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From Nobel Prize–winning author José Saramago, a magnificent, mesmerizing parable of lossA city is hit by an epidemic of "white blindness" that spares no one. Authorities confine the blind to an empty mental hospital, but there the criminal element holds everyone captive, stealing food rations and assaulting women. There is one eyewitness to this nightmare who guides her charges—among them a boy with no mother, a girl with dark glasses, a dog of tears—through the barren streets, and their procession becomes as uncanny as the surroundings are harrowing. As Blindness reclaims the age-old story of a plague, it evokes the vivid and trembling horrors of the twentieth century, leaving readers with a powerful vision of the human spirit that's bound both by weakness and exhilarating strength.

The six stories in Haruki Murakami’s mesmerizing collection are set at the time of the catastrophic 1995 Kobe earthquake, when Japan became brutally aware of the fragility of its daily existence. But the upheavals that afflict Murakami’s characters are even deeper and more mysterious, emanating from a place where the human meets the inhuman. An electronics salesman who has been abruptly deserted by his wife agrees to deliver an enigmatic package—and is rewarded with a glimpse of his true nature. A man who has been raised to view himself as the son of God pursues a stranger who may or may not be his human father. A mild-mannered collection agent receives a visit from a giant talking frog who enlists his help in saving Tokyo from destruction. As haunting as dreams, as potent as oracles, the stories inAfter the Quake are further proof that Murakami is one of the most visionary writers at work today.Originally published in 2000 as:神の子どもたちはみな踊るKami no kodomo-tachi wa mina odoru

A short, sleek novel of encounters set in Tokyo during the witching hours between midnight and dawn, and every bit as gripping as Haruki Murakami’s masterworks The Wind-Up Bird Chronicle and Kafka on the Shore.At its center are two sisters—Eri, a fashion model slumbering her way into oblivion, and Mari, a young student soon led from solitary reading at an anonymous Denny’s toward people whose lives are radically alien to her own: a jazz trombonist who claims they’ve met before, a burly female “love hotel” manager and her maid staff, and a Chinese prostitute savagely brutalized by a businessman. These “night people” are haunted by secrets and needs that draw them together more powerfully than the differing circumstances that might keep them apart, and it soon becomes clear that Eri’s slumber—mysteriously tied to the businessman plagued by the mark of his crime—will either restore or annihilate her.After Dark moves from mesmerizing drama to metaphysical speculation, interweaving time and space as well as memory and perspective into a seamless exploration of human agency—the interplay between self-expression and empathy, between the power of observation and the scope of compassion and love. Murakami’s trademark humor, psychological insight, and grasp of spirit and morality are here distilled with an extraordinary, harmonious mastery.

