Emo Nemo

Mily

Sarah

Shaidrian Rios

Jimmy Beans

miCCwatreSSop

Julie Wynne - videos

Kapuster

Nicky Tallon

Harini Sen

Vastralaya

Evan Shively (Perseus271)

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

I am extremely moved by this book, it is as relevant and important today as it was when it was first published over 30 years ago, possibly even more so. Maus tells the story of Vladek Spielgeman, a Jewish survivor of the Holocaust. His son, Art Spiegelman, is an illustrator and wants to write the story of his father's experiences during World War II. The story is also of Art himself, the interviews and relationship with his father. The story alternates between the present day interviews and shifts into the past through Vladek's recollections. The illustrations are straightforward and in a black-and-white style.  I highly recommend this book, it is a powerful and emotional story. I am starting the second volume right away.  FINAL NOTE: below is what I found to be one of the most powerful scenes in the book. 

A New York Times Notable BookA Time Magazine “Best Comix of the Year”A San Francisco Chronicle and Los Angeles Times Best-sellerWise, funny, and heartbreaking, Persepolis is Marjane Satrapi’s memoir of growing up in Iran during the Islamic Revolution. In powerful black-and-white comic strip images, Satrapi tells the story of her life in Tehran from ages six to fourteen, years that saw the overthrow of the Shah’s regime, the triumph of the Islamic Revolution, and the devastating effects of war with Iraq. The intelligent and outspoken only child of committed Marxists and the great-granddaughter of one of Iran’s last emperors, Marjane bears witness to a childhood uniquely entwined with the history of her country.Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life. Marjane’s child’s-eye view of dethroned emperors, state-sanctioned whippings, and heroes of the revolution allows us to learn as she does the history of this fascinating country and of her own extraordinary family. Intensely personal, profoundly political, and wholly original, Persepolis is at once a story of growing up and a reminder of the human cost of war and political repression. It shows how we carry on, with laughter and tears, in the face of absurdity. And, finally, it introduces us to an irresistible little girl with whom we cannot help but fall in love.

One day David Small awoke from a supposedly harmless operation to discover that he had been transformed into a virtual mute. A vocal cord removed, his throat slashed and stitched together like a bloody boot, the fourteen-year-old boy had not been told that he had cancer and was expected to die.In Stitches, Small, the award-winning children’s illustrator and author, re-creates this terrifying event in a life story that might have been imagined by Kafka. As the images painfully tumble out, one by one, we gain a ringside seat at a gothic family drama where David—a highly anxious yet supremely talented child—all too often became the unwitting object of his parents’ buried frustration and rage.Believing that they were trying to do their best, David’s parents did just the reverse. Edward Small, a Detroit physician, who vented his own anger by hitting a punching bag, was convinced that he could cure his young son’s respiratory problems with heavy doses of radiation, possibly causing David’s cancer. Elizabeth, David’s mother, tyrannically stingy and excessively scolding, ran the Small household under a cone of silence where emotions, especially her own, were hidden.Depicting this coming-of-age story with dazzling, kaleidoscopic images that turn nightmare into fairy tale, Small tells us of his journey from sickly child to cancer patient, to the troubled teen whose risky decision to run away from home at sixteen—with nothing more than the dream of becoming an artist—will resonate as the ultimate survival statemen.

‘Armageddon only happens once, you know. They don’t let you go around again until you get it right.’People have been predicting the end of the world almost from its very beginning, so it’s only natural to be sceptical when a new date is set for Judgement Day. But what if, for once, the predictions are right, and the apocalypse really is due to arrive next Saturday, just after tea?You could spend the time left drowning your sorrows, giving away all your possessions in preparation for the rapture, or laughing it off as (hopefully) just another hoax. Or you could just try to do something about it.It’s a predicament that Aziraphale, a somewhat fussy angel, and Crowley, a fast-living demon now finds themselves in. They’ve been living amongst Earth’s mortals since The Beginning and, truth be told, have grown rather fond of the lifestyle and, in all honesty, are not actually looking forward to the coming Apocalypse.And then there’s the small matter that someone appears to have misplaced the Antichrist…

