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Twenty-seven-year old Anne Elliot is Austen's most adult heroine. Eight years before the story proper begins, she is happily betrothed to a naval officer, Frederick Wentworth, but she precipitously breaks off the engagement when persuaded by her friend Lady Russell that such a match is unworthy. The breakup produces in Anne a deep and long-lasting regret. When later Wentworth returns from sea a rich and successful captain, he finds Anne's family on the brink of financial ruin and his own sister a tenant in Kellynch Hall, the Elliot estate. All the tension of the novel revolves around one question: Will Anne and Wentworth be reunited in their love?Jane Austen once compared her writing to painting on a little bit of ivory, 2 inches square. Readers of Persuasion will discover that neither her skill for delicate, ironic observations on social custom, love, and marriage nor her ability to apply a sharp focus lens to English manners and morals has deserted her in her final finished work.

In 1865, English author CHARLES LUTWIDGE DODGSON (1832-1898), aka Lewis Carroll, wrote a fantastical adventure story for the young daughters of a friend. The adventures of Alice-named for one of the little girls to whom the book was dedicated-who journeys down a rabbit hole and into a whimsical underworld realm instantly struck a chord with the British public, and then with readers around the world. In 1872, in reaction to the universal acclaim *Alice's Adventures in Wonderland* received, Dodgson published this sequel. Nothing is quite what it seems once Alice journeys through the looking-glass, and Dodgson's wit is infectious as he explores concepts of mirror imagery, time running backward, and strategies of chess-all wrapped up in the exploits of a spirited young girl who parries with the Red Queen, Tweedledee and Tweedledum, and other unlikely characters. In many ways, this sequel has had an even greater impact on today's pop culture than the first book.

When Dorothy and her little dog Toto are caught in a tornado, they and their Kansas farmhouse are suddenly transported to Oz, where Munchkins live, monkeys fly and Wicked Witches rule. Desperate to return home, and with the Wicked Witch of the West on their trail, Dorothy and Toto - together with new friends the Tin Woodsman, Scarecrow and cowardly Lion - embark on a fantastic quest along the Yellow Brick Road in search of the Emerald City. There they hope to meet the legendary, all-powerful Wizard of Oz, who alone may hold the power to grant their every wish.Just as captivating as it was a hundred years ago, this is a story that all ages will love.

The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices-but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep. J.D. Salinger's classic novel of teenage angst and rebellion was first published in 1951. The novel was included on Time's 2005 list of the 100 best English-language novels written since 1923. It was named by Modern Library and its readers as one of the 100 best English-language novels of the 20th century. It has been frequently challenged in the court for its liberal use of profanity and portrayal of sexuality and in the 1950's and 60's it was the novel that every teenage boy wants to read.

Patrick Bateman is twenty-six and he works on Wall Street, he is handsome, sophisticated, charming and intelligent. He is also a psychopath. Taking us to head-on collision with America's greatest dream—and its worst nightmare—American Psycho is bleak, bitter, black comedy about a world we all recognise but do not wish to confront.

In 1920s London, Virginia Woolf is fighting against her rebellious spirit as she attempts to make a start on her new novel. A young wife and mother, broiling in a suburb of 1940s Los Angeles, yearns to escape and read her precious copy of Mrs Dalloway. And Clarissa Vaughan steps out of her smart Greenwich village apartment in 1990s New York to buy flowers for a party she is hosting for a dying friend.The Hours recasts the classic story of Woolf's Mrs Dalloway in a startling new light. Moving effortlessly across the decades and between England and America, this exquisite novel intertwines the worlds of three unforgettable women.

Titus Andronicus is the earliest tragedy and the earliest Roman play attributed to Shakespeare. Titus, a model Roman, has led twenty-one of his twenty-five sons to death in Rome’s wars; he stabs another son to death for what he views as disloyalty to Rome. Yet Rome has become “a wilderness of tigers.” After a death sentence is imposed on two of his three remaining sons, and his daughter is raped and mutilated, Titus turns his loyalty toward his family.Aaron the Moor, a magnificent villain and the empress’s secret lover, makes a similar transition. After the empress bears him a child, Aaron devotes himself to preserving the baby. Retaining his thirst for evil, he shows great tenderness to his little family—a tenderness that also characterizes Titus before the terrifying conclusion.The authoritative edition of Titus Andronicus from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play’s famous lines and phrases -An introduction to reading Shakespeare’s language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library’s vast holdings of rare books -An annotated guide to further readingEssay by Alexander LeggattThe Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

