Boba

Enes Buğra 

Jim Thomas

andres santamaría

Dad Is ar

Murat Dadaş

Marcus Hopson

Michael Walsh

ANDY

vision

Librarian note: an alternate cover for this edition can be found here.Just listen, Adam says with a voice that sounds like shrapnel.I open my eyes wide now.I sit up as much as I can.And I listen.Stay, he says.Choices. Seventeen-year-old Mia is faced with some tough ones: Stay true to her first love—music—even if it means losing her boyfriend and leaving her family and friends behind?Then one February morning Mia goes for a drive with her family, and in an instant, everything changes. Suddenly, all the choices are gone, except one. And it's the only one that matters.If I Stay is a heartachingly beautiful book about the power of love, the true meaning of family, and the choices we all make.

For years, Grace has watched the wolves in the woods behind her house. One yellow-eyed wolf—her wolf—is a chilling presence she can't seem to live without.Meanwhile, Sam has lived two lives: In winter, the frozen woods, the protection of the pack, and the silent company of a fearless girl. In summer, a few precious months of being human… until the cold makes him shift back again.Now, Grace meets a yellow-eyed boy whose familiarity takes her breath away. It's her wolf. It has to be. But as winter nears, Sam must fight to stay human—or risk losing himself, and Grace, forever.

the longing.Once Grace and Sam have found each other, they know they must fight to stay together. For Sam, this means a reckoning with his werewolf past. For Grace, it means facing a future that is less and less certain.the loss.Into their world comes a new wolf named Cole, whose past is full of hurt and danger. He is wrestling with his own demons, embracing the life of a wolf while denying the ties of being a human. the linger.For Grace, Sam, and Cole, life a constant struggle between two forces--wolf and human--with love baring its two sides as well. It is harrowing and euphoric, freeing and entrapping, enticing and alarming. As their world falls apart, love is what lingers. But will it be enough?

Just when Joey Pigza's wired world finally seems to be under control, his good-for-nothing dad pops back into his life. This time, though, Carter Pigza is a new man - literally. After a lucky lotto win, Carter Pigza has a crazy new outlook on life, and he's even changed his name to Charles Heinz. He thinks Joey and his mom should become new people, too. Soon Joey finds himself bombarded with changes: a new name, a new home, and a new family business - running the beat-up Beehive Diner. He knows he should forgive his dad as his mom wants him to, and get with the new family program. But Joey is afraid that in changing names and going with the flow he will lose sight of who he really is.In this rocket-paced new chapter in Joey Pigza's life, a favorite hero discovers what identity and forgiveness really mean, and how to cook a delicious turkey burger.This title has Common Core connections.

Who is the real Margo?Quentin Jacobsen has spent a lifetime loving the magnificently adventurous Margo Roth Spiegelman from afar. So when she cracks open a window and climbs into his life—dressed like a ninja and summoning him for an ingenious campaign of revenge—he follows. After their all-nighter ends, and a new day breaks, Q arrives at school to discover that Margo, always an enigma, has now become a mystery. But Q soon learns that there are clues—and they're for him. Urged down a disconnected path, the closer he gets, the less Q sees the girl he thought he knew...

Escaping the Maze was only the beginning.The world thought it had seen the worst after the Sun Flares struck the Earth’s surface, and millions of people were killed. But then an unstoppable illness ravaged the bodies and minds of the remaining survivors. Simply known as the Flare, the disease seemed unstoppable until a cure was discovered, but that relief came at a human cost.Now it's up to Thomas, Teresa and the others, who will discover that while they may have escaped the Maze, they've entered into an experiment more terrifying than anything they could imagine. Explore how the terrifying W.C.K.D. came to be, and how the very first Maze was designed. Discover what it takes to survive in a post-Flare world, against the violent Cranks that have begun to take over humanity, only to learn that the Glade may not be the only Maze W.C.K.D. was running.With over 6.5 million books in print, and an international hit film series, it’s plain to see fans lost themselves in James Dashner’s bestselling series. Featuring an introduction from Dashner himself, this collection of all new short stories reveals the hidden histories of your favorite Gladers, including Aris, Ava Paige, and Mary Cooper before The Scorch Trials hits theaters on September 18.