An award-winning memoir and instant New York Times bestseller that goes far beyond its riveting medical mystery, Brain on Fire is the powerful account of one woman’s struggle to recapture her identity.When twenty-four-year-old Susannah Cahalan woke up alone in a hospital room, strapped to her bed and unable to move or speak, she had no memory of how she’d gotten there. Days earlier, she had been on the threshold of a new, adult life: at the beginning of her first serious relationship and a promising career at a major New York newspaper. Now she was labeled violent, psychotic, a flight risk. What happened?In a swift and breathtaking narrative, Cahalan tells the astonishing true story of her descent into madness, her family’s inspiring faith in her, and the lifesaving diagnosis that nearly didn’t happen.

"Sometimes the greatest things are the most embarrassing." Ellen Degeneres' winning, upbeat candor has made her show one of the most popular, resilient and honored daytime shows on the air. (To date, it has won no fewer than 31 Emmys.) Seriously... I'm Kidding, Degeneres' first book in eight years, brings us up to date about the life of a kindhearted woman who bowed out of American Idol because she didn't want to be mean. Lively; hilarious; often sweetly poignant.

“What are my qualifications to write this book? None really. So why should you read it? Here’s why: I’m a little fat. If a thin guy were to write about a love of food and eating I’d highly recommend that you do not read his book.”  Bacon. McDonalds. Cinnabon. Hot Pockets. Kale. Stand-up comedian and author Jim Gaffigan has made his career rhapsodizing over the most treasured dishes of the American diet (“choking on bacon is like getting murdered by your lover”) and decrying the worst offenders (“kale is the early morning of foods”). Fans flocked to his New York Times bestselling book Dad is Fat to hear him riff on fatherhood but now, in his second book, he will give them what they really crave—hundreds of pages of his thoughts on all things culinary(ish). Insights such as: why he believes coconut water was invented to get people to stop drinking coconut water, why pretzel bread is #3 on his most important inventions of humankind (behind the wheel and the computer), and the answer to the age-old question “which animal is more delicious: the pig, the cow, or the bacon cheeseburger?”

James Christopher Gaffigan is an American stand-up comedian, actor, writer, and producer. His material often addresses fatherhood, laziness, food, religion, and general observations. He is regarded as a "clean" comic, using little profanity in his routines. He has released several successful comedy specials, including Mr. Universe, Obsessed, Cinco, and Quality Time, all of which have received Grammy nominations.

Alison Bechdel ( BEK-dəl; born September 10, 1960) is an American cartoonist. Originally best known for the long-running comic strip Dykes to Watch Out For, she came to critical and commercial success in 2006 with her graphic memoir Fun Home, which was subsequently adapted as a musical that won a Tony Award for Best Musical in 2015. In 2012, she released her second graphic memoir Are You My Mother? She was a 2014 recipient of the MacArthur "Genius" Award. She is also known for the Bechdel test.Bechdel was born in Lock Haven, Pennsylvania. She is the daughter of Helen Augusta (née Fontana; 1933–2013) and Bruce Allen Bechdel (1936–1980). Her family was Roman Catholic. Her father was an army veteran who was stationed in West Germany. He was also a high school English teacher, working full-time and operated a funeral home part-time. Her mother was an actress and teacher. Both of her parents contributed to her career as a cartoonist. She has two brothers, Bruce "Christian" Bechdel II and John Bechdel, a keyboard player who has worked with many bands including Fear Factory, Ministry, Prong and Killing Joke. Bechdel left high school a year early and earned her A.A. in 1979 from Bard College at Simon's Rock. She graduated with a degree in studio arts and art history in 1981 from Oberlin College. After her father died in 1980, her mother sold the family house, in Beech Creek, Pennsylvania, the small town where Bechdel grew up, and moved to Bellefonte, a less provincial small town near State College with her longtime partner Dr. Robert Fenichel.

