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Dive into this classic from the singular mind of Edgar Allan Poe, who is widely regarded as the master of short horror fiction. "The Fall of the House of Usher" recounts the terrible events that befall the last remaining members of the once-illustrious Usher clan before it is -- quite literally -- rent asunder. With amazing economy, Poe plunges the reader into a state of deliciously agonizing suspense. It's a must-read for fans of the golden era of horror writing.

This early work by H. P. Lovecraft was originally published in 1924. Born in 1890 in Rhode Island, USA, Lovecraft began writing at a very young age, quickly developing a deep and abiding interest in science. In 1913, Lovecraft joined the UAPA (United Amateur Press Association) but it was four years later, in 1917, that he began to focus on fiction, producing such well-known early stories as 'Dagon' and 'A Reminiscence of Dr. Samuel Johnson'. However, it was during the last decade of his life that Lovecraft produced his most notable works, such as 'the Dunwich Horror' and 'The Call of Cthulhu' which subsequently earned him his place as one of the most influential horror writers of the 20th century. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions.

In H.P. Lovecraft's, "The Dunwich Horror", we are told the story of Wilbur Whateley, the son of a deformed albino mother and an unknown father (alluded to in passing by the mad Old Whateley as "Yog-Sothoth"), and the strange events surrounding his birth and precocious development. Wilbur matures at an abnormal rate, reaching manhood within a decade. All the while, his sorcerer grandfather indoctrinates him into certain dark rituals and the study of witchcraft.

Published in 1850, Edgar Allan Poe’s The Tell-Tale Heart is one of the best known and most memorable short stories ever written. Since there are dozens of commentaries and reviews here and elsewhere on the internet, in the spirit of freshness, I will take a particular focus: obsession with an eye or eyes and compare Poe’s tale with a few others. In The Painter of Eyes by Jean Richepin, we encounter an obscure artist who sells his soul to the Devil in order to paint at least one masterpiece. There is a bit of writing attached to the corner of his great painting that reads: “The Devil has informed me as to the secret of painting eyes. That secret consists of decanting the life from the models one wishes to represent and fixing that life on the canvas. In doing that, one slowly kills the people whose portrait one paints. It is sufficient for me to know that I have made this masterpiece. I commend my soul to the prayers, in case the Evil One does not leave me the time.” The writing ends abruptly since death strikes the artist in mid-sentence - his masterpiece is a self-portrait.In The Gaze another story by Jean Richepin, the narrator peers through the window of a cell at a madman holding his arms spread, head uplifted, transfixed by a point on a wall near the ceiling. The doctor-alienist relates to the narrator how this inmate is obsessed with the gaze of eyes from an artist's portrait. "For there was something in that gaze, believe me, that could trouble not only the already-enfeebled brain of a man afflicted with general paralysis, but even a sound and solid mind." Turns out, the narrator discovers the doctor is also driven mad by these eyes. So much so, the doctor took a scissors to the painting. We read: “In front of me, a fragment of a painting, cut out of a canvas with scissors, showed me a pair of eyes: the eyes of the portrait that the alienist said that he had lacerated, the eyes darting that famous gaze – in which, indeed, the very soul of gold was alive.”The Enigmatic Eye by Moacyr Scliar is a most imaginative tale of a wealthy old man who becomes infatuated with a portrait of an aristocratic gentleman in the town’s museum. And what makes this portrait so infatuating? Why, of course – the gaze of the right eye, which is truly enigmatic. The old man has his close friend steal the portrait from the museum so he can put it in his attic and sit in front of the painting, pondering the enigmatic gaze round the clock. The servants think the old man mad but he could care less – he has exactly what he wants – the portrait with its enigmatic eye right in his very own attic. Unfortunately, something unexpected happens. Due to the attic’s heat and light, the painting begins to fade and then, over time, vanishes. The old man concludes there is only one thing for him to do – he buys some brushes and oils and begins re-painting the portrait, starting with the enigmatic eye. Turning now to Poe’s tale, the narrator insists he should not be taken for a madman; rather, he is dreadfully nervous causing his senses, especially his sense of hearing, to be heightened and sharpened. He goes on to convey how once the idea of killing the old man of the house entered his brain, he was haunted by the idea day and night. And why would he want to kill this old man, a man who never wronged him? We read, “I think it was his eye! Yes, it was this! He had the eye of a vulture – a pale blue eye, with a film over it.” What is it about a human eye, painted or real, when seen by someone who is mentally unstable? Perhaps part of the answer is given by contemporary Argentine author, Ernesto Sabato, when he says that hell is being the object of the gaze of another. Every one of Poe’s sentence is sheer perfection, building tension and suspense. For example, we read how the narrator, lantern in hand, secretly peers in at the sleeping old man at midnight. But then, one night, a noise wakes the old man and he sits bolt upright in bed. And what does the narrator do? We read, “I resolved to open a little – a very, very little crevice in the lantern. So I opened it – you cannot imagine how stealthily, stealthily – until, at length a single dim ray, like the thread of the spider, shot from out the crevice and fell full upon the vulture eye. It was open – wide, wide open – and I grew furious as I gazed upon it. I saw it with perfect distinctness – all a dull blue, with a hideous veil over it that chilled the very marrow of my bones; but I could see nothing else of the old man’s face or person: for I had directed the ray as if by instinct, precisely upon the damned spot.”Anybody familiar with the story knows the narrator’s actions and emotions escalate from this point. What I find particularly fascinating is how the narrator’s obsession and fixation with the eye, once there is no more eye to fixate upon, quickly shifts into a heightened sense of feeling and, of course, heightened hearing. What a tale; what an author – a masterpiece of suspense and horror.*The quotes from the two tales by Jean Richepin are taken from The Crazy Corner a collection of stories translated by Brian Stableford and published by Black Coat Press.