Christopher John Francis Boone knows all the countries of the world and their capitals and every prime number up to 7,057. He relates well to animals but has no understanding of human emotions. He cannot stand to be touched. And he detests the color yellow.Although gifted with a superbly logical brain, for fifteen-year-old Christopher everyday interactions and admonishments have little meaning. He lives on patterns, rules, and a diagram kept in his pocket. Then one day, a neighbor's dog, Wellington, is killed and his carefully constructive universe is threatened. Christopher sets out to solve the murder in the style of his favourite (logical) detective, Sherlock Holmes. What follows makes for a novel that is funny, poignant and fascinating in its portrayal of a person whose curse and blessing are a mind that perceives the world entirely literally.

One choice can transform you—or it can destroy you. But every choice has consequences, and as unrest surges in the factions all around her, Tris Prior must continue trying to save those she loves—and herself—while grappling with haunting questions of grief and forgiveness, identity and loyalty, politics and love.Tris's initiation day should have been marked by celebration and victory with her chosen faction; instead, the day ended with unspeakable horrors. War now looms as conflict between the factions and their ideologies grows. And in times of war, sides must be chosen, secrets will emerge, and choices will become even more irrevocable—and even more powerful. Transformed by her own decisions but also by haunting grief and guilt, radical new discoveries, and shifting relationships, Tris must fully embrace her Divergence, even if she does not know what she may lose by doing so.New York Times bestselling author Veronica Roth's much-anticipated second book of the dystopian DIVERGENT series is another intoxicating thrill ride of a story, rich with hallmark twists, heartbreaks, romance, and powerful insights about human nature.

"Don't be afraid," I murmured. "We belong together."I was abruptly overwhelmed by the truth of my own words. This moment was so perfect, so right, there was no way to doubt it.His arms wrapped around me,holding me against him....It felt like every nerve ending in my body was a live wire."Forever," he agreed.WHEN YOU LOVED THE ONE WHO WAS KILLING YOU, IT LEFT YOU NO OPTIONS. How could you run, how could you fight, when doing so would hurt that beloved one? If your life was all you had to give, how could you not give it? If it was someone you truly loved?TO BE IRREVOCABLY IN LOVE WITH A VAMPIRE is both fantasy and nightmare woven into a dangerously heightened reality for Bella Swan. Pulled in one direction by her intense passion for Edward Cullen, and in another by her profound connection to werewolf Jacob Black, a tumultuous year of temptation, loss, and strife have led her to the ultimate turning point. Her imminent choice to either join the dark but seductive world of immortals or to pursue a fully human life has become the thread from which the fates of two tribes hangs.NOW THAT BELLA HAS MADE HER DECISION, a startling chain of unprecedented events is about to unfold with potentially devastating, and unfathomable, consequences. Just when the frayed strands of Bella's life - first discovered in Twilight, then scattered and torn in New Moon and Eclipse - seem ready to heal and knit together, could they be destroyed... forever?THE ASTONISHING, BREATHLESSLY anticipated conclusion to the Twilight Saga, Breaking Dawn illuminates the secrets and mysteries of this spellbinding romantic epic that has entranced millions.