For fans of Tina Fey and David Sedaris—Internet star Jenny Lawson, aka The Bloggess, makes her literary debut.   Jenny Lawson realized that the most mortifying moments of our lives—the ones we’d like to pretend never happened—are in fact the ones that define us. In the #1 New York Times bestseller, Let’s Pretend This Never Happened, Lawson takes readers on a hilarious journey recalling her bizarre upbringing in rural Texas, her devastatingly awkward high school years, and her relationship with her long-suffering husband, Victor. Chapters include: “Stanley the Magical, Talking Squirrel”; “A Series of Angry Post-It Notes to My Husband”; “My Vagina Is Fine. Thanks for Asking”; “And Then I Snuck a Dead Cuban Alligator on an Airplane.” Pictures with captions (no one would believe these things without proof) accompany the text.

#1 New York Times BestsellerIn Furiously Happy, a humor memoir tinged with just enough tragedy and pathos to make it worthwhile, Jenny Lawson examines her own experience with severe depression and a host of other conditions, and explains how it has led her to live life to the fullest:"I've often thought that people with severe depression have developed such a well for experiencing extreme emotion that they might be able to experience extreme joy in a way that ‘normal people' also might never understand. And that's what Furiously Happy is all about."Jenny’s readings are standing room only, with fans lining up to have Jenny sign their bottles of Xanax or Prozac as often as they are to have her sign their books. Furiously Happy appeals to Jenny's core fan base but also transcends it. There are so many people out there struggling with depression and mental illness, either themselves or someone in their family—and in Furiously Happy they will find a member of their tribe offering up an uplifting message (via a taxidermied roadkill raccoon). Let's Pretend This Never Happened ostensibly was about embracing your own weirdness, but deep down it was about family. Furiously Happy is about depression and mental illness, but deep down it's about joy—and who doesn't want a bit more of that?

This is a book I wrote. Because I wrote it, I had to figure out what to put on the back cover to explain what it is. I tried to write a long, third-person summary that would imply how great the book is and also sound vaguely authoritative--like maybe someone who isn’t me wrote it--but I soon discovered that I’m not sneaky enough to pull it off convincingly. So I decided to just make a list of things that are in the book:PicturesWordsStories about things that happened to meStories about things that happened to other people because of meEight billion dollars*Stories about dogsThe secret to eternal happiness**These are lies. Perhaps I have underestimated my sneakiness!

NOW A NETFLIX ORIGINAL SERIESSome boxes should never be opened.For the first time, the complete A Series of Unfortunate Events is available in one awful package!We can't keep you from succumbing to this international bestselling phenomenon, but we can hide all thirteen books in a huge, elaborately illustrated, shrink-wrapped box, perfect for filling an empty shelf or deep hole.From The Bad Beginning to The End, this box set, adorned with Brett Helquist art from front to back, is the only choice for people who simply cannot get enough of a bad thing!