"Once upon a time there was a poor woodcutter who lived near a great forest with his wife and his two children. The little boy was called Hansel, and the little girl's name was Gretel.So begins this classic Grimm tale of two innocent children, abandoned in the forest by their cruel mother, who happen upon the enchanting gingerbread house of a wicked witch. Hansel's cunning and little Gretel's courage foil the witch's evil plan to fatten them up and eat them, and in the best fairy tale tradition, they and their loving father live happily ever after.

"Everybody is a book of blood; wherever we're opened, we're red." For those who only know Clive Barker through his long multigenre novels, this one-volume edition of the Books of Blood is a welcome chance to acquire the 16 remarkable horror short stories with which he kicked off his career. For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes:  I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago.  These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona WebsterContents:· Introduction by Ramsey Campbell· The Book of Blood· The Midnight Meat Train· The Yattering and Jack· Pig Blood Blues· Sex, Death and Starshine · In the Hills, the Cities

A cor que caiu do espaço (1927) marca o primeiro passo decisivo de Lovecraft em direção ao horror cósmico inspirado pela ficção científica. Na história, um vilarejo a oeste de Arkham vê-se ameaçado quando um meteoro cai na propriedade de um fazendeiro local e traz consigo uma estranha aberração cromática que afeta a flora e a fauna da região --- e cria o cinzento e estéril “descampado maldito” onde nada cresce. O volume traz ainda em apêndice os textos “Notas sobre uma não entidade” (1933), o mais longo relato autobiográfico escrito por Lovecraft, “A confissão de um cético” (1922), breve ensaio em que o autor traça a evolução dos próprios interesses religiosos, científicos e filosóficos ao longo da vida, e “Notas sobre ficção interplanetária” (1934), artigo em que defende as possibilidades artísticas da ficção científica e ataca os clichês deste gênero.

The supernatural stories that make up Robert W. Chambers’s classic piece of weird fiction are tied together by a play that brings madness to all who read it: The King in Yellow. It’s a book that draws readers in with an irresistible yet innocent opening act, then drives them insane with the poisonous words of Act 2. It’s a book that cannot be suppressed, spreading like a disease from city to city, continent to continent. An influence on writers from H. P. Lovecraft to Neil Gaiman, The King in Yellow is one of the most important works of American supernatural fiction. In this dangerously unputdownable graphic-novel adaptation, I. N. J. Culbard brings to life a thrilling tale of horror that will make readers laugh and cry and tremble with fright . . . Read at your own risk.