It is not so much that The Life of Pi, is particularly moving (although it is). It isn’t even so much that it is written with language that is both delicate and sturdy all at once (which it is, as well). And it’s certainly not that Yann Martel’s vision filled passages are so precise that you begin to feel the salt water on your skin (even though they are). It is that, like Bohjalian and Byatt and all of the great Houdini’s of the literary world, in the last few moments of your journey – after you’ve felt the emotions, endured the moments of heartache, yearned for the resolution of the characters’ struggle – that you realize the book is not what you thought it was. The story transforms, instantly, and forever.And in those last few chapters, you suddenly realize that the moral has changed as well.You feel Martel’s words lingering, suggesting, and you find yourself wondering whether you are his atheist who takes the deathbed leap of faith – hoping for white light and love? Or the agnostic who , in trying to stay true to his reasonable self, explains the mysteries of life and death in only scientific terms, lacking imagination to the end, and, essentially, missing the better story?There is no use in trying to provide a brief synopsis for this ravishing tale of a young boy from India left adrift in the Pacific in a lifeboat with a tiger who used to reside in his father’s zoo in Pondicherry. There is no use because once you finish the book you might decide that this was not, indeed, what the book was about at all. There is no use because, depending on your philosophical bent, the book will mean something very different to your best friend than it will to you. There is no use because it is nearly impossible to describe what makes this book so grand.Read this book. Not because it is an exceptional piece of literary talent. It is, of course. But there are many good authors and many good books. While uncommon, they are not endangered. Read this book because in recent memory - aside from Jose Saramago’s arresting Blindness – there have been no stories which make such grand statements with such few elements. As Pi says in his story “Life on a lifeboat isn’t much of a life. It is like an end game in chess, a game with few pieces. The elements couldn’t be more simple, nor the stakes higher.” It is the same with Martel’s undulating fable of a book about a boy in a boat with a tiger. A simple story with potentially life altering consequences for it’s readers. As Martel writes, "The world isn't just the way it is. It is how we understand it, no? And in understanding something, we bring something to it, no?" Like Schroedinger's cat in the box, the way this book is understood, the way it is perceived affects what it is. There has been some talk that this book will make it’s readers believe in god. I think it’s a question of perspective. To behold this gem of a novel as an adventure of man against the elements (the “dry, yeastless factuality” of what actually happened) is certainly one way to go about it. But to understand this piece to be something indescribable, something godlike, is by far the greater leap of faith.Oh, but worth the leap, if the reader is like that atheist, willing to see the better story.	

Alternate cover for this ISBN can be found herePercy Jackson is a good kid, but he can't seem to focus on his schoolwork or control his temper. And lately, being away at boarding school is only getting worse - Percy could have sworn his pre-algebra teacher turned into a monster and tried to kill him. When Percy's mom finds out, she knows it's time that he knew the truth about where he came from, and that he go to the one place he'll be safe. She sends Percy to Camp Half Blood, a summer camp for demigods (on Long Island), where he learns that the father he never knew is Poseidon, God of the Sea. Soon a mystery unfolds and together with his friends—one a satyr and the other the demigod daughter of Athena - Percy sets out on a quest across the United States to reach the gates of the Underworld (located in a recording studio in Hollywood) and prevent a catastrophic war between the gods.

For the first time, all five novels in the epic fantasy series that inspired HBO's "Game of Thrones "are together in one boxed set. An immersive entertainment experience unlike any other, A Song of Ice and Fire has earned George R. R. Martin--dubbed "the American Tolkien" by "Time" magazine--international acclaim and millions of loyal readers. Now here is the entire monumental cycle: A GAME OF THRONESA CLASH OF KINGSA STORM OF SWORDSA FEAST OF CROWSA DANCE WITH DRAGONS Winter is coming. Such is the stern motto of House Stark, the northernmost of the fiefdoms that owe allegiance to King Robert Baratheon in far-off King's Landing. There Eddard Stark of Winterfell rules in Robert's name. There his family dwells in peace and comfort: his proud wife, Catelyn; his sons Robb, Brandon, and Rickon; his daughters Sansa and Arya; and his bastard son, Jon Snow. Far to the north, behind the towering Wall, lie savage Wildings and worse--unnatural things relegated to myth during the centuries-long summer, but proving all too real and all too deadly in the turning of the season.  Yet a more immediate threat lurks to the south, where Jon Arryn, the Hand of the King, has died under mysterious circumstances. Now Robert is riding north to Winterfell, bringing his queen, the lovely but cold Cersei, his son, the cruel, vainglorious Prince Joffrey, and the queen's brothers Jaime and Tyrion of the powerful and wealthy House Lannister--the first a swordsman without equal, the second a dwarf whose stunted stature belies a brilliant mind. All are heading for Winterfell and a fateful encounter that will change the course of kingdoms.  Meanwhile, across the Narrow Sea, Prince Viserys, heir of the fallen House Targaryen, which once ruled all of Westeros, schemes to reclaim the throne with an army of barbarian Dothraki--whose loyalty he will purchase in the only coin left to him: his beautiful yet innocent sister, Daenerys."

