Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

Frances lives in New York, but she doesn't really have an apartment. Frances is an apprentice for a dance company, but she's not really a dancer. Frances has a best friend named Sophie, but they aren't really speaking anymore. Frances throws herself headlong into her dreams, even as their possible reality dwindles. Frances wants so much more than she has but lives her life with unaccountable joy and lightness.

Erika Kohut is a pianist, teaching music. Schubert and Schumann are her forte, but she's not quite at concert level. She's approaching middle age, living with her mother who is domineering then submissive; Erika is a victim then combative. With her students she is severe. She visits a sex shop to watch DVDs; she walks a drive-in theater to stare at couples having sex. Walter is a self-assured student with some musical talent; he auditions for her class and is forthright in his attraction to her. She responds coldly then demands he let her lead. Next she changes the game with a letter, inviting him into her fantasies. How will he respond; how does sex have power over our other faculties?

Franck, a fit gay man, seeks love at a lakeside gay cruising beach. Among the mostly pudgy nude sunbathers, he befriends Henri, a depressed middle-aged bi-sexual who enjoys the quiet but accepts Franck's company. When Michel appears, Franck finally spots a man he'd like to know sexually. Unfortunately, he also spots him drowning his gay lover but opts not to tell anyone in order to consider having a relationship with this handsome yet remorseless killer.

When Kirsty's father, Larry, and stepmother, Julia, move into Larry's childhood home, Kirsty and her boyfriend take a room nearby. Unfortunately for all involved, Larry's house is already occupied: before the family's arrival, Larry's disreputable brother, Frank, used a supernatural puzzle box to summon a gang of other-dimensional demon sadists. Now, Frank requires a series of blood sacrifices to escape the clutches of Pinhead and the cenobites.

1987 horror film directed by Clive Barker

Johnny flees Manchester for London, to avoid a beating from the family of a girl he has raped. There he finds an old girlfriend, and spends some time homeless, spending much of his time ranting at strangers, and meeting characters in plights very much like his own.

Young widow Anna is finally getting on with her life after her husband Sean's death. Now engaged to be married, she meets a 10-year-old boy who tells her he is Sean reincarnated. Though his story is both unsettling and absurd, Anna can't get the boy out of her mind. And much to her fiancé's concern, her increased contact with him leads her to question the choices she has made in her life.

Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend's new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film's subject.

Cynthia lives in London with her sullen street-sweeper daughter. Her brother has been successful with his photographer's business and now lives nearby in a more upmarket house. But Cynthia hasn't even been invited round there after a year. So, all round, she feels rather lonely and isolated. Meanwhile, in another part of town, Hortense, adopted at birth but now grown up, starts to try and trace her mother.

The stories of a diverse group of Londoners is presented, they thrown together out of circumstance. Couple Cyril and Shirley, a motorcycle courier and gardener respectively, live in a flat overlooking Kings Cross Station. They generally espouse Marxism and the rights of the workers, and while Cyril is arguably more philosophical about their political views, he also doesn't believe that an uprising of the working class will ever happen. While they deal with their more militant friend Suzi who Cyril calls out for what he sees as her hypocritical attitude, and with a stranger named Wayne who has just arrived in the city for a job while unable to connect with his sister with who he was supposed to stay, they have a disagreement of their own as Shirl contemplates having a baby, which Cyril believes is a bad idea in this world. They rarely associate with Cyril's sister Valerie and her used car lot dealer husband Martin. Nouveau riche, narcissistic Valerie is all about presenting herself as well-off, while she is totally neglected by brash Martin, who is a chronic philanderer. Cyril, Shirl and Valerie only need to speak to each other in their respective interactions with Cyril and Valerie's seventy year old mother, Mrs. Bender, who still lives on her own in a council house, but who is just starting to show signs of dementia. Cyril, Shirl, Valerie and Mrs. Bender eventually meet the latter's relatively new neighbors, wealthy, snobbish and somewhat garish husband and wife Rupert and Lætitia. While Rupert and Lætitia are openly perturbed by needing to help helpless Mrs. Bender, which is only exacerbated by meeting the other three, Valerie can only do her best to ingratiate herself with people wealthier than her.

A married couple who have managed to remain blissfully happy into their autumn years, are surrounded over the course of the four seasons of one average year by friends, colleagues, and family who all seem to suffer some degree of unhappiness.

Courgette (Zucchini) is an intriguing nickname for a 9-year-old boy. Although his unique story is surprisingly universal. After his mother's disappearance, Courgette is befriended by a police officer Raymond, who accompanies him to his new foster home filled with other orphans his age. At first he struggles to find his place in this strange, at times, hostile environment. Yet with Raymond's help and his new-found friends, Courgette eventually learns to trust and might find true love.

Following the economic collapse of a company town in rural Nevada, Fern (Frances McDormand) packs her van and sets off on the road exploring a life outside of conventional society as a modern-day nomad. The third feature film from director Chloé Zhao, NOMADLAND features real nomads Linda May, Swankie and Bob Wells as Fern's mentors and comrades in her exploration through the vast landscape of the American West.

In the mid-1970's, a homely, friendless Australian girl of 8 picks a name out of a Manhattan phone book and writes to him; she includes a chocolate bar. She's Mary Dinkle, the only child of an alcoholic mother and a distracted father. He's Max Horowitz, an overweight man with Asperger's, living alone in New York. He writes back, with chocolate. Thus begins a 20-year correspondence, interrupted by a stay in an asylum and a few misunderstandings. Mary falls in love with a neighbor, saves money to have a birthmark removed and deals with loss. Max has a friendship with a neighbor, tries to control his weight, and finally gets the dream job. Will the two ever meet face to face?

Levi Isaacs

Vera Drake is a selfless woman who is completely devoted to, and loved by, her working class family. She spends her days doting on them and caring for her sick neighbor and elderly mother. However, she also secretly visits women and helps them induce miscarriages for unwanted pregnancies. While the practice itself was illegal in 1950s England, Vera sees herself as simply helping women in need, and always does so with a smile and kind words of encouragement. When the authorities finally find her out, Vera's world and family life rapidly unravel.

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