Emo Nemo

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Harini Sen

Vastralaya

Evan Shively (Perseus271)

Giovanni 'Nino' Culotta is an Italian immigrant, who comes to Australia as a journalist, employed by an Italian publishing house, to write articles about Australians and their way of life for those Italians that might want to emigrate to Australia.In order to learn about real Australians, Nino takes a job as a brickie's labourer with a man named Joe Kennedy. The comedy of the novel revolves around his attempts to understand English as it was spoken in Australia by the working classes in the 1950s and 1960s. Nino had previously only learned 'good' English from a textbook.The novel is a social commentary on Australian society of the period; specifically male, working class society. Women mostly feature as cameos in the story with the exception of Kay (whose surname is not revealed in the novel), who becomes Nino's wife. In the novel, Nino meets Kay in a cafe in Manly and their introduction is effected by Nino trying to teach Kay that she cannot eat spaghetti using a spoon.The final message of the novel is that immigrants to Australia should count themselves fortunate and should make efforts to assimilate into Australian society, including learning to speak Australian English. However, there is also a satirical undercurrent aimed at Australian society as a country of migrants.

"Nothing happens, nobody comes, nobody goes, it's awful?" Estragon's complaint, uttered in the first act of "Waiting for Godot", is the playwright's sly joke at the expense of his own play - or rather at the expense of those in the audience who expect theatre always to consist of events progressing in an apparently purposeful and logical manner towards a decisive climax. In those terms, "Waiting for Godot" - which has been famously described as a play in which "nothing happens, twice"- scarcely seems recognizable as theatre at all. As the great English critic wrote "Waiting for Godot jettisons everything by which we recognize theatre. It arrives at the custom-house, as it were, with no luggage, no passport, and nothing to declare; yet it gets through, as might a pilgrim from Mars."

"The Egg" is a short story published by American writer Andy Weir, originally published on his website Galactanet on August 15, 2009. It is Weir's most popular short story, and has been translated into over 30 languages by readers. The story follows a nameless 48-year-old man who discovers the "meaning of life" after he dies.

Stage adaptation of the Ambrose Bierce short story.An almost cheerful young man is about to be hanged for his attempt to blow up the Owl Creek Bridge during the Civil War. On this, Bierce creates the most surprising story of his career. With dramatic force, the situation is established. The man's nature and mission are quickly revealed in a moving encounter with his wife and two daughters. Then in one of the most exciting short scenes in literature, the audience is taken into the mind of the man at the moment of his execution.

In what is widely hailed as the best of his many novels, Charles Bukowski details the long, lonely years of his own hardscrabble youth in the raw voice of alter ego Henry Chinaski. From a harrowingly cheerless childhood in Germany through acne-riddled high school years and his adolescent discoveries of alcohol, women, and the Los Angeles Public Library's collection of D. H. Lawrence, "Ham on Rye" offers a crude, brutal, and savagely funny portrait of an outcast's coming-of-age during the desperate days of the Great Depression.