In Beatrice Prior's dystopian Chicago, society is divided into five factions, each dedicated to the cultivation of a particular virtue--Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). On an appointed day of every year, all sixteen-year-olds must select the faction to which they will devote the rest of their lives. For Beatrice, the decision is between staying with her family and being who she really is--she can't have both. So she makes a choice that surprises everyone, including herself.During the highly competitive initiation that follows, Beatrice renames herself Tris and struggles to determine who her friends really are--and where, exactly, a romance with a sometimes fascinating, sometimes infuriating boy fits into the life she's chosen. But Tris also has a secret, one she's kept hidden from everyone because she's been warned it can mean death. And as she discovers a growing conflict that threatens to unravel her seemingly perfect society, she also learns that her secret might help her save those she loves . . . or it might destroy her.

The unforgettable novel of a childhood in a sleepy Southern town and the crisis of conscience that rocked it, To Kill A Mockingbird became both an instant bestseller and a critical success when it was first published in 1960. It went on to win the Pulitzer Prize in 1961 and was later made into an Academy Award-winning film, also a classic.Compassionate, dramatic, and deeply moving, To Kill A Mockingbird takes readers to the roots of human behavior - to innocence and experience, kindness and cruelty, love and hatred, humor and pathos. Now with over 18 million copies in print and translated into forty languages, this regional story by a young Alabama woman claims universal appeal. Harper Lee always considered her book to be a simple love story. Today it is regarded as a masterpiece of American literature.

Despite the tumor-shrinking medical miracle that has bought her a few years, Hazel has never been anything but terminal, her final chapter inscribed upon diagnosis. But when a gorgeous plot twist named Augustus Waters suddenly appears at Cancer Kid Support Group, Hazel's story is about to be completely rewritten.Insightful, bold, irreverent, and raw, The Fault in Our Stars is award-winning author John Green's most ambitious and heartbreaking work yet, brilliantly exploring the funny, thrilling, and tragic business of being alive and in love.

It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will be busier still.By her brother's graveside, Liesel's life is changed when she picks up a single object, partially hidden in the snow. It is The Gravedigger's Handbook, left behind there by accident, and it is her first act of book thievery. So begins a love affair with books and words, as Liesel, with the help of her accordian-playing foster father, learns to read. Soon she is stealing books from Nazi book-burnings, the mayor's wife's library, wherever there are books to be found.But these are dangerous times. When Liesel's foster family hides a Jew in their basement, Liesel's world is both opened up, and closed down.In superbly crafted writing that burns with intensity, award-winning author Markus Zusak has given us one of the most enduring stories of our time.

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

About three things I was absolutely positive.First, Edward was a vampire.Second, there was a part of him—and I didn't know how dominant that part might be—that thirsted for my blood.And third, I was unconditionally and irrevocably in love with him.Deeply seductive and extraordinarily suspenseful, Twilight is a love story with bite.

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Lisette and husband Chino face marital difficulties. She is fed up with the kids, while he has job troubles. His mother Rosaria hates Lisette and the neighborhood tramp has designs on Chino. Things get even worse when Chino goes to jail and Lisette gets a good job uptown. Can this marriage be saved?

Victor is growing up on the Lower East Side and is at the age where he is driven by desire and unchained by maturity. His image as a ladies man is shattered when he is found in Fat Donna's bedroom. Soon, as a result of his sister's big mouth, the whole Dominican community knows. Full of confidence, Victor sets out to reclaim his image by winning Judy. Judy proves to be elusive and difficult. Victor persists, and with a surprising tenderness, ultimately wins Judy's heart.

Miley Stewart is like any other teenage girl. She juggles friends, school and family, but unlike most teenagers, she is secretly a pop star called Hannah Montana. When her popularity starts to take control of her life, her father sends her on a vacation to his hometown in the Tennessee back country, to give her a perspective on what really matters in life.

Honey Daniels is a 22-year-old, sexy, tough-minded, part-black, part-Latina hip-hop dancer in New York's East Harlem who dreams of making it big as a music video choreographer. She teaches hip-hop dancing at a local youth center and encourages the local kids to attend to keep them off the streets and out of trouble. When luck shines on Honey in the form of a famous music video director, named Michael, who casts her in one music video, she's encouraged to make the transition from dancer to choreographer. But Honey's sudden success comes with a price when Michael refuses to take "no" for an answer to his sexual advances and then tries to sabotage her career by blackballing her out of the business.

