdoms with words alone. With elegant, evocative prose and a cast of unforgettable characters, debut author Kristin Cashore creates a mesmerizing world, a death-defying adventure, and a heart-racing romance that will consume you, hold you captive, and leave you wanting more.

This is a previously published cover edition of ISBN 9780316310277. An alternative cover edition for this ISBN can be found here.Of course I want to be like them. They’re beautiful as blades forged in some divine fire. They will live forever.And Cardan is even more beautiful than the rest. I hate him more than all the others. I hate him so much that sometimes when I look at him, I can hardly breathe.Jude was seven when her parents were murdered and she and her two sisters were stolen away to live in the treacherous High Court of Faerie. Ten years later, Jude wants nothing more than to belong there, despite her mortality. But many of the fey despise humans. Especially Prince Cardan, the youngest and wickedest son of the High King.To win a place at the Court, she must defy him–and face the consequences.As Jude becomes more deeply embroiled in palace intrigues and deceptions, she discovers her own capacity for trickery and bloodshed. But as betrayal threatens to drown the Courts of Faerie in violence, Jude will need to risk her life in a dangerous alliance to save her sisters, and Faerie itself.

Percy is confused. When he awoke from his long sleep, he didn't know much more than his name. His brain fuzz is lingering, even after the wolf Lupa told him he is a demigod and trained him to fight with the pen/sword in his pocket. Somehow Percy manages to make it to a camp for half-bloods, despite the fact that he has to keep killing monsters along the way. But the camp doesn't ring any bells with him. The only thing he can recall from his past is another name: Annabeth. Hazel is supposed to be dead. When she lived before, she didn't do a very good job of it. Sure, she was an obedient daughter, even when her mother was possessed by greed. But that was the problem—when the Voice took over her mother and commanded Hazel to use her "gift" for an evil purpose, Hazel couldn't say no. Now because of her mistake, the future of the world is at risk. Hazel wishes she could ride away from it all on the stallion that appears in her dreams. Frank is a klutz. His grandmother says he is descended from heroes and can be anything he wants to be, but he doesn't see it. He doesn't even know who his father is. He keeps hoping Apollo will claim him, because the only thing he is good at is archery—although not good enough to win camp war games. His bulky physique makes him feel like an ox, especially in front of Hazel, his closest friend at camp. He trusts her completely—enough to share the secret he holds close to his heart. Beginning at the "other" camp for half-bloods and extending as far as the land beyond the gods, this breathtaking second installment of the Heroes of Olympus series introduces new demigods, revives fearsome monsters, and features other remarkable creatures, all destined to play a part in the Prophesy of Seven.

No one expects a princess to be brutal. And Lada Dragwlya likes it that way. Ever since she and her gentle younger brother, Radu, were wrenched from their homeland of Wallachia and abandoned by their father to be raised in the Ottoman courts, Lada has known that being ruthless is the key to survival. She and Radu are doomed to act as pawns in a vicious game, an unseen sword hovering over their every move. For the lineage that makes them special also makes them targets.Lada despises the Ottomans and bides her time, planning her vengeance for the day when she can return to Wallachia and claim her birthright. Radu longs only for a place where he feels safe. And when they meet Mehmed, the defiant and lonely son of the sultan, Radu feels that he’s made a true friend—and Lada wonders if she’s finally found someone worthy of her passion.But Mehmed is heir to the very empire that Lada has sworn to fight against—and that Radu now considers home. Together, Lada, Radu, and Mehmed form a toxic triangle that strains the bonds of love and loyalty to the breaking point.

▶ \
  Alternative Cover Edition #1\
Darkness never dies.Hunted across the True Sea, haunted by the lives she took on the Fold, Alina must try to make a life with Mal in an unfamiliar land, all while keeping her identity as the Sun Summoner a secret. But she can’t outrun her past or her destiny for long.The Darkling has emerged from the Shadow Fold with a terrifying new power and a dangerous plan that will test the very boundaries of the natural world. With the help of a notorious privateer, Alina returns to the country she abandoned, determined to fight the forces gathering against Ravka. But as her power grows, Alina slips deeper into the Darkling’s game of forbidden magic, and farther away from Mal. Somehow, she will have to choose between her country, her power, and the love she always thought would guide her—or risk losing everything to the oncoming storm.