Henry V is Shakespeare’s most famous “war play”; it includes the storied English victory over the French at Agincourt. Some of it glorifies war, especially the choruses and Henry’s speeches urging his troops into battle. But we also hear bishops conniving for war to postpone a bill that would tax the church, and soldiers expecting to reap profits from the conflict. Even in the speeches of Henry and his nobles, there are many chilling references to the human cost of war.The authoritative edition of Henry V from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes:-Freshly edited text based on the best early printed version of the play-Full explanatory notes conveniently placed on pages facing the text of the play-Scene-by-scene plot summaries-A key to the play’s famous lines and phrases-An introduction to reading Shakespeare’s language-An essay by a leading Shakespeare scholar providing a modern perspective on the play-Fresh images from the Folger Shakespeare Library’s vast holdings of rare books-An annotated guide to further reading

Measure for Measure is among the most passionately discussed of Shakespeare’s plays. In it, a duke temporarily removes himself from governing his city-state, deputizing a member of his administration, Angelo, to enforce the laws more rigorously. Angelo chooses as his first victim Claudio, condemning him to death because he impregnated Juliet before their marriage.Claudio’s sister Isabella, who is entering a convent, pleads for her brother’s life. Angelo attempts to extort sex from her, but Isabella preserves her chastity. The duke, in disguise, eavesdrops as she tells her brother about Angelo’s behavior, then offers to ally himself with her against Angelo.

You can find an alternative cover for this ISBN here.The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems and an extensive introduction. The Winter's Tale is one of Shakespeare's most varied, theatrically self-conscious, and emotionally wide-ranging plays. Much of the play's copiousness inheres in its generic intermingling of tragedy, comedy, romance, pastoral, and the history play. In addition to dates and sources, the introduction attends to iterative patterns, the nature and cause of Leontes' jealousy, the staging and meaning of the bear episode, and the thematic and structural implications of the figure of Time. Special attention is paid to the ending and its tempered happiness. Performance history is integrated throughout the introduction and commentary. Appendices include the theatrical practice of doubling.

Two sets of twins are separated at birth by a storm at sea: a pair of masters (both named Antipholus) and a pair of servants (both named Dromio). Years later, the Antipholus-and-Dromio pair raised in Syracuse happen to visit Ephesus, where the respective twins reside—providing the basis for ongoing incidents of mistaken identity, within a lively plot of quarrels, arrests, and a grand courtroom denouement.Based on a pair of comic dramas from ancient Rome, The Comedy of Errors presents a spectacle of pure farce in the spirit of utmost fun and—as the title suggests—hilarious confusion. One of Shakespeare's earliest dramatic efforts, the play abounds in his trademark conceits, puns, and other forms of fanciful wordplay. It also foreshadows his later and greatest comedies, offering students and scholars a valuable key to the playwright's development.

Cymbeline tells the story of a British king, Cymbeline, and his three children, presented as though they are in a fairy tale. The secret marriage of Cymbeline’s daughter, Imogen, triggers much of the action, which includes villainous slander, homicidal jealousy, cross-gender disguise, a deathlike trance, and the appearance of Jupiter in a vision.Cymbeline displays unusually powerful emotions with a tremendous charge. Like some of Shakespeare’s other late work—especially The Winter’s Tale and The Tempest—it is an improbable story lifted into a nearly mythic realm.

Helena, a ward of the Countess of Rousillion, falls in love with the Countess's son, Bertram. Daughter of a famous doctor, and a skilled physician in her own right, Helena cures the King of France-who feared he was dying-and he grants her Bertram's hand as a reward. Bertram, however, offended by the inequality of the marriage, sets off for war, swearing he will not live with his wife until she can present him with a son, and with his own ring-two tasks which he believes impossible. However with the aid of a bed trick, Helena fulfils his tasks, Bertram realises the error of his ways, and they are reconciled. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

After the exotic eroticism of Antony and Cleopatra, Shakespeare returned to Rome for one of his final tragedies, and the change could not have been more dramatic. Coriolanus is one of Shakespeare's harshest and most challenging studies of power, politics and masculinity, based around the life of Caius Marcius.  Based on the Roman chronicles of Plutarch's Lives and Livy's History of Rome, the play is set in the early years of the Roman Republic. Its famous opening scene, particularly admired by Bertolt Brecht, portrays its citizens as starving and rebellious, and horrified by the arrogant and dismissive attitude of Caius Marcius, one of Rome's most valiant but also political naive soldiers. Spurred on by his ambitious mother Volumnia, Caius takes the city of Corioles, is renamed Coriolanus in honour of his victory, and is encouraged to run for senate. However, his contempt for the citizens, who he calls "scabs" and "musty superfluity" ultimately leads to his exile and destructive alliance with his deadly foe, Aufidius. Despite its relative unpopularity, Coriolanus is a fascinating study of both public and personal life. Its language is dense and complex, as its representation of the tensions built into the fabric of Roman political life. Yet it also contains extraordinarily intimate scenes between Coriolanus and both his mother, who ultimately proves "most mortal" to her own son, and his enemy Aufidius, whose "rapt heart" is happier to see Coriolanus than his own wife. One of Shakespeare's darker and more disturbing plays. --Jerry Brotton