Tonight I just finished reading Charlie and the Chocolate factory with my son. This is the first chapter book I've read all the way through with him. And it was a ton of fun. First off, I'll admit that I love the movie. I grew up with it. (I'm talking about the Gene Wilder version, of course.)I'll even admit to liking the movie better than the book. Which is something that doesn't happen very often with me. That said, the book is really, really good. It held my four-year old's attention. It's silly, and it's fun. And it's DARK. For those of you who haven't read the book, let me underline this fact for you. Dahl takes pains to really detail the fact that Charlie and his family aren't just hungry and poor. They're destitute. Charlie sleeps on a mattress on the floor. In the winter they are cold, and they're starving to death. And if you think I'm exaggerating on that last point, I'm not. One of the chapters is titled: The Family Begins to Starve. But you know what? I like this book better because of that. It's not sanitized pablum written by committee to be inoffensive. It's the story of a little boy who is in a fucking awful situation, but he is still good and kind and polite and then something really nice happens to him. That's a trope I can get behind. Its it a good book to read with your kids? Absolutely. That said, allow me to tangent off and share my thoughts as a total bastard:If Willie Wonka actually hired workers and paid them a living wage, maybe Charlie Bucket wouldn't be starving to death in the first place. Follow me here. Wonka is effectively running a company where everyone is paid in scrip. The Oompa Loompas are paid, quite literally, in beans. Beans that I'm guessing he has the Oompa Loompas themselves growing in some huge underground cavern. Let's not even get into the ethical tarpit of the fact that Wonka uproots an entire indigenous culture and enslaves them. Let's just look at this from a raw numbers point of view. Pure economics. The Oompa Loompas work in the factory. They are not paid. They never leave the factory. That means they don't pay rent. They don't buy groceries. They don't go to the movies, or take taxis ,or buy clothes. But *everyone* buys Wonka's chocolate. That means that money goes into the factory, but it doesn't come back out into the town. As a result, the local economy is crap. And it's because of this that Charlie's dad can't get a decent job. What's more, it's because of this that his dad *loses* his shitty job, and his family is starving to death. Willie Wonka isn't a childlike magic maker. He's a billionaire corporate fuckwit. He's the candy equivalent of Monsanto. There's no government oversight there. Osha would never have approved that bullshit boiled sweet boat and chocolate river. No. Dude is untouchable. And don't tell me he isn't. That shit that goes on with the other kids? Nobody even *thinks* of suing him. None of the parents even *hint* at it. He probably owns half the judges in the state, and a handful of senators, too. He's a fucking supervillian. And I would paid serious money to see a story where Batman kicks his ass. *End Rant* In closing, let me share something that Oot said while I was reading him this book: "Dad, Willie Wonka is just a regular human, but he *is* a little bit of a wizard like you." 

Librarian's Note: For an alternate cover edition of the same ISBN, click here.This beloved story -first published more than fifty years ago- introduces readers to Milo and his adventures in the Lands Beyond. For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only because he’s got nothing better to do. But on the other side, things seem different. Milo visits the Island of Conclusions (you get there by jumping), learns about time from a ticking watchdog named Tock, and even embarks on a quest to rescue Rhyme and Reason! Somewhere along the way, Milo realizes something astonishing. Life is far from dull. In fact, it’s exciting beyond his wildest dreams. . . .

Matilda is a little girl who is far too good to be true. At age five-and-a-half she's knocking off double-digit multiplication problems and blitz-reading Dickens. Even more remarkably, her classmates love her even though she's a super-nerd and the teacher's pet. But everything is not perfect in Matilda's world. For starters she has two of the most idiotic, self-centered parents who ever lived. Then there's the large, busty nightmare of a school principal, Miss ("The") Trunchbull, a former hammer-throwing champion who flings children at will and is approximately as sympathetic as a bulldozer. Fortunately for Matilda, she has the inner resources to deal with such annoyances: astonishing intelligence, saintly patience, and an innate predilection for revenge.She warms up with some practical jokes aimed at her hapless parents, but the true test comes when she rallies in defense of her teacher, the sweet Miss Honey, against the diabolical Trunchbull. There is never any doubt that Matilda will carry the day. Even so, this wonderful story is far from predictable. Roald Dahl, while keeping the plot moving imaginatively, also has an unerring ear for emotional truth. The reader cares about Matilda because in addition to all her other gifts, she has real feelings.

This beloved book by E. B. White, author of Stuart Little and The Trumpet of the Swan, is a classic of children's literature that is "just about perfect." This high-quality paperback features vibrant illustrations colorized by Rosemary Wells!Some Pig. Humble. Radiant. These are the words in Charlotte's Web, high up in Zuckerman's barn. Charlotte's spiderweb tells of her feelings for a little pig named Wilbur, who simply wants a friend. They also express the love of a girl named Fern, who saved Wilbur's life when he was born the runt of his litter.E. B. White's Newbery Honor Book is a tender novel of friendship, love, life, and death that will continue to be enjoyed by generations to come. This edition contains newly color illustrations by Garth Williams, the acclaimed illustrator of E. B. White's Stuart Little and Laura Ingalls Wilder's Little House series, among many other books.--harpercollins.com

Jess Aarons' greatest ambition is to be the fastest runner in his grade. He's been practicing all summer and can't wait to see his classmates' faces when he beats them all. But on the first day of school, a new girl boldly crosses over to the boys' side and outruns everyone.That's not a very promising beginning for a friendship, but Jess and Leslie Burke become inseparable. Together they create Terabithia, a magical kingdom in the woods where the two of them reign as king and queen, and their imaginations set the only limits.