I don’t know what to do with these stars anymore. I give stars to books and then I think, ‘god, you give five stars to everything, people will think you are terribly undiscriminating’ – so then I give four stars or even three stars to some books. Then I look back and it turns out that that I’ve given four stars to Of Human Bondage and honestly, how could I possibly have thought it was a good idea to give that book less than five stars? It is the absurdity of human conventions that has us doing such things.Now, that is what is called a segue, from the Italian ‘seguire’ – to follow. For the last thirty years I have studiously avoided reading this book. I have done that because for the last thirty years I have known exactly what this book is about and there just didn’t seem any point in reading it. In high school friends (one of them even became my ex-wife) told me it was a great book about a man condemned to die because he was an outsider. Later I was told that this book was a story about something much like the Azaria Chamberlain case. A case where someone does not react in a way that is considered to be ‘socially appropriate’ and is therefore condemned.But after 30 years of avoiding reading this book I have finally relented and read it. At first I didn’t think I was going to enjoy it. It didn’t really get off to the raciest of starts and the character's voice – it is told in first person – was a bit dull. He is a man who lives entirely in the present, how terribly Buddhist of him – although, really there doesn’t seem to be all that much to him.My opinion of the book began to change at his mother’s funeral. I particularly liked the man who kept falling behind in the march to the cemetery and would take short cuts. Okay, so it is black humour, but Camus was more or less French – so black humour is more or less obligatory.I really hadn’t expected this book to be nearly so funny as it turned out. I’d always been told it was a ponderous philosophical text – and so, to be honest, I was expecting to be bored out of my skull. I wasn’t in the least bit bored.A constant theme in my life at present is that I read ‘classics’ expecting them to be about something and they end up being about something completely different. And given I’ve called this a ‘constant’ theme then you might think I would be less than surprised when a read a new ‘classic’ and it turns out to be completely different to my expectations. I’m a little more upset about this one than some of the others, as I’ve been told about this one before, repeatedly, and by people I’d have taken as ‘reputable sources’ – although, frankly, how well one should trust one’s ex-wife in such matters is moot.I had gotten the distinct impression from all of my previous discussions about this book that the guy ends up dead. In fact, this is not the case – he ends up at the point in his life where he has no idea if he will be freed or not. The Priest who comes to him at the end is actually quite certain that he will be freed. Let’s face it, he is only guilty of having murdered an Arab, and as we have daily evidence, Westerners can murder Arabs with complete impunity. The main point of the book to me is when he realises he is no longer ‘free’. He needs this explained to him – because life up until then had been about ‘getting used to things’ and one can 'get used to just about anything'. But the prison guard helpfully informs him that he is being ‘punished’ and the manifestation of that punishment is the removal of his ‘freedom’. Interestingly, he didn’t notice the difference between his past ‘free’ life and his current ‘unfree’ one. The most interesting part of the book to me was the very end, the conversation with the priest. The religious often make the mistake of thinking that Atheists are one thing – I’ve no idea how they ever came to make this mistake, but make it they do. Given that there are thousands upon thousands of different shades of Christians – from Jesuit Catholics to Anti-Disney Episcopalians – it should be fairly obvious that something like Atheism (without any ‘organised’ church or even system of beliefs) could not be in anyway ‘homogeneous’.I am definitely not the same kind of Atheist as Camus. To Camus there is no truth, the world is essentially absurd and all that exists is the relative truth an individual places on events and ideas. This makes the conversation with the priest fascinatingly interesting. To the priest the prisoner who is facing death is – by necessity – someone who is interested in God. You can play around with ideas like the non-existence of God when it doesn’t seem to matter (life is long and blasphemy can seem fun) – but surely when confronted with the stark truth of the human condition any man would turn away from their disbelief and see the shining light.Not this little black duck. Now, if I was in that cell I would have argued with the priest too – but I would not have argued in the same way that Meursault argues. No, I do not believe in God, but I do believe in truth, and so Camus’ arguments are barred to me.Meursault essentially says, “Look, I’m bored, I’m totally uninterested in the rubbish you are talking – now go away”. Now, this is a reasonable response. What is very interesting is that the priest cannot accept this as an answer. The world is not allowed to have such a person in it – if such a person really did exist then it would be a fundamental challenge to the core beliefs of the priest. So, he has to assume Meursault is either lying to him or is trying to taunt him. But it is much worse – he is absolutely sincere, he is not interested in this ‘truth’.I don’t know that the world is completely meaningless, it is conventional rather than meaningless. That those conventions are arbitrary (decided by the culture we grew up in) doesn’t make them meaningless, it makes them conventional. I don’t think I would like to live in a world where people go up and kill Arabs pretty much at random and with impunity, but then again, we have already established this is precisely the world I do live in. My point is that it would be better if we did adhere to some sort of moral principles and that these should be better principles than ‘he should be killed because he didn’t cry at his mum’s funeral’. Camus is seeking to say that all of our ‘moral principles’ in the end come to be as meaningless as that – we judge on the basis of what we see from the framework of our own limited experience. And look, yes, there is much to this – but this ends up being too easy.The thing I like most about Existentialism, though it isn’t really as evident in this book as it is in the actual philosophy – although this is something that Meursault is supposed to have grown to understand (sorry, just one more sub-clause) even though this wasn’t something I noticed at all while reading the book, was the notion of responsibility. I didn’t think in the end Meursault was all that much more ‘responsible’ for his actions than he had been at the start. But I do think that ‘responsibility’ is a key concept in morality and one that seems increasingly to be ignored.Better by far that we feel responsible for too much in our lives than too little – better by far that we take responsibility for the actions of our governments (say) than to call these governments ‘them’. I’m not advocating believing in The Secret - but that if one must err, better to err on the side of believing you have too much responsibility for how your life has turned out, rather than too little.So, what can I say? I enjoyed this much more than I expected – but I’m still glad I waited before reading it, I really don’t think I would have gotten nearly as much out of it at 15 as I did now.

