Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

28 Days of Terror in a House Possessed by Evil SpiritsIn December 1975, the Lutz family moved into their dream home, the same home where Ronald DeFeo had murdered his parents, brothers and sisters just one year earlier.the psychic phenomena that followed created the most terrifying experience the Lutz family had ever encountered, forcing them to flee the house in 28 days, convinced that it was possessed by evil spirits.Their fantastic story, never before disclosed in full detail, makes for an unforgettable book with all the shocks and gripping suspense of The Exorcist, The Omen or Rosemary's Baby, but with one vital difference...the story is true--back cover

We never should have done it. But we needed a break. You know, some time off from the superhero stuff. A chance to act like normal kids. Well -- as normal as four kids who can morph, a hawk, and an alien can be. Everything should have been cool.Now Rachel is missing. And there's this...this thing that's after us. But it's not up to me to tell the whole story. Tobias, Cassie, Marco, and Ax were there, too. Even Rachel has some info to add. So go ahead and check this out. And remember not to tell anyone what we're about to tell you. It could mean the difference between life and death. Or worse...

Okay, first, I feel like I need to preface this review by confessing that if I had read this book for the first time at age thirty-one, I wouldn't be giving it five stars. My rating is entirely colored by my intense nostalgic feelings of love for it. As an adult reading it as a part of an ongoing series, this is a solid book that does some really cool things. But for a kid who'd never read any science-fiction before, this book absolutely GOBSMACKED me. It's the reason I love science fiction.Your average Animorphs book is 150 pages and takes place on Earth, as the kids fight a guerrilla war against the silent Yeerk invasion. This book is 326 pages and the main character is an alien. Almost all the characters are aliens, and it mostly takes place in space, or on alien planets. The main character also happens to be the Andalite Elfangor, the alien who gave the Animorphs their powers back in the very first chapter of the very first book. The frame of the book is that Elfangor is dying, and as he is dying, he sends his thoughts to be recorded, his "hirac delest," or final statement. Elfangor achieved great success and fame as a war-prince, but he carries a great burden for his part in events that happened years before, events that allowed the first Yeerk to obtain an Andalite host body. It is due to Elfangor's actions that Visser Three exists.But this isn't just the story of how Visser Three captured an Andalite body, it's Elfangor's story. Who was this alien who gave five kids the power to morph? Why did he do it, breaking one of his people's highest laws? Where did he come from? What I find so engrossing about this book is the worldbuilding. We've been hearing about all these alien races for twelve books now, hearing about the terrible wars they fight with each other, the places them come from. But here we actually get to see it. We get to see Andalite space battles and Andalite culture. We get to see the Taxxon homeworld, and the difficult choices that war thrusts upon everybody. We meet the creepy, tongue-in-cheek Skrit Na. And this book really doesn't pull any punches. There are some genuinely upsetting and terrifying things that happen. (view spoiler)[Elfangor's fellow aristh (cadet), Arbron, getting stuck as Taxxon and being left behind. The revelations of Alloran's past war crimes towards the Hork-Bajir. The terrifying nature of the Time Matrix (Loren's fast-growing fingernails into claws is a seriously upsetting image). And Elfangor's ultimate choice, to leave behind a safe life with his human family, and his soon to be born son, Tobias, to give the galaxy a chance at peace.Yes, this is where we find out that Tobias's parents are Loren and Elfangor (in human morph). Tobias's life is incredibly sad. Stuck as a nothlit, his mother long dead, his father he thought abandoned him. It would be far too coincidental if Applegate hadn't planned it that way from the beginning.  (hide spoiler)]

We could blame everything that happened on Marco. He was the one who heard about the downed submarine. He was the one who thought we should check it out. And everyone knows that if Marco's up to a challenge, I'm definitely there.Everything was going fine. Until the explosion. An explosion that blows us millions of years back in time. Back to the age of dinosaurs. Now Tobias, Cassie, Marco, Ax, Jake and I are fighting for our lives with every step we take. But that's not our biggest problem. Our biggest problem is we have no idea how to get back to our own time ...