Stanley tries to dig up the truth in this inventive and darkly humorous tale of crime and punishment—and redemption. Stanley Yelnats is under a curse. A curse that began with his no-good-dirty-rotten- pig-stealing-great-great-grandfather and has since followed generations of Yelnats. Now Stanley has been unjustly sent to a boys' detention center, Camp Green Lake, where the warden makes the boys "build character" by spending all day, every day, digging holes: five feet wide and five feet deep. It doesn't take long for Stanley to realize there's more than character improvement going on at Camp Green Lake. The boys are digging holes because the warden is looking for something. Stanley tries to dig up the truth in this inventive and darkly humorous tale of crime and punishment—and redemption.

South Park: Phone Destroyer is a free-to-play real-time strategy collectible card game developed by RedLynx, and published by Ubisoft. It was released on iOS and Android on November 9, 2017.Based upon the American adult animated sitcom South Park, South Park: Phone Destroyer follows the children of the small town as they play a game based around different role-playing games using different themes (Adventure, Sci-Fi, Mystical, Fantasy, Superheroes and Neutral). The player takes the role of The New Kid as previously introduced in The Stick of Truth and again in The Fractured But Whole.The game is played with decks of cards that consist of characters from the South Park television series. Each card costs energy, which restores over time. Mechanically, it is somewhat similar to Clash Royale. There are different versions of each character for every theme which the player can unlock through opening card packs or purchasing them in the Daily Shop or PvP Shop, such as Stan who is dressed as a program from Tron, or Cartman who is dressed as either a sheriff, a grand wizard, a monk, "The Coon" or Awesom-O. Most of the cards have their own special ability with its own unique purpose. Card packs are also purchasable by way of in-app purchases. Other gameplay aspects include real-time player versus player battles, a customizable deck editor, which the player can use to experiment with different card combinations in order to help them progress through the game.

Animal Crossing, known in Japan as Dōbutsu no Mori+, is a 2001 social simulation game developed and published by Nintendo for the GameCube. It is an enhanced version of the Nintendo 64 game Dōbutsu no Mori, which was only released in Japan earlier the same year, and was followed by another edition, Dōbutsu no Mori e+, in 2003.Animal Crossing is an endless and non-linear game in which a human takes up residence in a village inhabited by anthropomorphic animals. The main goal of the game is to save money in order to pay off the mortgage on the human's house. This requires collecting natural materials and selling them. The human can engage in everyday life in the village, interact with the animals, attend events, and contribute to the village's development. The game's western localization differs significantly from the original release in that Japanese holidays and cultural references are replaced with Western ones.

Show off your style by designing homes for all of your favorite Animal Crossing villagers! Use your creativity to design the perfect house-inside and out-for bo...

Design stunning hospitals, cure peculiar illnesses and manage troublesome staff as you spread your budding healthcare organisation across Two Point County....

The YO-KAI WATCH game is about hundreds of sometimes cute, sometimes spooky, and usually mischievous Yo-kai that inhabit our world. Yo-kai are not ghosts, monst...

RollerCoaster Tycoon is a 1999 construction and management simulation video game themed around amusement parks. Developed by Chris Sawyer and published by Hasbro Interactive, the game was released for Windows in 1999 and was later ported to the Xbox by Infogrames in 2003. It is the first game in the RollerCoaster Tycoon series.