Librarian Sherry Pinkwhistle has a knack for solving murders- lots of them. Sometimes she's concerned by just how many killers she's had to track down in her quiet village, though none of her neighbours seem surprised by the rising body count. But when someone close to Sherry ends up dead, and her cat becomes unexpectedly posessed by an ancient demon as irritating as it is infernal, Sherry decides that it's time for action. It will be a lesson for murderers and demons alike: never mess with a librarian.

The collected tales of America’s foremost master of mystery and the macabre in one handsome volume - - 67 tales and 30 poems in all. You’ll find such classic tales as The Fall of the House of Usher, The Murders in the Rue Morgue, The Masque of the Red Death, The Pit and the Pendulum and many, many more. What collection would be complete without the poetry of Edgar Allan Poe which includes The Raven, Annabel Lee, A Dream Within a Dream, The Haunted Palace just to name a few of the 30 poems include in this Library of Literary Classics edition. Other titles in this series include: Charlotte &amp; Emily Bronte: The Complete Novels; Charles Dickens: Four Complete Novels; Mark Twain: Selected Works; Jane Austen: The Complete Novels: Lewis Carroll: The Complete, Fully Illustrated Works; and William Shakespeare: The Complete Works. This Library of Literary Classics edition is bound in padded leather with luxurious gold-stamping on the front and spine, satin ribbon marker and gilded edges.

A beautifully illustrated collection of ghost stories and legends from all across Prague.

Color Out of Space author: H.P. Lovecraft A horrific tale written from the perspective of an unnamed surveyor from Boston. In order to prepare for the construction of a new reservoir in Massachusetts, he surveys a rural area that is to be flooded near the town of Arkham. He comes across a mysterious, abandoned farmstead, which is completely devoid of all life. At the center of the farmstead is an old well. The site fills him with an unnatural sense of dread, and he hurries past it....