I don’t know what to do with these stars anymore. I give stars to books and then I think, ‘god, you give five stars to everything, people will think you are terribly undiscriminating’ – so then I give four stars or even three stars to some books. Then I look back and it turns out that that I’ve given four stars to Of Human Bondage and honestly, how could I possibly have thought it was a good idea to give that book less than five stars? It is the absurdity of human conventions that has us doing such things.Now, that is what is called a segue, from the Italian ‘seguire’ – to follow. For the last thirty years I have studiously avoided reading this book. I have done that because for the last thirty years I have known exactly what this book is about and there just didn’t seem any point in reading it. In high school friends (one of them even became my ex-wife) told me it was a great book about a man condemned to die because he was an outsider. Later I was told that this book was a story about something much like the Azaria Chamberlain case. A case where someone does not react in a way that is considered to be ‘socially appropriate’ and is therefore condemned.But after 30 years of avoiding reading this book I have finally relented and read it. At first I didn’t think I was going to enjoy it. It didn’t really get off to the raciest of starts and the character's voice – it is told in first person – was a bit dull. He is a man who lives entirely in the present, how terribly Buddhist of him – although, really there doesn’t seem to be all that much to him.My opinion of the book began to change at his mother’s funeral. I particularly liked the man who kept falling behind in the march to the cemetery and would take short cuts. Okay, so it is black humour, but Camus was more or less French – so black humour is more or less obligatory.I really hadn’t expected this book to be nearly so funny as it turned out. I’d always been told it was a ponderous philosophical text – and so, to be honest, I was expecting to be bored out of my skull. I wasn’t in the least bit bored.A constant theme in my life at present is that I read ‘classics’ expecting them to be about something and they end up being about something completely different. And given I’ve called this a ‘constant’ theme then you might think I would be less than surprised when a read a new ‘classic’ and it turns out to be completely different to my expectations. I’m a little more upset about this one than some of the others, as I’ve been told about this one before, repeatedly, and by people I’d have taken as ‘reputable sources’ – although, frankly, how well one should trust one’s ex-wife in such matters is moot.I had gotten the distinct impression from all of my previous discussions about this book that the guy ends up dead. In fact, this is not the case – he ends up at the point in his life where he has no idea if he will be freed or not. The Priest who comes to him at the end is actually quite certain that he will be freed. Let’s face it, he is only guilty of having murdered an Arab, and as we have daily evidence, Westerners can murder Arabs with complete impunity. The main point of the book to me is when he realises he is no longer ‘free’. He needs this explained to him – because life up until then had been about ‘getting used to things’ and one can 'get used to just about anything'. But the prison guard helpfully informs him that he is being ‘punished’ and the manifestation of that punishment is the removal of his ‘freedom’. Interestingly, he didn’t notice the difference between his past ‘free’ life and his current ‘unfree’ one. The most interesting part of the book to me was the very end, the conversation with the priest. The religious often make the mistake of thinking that Atheists are one thing – I’ve no idea how they ever came to make this mistake, but make it they do. Given that there are thousands upon thousands of different shades of Christians – from Jesuit Catholics to Anti-Disney Episcopalians – it should be fairly obvious that something like Atheism (without any ‘organised’ church or even system of beliefs) could not be in anyway ‘homogeneous’.I am definitely not the same kind of Atheist as Camus. To Camus there is no truth, the world is essentially absurd and all that exists is the relative truth an individual places on events and ideas. This makes the conversation with the priest fascinatingly interesting. To the priest the prisoner who is facing death is – by necessity – someone who is interested in God. You can play around with ideas like the non-existence of God when it doesn’t seem to matter (life is long and blasphemy can seem fun) – but surely when confronted with the stark truth of the human condition any man would turn away from their disbelief and see the shining light.Not this little black duck. Now, if I was in that cell I would have argued with the priest too – but I would not have argued in the same way that Meursault argues. No, I do not believe in God, but I do believe in truth, and so Camus’ arguments are barred to me.Meursault essentially says, “Look, I’m bored, I’m totally uninterested in the rubbish you are talking – now go away”. Now, this is a reasonable response. What is very interesting is that the priest cannot accept this as an answer. The world is not allowed to have such a person in it – if such a person really did exist then it would be a fundamental challenge to the core beliefs of the priest. So, he has to assume Meursault is either lying to him or is trying to taunt him. But it is much worse – he is absolutely sincere, he is not interested in this ‘truth’.I don’t know that the world is completely meaningless, it is conventional rather than meaningless. That those conventions are arbitrary (decided by the culture we grew up in) doesn’t make them meaningless, it makes them conventional. I don’t think I would like to live in a world where people go up and kill Arabs pretty much at random and with impunity, but then again, we have already established this is precisely the world I do live in. My point is that it would be better if we did adhere to some sort of moral principles and that these should be better principles than ‘he should be killed because he didn’t cry at his mum’s funeral’. Camus is seeking to say that all of our ‘moral principles’ in the end come to be as meaningless as that – we judge on the basis of what we see from the framework of our own limited experience. And look, yes, there is much to this – but this ends up being too easy.The thing I like most about Existentialism, though it isn’t really as evident in this book as it is in the actual philosophy – although this is something that Meursault is supposed to have grown to understand (sorry, just one more sub-clause) even though this wasn’t something I noticed at all while reading the book, was the notion of responsibility. I didn’t think in the end Meursault was all that much more ‘responsible’ for his actions than he had been at the start. But I do think that ‘responsibility’ is a key concept in morality and one that seems increasingly to be ignored.Better by far that we feel responsible for too much in our lives than too little – better by far that we take responsibility for the actions of our governments (say) than to call these governments ‘them’. I’m not advocating believing in The Secret - but that if one must err, better to err on the side of believing you have too much responsibility for how your life has turned out, rather than too little.So, what can I say? I enjoyed this much more than I expected – but I’m still glad I waited before reading it, I really don’t think I would have gotten nearly as much out of it at 15 as I did now.

Imaginary friend Budo narrates this heartwarming story of love, loyalty, and the power of the imagination—the perfect read for anyone who has ever had a friend . . . real or otherwise.Budo is lucky as imaginary friends go. He's been alive for more than five years, which is positively ancient in the world of imaginary friends. But Budo feels his age, and thinks constantly of the day when eight-year-old Max Delaney will stop believing in him. When that happens, Budo will disappear.Max is different from other children. Some people say that he has Asperger's Syndrome, but most just say he's "on the spectrum." None of this matters to Budo, who loves Max and is charged with protecting him from the class bully, from awkward situations in the cafeteria, and even in the bathroom stalls. But he can't protect Max from Mrs. Patterson, the woman who works with Max in the Learning Center and who believes that she alone is qualified to care for this young boy.