To become engaged within the first few pages of a book is always a good sign. However, at the back of my mind, history kept telling me that many other novels have started out in the stratosphere only to plummet to the bottom of the ocean. Milan Kundera's 'Immortality', starts great, gets better, and ended with a lump in my throat, and a soul that was struck by a chord. No actually, forget the single chord, this was more like an Orchestra going in full swing. Kundera has worked wonders here.Witnessing a playful, sexual, yet sweet physical gesture of a woman by the swimming pool, begins. Kundera weaves a story around this starting gesture. Slowly introducing other characters that are part of her life and compares her life in the 20th century with another one a century earlier. It is an interesting perspective on what immortality is. What do people remember you for? is it what you have achieved?, or maybe just solely based on the perception that others have of you? Are you remembered only by your loved ones, or are you revered or scorned by the entire world? These are questions that will definitely get you thinking, and thinking plays an integral part in Immortality, as the words on each and every page only go so far, as Kundera puts the emphasis on the reader to sit comfy, and give his or hers full attention. (Tried reading on the metro, forget it), this is a book that pays off reading in seclusion as much as possible. In a skillful way, new characters silently crawl out of the woodwork, leaving you hanging, only to be bought up randomly somewhere else in some other context. This does keep you engrossed, it does also become a pain, but a pain worth putting with.Empathy is slowly drawn into the picture, as characters are slowly woven in an intermittently way, that it strangely sexual and often quite perplexing. Kundera's characters acquire psychologies and histories, but they start out and continue to function chiefly as images, provocations: a man staring at a wall, or repeating a phrase; a woman arguing, putting on her glasses, shaking her head; a girl sitting in the middle of a major road amidst rushing traffic. These images are not illustrations of pre-formed thoughts, but they are not simply pieces of novelistic behaviour either. They are meetings between persons and notions, or more precisely, written, re-created, invented records of such meetings. He is clearly a most confident writer, I mean, Goethe &amp; Hemingway in conversation?, Genius!.There are some beautifully written passages of writing, likened to a philosophical voyage into Paradise, and there IS a wonderfully elegant and provocative story lurking under, indicating a second read may help untangle the knots of uncertainty, as Kundera teases the reader with provocations and paradoxes that require some deep pondering. This is a book without conclusion, there really isn't a beginning, middle or end. After the closing pages, I was left moved, awestruck, and slightly mentally exhausted.

From the Booker Prize-winning author of The Remains of the Day and When We Were Orphans, comes an unforgettable edge-of-your-seat mystery that is at once heartbreakingly tender and morally courageous about what it means to be human.Hailsham seems like a pleasant English boarding school, far from the influences of the city. Its students are well tended and supported, trained in art and literature, and become just the sort of people the world wants them to be. But, curiously, they are taught nothing of the outside world and are allowed little contact with it.Within the grounds of Hailsham, Kathy grows from schoolgirl to young woman, but it’s only when she and her friends Ruth and Tommy leave the safe grounds of the school (as they always knew they would) that they realize the full truth of what Hailsham is.Never Let Me Go breaks through the boundaries of the literary novel. It is a gripping mystery, a beautiful love story, and also a scathing critique of human arrogance and a moral examination of how we treat the vulnerable and different in our society. In exploring the themes of memory and the impact of the past, Ishiguro takes on the idea of a possible future to create his most moving and powerful book to date.