Ketterdam: a bustling hub of international trade where anything can be had for the right price—and no one knows that better than criminal prodigy Kaz Brekker. Kaz is offered a chance at a deadly heist that could make him rich beyond his wildest dreams. But he can’t pull it off alone. . . .A convict with a thirst for revengeA sharpshooter who can’t walk away from a wagerA runaway with a privileged pastA spy known as the WraithA Heartrender using her magic to survive the slumsA thief with a gift for unlikely escapesKaz’s crew is the only thing that might stand between the world and destruction—if they don’t kill each other first.

This is a previously published edition of  ISBN13: 9781599906959.After serving out a year of hard labor in the salt mines of Endovier for her crimes, 18-year-old assassin Celaena Sardothien is dragged before the Crown Prince. Prince Dorian offers her her freedom on one condition: she must act as his champion in a competition to find a new royal assassin.Her opponents are men-thieves and assassins and warriors from across the empire, each sponsored by a member of the king's council. If she beats her opponents in a series of eliminations, she'll serve the kingdom for four years and then be granted her freedom. Celaena finds her training sessions with the captain of the guard, Westfall, challenging and exhilarating. But she's bored stiff by court life. Things get a little more interesting when the prince starts to show interest in her ... but it's the gruff Captain Westfall who seems to understand her best.Then one of the other contestants turns up dead ... quickly followed by another. Can Celaena figure out who the killer is before she becomes a victim? As the young assassin investigates, her search leads her to discover a greater destiny than she could possibly have imagined.

Who is the real Margo?Quentin Jacobsen has spent a lifetime loving the magnificently adventurous Margo Roth Spiegelman from afar. So when she cracks open a window and climbs into his life—dressed like a ninja and summoning him for an ingenious campaign of revenge—he follows. After their all-nighter ends, and a new day breaks, Q arrives at school to discover that Margo, always an enigma, has now become a mystery. But Q soon learns that there are clues—and they're for him. Urged down a disconnected path, the closer he gets, the less Q sees the girl he thought he knew...

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

A SACRED OATHA FALLEN ANGELA FORBIDDEN LOVERomance was not part of Nora Grey's plan. She's never been particularly attracted to the boys at her school, no matter how hard her best friend, Vee, pushes them at her. Not until Patch comes along. With his easy smile and eyes that seem to see inside her, Patch draws Nora to him against her better judgment.But after a series of terrifying encounters, Nora's not sure whom to trust. Patch seems to be everywhere she is and seems to know more about her than her closest friends. She can't decide whether she should fall into his arms or run and hide. And when she tries to seek some answers, she finds herself near a truth that is way more unsettling than anything Patch makes her feel.For she is right in the middle of an ancient battle between the immortal and those that have fallen - and, when it comes to choosing sides, the wrong choice will cost Nora her life.

2009 New York Times Bestselling young adult fantasy novel by Becca Fitzpatrick

In this dazzling and long-awaited conclusion to the acclaimed Mortal Instruments series, Clary and her friends fight the greatest evil they have ever faced: Clary's own brother.Sebastian Morgenstern is on the move, systematically turning Shadowhunter against Shadowhunter. Bearing the Infernal Cup, he transforms Shadowhunters into creatures out of nightmare, tearing apart families and lovers as the ranks of his Endarkened army swell.The embattled Shadowhunters withdraw to Idris - but not even the famed demon towers of Alicante can keep Sebastian at bay. And with the Nephilim trapped in Idris, who will guard the world against demons?When one of the greatest betrayals the Nephilim have ever known is revealed, Clary, Jace, Isabelle, Simon, and Alec must flee - even if their journey takes them deep into the demon realms, where no Shadowhunter has set foot before, and from which no human being has ever returned...Love will be sacrificed and lives lost in the terrible battle for the fate of the word in the thrilling final installment of the classic urban fantasy series The Mortal Instruments!

Despite the tumor-shrinking medical miracle that has bought her a few years, Hazel has never been anything but terminal, her final chapter inscribed upon diagnosis. But when a gorgeous plot twist named Augustus Waters suddenly appears at Cancer Kid Support Group, Hazel's story is about to be completely rewritten.Insightful, bold, irreverent, and raw, The Fault in Our Stars is award-winning author John Green's most ambitious and heartbreaking work yet, brilliantly exploring the funny, thrilling, and tragic business of being alive and in love.