Timon of Athens is a bitterly intriguing study of a fabulously rich man who wastes his wealth on his friends, and, when he is finally impoverished, learns to despise humanity with a hatred that drives him to his grave. The play's plot structure is schematically clear, and the poetry of Timon's rage is arresting in its savage intensity. Yet readers have often detected loose ends, and the tone of writing is uneven. In his introduction, John Jowett explains how these characteristics arise because the play was written as a collaboration between Shakespeare and Thomas Middleton. This edition pays full justice to Middleton's presence, explaining how his contribution gave the play its distinctive edge. Readers need to read this play as a dialogue between writers of different temperaments, and this edition is the first to make such a reading possible.  The introduction provides the fullest account of the play's performance history available. The commentary is the most detailed ever to have been published. Appendices include source materials and a listing of major productions worldwide. 

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  To begin the introduction, the editor discusses the link between Love’s Labour’s Lost and the writings of Sir Philip Sidney, the simple plot and its inconclusive ending, the relationship in the play between words and the things which they signify, and the play’s concern with the court. The following sections of the introduction examine the play’s style, from the structural devices and wordplay typical of Shakespeare to the repetition and allusion that are particularly abundant in this comedy; and the play’s structure, with focus on the play’s last scene, which is the longest in Shakespeare’s work. The editor finally addresses the play’s dating and possible sources, its early history and performance, and the subsequent reactions to and criticism of the play. This edition features five appendices that follow the text of Love’s Labour’s Lost. They include an examination of the play’s original texts, additional lines omitted in the text of this edition, and discussions of Moth’s name, rhymes, and compound words in the play. Also included are a preface, an index, and lists of illustrations, abbreviations, and references. The Arden Shakespeare has developed a reputation as the pre-eminent critical edition of Shakespeare for its exceptional scholarship, reflected in the thoroughness of each volume. An introduction comprehensively contextualizes the play, chronicling the history and culture that surrounded and influenced Shakespeare at the time of its writing and performance, and closely surveying critical approaches to the work. Detailed appendices address problems like dating and casting, and analyze the differing Quarto and Folio sources. A full commentary by one or more of the play’s foremost contemporary scholars illuminates the text, glossing unfamiliar terms and drawing from an abundance of research and expertise to explain allusions and significant background information. Highly informative and accessible, Arden offers the fullest experience of Shakespeare available to a reader.\


Versão otimizada para Kindle. Perfeita e bonita formatação, navegação funcional entre as partes da obra. Com ilustrações. *** Lançamento da 2. Edição Janeiro/2015 - Novo formato EPUB3, revisão e correção ortográfica, novas ilustrações com descrição. Texto revisado e conforme novo acordo ortográfico de 2009. Há histórias de que a Rainha Isabel pediu que Shakespeare escrevesse sobre os romances de Falstaff, célebre personagem shakesperiano. Conta-se que o autor escreveu a peça em 15 dias, tanto era o desejo da Rainha. Baseia-se nos costumes da classe média provinciana da época, diferindo-se dos cenários costumeiros do escritor. O personagem principal, Sir John Falstaff, é um aristocrata decadente, gordo e com problemas de dinheiro. A trama desenvolve-se a partir de sua chegada em Windsor. Para obter algum dinheiro Falsataff decide cortejar duas damas ricas da sociedade. Elas são casada e uma série de desventuras e confusões começam a partir da descoberta por parte de seus maridos das intenções de Falsataff. Shakespeare tem nessas peças seus elementos e situações típicas e divertidíssimas da comédia de costumes. NOTA: A LL Library tem o forte compromisso de manter suas publicações na melhor qualidade. Em caso problemas de qualquer natureza, especialmente na qualidade/formatação dos textos, favor informar-nos em editores@lllibrary.com, que procederemos com a imediata correção.