Collection of twenty-four stories that generously expresses Murakami’s mastery of the form. From the surreal to the mundane, these stories exhibit his ability to transform the full range of human experience in ways that are instructive, surprising, and relentlessly entertaining. Here are animated crows, a criminal monkey, and an iceman, as well as the dreams that shape us and the things we might wish for. Whether during a chance reunion in Italy, a romantic exile in Greece, a holiday in Hawaii, or in the grip of everyday life, Murakami’s characters confront grievous loss, or sexuality, or the glow of a firefly, or the impossible distances between those who ought to be closest of all.

When a passenger check-in desk at London's Heathrow Airport disappears in a ball of orange flame, the explosion is deemed an act of God. But which god, wonders holistic detective Dirk Gently? What god would be hanging around Heathrow trying to catch the 3:37 to Oslo? And what has this to do with Dirk's latest--and late-- client, found only this morning with his head revolving atop the hit record "Hot Potato"? Amid the hostile attentions of a stray eagle and the trauma of a very dirty refrigerator, super-sleuth Dirk Gently will once again solve the mysteries of the universe...

No Exit (French: Huis Clos, pronounced [ɥi klo]) is a 1944 existentialist French play by Jean-Paul Sartre. The original title is the French equivalent of the legal term in camera, referring to a private discussion behind closed doors. The play was first performed at the Théâtre du Vieux-Colombier in May 1944. The play begins with three characters who find themselves waiting in a mysterious room. It is a depiction of the afterlife in which three deceased characters are punished by being locked into a room together for eternity. It is the source of Sartre's especially famous quotation "L'enfer, c'est les autres" or "Hell is other people", a reference to Sartre's ideas about the look and the perpetual ontological struggle of being caused to see oneself as an object from the view of another consciousness.

Alternate cover edition here.Growing up in the suburbs of post-war Japan, it seemed to Hajime that everyone but him had brothers and sisters. His sole companion was Shimamoto, also an only child. Together they spent long afternoons listening to her father's record collection. But when his family moved away, the two lost touch. Now Hajime is in his thirties. After a decade of drifting he has found happiness with his loving wife and two daughters, and success running a jazz bar. Then Shimamoto reappears. She is beautiful, intense, enveloped in mystery. Hajime is catapulted into the past, putting at risk all he has in the present.

Throughout history, some books have changed the world. They have transformed the way we see ourselves—and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives—and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are. Inspired by the myth of a man condemned to ceaselessly push a rock up a mountain and watch it roll back to the valley below, The Myth of Sisyphus transformed twentieth-century philosophy with its impassioned argument for the value of life in a world without religious meaning.

A gripping tale of human unrelieved horror, of survival and resilience, and of the ways in which humankind confronts death, The Plague is at once a masterfully crafted novel, eloquently understated and epic in scope, and a parable of ageless moral resonance, profoundly relevant to our times. In Oran, a coastal town in North Africa, the plague begins as a series of portents, unheeded by the people. It gradually becomes an omnipresent reality, obliterating all traces of the past and driving its victims to almost unearthly extremes of suffering, madness, and compassion.