In Baltimore, the troublemaker and street dancer Tyler Gage lives with his foster parents in a lower class neighborhood. His best friends are Mac Carter and his little brother Skinny Carter and they used to hang around together, going to parties and stealing cars. After being expelled from a party, the trio breaks in the Maryland School of Arts and commits vandalism, destroying the stage. Tyler is arrested and sentenced to 200 hours of community service in the school and Director Gordon assigns him to help the janitor cleaning the place. One afternoon, the ballet dancer Nora Clark sees Tyler dancing in the parking area and when her partner Andrew has a strain and Tyler offers to help her in the choreography, she accepts the offer; they rehearsal and become close to each other while Tyler becomes friend of the students Miles Darby and Lucy Avila. When Andrew returns, Tyler that is known for quitting everything he starts gives up dancing and leaves Nora alone. After an incident, Tyler has to decide to follow his dream or return to his life of rebel loser.

This film is about a teenage girl who is very upset about her brother's death in a car crash. Terri has a love of singing and making up her own songs. Her brother (before his death) secretly submits a DVD of her singing to a musical summer camp down in L.A. Her father doesn't want her to go, but secretly her mom lets her go and everything goes fine, except she has stage fright. She gets through her stage fright with the help of her new friend Jay. At the end of the contest everyone at the musical school have to perform something. And if they win, they win a scholarship along with it. Her dad finds out, comes down to L.A. and threatens to take her home! Will he let her stay? and will she win the contest? Viewers are on the edges of their seats to find out what happens...

Following the death of her parents, teen-aged Andie West is living with her mother's best friend, Sarah. Andie, who doesn't care about school, is trying to figure out where she fits in in life. The only thing she loves is dancing with her street crew, the 410, led by Tuck. The 410 are the most notorious of the street crews in Baltimore and are wanted by the police for their acts of vandalism and public mischief. Sarah threatens to send Andie to live with relatives in Texas unless she cleans up her act, which includes ending her association with the 410 and trying harder at school. Andie's neighborhood friend, Tyler Gage, convinces Andie to audition for entry into the Maryland School of the Arts (MSA), an institution which ended up turning his life around for the better. Andie passes the audition but isn't sure she fits in there. The school's director, Blake Collins, isn't sure she fits in there either. Blake is a brilliant dancer but looks for conformity to his way. After learning that Andie's absences from rehearsals are due to her new association with MSA, Tuck kicks her out of the 410. Chase Collins, a dance student at MSA, convinces Andie to start her own street dance crew using all the dance misfits from MSA i.e. those that don't conform to Blake's way of thinking. Chase feels like he's one of those misfits being Blake's brother and living in his shadow. This new association brings up a few conflicts within Andie, as her new dance crew tries to gain respect on the streets, especially among her old and judgmental friends, and as she and the crew try to hide the fact of what they're doing from Blake, who ultimately threatens expulsion from the school of anyone participating in the illegal street competitions.

At a Jewish funeral service with her parents, a college student runs into her sugar daddy.

Believing the quote that you are born alone, die alone and everything else is an illusion, George doesn't see the point of life, school, or homework. Then he meets Sally and he now has a reason to go to school and make friends, even if he's not ready to admit to himself or to her that he likes her. The school's principal and art teacher introduce him to an alumni, and successful artist, Dustin, who can help guide George along life's path, but other distractions start surfacing, and George might not even be able to graduate from high school.

We see the detritus of an abandoned camp in South America and a main character's hallucination. Then, the story begins. Tony (James Wilby) and Brenda Last (Dame Kristin Scott Thomas), lord and lady, live on his enormous estate with their young son. Tony's not much for parties, and Brenda joins London society, on the arm of a penniless man, John Beaver (Rupert Graves), a hanger-on at Tony's club. John is encouraged by his entrepreneurial mother, Mrs. Beaver (Dame Judi Dench), who sees a quid in Tony and Brenda. Brenda and John become lovers, Brenda spends more and more time in London, and Tony's without a clue. Then, bringing things to a head are tragedy, law suits, greed, and what should be a few-months' expedition to Brazil. We are each of us merely a handful of dust.