At the dawn of the next world war, a plane crashes on an uncharted island, stranding a group of schoolboys. At first, with no adult supervision, their freedom is something to celebrate; this far from civilization the boys can do anything they want. Anything. They attempt to forge their own society, failing, however, in the face of terror, sin and evil. And as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far from reality as the hope of being rescued. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies is perhaps our most memorable novel about “the end of innocence, the darkness of man’s heart.”

The Odyssey (; Greek: Ὀδύσσεια, Odýsseia; Attic Greek: [o.dýs.sej.ja]) is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still read by contemporary audiences. As with the Iliad, the poem is divided into 24 books. It follows the Greek hero Odysseus, king of Ithaca, and his journey home after the Trojan War. After the war itself, which lasted ten years, his journey lasts for ten additional years, during which time he encounters many perils and all his crewmates are killed. In his absence, Odysseus is assumed dead, and his wife Penelope and son Telemachus must contend with a group of unruly suitors who compete for Penelope's hand in marriage.

It is not so much that The Life of Pi, is particularly moving (although it is). It isn’t even so much that it is written with language that is both delicate and sturdy all at once (which it is, as well). And it’s certainly not that Yann Martel’s vision filled passages are so precise that you begin to feel the salt water on your skin (even though they are). It is that, like Bohjalian and Byatt and all of the great Houdini’s of the literary world, in the last few moments of your journey – after you’ve felt the emotions, endured the moments of heartache, yearned for the resolution of the characters’ struggle – that you realize the book is not what you thought it was. The story transforms, instantly, and forever.And in those last few chapters, you suddenly realize that the moral has changed as well.You feel Martel’s words lingering, suggesting, and you find yourself wondering whether you are his atheist who takes the deathbed leap of faith – hoping for white light and love? Or the agnostic who , in trying to stay true to his reasonable self, explains the mysteries of life and death in only scientific terms, lacking imagination to the end, and, essentially, missing the better story?There is no use in trying to provide a brief synopsis for this ravishing tale of a young boy from India left adrift in the Pacific in a lifeboat with a tiger who used to reside in his father’s zoo in Pondicherry. There is no use because once you finish the book you might decide that this was not, indeed, what the book was about at all. There is no use because, depending on your philosophical bent, the book will mean something very different to your best friend than it will to you. There is no use because it is nearly impossible to describe what makes this book so grand.Read this book. Not because it is an exceptional piece of literary talent. It is, of course. But there are many good authors and many good books. While uncommon, they are not endangered. Read this book because in recent memory - aside from Jose Saramago’s arresting Blindness – there have been no stories which make such grand statements with such few elements. As Pi says in his story “Life on a lifeboat isn’t much of a life. It is like an end game in chess, a game with few pieces. The elements couldn’t be more simple, nor the stakes higher.” It is the same with Martel’s undulating fable of a book about a boy in a boat with a tiger. A simple story with potentially life altering consequences for it’s readers. As Martel writes, "The world isn't just the way it is. It is how we understand it, no? And in understanding something, we bring something to it, no?" Like Schroedinger's cat in the box, the way this book is understood, the way it is perceived affects what it is. There has been some talk that this book will make it’s readers believe in god. I think it’s a question of perspective. To behold this gem of a novel as an adventure of man against the elements (the “dry, yeastless factuality” of what actually happened) is certainly one way to go about it. But to understand this piece to be something indescribable, something godlike, is by far the greater leap of faith.Oh, but worth the leap, if the reader is like that atheist, willing to see the better story.	

24 hours in the lives of three young men in the French suburbs the day after a violent riot.

City teenager Ren MacCormack moves to a small town where rock music and dancing have been banned, and his rebellious spirit shakes up the populace.

A young artist is commissioned by the wife of a wealthy landowner to make a series of drawings of the estate while her husband is away.

An impoverished woman who has been forced to choose between a privileged life with her wealthy aunt and her journalist lover, befriends an American heiress. When she discovers the heiress is attracted to her own lover and is dying, s

1997 film based on the novel by Henry James

While recovering in Venice, sickly composer Gustav von Aschenbach becomes dangerously fixated with teenager Tadzio.

Having recently been uprooted to Milan, Rocco and his four brothers each look for a new way in life when a prostitute comes between Rocco and his brother Simone.

A day in the life of a group of teens as they travel around New York City skating, drinking, smoking and deflowering virgins.

A conservative judge is appointed by the President to spearhead America's escalating war against drugs, only to discover that his teenage daughter is a crack addict. Two DEA agents protect an informant. A jailed drug baron's wife att

2000 American crime drama film directed by Steven Soderbergh

A horrific car accident connects three stories, each involving characters dealing with loss, regret, and life's harsh realities, all in the name of love.