Animal Crossing: City Folk, released as Animal Crossing: Let's Go to the City in PAL territories, is a 2008 social simulation video game developed and published by Nintendo for the Wii console and the third game in the Animal Crossing series. It is also one of the first titles that was re-released as a part of the Nintendo Selects collection in 2011.In City Folk, the player character lives in a rural village populated with anthropomorphic animals, taking part in various activities such as collecting and planting. Similar to other games in the Animal Crossing series the game is synced to the Wii system clock and calendar, allowing the game to be played in real-time and affecting the occurrence of in-game events based on the current time of day or season. City Folk utilizes Nintendo Wi-Fi Connection, allowing players to visit one another's villages via online play. The game is the first Wii title to be compatible with the Wii Speak accessory, which enables voice chat.

The Legend of Zelda: The Wind Waker is a 2002 action-adventure game developed and published by Nintendo for the GameCube. An installment in The Legend of Zelda series, it was released in Japan in December 2002, in North America in March 2003, and in Europe in May 2003.

When an evil darkness enshrouds the land of Hyrule, a young farm boy named Link must awaken the hero - and the animal - within. When Link travels to the Twiligh...

Chess is a board game between two players. It is sometimes called international chess or Western chess to distinguish it from related games, such as xiangqi (Chinese chess) and shogi (Japanese chess). The current form of the game emerged in Spain and the rest of Southern Europe during the second half of the 15th century after evolving from chaturanga, a similar but much older game of Indian origin. Today, chess is one of the world's most popular games, played by millions of people worldwide.Chess is an abstract strategy game and involves no hidden information. It is played on a chessboard with 64 squares arranged in an eight-by-eight grid. At the start, each player controls sixteen pieces: one king, one queen, two rooks, two bishops, two knights, and eight pawns. The player controlling the white pieces moves first, followed by the player controlling the black pieces. The object of the game is to checkmate the opponent's king, whereby the king is under immediate attack (in "check") and there is no way for it to escape. There are also several ways a game can end in a draw.

The Sims FreePlayis a strategic life simulation game developed by EA Mobile and later with Firemonkeys Studios. It is a free version ofThe Simsfor mobile devices; it was released for iOS on December 15, 2011, released for Android in February 15, 2012, released for BlackBerry 10 in July 31, 2013, and released for Windows Phone 8 in September 12, 2013. The game was released for Fire OS in October 2012.InThe Sims FreePlay,players"build" and design houses and customize and create (a maximum of 100) virtual people calledSims. Players can control their Sims to satisfy their wishes, and let them complete different kinds of actions to gainSimoleons,Lifestyle Points, andSocial Points(all three currencies in the game). The game runs in real-time, and takes real time to complete actions. All actions must be instructed by players, unlike in the Windows version, where Sims have some degree of autonomy. Players can progress through 55 levels to unlock content (such as furniture for the Sims’ houses) that can be purchased with the virtual currencies previously mentioned. Families of Sims can have children provided there is one adult; there is a limit on the amount of allowable couples due to a limit on the people in the player's town. However, if the player buys items from the online store, they become a VIP that will allow them to increase the number of Sims they can have in their town. In the game, there are "quests" that players are required to complete as well as optional quests ("discovery quests") that they may choose to pursue. Sims must bake a cake to age until completion of a certain quota of discovery quests. There are three types of currency:

There are no points or levels, just a myriad of sights and sounds, places and activities...all ready to explore. Spend your time passing new ordinances—or goi...

The Pajama Sam series is a collection of point and click children's adventure and puzzle games originally created by Humongous Entertainment. After the release of the first two adventure games, the series was proving a success when the products sold one million copies and won 40 awards of excellence.