1994 American crime film directed by Quentin Tarantino

The night of their high school reunion, a group of friends realize they still haven't quite grown up in some ways.

Teen queen Lizzie McGuire grows up a bit and hits the big screen in this comedy drama, based on the popular Disney Network series. Lizzie McGuire and her best friends Kate, Gordo, and Ethan have just graduated from middle school, and to celebrate, they're taking part in a class trip to Rome, Italy. Eager to celebrate their new maturity as high school students, Lizzie and her pals hope to live it up in one of Europe's most fabled cities, but fate has something more spectacular in store for Lizzie. Lizzie discovers that she bears a striking resemblance to Isabella, an Italian teen-pop idol famous for her duets with heart-throb Paolo -- so much so that when Paolo and Isabella have a falling out, he asks Lizzie to take Isabella's place for an upcoming concert. Lizzie, however, isn't sure she feels comfortable stepping into the spotlight, and is even less sure about the way she feels about Paolo, who makes no secret of his infatuation with her. Things don't get any simpler for Lizzie when her family gets wind of her newfound fame, and catch the next flight to Italy.

From the age of 5 Rosie Dunne and Alex Stewart have been best friends, as they take on life they just end up getting separated time and time again. When it comes to love it's just everyone else but each other.... But when will they realise they are meant to be together?

Based on the bestselling novel by master storyteller Nicholas Sparks, THE LONGEST RIDE centers on the star-crossed love affair between Luke, a former champion bull rider looking to make a comeback, and Sophia, a college student who is about to embark upon her dream job in New York City's art world. As conflicting paths and ideals test their relationship, Sophia and Luke make an unexpected and fateful connection with Ira, whose memories of his own decades-long romance with his beloved wife deeply inspire the young couple. Spanning generations and two intertwining love stories, THE LONGEST RIDE explores the challenges and infinite rewards of enduring love.

Bianca is a content high school senior whose world is shattered when she learns the student body knows her as 'The DUFF' (Designated Ugly Fat Friend) to her prettier, more popular friends. Now, despite the words of caution from her favorite teacher, she puts aside the potential distraction of her crush, Toby, and enlists Wesley, a slick but charming jock, to help reinvent herself. To save her senior year from turning into a total disaster, Bianca must find the confidence to overthrow the school's ruthless label maker Madison and remind everyone that no matter what people look or act like, we are all someone's DUFF.

After an extremely regrettable one night stand, two strangers wake up to find themselves snowed in after sleeping through a blizzard that put all of Manhattan on ice. They're now trapped together in a tiny apartment, forced to get to know each other way more than any one night stand should.

Maggie (Hathaway) is an alluring free spirit who won't let anyone - or anything - tie her down. But she meets her match in Jamie (Gyllenhaal), whose relentless and nearly infallible charm serve him well with the ladies and in the cutthroat world of pharmaceutical sales. Maggie and Jamie's evolving relationship takes them both by surprise, as they find themselves under the influence of the ultimate drug: love.

Chris Kyle (Bradley Cooper) was nothing more than a Texas man who dreamt of becoming a cowboy, but in his thirties he found out that maybe his life needed something different, something where he could express his real talent, something that could help America in its fight against terrorism. So he joined the S.E.A.L.s in order to become a sniper. After marrying Taya (Sienna Miller), Kyle and the other members of the team are called for their first tour of Iraq. Kyle's struggle isn't with his missions, but about his relationship with the reality of the war and, once returned at home, how he manages to handle it with his urban life, his wife, and kids.

American singer and songwriter from Georgia and Mississippi

Three teens living in the same São Paulo shanty town pursue their dreams while maintaining their friendship, amid a world of music, drugs and religion.

Brazilian drama web television series created by Kondzilla

Follows three strangers (Steve Martin, Martin Short, and Selena Gomez) who share an obsession with true crime and suddenly find themselves wrapped up in one. When a grisly death occurs inside their exclusive Upper West Side apartment building, the trio suspects murder and employs their precise knowledge of true crime to investigate the truth. As they record a podcast of their own to document the case, the three unravel the complex secrets of the building which stretch back years. Perhaps even more explosive are the lies they tell one another. Soon, the endangered trio comes to realize a killer might be living amongst them as they race to decipher the mounting clues before it's too late.