What do a dead cat, a computer whiz-kid, an Electric Monk who believes the world is pink, quantum mechanics, a Chronologist over 200 years old, Samuel Taylor Coleridge (poet), and pizza have in common? Apparently not much; until Dirk Gently, self-styled private investigator, sets out to prove the fundamental interconnectedness of all things by solving a mysterious murder, assisting a mysterious professor, unravelling a mysterious mystery, and eating a lot of pizza – not to mention saving the entire human race from extinction along the way (at no extra charge). To find out more, read this book (better still, buy it, then read it) – or contact Dirk Gently’s Holistic Detective Agency. ‘A thumping good detective-ghost-horror-whodunnit-time travel-romantic-musical-comedy epic.’ The author

Haruki Murakami(村上 春樹,Murakami Haruki, born January 12, 1949)is a Japanese writer. His books and stories have been bestsellers in Japan as well as internationally, with his work being translated into 50 languages and selling millions of copies outside his native country. His work has received numerous awards, including the World Fantasy Award, the Frank O'Connor International Short Story Award, the Franz Kafka Prize, and the Jerusalem Prize.Murakami's most notable works includeA Wild Sheep Chase(1982),Norwegian Wood(1987),The Wind-Up Bird Chronicle(1994–95),Kafka on the Shore(2002), and1Q84(2009–10). He has also translated into Japanese works by writers including Raymond Carver and J. D. Salinger. His fiction, sometimes criticized by Japan's literary establishment as un-Japanese, was influenced by Western writers from Chandler to Vonnegut by way of Brautigan. It is frequently surrealistic and melancholic or fatalistic, marked by a Kafkaesque rendition of the "recurrent themes of alienation and loneliness" he weaves into his narratives. Steven Poole ofThe Guardianpraised Murakami as "among the world's greatest living novelists" for his works and achievements.

'A narrative particle accelerator that zooms between Wild Turkey Whiskey and Bob Dylan, unicorn skulls and voracious librarians, John Coltrane and Lord Jim. Science fiction, detective story and post-modern manifesto all rolled into one rip-roaring novel, Hard-Boiled Wonderland and the End of the World is the tour de force that expanded Haruki Murakami's international following. Tracking one man's descent into the Kafkaesque underworld of contemporary Tokyo, Murakami unites East and West, tragedy and farce, compassion and detachment, slang and philosophy.'

Japan's most highly regarded novelist now vaults into the first ranks of international fiction writers with this heroically imaginative novel, which is at once a detective story, an account of a disintegrating marriage, and an excavation of the buried secrets of World War II.In a Tokyo suburb a young man named Toru Okada searches for his wife's missing cat. Soon he finds himself looking for his wife as well in a netherworld that lies beneath the placid surface of Tokyo. As these searches intersect, Okada encounters a bizarre group of allies and antagonists: a psychic prostitute; a malevolent yet mediagenic politician; a cheerfully morbid sixteen-year-old-girl; and an aging war veteran who has been permanently changed by the hideous things he witnessed during Japan's forgotten campaign in Manchuria.Gripping, prophetic, suffused with comedy and menace, The Wind-Up Bird Chronicle is a tour de force equal in scope to the masterpieces of Mishima and Pynchon.Three books in one volume: The Thieving Magpie, Bird as Prophet, The Birdcatcher. This translation by Jay Rubin is in collaboration with the author.

His life was like a recurring nightmare: a train to nowhere. But an ordinary life has a way of taking an extraordinary turn. Add a girl whose ears are so exquisite that, when uncovered, they improve sex a thousand-fold, a runaway friend, a right-wing politico, an ovine-obsessed professor and a manic-depressive in a sheep outfit, implicate them in a hunt for a sheep, that may or may not be running the world, and the upshot is another singular masterpiece from Japan's finest novelist.

Alternate cover edition here.High-class call girls billed to Mastercard. A psychic 13-year-old dropout with a passion for Talking Heads. A hunky matinee idol doomed to play dentists and teachers. A one-armed beach-combing poet, an uptight hotel clerk and one very bemused narrator caught in the web of advanced capitalist mayhem. Combine this offbeat cast of characters with Murakami's idiosyncratic prose and out comes Dance Dance Dance.