Wow, what an amazing book. I had previously read Evans-Pritchard’s (hereafter E-P) other ethnographic classic, The Nuer. The subtitle of that book is ‘A description of the modes of livelihood and political institutions of a Nilotic people.” And yet in Witchcraft, Oracles, and Magic among the Azande, E-P says next to nothing about Zande modes of livelihood or political institutions. It almost seems as though the two books had distinct authors. On the one hand, The Nuer is about food and ecology, kinship and politics, and a subsistence economy. And The Nuer is about cows, the most significant possession for the men of this tribe. On the other hand, Among the Azande is about witchcraft and magic, belief and action, the social function of mystical rituals, and the psyche of the typical Azande. And it is about chickens used in oracles, oracles being the central quasi-judicial preoccupation of the Azande. It seems the two books are so different because the two tribes, Nuer and Azande, are so different. The Nuer and the Azande have contrasting ways of looking at the world, and they both revealed to E-P where their primary interests and concerns lie.Witchcraft is very much a primary interest and concern for the typical Zande male. As E-P makes clear, witchcraft is the key to understanding many other aspects of Zande belief and behavior. Witchcraft explains all sorts of unfortunate events, even nightmares. The Azande treat all deaths as the result of witches. E-P’s classic example of witchcraft goes something like this: people were sitting under a granary to get away from the heat of the sun. At that point the granary collapsed and the people were killed. The granary fell on account of termites. However, “that it should collapse is easily intelligible, but why it should have collapsed at that particular moment when these particular people were sitting beneath it?” Thus, whenever someone dies in an accident or from another cause, an ulterior cause of witchcraft is imputed.When a kindred dies or when a crop fails, witches are always to blame. The Azande believe that a substance called mangu inhabits the body of witches, perhaps unbeknownst to the witch. If a witch feels anger or contempt toward some person, and then that person dies or suffers a major mishap, the witchcraft substance mangu is said to be hot or active in the witch. The ‘witch’ himself does nothing to activate his mangu. In fact, it would appear that nobody with volition and intention ever acts ‘witch-like.’ If some misfortune occurs, one suspects witchcraft among the victim’s enemies, who might have unconsciously directed their active witchcraft substance against the victim.In order to verify that someone is a witch, an oracle must be consulted. There are a number of different kinds of oracles, but the most reliable and most expensive of these is the poison oracle. The oracle is asked if so-and-so is a witch. A poisoned chicken is observed. If it dies, the question is repeated with a second chicken, and if that chicken dies the answer is no. And if the first one lived, and the second one lived the answer is also no. To be an affirmative response to the question, the oracle must be performed twice, with one chicken dying and one living in either order. Part of the reason this form of divination is preferred is that it is harder to cheat or fake an outcome, and so the poison oracle is felt to be the most reliable. If someone is found to be a witch, the wing of the dead bird is brought to that person. He will almost certainly claim that the he had no knowledge of being a witch and did nothing intentionally wrong. He then blows a spray of water over the ground, which cools his mangu, his witchcraft-substance, and removes the mangu’s potential to do harm.If the oracle fails to identify the witch, then a witch-doctor’s vengeance magic is practiced on behalf of the kin of the injured or ‘murdered’ man. When a neighbor in the village subsequently dies, this is often taken as indicating the success of the vengeance magic in identifying the culprit and bringing him down. Interestingly, there once again appear to be nobody in Zandeland who admits to being a witch, and it is probable that nobody ever actually practices black magic there. The Azande freely consult witch-doctors and diviners and administer good medicines to help counteract evil witchcraft. But evil magic appears always to be imputed to others and not actually practiced. Witch-doctors are not themselves witches, but they are tasked with identifying and collecting magical vines and tree barks which are prepared into medicines. The fact that people usually recover from illness or misfortune is taken as evidence that the medicine is potent and effective. And if the patient dies despite the witch-doctor’s treatment, then that just shows that some witch’s mangu was even more powerful than the counteracting medicines.The witch-doctors belong to secret associations, but they are not clergy. It would in fact be difficult and perhaps unwise to try to see the Azande as having anything comparable to what one might call organized religion. The Azande practice ritual in accord with their oral tradition. Being illiterate, they have no religious texts to consult. Yet these practices (witchcraft, oracles, and magic) fulfill a similar role to religion (and science) by providing a rationale for the unexplained. The witch-doctors’ specialized knowledge is maintained by witch-doctor lodges, which were made illegal by the British colonial powers. Now as an underground institution, this form of shamanism has become a counter-discourse against foreign powers and against the Zande princes, who fear secret associations as subversive and who are seen as being in complicity with the colonial regime.The best part of this book is E-P’s reflections on fieldwork, found as an appendix to Witchcraft, Oracles, and Magic among the Azande. In it, E-P emphasizes the importance of linguistic research as the bedrock to effective fieldwork. For E-P, ethnography ultimately comes down to translation. And what is translated in the end comes down to what the natives are interested in talking about. In the field, you study what you can. And if your informants are into magic and witchcraft, that is what you write about. And if your informants are into cattle herding, then you write a book about that instead.Like I said, this work is amazing. But I do have a few critical remarks. The reasoning and rationale behind Zande beliefs is presented without any kind of coherent psychological analysis. The reader is left to form his or her own opinion about what it feels like to be an Azande in the heat of mystical battle. Maybe that is a good thing. But E-P offers no character development or narrative about specific individuals (comparable to Turner’s Muchona, Griaule’s Ogotemmeli, or Crapenzano’s Tuhami). The emphasis is all on social machinery and not about subjective experience. Also, there is little trace of how the Azande gain a livelihood. If magic does not touch an aspect of their culture, then we simply do not hear about that aspect of the culture. Finally, the work does not offer much of a political analysis of either the Zande princes or of the colonial British. If Gluckman were writing about the Azande, I would expect to see more about how witchcraft regulates or channels conflict and about how missionaries are rending the Zande cultural fabric apart by prohibiting witchcraft, oracles, and magic for being in some way satanic.But despite all that, I feel that E-P’s Witchcraft, Oracles, and Magic among the Azande would have to be in the top 50 at the ethnography hall of fame. The observations in the work are perceptive, sympathetic, and clear. And despite the lack of any cogent narrative, the writing feels crisp, and the analyses are seldom dull. Like E-P, I started out in the field of classics, and in this his first ethnography, this work about the Azande, E-P answers many questions about how witchcraft, oracles, and magic might structure belief and experience in any pagan culture, including classical pagan civilization. In conclusion, If the reader wishes to know how an African culture physically functions in a particular ecology, then you should go to The Nuer. But if the reader wants a classic account of how an African culture psychically functions in a web of social bonds and suspicions, then Azande is the way to go. You most likely won’t be disappointed either way.