Sometimes weird things happen to people. Ask Jake. He may tell you about the night he and his friends saw the strange light in the sky. He may even tell you about what happened when they realized the "light" was only a plane -- from another planet. Here's where Jake's story gets a little weird. It's where they're told that the human race is under attack -- and given the chance to fight back.Now Jake, Rachel, Cassie, Tobias, and Marco have the power to morph into any animal they choose. And they must use that power to outsmart an evil that is greater than anything the world has ever seen...

Animorphs "RM" is an exciting series for young adult readers about five teens who are given the power to "morph" into any animal they touch and then to absorb its DNA. This power is granted them by a dying Andalite alien named Elfangor, who also warns the teens that Earth is being threatened secretly by a group of aliens called Yeerks. This high-interest series is currently a successful television show and will be sure to intrigue even the most reluctant readers.

'Women are writing many of the things male sf writers thought could never be written; they are making us examine tenets and shibboleths we thought were immutable. The mightily thewed warrior trip is one of these. People like Ursula Le Guin, Joanna Russ, Kate Wilhelm ... are making that seem hideously ridiculous' - Harlan EllisonIn Women of Wonder, Pamela Sargent has assembled a collection of amazing stories which show that some of the most exciting and innovative writing in science fiction is being produced by women.Women in Science Fiction (1975) essay by Pamela SargentThe Child Dreams (1975) poem by Sonya DormanThat Only a Mother (1948) story by Judith MerrilContagion (1950) novelette by Katherine MacLeanThe Wind People (1959) story by Marion Zimmer BradleyThe Ship Who Sang (1961) novelette by Anne McCaffreyWhen I Was Miss Dow (1966) story by Sonya DormanThe Food Farm (1967) story by Kit ReedBaby, You Were Great (1967) story by Kate WilhelmSex &amp;/or Mr. Morrison (1967) story by Carol EmshwillerVaster Than Empires &amp; More Slow (1971) novelette by Ursula K. Le GuinFalse Dawn (1972) story by Chelsea Quinn YarbroNobody's Home (1972) story by Joanna RussOf Mist, &amp; Grass, &amp; Sand (1973) novelette by Vonda N. McIntyreCover illustration by Candy Amsden.

Hugo and Nebula award-winning author Vonda N. McIntyre continues the bestselling Star Wars saga as the ultimate space adventure unfolds in The Crystal Star.Princess Leia's children have been kidnapped. Along with Chewbacca and Artoo-Detoo, she follows the kidnappers' trail to a disabled refugee ship, from which children are also missing. Here she learns of a powerful Imperial officer with a twisted plan to restore the Empire. Meanwhile, Han Solo and Luke Skywalker are cut off from Leia by the death of a nearby star, which has caused a disruption in the Force. They have gone to the planet Crseih to investigate a report of a lost group of Jedi. Instead they find a charismatic alien named Waru whose miraculous healing powers have attracted a fanatic following. As Leia follows the path of her children across space, Luke and Han draw closer to the truth behind Waru's sinister cult. Together they will face an explosive showdown that will decide the survival of the New Republic . . . and the universe itself!

While this book gets docked a point or two for the cheesy 70s cover and the title, it deserves a place among the classics of the genre. I first read the Nebula-winning novella "Of Mist, And Grass, And Sand," in middle school, but I never realized that McIntyre had expanded it to novel length. It's a thoughtful adventure, a quest led by a mature and confident heroine, Snake. I love her as a character: she knows who she is, she is good at what she does, and she is comfortable in her own skin. I also love that this book is not your typical post-apocalyptic nightmare. It takes place so long after a nuclear catastrophe that society has rebuilt itself, albeit in a very different form. This lets McIntyre present us with a familiar but somewhat alien landscape, advanced and regressive technology, humans acting human but according to slightly different societal rules, all with lots of room to explore. While there are a couple of elements that seem as dated as the cover, all in all I thought McIntyre did a beautiful job of expanding that original story into the larger tale told here.