Inside the White House's staff residence and the lives workers share with the First Family.

His Dark Materials is one of the supreme works of imaginative fiction for both children and adults published in the 20th century. Northern Lights introduces Lyra, an orphan, who lives in a parallel universe in which science, theology and magic are entwined. Lyra's search for a kidnapped friend uncovers a sinister plot involving stolen children, and turns into a quest to understand a mysterious phenomenon called Dust. In The Subtle Knife she is joined on her journey by Will, a boy who possesses a knife that can cut windows between worlds. As Lyra learns the truth about her parents and her prophesied destiny, the two young people are caught up in a war against celestial powers that ranges across many worlds and leads to a thrilling conclusion in The Amber Spyglass.

The streets of Baltimore as a microcosm of the US's war on drugs, and of US urban decay in general. Seen not only through the eyes of a few policemen and drug gang members but also the people who influence and inhabit their world - politicians, the media, drug addicts and everyday citizens.

A look at the professional and personal lives of people working at a family-run hotel in Miami Beach.

Things are finally looking up for defense attorney Mickey Haller. After two years of wrong turns, Haller is back in the courtroom. When Hollywood lawyer Jerry Vincent is murdered, Haller inherits his biggest case yet: the defense of Walter Elliott, a prominent studio executive accused of murdering his wife and her lover. But as Haller prepares for the case that could launch him into the big time, he learns that Vincent's killer may be coming for him next. Enter Harry Bosch. Determined to find Vincent's killer, he is not opposed to using Haller as bait. But as danger mounts and the stakes rise, these two loners realize their only choice is to work together.

American legal drama streaming television series

Good intentions. Erratic bosses. Mounting paranoia. Unforeseen consequences spiraling out of control. Heidi (Julia Roberts) works at Homecoming, a facility helping soldiers transition to civilian life. Years later she has started a new life, when the Department of Defense questions why she left Homecoming. Heidi realizes there's a whole other story behind the one she's been telling herself.

psychological thriller web television series

Nickelodeon's Ned's Declassified School Survival Guide chronicles the wacky adventures of Ned Bigby and his best pals Moze and Cookie at James K. Polk Middle School, as "every-kid" Ned shatters the fourth wall to share tips and tricks on navigating middle school or junior high hurdles. Ned's not super cool, and he has no superpowers. He is, however, witty, well-groomed, upbeat and self-aware. Moreover, with more than a little help from his two best friends, he's equipped to conquer middle school minefields. From crushing bullies to crushes, from off- the-wall, mean and cool teachers to pop quizzes, elections and detentions, Ned knows that nothing, including the seventh grade, is as bad as it seems, and friendship matters most.

A combination sketch comedy/musical performance show in the tradition of "Saturday Night Live," this program starred a teenage cast and was targeted at younger viewers. The show featured a number of repeating characters, including Baggin' Saggin' Barry, Super Dude, and the misfit fast food employees of Good Burger, which spawned a movie of the same name.

The Amanda Show is another series that was spun off of "All That" for another of its breakout stars. It's a skit show with some of the characteristics of "All That" but with different characters. On this show there are characters such as Judge Trudy, a rip off of Judge Judy; Penelope Taynt, Amanda's #1 Fan (who is played by her); and others such as The Liberals.

Emma, Ravi, and Zuri Ross head off to a rustic summer camp in Maine, where their parents met as teens. Along with their new friends, love triangle, and the fears of the camp, the trio tries their best to settle into their exciting and challenging new lives at Camp Kikiwaka.

Sonny Monroe is destined for stardom after Hollywood producers see a film that she made and put on the Internet. Sonny is soon whisked away from her home in Wisconsin and arrives in Hollywood where she is offered a starring role in her favorite TV show that will change her life.

Wayne Szalinski is a clumsy genius who comes up with new gadgets and experiments all the time. But something usually goes wrong and gets him and his family into trouble, danger, and fantastical adventure.