Kafka on the Shore, a tour de force of metaphysical reality, is powered by two remarkable characters: a teenage boy, Kafka Tamura, who runs away from home either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister; and an aging simpleton called Nakata, who never recovered from a wartime affliction and now is drawn toward Kafka for reasons that, like the most basic activities of daily life, he cannot fathom. Their odyssey, as mysterious to them as it is to us, is enriched throughout by vivid accomplices and mesmerizing events. Cats and people carry on conversations, a ghostlike pimp employs a Hegel-quoting prostitute, a forest harbors soldiers apparently unaged since World War II, and rainstorms of fish (and worse) fall from the sky. There is a brutal murder, with the identity of both victim and perpetrator a riddle—yet this, along with everything else, is eventually answered, just as the entwined destinies of Kafka and Nakata are gradually revealed, with one escaping his fate entirely and the other given a fresh start on his own.

The Idiot is a novel by the 19th-century Russian author Fyodor Dostoevsky. It was first published serially in the journal The Russian Messenger in 1868–69.

Donte Clark's poetic voice was honed on the violent street corners of a struggling city. Yet rather than succumb to the pressures of Richmond, CA, Clark uses his artistic perspective to help save his city from itself.

A family determined to get their young daughter into the finals of a beauty pageant take a cross-country trip in their VW bus.

2006 film by Jonathan Dayton and Valerie Faris

When a childless couple of an ex-con and an ex-cop decide to help themselves to one of another family's quintuplets, their lives become more complicated than they anticipated.

A pair of young lovers flee their New England town, which causes a local search party to fan out to find them.

2012 romantic comedy-drama film by Wes Anderson

A puppeteer discovers a portal that leads literally into the head of movie star John Malkovich.

After narrowly escaping a bizarre accident, a troubled teenager is plagued by visions of a man in a large rabbit suit who manipulates him to commit a series of crimes.

A disk containing mysterious information from a CIA agent ends up in the hands of two unscrupulous and daft gym employees who attempt to sell it.

A dark comedy crime film written, produced, edited and directed by the Coen brothers

Two criminals and their hostages unknowingly seek temporary refuge in a truck stop populated by vampires, with chaotic results.

A mild-mannered man becomes a local hero through an act of violence, which sets off repercussions that will shake his family to its very core.

A paranoid mathematician searches for a key number that will unlock the universal patterns found in nature.

1998 surrealist psychological thriller film by Darren Aronofsky

A man's uneventful life is disrupted by the zombie apocalypse.

Two victims of traumatized childhoods become lovers and psychopathic serial murderers irresponsibly glorified by the mass media.

Three company workers who hate their jobs decide to rebel against their greedy boss.

1999 American comedy film written and directed by Mike Judge

Satirical comedy follows the machinations of Big Tobacco's chief spokesman, Nick Naylor, who spins on behalf of cigarettes while trying to remain a role model for his 12-year old son.

The owner of a seedy small-town Texas bar discovers that one of his employees is having an affair with his wife. A chaotic chain of misunderstandings, lies and mischief ensues after he devises a plot to have them murdered.

A lonely shoe salesman and an eccentric performance artist struggle to connect in this unique take on contemporary life.

2005 American romantic comedy-drama film directed by Miranda July

A naive business graduate is installed as president of a manufacturing company as part of a stock scam.

About a recent college grad who returns home while she tries to figure out what to do with her life.

A husband-and-wife team play detective, but not in the traditional sense. Instead, the happy duo helps others solve their existential issues, the kind that keep you up at night, wondering what it all means.

A secret agent exacts revenge on a serial killer through a series of captures and releases.

British-American rapper and record producer

An antisocial maverick doctor who specializes in diagnostic medicine does whatever it takes to solve puzzling cases that come his way using his crack team of doctors and his wits.

An idiosyncratic FBI agent investigates the murder of a young woman in the even more idiosyncratic town of Twin Peaks.

American drama television series from 1990–1991

A suspended lawyer is forced to enroll in a community college with an eccentric staff and student body.

American comedy television series created by Dan Harmon

A group of young offenders doing community service get struck by lightning during a storm, and begin to develop superpowers.