Milivoj Solar takes his readers on a journey through literature's many faces, styles and forms, all in the shape of entertaining and easily memorable essays.

One enchanting evening in 1982, a woman by the name of Emilija Zapruder is brutally murdered in the small town of Pakrac, quickly followed by the mysterious disappearence of her husband. Almost two decades later, a mysterious man phones the young Pakrac police officer Vjekoslav Mažuranić, claiming to have information regarding the infamous cold case, including the identity of the killer and how it might tie into an ongoing investigation of the brutal assault of a young girl down by the old Pakrac poolside. However, this leads Vjekoslav down a dangerous rabbit hole of organized crime far grander than anything he expected and might even cost him his life.

Philadelphia, the late 1870s. A city of gas lamps, cobblestone streets, and horse-drawn carriages—and home to the controversial surgeon Dr. Spencer Black. The son of a grave robber, young Dr. Black studies at Philadelphia’s esteemed Academy of Medicine, where he develops an unconventional hypothesis: What if the world’s most celebrated mythological beasts—mermaids, minotaurs, and satyrs—were in fact the evolutionary ancestors of humankind?   The Resurrectionist offers two extraordinary books in one. The first is a fictional biography of Dr. Spencer Black, from a childhood spent exhuming corpses through his medical training, his travels with carnivals, and the mysterious disappearance at the end of his life. The second book is Black’s magnum opus: The Codex Extinct Animalia, a Gray’s Anatomy for mythological beasts—dragons, centaurs, Pegasus, Cerberus—all rendered in meticulously detailed anatomical illustrations. You need only look at these images to realize they are the work of a madman. The Resurrectionist tells his story.

This filmography covers more than 300 horror films released from 1990 through 1999. The horror genre's trends and cliches are connected to social and cultural phenomena, such as Y2K fears and the Los Angeles riots. Popular films were about serial killers, aliens, conspiracies, and sinister "interlopers," new monsters who shambled their way into havoc. Each of the films is discussed at length with detailed credits and critical commentary. There are six appendices: 1990s cliches and conventions, 1990s hall of fame, memorable ad lines, movie references in Scream, 1990s horrors vs. The X-Files, and the decade's ten best.

The founding document of economic anthropology! Bronislaw Malinowski, one of the all-time great anthropologists of the world, had a talent for bringing together in single comprehension the warm reality of human living with the cool abstractions of science. His pages have become an almost indispensable link between the knowing of exotic and remote people with theoretical knowledge about humankind. This volume--originally published in 1922--can be considered the founding document of economic anthropology, and remains the best one to read. It emphasizes the great significance of primitive economics by singling out the notable exchange system of the Trobriand Islands for special consideration. Although the main theme is economic, constant reference is made in this milestone of anthropological research and interpretation to social organization, life and meaning, the power of magic, and to mythology and folklore.