Before. Miles “Pudge” Halter is done with his safe life at home. His whole life has been one big non-event, and his obsession with famous last words has only made him crave “the Great Perhaps” even more (Francois Rabelais, poet). He heads off to the sometimes crazy and anything-but-boring world of Culver Creek Boarding School, and his life becomes the opposite of safe. Because down the hall is Alaska Young. The gorgeous, clever, funny, sexy, self-destructive, screwed up, and utterly fascinating Alaska Young. She is an event unto herself. She pulls Pudge into her world, launches him into the Great Perhaps, and steals his heart. Then. . . . After. Nothing is ever the same.

In \
  Angel’s Wolf\
 a vampire becomes fascinated with the seductive angel who rules Louisiana. But all is not what it appears to be in her court. In \
  Angels’ Judgment\
 a hunter must track one of her own gone bad, while surviving the deadly tests placed in her way by the archangels themselves. Unexpected backup comes from a stranger who might just be the most lethal threat of all... Plus FIRST TIME IN PRINTIn \
  Angels' Pawn\
 a vampire hunter faces off against two rival factions and the angel manipulating them both, and a vampire whose help is not entirely selfless... And NEVER BEFORE PUBLISHEDIn \
  Angels’ Dance\
 an angel trapped in the mountain stronghold of the Refuge finds herself under siege by a warrior angel from a martial court.

A seventeen-year-old aristocrat falls in love with a kind but poor artist aboard the luxurious, ill-fated R.M.S. Titanic.

When two kids find and play a magical board game, they release a man trapped in it for decades - and a host of dangers that can only be stopped by finishing the game.

Radio Rebel is a 2012 teen drama television film based on a novel titled Shrinking Violet. The movie premiered on Disney Channel in the United States on February 17, 2012 and YTV in Canada on March 8, 2012. The movie was produced by MarVista Entertainment and Two 4 Money Media, in association with YTV and Disney Channel. The movie was directed by Peter Howitt, written by Erik Patterson & Jessica Scott. It stars Debby Ryan, Merritt Patterson, Adam DiMarco, Sarena Parmar and Nancy Robertson. The film follows a shy girl (Ryan) who goes undercover with a radio persona that allows her to express her true feelings. Her identity is put at risk when her school principal (Robertson) threatens to expel the young girl following a life of mischief.

High-school life gets even more unbearable for Nadine when her best friend, Krista, starts dating her older brother.

Identical twins Annie and Hallie, separated at birth and each raised by one of their biological parents, later discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.

A poor yet passionate young man falls in love with a rich young woman, giving her a sense of freedom, but they are soon separated because of their social differences.

2004 romantic drama film by Nick Cassavetes

Using high tech gadgets, two kids have to save their reactivated OSS top spy parents when they're taken by an evil, high tech enemy.

When an unseen enemy threatens mankind by taking over their bodies and erasing their memories, Melanie Stryder risks everything to protect the people she cares about.

In a future where people stop aging at 25, but are engineered to live only one more year, having the means to buy your way out of the situation is a shot at immortal youth. Here, Will Salas finds himself accused of murder and on the 

2011 American dystopian sci-fi thriller film

After the earth-shattering revelations of Insurgent, Tris must escape with Four beyond the wall that encircles Chicago, to finally discover the shocking truth of the world around them.

2016 American science fiction adventure film directed by Robert Schwentke

After a highly unusual zombie saves a still-living girl from an attack, the two form a relationship that sets in motion events that might transform the entire lifeless world.

A newly recruited night security guard at the Museum of Natural History discovers that an ancient curse causes the animals and exhibits on display to come to life and wreak havoc.

A modern-day take on the "Beauty and the Beast" tale where a New York teen is transformed into a hideous monster in order to find true love.

Princess Protection Program is a 2009 Disney Channel Original Movie, directed by Allison Liddi-Brown and starring Demi Lovato and Selena Gomez. The script was written by Annie DeYoung from a story by Annie DeYoung and David Morgasen. The film premiered on June 26, 2009 in the United States on Disney Channel and was released on DVD on June 30, 2009. The film won the 2009 Teen Choice Awards for Choice Summer Movie.

Mary lives with her evil stepmom/sisters and slaves for them. At the high school masquerade ball, she gets to dance with her pop idol, Joey. Running home before midnight, she drops her Zune. Joey tries to find the girl who fits the Z

As a string of mysterious killings grips Seattle, Bella, whose high school graduation is fast approaching, is forced to choose between her love for vampire Edward and her friendship with werewolf Jacob.