American syndicated comic science fiction sitcom

Light television comedy about family man Tim "The Tool Man" Taylor. The show's humor often revolved around cars, toys, tools, hardware shops, garages, fix-it-up projects, and similar themes.

Four athletically able teenagers along with their brainy friend Billy are selected by Zordon to fight the evil of Rita Repulsa, her monsters and her minions after the witch is accidentally released from imprisonment in an intergalactic dumpster on the moon. Later in the series, the rangers are joined by Tommy, the once evil Green Ranger designed for Rita's evil, but later was deprogrammed and spent two portions of the series briefly as the Green Ranger. Over time, some rangers had to pass their powers to others as well. Action scenes and scenes with Rita were edited from footage based on Japanese action sagas. Replacement villain Lord Zedd was designed in the U.S.

American live action children's television series

She's a talented 14 year old pop star. But underneath that blonde hair and makeup lives a normal life of a regular teenage girl. Miley Stewart (Miley Cyrus) is a regular teenager who does normal things but she is also secretly a pop star "Hannah Montana". She plays Hannah to live her dreams and show the world her amazing talents but really she's just Miley who is a normal girl who lets Hannah hide her identity with the help of her best friend Lily Truscott (Emily Osment)

Unfabulous follows the life and times of teenager Addie Singer. Addie is a big fan of music and at every opportunity will write and sing about her life. The show outlines typical teenage goings on in and around a school environment with crushes, friendships, and plenty of excitement!

The Dinosaurs are an animatronics stone-age working-class family created by Jim Henson for Disney. Incredibly overweight, even for a dinosaur, Earl Sinclair (Stuart Pankin) is married to Fran (Jessica Walter) and tries and fails to support fourteen-year-old valley girl Charlene (Sally Struthers), sixteen-year-old Robbie (Jason Willinger) (whose crest eventually turns into a mohawk and gets dyed purple), widowed, cranky Grandma Ethyl Phillips (Florence Stanley), and terrible-twos Baby Sinclair (John Kennedy and Kevin Clash), the true master of the house. Sharp social commentary was featured surprisingly often. Earl is a tree-pusher for the Wesayso Development Corp., which regularly implements schemes to screw their workers even more and destroy the world for marginal profit increment. Chilled, but live prey, are kept in the refrigerator and are helpful when you can't find the milk, and caveman humans make occasional appearances as wild animals and pets.

Zack and Cody Martin are 12-year-olds whose lives change when their single mom gets a job as the headlining singer at Boston's swankiest hotel and, as part of her contract, an upper floor suite in which they all now live. Maddie Fitzpatrick is the hotel's teenage gift shop clerk and part-time babysitter who foils the twins' antics; London Tipton is the hotel owner's spoiled daughter; Carey Martin is the twin's mother and Mr. Moseby the hotel manager. While mom works to keep them in line, the twins are elated with the amenities of their new home, especially room service, a swimming pool, a game room and a candy counter. Then the hotel's teenage gift shop clerk Maddie steps in as part-time babysitter and foil to the twins' pranks. To the chagrin of the hotel manager, Mr. Moseby, they try to turn the hotel into their playground, and along the way make friends and foe with the disparate staff, guests and residents including the owner's spoiled daughter London.

American sitcom first broadcast by the Disney Channel

Lexx Rich

17 year old high school outcast Josh searching for his missing girlfriend Sam in post-apocalyptic Glendale, California. He is joined by a ragtag group of misfits including a pyromaniac 12 year old, Angelica, and Josh's former high school bully, Wesley, now turned pacifist samurai. Josh and the group tries to stay alive amidst the horde of Mad Max-style gangs (evil jocks, cheerleaders turned Amazon warriors), zombie-like creatures called Ghoulies, and everything else this brave new world throws at him.

American comedy drama web television series

An ensemble workplace comedy about a group of underdogs trying to find their place in the world, set on the Friday night flight from LAX to Vegas and the returning flight on Sunday, who all share the same goal: to come back a winner in the casino of life.

Chronicles the life and eating habits of rap's greatest bon vivant, Action Bronson. With the help of his friends Meyhem Lauren, The Alchemist and Big Body Bes, Action shows us that life is to be enjoyed as much as possible.

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