From Alien to When a Stranger Calls , many films are based on folklore or employ an urban legend element to propel the narrative. But once those traditional aspects have been identified, do they warrant further scrutiny? Indeed, why is the study of folklore in popular film important? In Films, Folklore and Urban Legends , Mikel J. Koven addresses this issue by exploring the convergence of folklore with popular cinema studies. Well beyond the identification of traditional motifs in popular cinema, Koven reveals new paradigms of filmic analysis, which open up when one looks at movies through the lens of folklore. In particular, this book focuses on the study of urban legends and how these narratives are used as inspiration for a number of films. Divided into five sections, the book begins with a general survey of the existing literature on folklore/film, predominantly from the perspective of folklore studies. Subsequent chapters address discourses of belief, how urban legends provide the organizing principle of some films, and how certain films "act out" or perform a legend. Movies discussed in this book include Alligator , Candyman , The Curve , Dead Man on Campus , I Know What You Did Last Summer , Urban Legend , Weekend at Bernie's , and The Wicker Man , as well as zombie films, killer bee movies, and slasher films (including Halloween , Black Christmas , The Burning and Terror Train ). Koven also devotes attention to key television shows such as The X-Files and Most Haunted .In his analysis, Koven explains not only how film and television narratives are built upon already-existing popular culture beliefs, but also how films and television shows recycle those beliefs back into popular culture. Taken as a whole, Film, Folklore and Urban Legends both stands on its own as the first book-length study of folklore and popular cinema, and as an introductory textbook for the study of folklore and film.

One of Bosnia's most famous illustrators, Emir Durmišević, takes his readers on a wonderfully quirky journey through time, recounting the tales of Bosnian kings, queens and nobles in a unique and easily understandable fashion never before seen in Bosnian historiography.

A spider escapes from an isolated Arizona desert laboratory experimenting in giantism and grows to tremendous size as it wreaks havoc on the local inhabitants.

1955 science fiction film directed by Jack Arnold

A mentally disturbed flower seller starts killing young girls on the streets of Belgrade. While the frustrated police inspector is trying to stop him, an aspiring musician finds his life and work deeply intertwined with that of a kil

In a dangerous post-apocalyptic world, an ailing father defends his son as they slowly travel to the sea.

In 1943, group of Croatian soldiers overtake a strategically important point in western Bosnia with a goal to destroy a group of communist partisans. On the way they met some supernatural phenomena, and the action itself went very ba

A comedy about two people with different world-views, from different places, whose fate, with the help from a bull Garonja (a name given to the black bulls in villages of Croatia), intertwine. Ante (Goran Bogdan) is a peasant from Da

A young priest gets an idea to pierce condoms before they are sold in order to increase the birth rate of his island.

Tom and Jake are two brothers living on their grandmother's farm at the edge of the woods. However, their life is far less idyllic than it seems and, on one of their escapades within their forest, things take a dark turn.

Within the chambers of a desolate house, a solitary servant tends to his invalid master. Tangibly detailed period design and hauntingly lifelike puppetry unearth the dreamworld of Poe.

In his debut film, acclaimed director Robert Eggers attempts to tackle the task of adapting the iconic brothers Grimm fairy tale in the style of expressionist silent films of Weimar era Germany.

Mio has feelings for her childhood friend Arata, but can't convey her feelings. One day, as they continue their delicate relationship, the two fight over something trivial. After letting tensions settle, Mio goes to make up with him in the pouring rain. While on her way, she gets into a traffic accident. When she regains consciousness, a mysterious and unfamiliar world appears before her eyes.

Six young friends decide that the 2015 spring equinox is a great reason to throw a party. Two of them will prepare the "venue", the other two will get the booze, and the last two will get the weed. And right before midnight, they'll 

The story is seen through the eyes of 6 year old Perica Safranek. On a family picnic Perica's mother starts flirting with Mr Fulir, a Zagreb Dandy. The father at first doesn't notice it, but wants to marry off the aunt. After a coupl

Four neighborhood friends in 1999 Zagreb struggle to get along as their relationships are plagued by alcohol, drugs, hooliganism, crime and their country's past.

A TV interviewer and his cameraman meet a former actress and travel through her memories and career.