When a criminal mastermind uses a trio of orphan girls as pawns for a grand scheme, he finds their love is profoundly changing him for the better.

2010 American computer-animated 3D comedy film

Lemonade Mouth is a 2011 American teen musical drama television film, based on the 2007 novel of the same name by Mark Peter Hughes. The film was directed by Patricia Riggen and written by April Blair, and stars Bridgit Mendler, Adam Hicks, Naomi Scott, Hayley Kiyoko and Blake Michael. The film tells the story of five high school students who meet in detention and form a band to stand up for their beliefs and to overcome their individual and collective struggles.

A smart but sensible new graduate lands a job as an assistant to Miranda Priestly, the demanding editor-in-chief of a high fashion magazine.

2006 comedy-drama film directed by David Frankel

Elle Woods, a fashionable sorority queen, is dumped by her boyfriend. She decides to follow him to law school. While she is there, she figures out that there is more to her than just looks.

Set ninety-seven years after a nuclear war has destroyed civilization, when a spaceship housing humanity's lone survivors sends one hundred juvenile delinquents back to Earth, in hopes of possibly re-populating the planet.

2014-2020 American science fiction television series

Orphaned at the tender age of nine, prodigious introvert Beth Harmon discovers and masters the game of chess in 1960s USA. But child stardom comes at a price.

A live-action adaptation of Nickelodeon's Winx Club (2004). It follows Bloom as she adjusts to life in the Otherworld, where she must learn to control her dangerous magical powers.

An English combat nurse from 1945 is mysteriously swept back in time to 1743.

Death Note is a Japanese manga series written by Tsugumi Ohba and illustrated by Takeshi Obata. It was serialized in Shueisha's shōnen manga magazine Weekly Shōnen Jump from December 2003 to May 2006, with its chapters collected in 12 tankōbon volumes. The story follows Light Yagami, a genius who discovers a mysterious notebook: the "Death Note", which belonged to the shinigami Ryuk, and grants the user the supernatural ability to kill anyone whose name is written in its pages. The series centers around Light's subsequent attempts to use the Death Note to carry out a worldwide massacre of individuals whom he deems immoral and to create a crime-free society, using the alias of a god-like vigilante named "Kira", and the subsequent efforts of an elite Japanese police task force, led by enigmatic detective L, to apprehend him.

Follows the personal and professional lives of six twenty to thirty-something-year-old friends living in Manhattan.

Follows teenager Clay Jensen, in his quest to uncover the story behind his classmate and crush, Hannah, and her decision to end her life.

2017 American teen drama web television series

A high school chemistry teacher diagnosed with inoperable lung cancer turns to manufacturing and selling methamphetamine in order to secure his family's future.

An extraordinary road to emotional healing opens up for an selfish antisocial children's book writer and a selfless psych ward caretaker when they cross paths.

Things change when there is a murder of a student in the school and everyone becomes a suspect. And during the investigation, so many secrets will be revealed that might break or make friends and relationships.

Set in a future where consciousness is digitized and stored, a prisoner returns to life in a new body and must solve a mind-bending murder to win his freedom.

Having gone missing seven years ago, the previously blind Prairie returns home, now in her twenties with her sight restored. While many believe she is a miracle, others worry that she could be dangerous.

2016 American mystery drama television series

After discovering their parents are super-villains in disguise, a group of teenagers band together to run away from their homes in order to atone for their parents' actions and to discover the secrets of their origins.

A group of bored delinquents are transported to a parallel wasteland as part of a survival game.

Two teenagers from very different backgrounds find themselves burdened and awakened to newly acquired superpowers while growing closer together every day.

An old murder incident involving a group who ran an illegal broadcasting station brings together different people - a mysterious errand guy "Healer" who possesses disguise and fighting skills, a reporter from a second-rate tabloid, a

The drama is about a woman, Nam Hong Joo, who can see accidents that take place in the future through her dreams. And a prosecutor, Jung Jae Chan, who struggles to stop the woman's dreams from coming true.

A young boy, whose life and family has been destroyed by new media, gets adopted by a family in a rural area after being found lost at sea. He tries to conceal his past for everyone's sake for 13 years. But when the girl he loves ent

A love story between a couple in their early thirties. They belong to the same era but alternate realities.

After a chance encounter in LA, two teens from different social backgrounds reunite at an exclusive high school attended by Korea's über rich.

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