When their relationship turns sour, a couple undergoes a medical procedure to have each other erased from their memories.

This parable looks at public reaction when the hair of an American war orphan mysteriously turns green.

While home sick in bed, a young boy's grandfather reads him the story of a farmboy-turned-pirate who encounters numerous obstacles, enemies and allies in his quest to be reunited with his true love.

When a shy groom practices his wedding vows in the inadvertent presence of a deceased young woman, she rises from the grave assuming he has married her.

2005 British-American stop-motion-animated fantasy film

Maverick teacher John Keating uses poetry to embolden his boarding school students to new heights of self-expression.

1989 American film directed by Peter Weir

Wilbur is a farm pig who's terrified that he'll end up on the dinner table. His friend Charlotte, a charming spider, comes to his rescue. She weaves words into her web, convincing the farmer that Wilbur is too special a pig to kill.

1973 American animated musical drama film produced by Hanna-Barbera Productions

A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.

2009 science fiction drama film directed by Jaco Van Dormael

Raised as an over-sized elf, a human travels from the North Pole to NYC to meet his biological father who doesn't know he exists and is in desperate need of some Christmas spirit.

2003 American comedy film starring Will Ferrell directed by Jon Favreau

While on a trip to Paris with his fiancée's family, a nostalgic screenwriter finds himself mysteriously going back to the 1920s every day at midnight.

The presidencies of Kennedy and Johnson, the Vietnam War, the Watergate scandal and other historical events unfold from the perspective of an Alabama man with an IQ of 75, whose only desire is to be reunited with his childhood sweeth

1994 American film directed by Robert Zemeckis

Inspired by Mark Twain's fascinating novel, Princess Anneliese finds an unexpected friendship when she meets her humble look-alike, Erika. Will the Princess and the Pauper thwart the plans of the Queen's scheming advisor, Preminger?

After living a life marked by coldness, an aging professor is forced to confront the emptiness of his existence.

An angel is sent from Heaven to help a desperately frustrated businessman by showing him what life would have been like if he had never existed.

After realizing that all world is spoiled, Marie and Marie are committed to be spoiled themselves. They rip off older men, feast in lavish meals and do all kinds of mischief. But what is all this leading to?

American musician, songwriter and producer

Canadian singer-songwriter and record producer

Julie London was an American singer and actress whose career spanned more than 40 years. A torch singer noted for her sultry, languid contralto vocals, London recorded over thirty albums of pop and jazz standards between 1955 and 1969. Her recording of "Cry Me a River", a track she introduced on her debut album, was inducted into the Grammy Hall of Fame in 2001. In addition to her musical notice, London was nominated for a Golden Globe Award in 1974 for her portrayal of nurse Dixie McCall in the television series Emergency!.

A woman recounts the lifelong friendship and conflicts with a girl she met at primary school in Naples during the early 1950s.

A reality show where a group of contestants are stranded in a remote location with little more than the clothes on their back. The lone survivor of this contest takes home a million dollars.

Mr. Bean is a British sitcom created by Rowan Atkinson and Richard Curtis, produced by Tiger Aspect and starring Atkinson as the title character. The sitcom consists of 15 episodes that were co-written by Atkinson alongside Curtis and Robin Driscoll; for the pilot, it was co-written by Ben Elton. The series was originally broadcast on ITV, beginning with the pilot on 1 January 1990 and ending with "The Best Bits of Mr. Bean" on 15 December 1995.

A diverse group of immigrants and foreigners learn English at an adult education school in London.

Lady Roquett

a list of really good movies that happen to be hella old.

On a wild and rain-swept late-November evening, somewhere at an empty stretch of road outside Ohio's merry Denton, blissfully-affianced, prudish, bori

A two-segment look at the effect of the military mindset and war itself on Vietnam era Marines. The first half follows a group of recruits in boot cam

1987 war drama film directed by Stanley Kubrick

Based upon a real-life incident which occurred in August 1972 in which a Chase Manhattan Bank branch in Gravesend, Brooklyn, New York, was held siege 

Haunted by a persistent writer's block, the aspiring author and recovering alcoholic, Jack Torrance, drags his wife, Wendy, and his gifted son, Danny,

My favorite hella old movies 

movie

from all over the world, in any language other than english, from anywhere but here.

On the brink of the new Millennium in the bustling City of Mexico, one horrible car accident intertwines inextricably the lives of three perfect stran

2000 film by Alejandro González Iñárritu

A young woman, Alex, is raped by a stranger in a tunnel. Her boyfriend Marcus and ex-boyfriend Pierre decide to do justice themselves. In 2002, Gaspar

In 1944 Falangist Spain, a girl, fascinated with fairy-tales, is sent along with her pregnant mother to live with her new stepfather, a ruthless capta

In Mexico City, late teen friends Tenoch Iturbide and Julio Zapata are feeling restless as their respective girlfriends are traveling together through

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