2001 Japanese anime film directed by Satoshi Kon

Men is a 2022 British folk horror film written and directed by Alex Garland. It stars Jessie Buckley as a widowed woman who travels on holiday to a countryside village but becomes disturbed and tormented by the strange men in the village, all portrayed by Rory Kinnear. The film was released in the United States on 20 May 2022 by A24 and in the United Kingdom on 1 June 2022 by Entertainment Film Distributors. It received generally positive reviews for its performances, though its narrative approach received some criticism.Following the apparent suicide of her husband James, Harper Marlowe decides to spend a holiday alone in the village of Cotson, Hertfordshire. Flashbacks reveal that Harper, tired of James's emotional abuse and manipulation, intended to divorce him, leading James to threaten her with his suicide. After James punched Harper in the face, he immediately attempted to apologise, but Harper angrily locked him out of the flat. She then witnessed him fall from an upstairs balcony to his death, being partially impaled by a fence.

A young man murders women, using a movie camera to film their dying expressions of terror.

Need paranormal insurance? Call us! The Supernatural Protection Company is dedicated to providing quality customer service to help you with any and all paranormal issues for which you may be covered. From haunted cars to cryptid caused injury, we're here for you!

The Underwood Collection is a 5 season, 50 episode narrative detailing the supernatural happenings of and around The Usher Foundation, Washington, DC. Lurking behind the individual statements, though, are the private affairs of Head Curator Ulysses Bamba as well as the Curatorial and Archival staff, when the personal meets the horrific.

Alice Dyer and Sam Khalid are civil service workers at the Office of Incident Accesment and Response, an organization devoted to documenting supposedly paranormal events and phenomena. However, when an old conspiracy is unearthed they might get more than they had bargained for.

Three strangers who share an obsession with true crime suddenly find themselves caught up in one.

A former CIA operative (Cumming), who has since built a "normal" life as a gifted professor and writer, is pulled back into his old life when the NYPD needs his help to stop a serial killer on the loose.

2018 police procedural drama television series

A crew of high-tech crooks attempt to steal from wealthy criminals and corrupt businessmen.

Dr. Daniel Pierce is an eccentric neuropsychiatrist who uses his unique outlook to help the federal government solve complex criminal cases.

The series follows Adrian Monk, a brilliant former San Francisco detective, who now consults the police as a private consultant who battles with an obsessive-compulsive disorder.

A famous "psychic" outs himself as a fake, and starts working as a consultant for the California Bureau of Investigation so he can find "Red John", the madman who killed his wife and daughter.

American crime television series (2008-2015)

By day, mild-mannered Dexter is a blood-spatter analyst for the Miami police. But at night, he is a serial killer who only targets other murderers.

Working for the F.B.I., a mathematician uses equations to help solve various crimes.

American crime drama television series (2005–2010)

Jane Doe is found in Times Square with no memory and mysterious tattoos on her body.

American action crime drama series (2015-2020)

Forensic anthropologist Dr. Temperance "Bones" Brennan and cocky F.B.I. Special Agent Seeley Booth build a team to investigate murders. Quite often, there isn't more to examine than rotten flesh or mere bones.

American crime comedy-drama television series (2005-2017)

Detective Jane Rizzoli and Chief Medical Examiner Dr. Maura Isles team up to solve crimes in Boston.

A former hostage negotiator takes a job retrieving people who are lost in a virtual reality program.

Explores the early relationship between renowned psychiatrist Hannibal Lecter and a young FBI criminal profiler who is haunted by his ability to empathize with serial killers.

A modern update finds the famous sleuth and his doctor partner solving crime in 21st century London.

British crime drama television series, first broadcast in 2010

About Cal Lightman, the world's leading deception expert who studies facial expressions and involuntary body language to expose the truth behind the lies.

A new FBI profiler, Elizabeth Keen, has her entire life uprooted when a mysterious criminal, Raymond Reddington, who has eluded capture for decades, turns himself in and insists on speaking only to her.

A spy recently disavowed by the U.S. government uses his special ops training to help others in trouble.

Facing an existential threat that could bring down the Crime Lab, a brilliant team of forensic investigators must welcome back old friends and deploy new techniques to preserve and serve justice in Sin City.

Malcolm Bright, one of the best criminal psychologists around, uses his twisted genius to help the NYPD solve crimes.

An average twenty-eight-year-old man who gains the ability to use the full extent of his brain's capabilities is hired by the F.B.I. as a consultant.

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