Nowadays, it seems like every horror movie is either a remake, a sequel or the kind of vile torture porn that makes you want to puke in your bag of popcorn. Filming one of these flicks requires tens of millions of dollars for a platoon of pretty actors, gallons of fake blood, special effects and a marketing campaign. Oddly, they don’t seem to spend any money on scripts for these things.But Alfred Hitchcock only needed about nine grand to buy the rights to this book. Then it only took a blonde, a shower, and a butcher knife to create one of the defining scenes in horror history. There might be a lesson in that story somewhere, Hollywood.Legend has it that Hitchcock had all the available copies of the book bought up after he obtained the rights so that he could keep the story secret for his version. If that isn’t true, it should be. I’ve often wished that I had a way to temporarily blank out my memory of certain stories so that I could read or see them for the first time all over again and be completely surprised. Unfortunately, alcoholic blackouts are extremely unreliable at this so I just have to try and imagine what it would have been like to read this book before the story became a classic. I bet it was a complete mind fuck for those poor bastards who did read it back in 1959.It holds up remarkably well despite knowing the story and it being over 50 years old. Shifting narration to the inner dialogues of different characters was very effective, especially with Norman himself. My only real complaint is that I wished it would have been the sister Lila and not Mary who took the infamous shower because Lila is a shrill nagging harpy that annoyed the hell out of me.

Jurassic Park4 starsWe are all familiar with this story, no? So my review will consist of my thoughts and experiences with it over time.My first memories of this were from the summer of 1993. I remember my aunt taking my brother and me to see the movie; all I knew going into it was that it was about dinosaurs and the toys looked awesome. Later that same year I would be introduced to the Mighty Morphin' Power Rangers, the first American iteration of which consisted of dinosaur-themed zords and costumes. Needless to say, 1993 saw me come down with a case of dino-fever, and no, I wasn't bit by a Compy... *sigh*I would later look around on the playground for dinosaur bones on a "dig", which were actually whitish rocks because duh. But it made me feel scientific, dammit! Jumping ahead a number of years (don't ask, a gentleman doesn't reveal his age) (view spoiler)[fine, it was 10 years, stop badgering me! (hide spoiler)]

This book of essays looks at the multitude of texts and influences which converge in Ridley Scott's film Blade Runner, especially the film's relationship to its source novel, Philip K. Dick's Do Androids Dream of Electric Sheep? Essays consider political, moral and technological issues raised by the film, as well as literary, filmic, technical and aesthetic questions. Contributors discuss the film's psychological and mythic patterns, importance political issues and the roots of the film in Paradise Lost, Frankenstein, detective fiction, and previous science fiction cinema.

Publisher's WeeklyIn 1966, the late Philip K Dick published the novelette ''We Can Remember It for You Wholesale.'' A movie based on the story will be released next year; this book is a novelization of the script and the original novel. The first half of the book follows the original plot closely, despite transforming the unremarkable protagonist Douglas Quail into a musclebound man of action. Frustrated with his life, Quail decides to purchase a memory of a two-week adventure on Mars because he can't afford the real thing. However, while under heavy sedation preparatory to the installation of the memory, Quail remembers that he actually was on Mars as an intelligence agent and killer. Now that he has recovered the memory which had been suppressed by his employers, his life is in jeopardy. Here the novel deviates from Dick's philosophical original, becoming a more pedestrian if exciting slam-bang chase thriller. Judged on its own terms, the book works and it's fun.Library JournalDouglas Quail's dreams are haunted by images of Mars--a place where he has never been--until his visit to a company that specializes in memory implants catapults him into a conspiracy that overturns the basic premise of his life. Based on the Philip K. Dick story, ''We Can Remember It for You Wholesale,'' this sf adventure (to be released as a movie in 1990) by one of the genre's most prolific and respected authors features fast-paced action and vivid imagery.

Based on the screenplay by Melissa Mathison.What do you do when you're lost, millions of miles from home, surrounded by frightening creatures?You do what the Old Botanist did when he was accidentally left behind on Earth. First you find a friend...Filmaker STEVEN SPIELBERG and novelist WILLIAM KOTZWINKLE together create a magical story about two unforgettable friends: a gentle being from another world who is stranded on Earth, hunted, afraid and alone....and a ten-year-old boy who finds him and takes him home.--from back cover of paperback version