2000 film by Alejandro González Iñárritu

Women on the Verge of a Nervous Breakdown is a 1988 Spanish black comedy film written and directed by Pedro Almodóvar, starring Carmen Maura and Antonio Banderas. The film brought Almodóvar to widespread international attention: it was nominated for the 1988 Academy Award for Best Foreign Language Film, and won five Goya Awards including Best Film and Best Actress in a Leading Role for Maura. It debuted at the 45th International Venice Film Festival and was released on 11 November 1988.

After her death, a mother returns to her home town in order to fix the situations she couldn't resolve during her life.

In 1950s Connecticut, a housewife faces a marital crisis and mounting racial tensions in the outside world.

An examination on the effect of Franco-era religious schooling and sexual abuse on the lives of two longtime friends.

2004 Spanish film directed by Pedro Almodóvar

A woman dealing with inconsolable grief over the death of her partner gets another chance when he returns to earth as a ghost.

Boy meets girl in a Cafe. Boy has girl's bank details within 3 minutes. All it took, was a little Persuasion.

Set in the 1930s, this movie brings a group of pretentious rich and famous together for a weekend of relaxation at a hunting resort. But when a murder occurs, each one of these interesting characters becomes a suspect.

2001 period film directed by Robert Altman

Cold Comfort Farm is a 1995 British comedy film directed by John Schlesinger and produced by the BBC and Thames Television, an adaptation of Stella Gibbons' 1932 book of the same name, the film stars Kate Beckinsale, Joanna Lumley, Ian McKellen and Rufus Sewell. Originally broadcast on 1 January 1995 on the BBC, it was Schlesinger's final film shot in his home country of Britain, and was picked up for theatrical release in North America through Gramercy Pictures, where it was a small success.

A businessman thwarts his wife's bequest of an estate to another woman.

An ambitious Pakistani Briton and his white boyfriend strive for success and hope when they open a glamorous laundromat.

After his lover rejects him, a young man trapped by the oppressiveness of Edwardian society tries to come to terms with and accept his sexuality.

Bernadette Peters (née Lazzara; born February 28, 1948) is an American actress, singer, and children's book author. Over a career spanning five decades, she has starred in musical theatre, television and film, performed in solo concerts and released recordings. She is a critically acclaimed Broadway performer, having received seven nominations for Tony Awards, winning two (plus an honorary award), and nine nominations for Drama Desk Awards, winning three. Four of the Broadway cast albums on which she has starred have won Grammy Awards.Regarded by many as the foremost interpreter of the works of Stephen Sondheim, Peters is particularly noted for her roles on the Broadway stage, including in the musicals Mack and Mabel (1974), Sunday in the Park with George (1984), Song and Dance (1985), Into the Woods (1987), The Goodbye Girl (1993), Annie Get Your Gun (1999), Gypsy (2003), A Little Night Music (2010), Follies (2011), and Hello, Dolly! (2018).

English recording artist; singer-songwriter,  musician

The Baltimore drug scene, as seen through the eyes of drug dealers and law enforcement.

A parody of educational programs. Just don't believe anything in the show is true.

A drug-addicted nurse struggles to find a balance between the demands of her frenetic job at a New York City hospital and an array of personal dramas.

2009 American medical comedy-drama television series

Alan Partridge, a failed television presenter, is now presenting a programme on local radio in Norwich. He desperately tries to revive his broadcasting career.

A spoof of the British style of news broadcasting - including ridiculous stories, patronising vox pops, offensively hard-hitting research and a sports presenter clearly struggling for metaphors.

surreal British parody of television current affairs programmes

A series chronicling the daily activities of an unusual prison facility and its criminal inhabitants.

A chronicle of the lives of a dysfunctional family who run an independent funeral home in Los Angeles.

Controversal spoof of current affairs television, and the role of celebrity in the UK.

Andy Millman (Ricky Gervais) is an actor with ambition and a script. Reduced to working as an extra with a useless agent, Andy's attempts to boost his career invariably end in failure and embarrassment.

A law school graduate becomes the protégée of a successful high-stakes litigator.

American legal thriller television series

Follows the lives and cases of a dirty Los Angeles Police Department cop and the unit under his command.

Playwright Tony Kushner adapted his political epic about the A.I.D.S. crisis during the mid 1980s and centers the story around a group of separate but connected individuals.

2003 HBO miniseries based on the play by the same name

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