Ciro disregards tradition in his attempt to become the next boss of his crime syndicate. The internal power struggle puts him and his entire family's life at risk.

New Jersey mob boss Tony Soprano deals with personal and professional issues in his home and business life that affect his mental state, leading him to seek professional psychiatric counseling.

A mysterious viral outbreak with hallmarks of an ancient and evil strain of vampirism ravages the city of New York.

Set in an alternate feudal Japan where mechas and giant airships are a common thing for humans to see. With in this time period is a small village that gets raided by bandits during every harvest season. The villagers can't take it a

In a man-made underground society, descendants of a banished generation vie for control of the crumbling city of Lux. Ichise, an orphan turned prize fighter, loses a leg and an arm to satisfy an enraged fight promoter. On the brink o

JoJo no Kimyō na Bōken (ジョジョの奇妙な冒険, ''JoJo no Kimyō na Bōken''? lit. "As Bizarras Aventuras de JoJo") é um mangá japonês escrito e ilustrado por Hirohiko Araki. O mangá foi publicado pela Shueisha em sua revista Weekly Shōnen Jump entre 1987 e 2004, e a partir de 2004 pela revista seinen Ultra Jump. É o segundo mangá mais longo da Shonen Jump com 127 volumes (apenas atrás de Kochi-Kame, concluído com 200 volumes) e ainda está em produção. O que fazia dele também, até meados de 2012, o mangá mais longo sem uma adaptação para televisão.O mangá conta a história da família Joestar e suas lutas contra forças sobrenaturais. Ele é divido em 8 partes (com uma 9ª parte já confirmada) e em cada uma há o mais recente primogênito dos Joestar, por via de regra apelidado de JoJo, fadado a seguir as tradições de sua família, "cumprindo com o seu destino" ao participar ativamente em combate a tal presença mística e derivados que assombram a sua família há séculos.

High school student Ichigo Kurosaki, who has the ability to see ghosts, gains soul reaper powers from Rukia Kuchiki and sets out to save the world from "Hollows".

From the New World is a Japanese novel by Yusuke Kishi. It was originally published in January 2008 by Kodansha. It follows Saki that lives quietly in a beautiful and calm village, and has just acquired her power at the age of twelve. She then goes to the academy to learn how to master it with other young people in her age, including her friends Maria, Shun, Satoru and Mamoru. But during an outing, the five of them will learn things they never should have known.

After being given a mysterious power to control others, an outcast prince becomes the masked leader of the rebellion against an all powerful empire

The futuristic adventures of a female cyborg counter intelligence agent and her support team.

Satoru Nishizono (西園悟, Nishizono Satoru; Kagoshima, 28 aprile 1962) è uno scrittore e sceneggiatore giapponese, conosciuto per aver scritto la sceneggiatura di anime come Welcome to the NHK e Digimon Adventure.Ha studiato legge alla Waseda University e dopo un breve periodo di lavoro in un istituto scolastico ha iniziato la carriera di sceneggiatore per serie anime tra le quali Bonobono e le già citate Welcome to the NHK e Digimon Adventure.

In a world of airships and civil war, two messengers come across a special girl who will change the course of history.

Saya is a seemingly normal girl living with her father in a shrine. During the day she goes to school and spends time with her friends at a local cafe. But when night falls Saya is called upon to protect her village from strange mons

After Tony's wife dies unexpectedly, his nice-guy persona is altered into an impulsive, devil-may-care attitude; taking his old world by storm.

British dark comedy web television series

In Tokyo, an impenetrable field known as "Hell's Gate" appeared ten years ago. At the same time, psychics who wield paranormal powers at the cost of their conscience also emerged. Hei is one of the most powerful of these psychic agen

Seemingly unconnected citizens of Tokyo are targeted for bludgeoning by a boy with a golden baseball bat. As detectives try to link the victims, they discover that following the assaults, the victims' lives have improved in some way.

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