The Thing by Alan Dean Foster is a novelization of the 1982 classic by John Carpenter. Based on the novella 'Who Goes There'(1938) by John. W. Campbell, the story involves an American research station tucked away in the solitary landscape of the Antarctic. The isolated crew is exposed to an alien creature which has been buried in the ice for centuries, an organism that digests and replicates its victims, and then hides behind a perfect imitation of its prey. Without a distinct corporeal form, the alien emerges only when threatened, its appearance announced by a grotesque display of shifting physical transformations. The metamorphoses made spectacular by hideous eruptions of half-formed limbs and mutated organs.'The Thing' is a representation of threats that could destroy civilization. But the story is not about what The Thing symbolizes; rather, it’s about the unrelenting acknowledgment that such a threat exists and, whether its form is psychological or physical, is what humans should be afraid of. The brilliance of the story rests on this psychological terror that is manifested with the fear of the unknown and manages to preserve a lasting place in our memory. The novel  is a masterpiece of paranoia and monstrosity. It manages to combine a slow burn of tension and suspicion with bright flashes of inventive violence beneath the surface of which hides disturbing questions about what we truly know of one another and ourselves.

I’ve never seen the film Poltergeist so I can’t compare the movie versus the novel. But what I can say is that this is one hell of a horror story! It had me hooked right from the beginning and I kept getting shivers as I felt the dread mounting. This book made me feel uncomfortable and uneasy and I adored every second of it. This is what horror is all about, that inexplicable feeling of dread and terror that follows you throughout the book and keeps you thinking about it even after you’ve put the book down. This is by far one of my favourite horror books I’ve read this year!

THE DARK CRYSTAL reveals the coming-of-age of the last male Gelfling on the planet of Thra. From his quiet, dreamy existence in the secluded valley with the ponderous but cerebral urRu, Jen must suddenly depart on a Quest whose details are not fully explained to him. This gentle boy leaves his comfort zone in a desperate attempt to save his planet from another miillenium of destructive rule.Jen's goal is to find a special crystal shard and reunite it with the mother crystal -- now dark with grief and anger at the senseless destruction. This crystal is coveted and guarded in the Dark Castle by the vicious race of Skeksis, who terrorize the planet with their bat spies and insect zombies. Our unlikely hero has only his flute and his wits to guide him, but several surprise friends offer help and advice along his dangerous odyssey--including the last girl Gelfling. Together they race against celestial time, as the Great Conjunction of the triple suns is imminent.

Ok so I am a massive nerd and I really love reading tie-ins and quite often even enjoy film/TV novelizations too! I honestly can't remember how I got hold of this in EBOOK format, but I have it so I read it. It made me appreciate the Tron 'world' a bit more..? Amazingly enough. It was quite fun to read and even though it was really similar to the film, there was enough interesting descriptions and the like that made it fun to read on it's own. Not really something for casual Tron fans or people looking to skip the movie lol... It also made me realise just how 'spiritual' the Tron universe is???? I know that's weird but listen, these programs believes in THE USER like they are these gods but each program has their own personal god, their own user. It's just really fascinating and it's something I never really paid too much attention to.The reboot/sequel film does make the spiritual thing a bit more obvious but in another slightly more obvious way. While I think the original film is a bit more subtle with it and isn't as PRODIGAL SON/HOLY ONE as the 2010 film. Like I said, I'm a massive nerd and I really do adore the Tron universe so this was a lot of fun for me to read and it helped that the writing was fun to read too!! https://hercommonplaceblog.wordpress....

"Relentless terror." —The Philadelphia InquirerThe classic, blockbuster thriller of man-eating terror that inspired the Steven Spielberg movie and made millions of beachgoers afraid to go into the water. Experience the thrill of helpless horror again—or for the first time!

1974 novel by American writer Peter Benchley

A novel by Wayland Drew, based on a screenplay by Bob Dolman, from a story by George Lucas.A wondrous tale of a child...a prophecy...and the power of magic.The ChildShe was born with the mark on her arm. The mark of the one who would cause the downfall of Queen Bavmorda, and end her evil reign. If she survived...The ProphecyThe legend told of the Queen that a child would be born who would destroy her. That prophecy was the Queen's greatest fear...and now it was about to come true. Unless she could stop it...The Power of MagicWillow Ufgood had always wanted to be a magician, to be wise and respected in the community. His dreams were about to come true...but in ways he could have never imagined.

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