Scribblenauts is an emergent puzzle action title developed by 5th Cell and published by Warner Bros. Interactive Entertainment for the Nintendo DS. The game was released in 2009 in all regions except Japan, and in 2011 in Japan as Flash Puzzle: Maxwell's Mysterious Notebook by Konami. It is the third Nintendo DS video game made by 5th Cell, the first two being Drawn to Life and Lock's Quest. The objective of Scribblenauts, as implied by its catchphrase "Write Anything, Solve Everything", is to complete puzzles to collect "Starites", helped by the player's ability to summon any object (from a database of tens of thousands) by writing its name on the touchscreen. The game is considered by its developers to help promote emergent gameplay by challenging the player to solve its puzzles within certain limitations or through multiple solutions.

The Sims is a social simulation video game developed by Maxis and published by Electronic Arts in 2000. It is a simulation of the daily activities of one or more virtual people, called "Sims", in a suburban household near a fictional city. Players control customizable Sims as they pursue career and relationship goals. Players can also use their Sims' income to renovate their living space, and purchase home furnishings, or clothing for their household. Players can also choose to pursue a social and successful life.

The game involves players creating and destroying various types of blocks in a three dimensional environment. The player takes an avatar that can destroy or cre...

Wizard101 is a 2008 massively multiplayer online role-playing game (MMORPG) developed and published by KingsIsle Entertainment. Players take on the role of student wizards who must save the Spiral, the fictional universe in which the game is set, from various threats. Players battle enemies by casting spells using a variety of different weapons in a turn-based combat system, similar to collectible card games.

Cards Against Humanity is an adult party game in which players complete fill-in-the-blank statements, using words or phrases typically deemed offensive, risqué, or politically incorrect, printed on playing cards. It has been compared to the earlier card game Apples to Apples (1999).

A family in 1630s New England is torn apart by the forces of witchcraft, black magic, and possession.

2015 American supernatural horror film by Robert Eggers

Affable hillbillies Tucker and Dale are on vacation at their dilapidated mountain cabin when they are mistaken for murderers by a group of preppy college students.

A biologist signs up for a dangerous, secret expedition into a mysterious zone where the laws of nature don't apply.

2018 science fiction psychological horror film

In the dying days of the old west, an elderly sheriff and his posse set out to rescue their town's doctor from cannibalistic cave dwellers.

A couple travels to Scandinavia to visit a rural hometown's fabled Swedish mid-summer festival. What begins as an idyllic retreat quickly devolves into an increasingly violent and bizarre competition at the hands of a pagan cult.

A boy who has a bad Christmas accidentally summons a festive demon to his family home.

A young woman grieving the loss of her mother, a famous scream queen from the 1980s, finds herself pulled into the world of her mom's most famous movie. Reunited, the women must fight off the film's maniacal killer.

Having both coincidentally cheated death on the same day, estranged twins reunite with the possibility of mending their relationship.

A wisecracking mercenary gets experimented on and becomes immortal but ugly, and sets out to track down the man who ruined his looks.

2016 superhero film produced by Marvel Entertainment

In the dead of a Wyoming winter, a bounty hunter and his prisoner find shelter in a cabin currently inhabited by a collection of nefarious characters.

In the deep south during the 1930s, three escaped convicts search for hidden treasure while a relentless lawman pursues them.

A grieving family is haunted by tragic and disturbing occurrences.

After getting in a car accident, a woman is held in a shelter by a man who claims that the outside world is affected by a widespread chemical attack.

A pair of young lovers flee their New England town, which causes a local search party to fan out to find them.

2012 romantic comedy-drama film by Wes Anderson

A new street drug that sends its users across time and dimensions has one drawback: some people return no longer human. Can two college drop-outs save humanity from this silent, otherworldly invasion?

In a future where a failed climate-change experiment has killed all life except for the lucky few who boarded the Snowpiercer, a train that travels around the globe, a new class system emerges.

2013 South Korean film directed by Bong Joon-ho

A man's uneventful life is disrupted by the zombie apocalypse.

A skilled London police officer is transferred to a small town with a dark secret.

A young woman is forced to return to her childhood home after being placed under house arrest, where she suspects that something evil may be lurking.

A writer encounters the owner of an aging high-class hotel, who tells him of his early years serving as a lobby boy in the hotel's glorious years under an exceptional concierge.

American singer, songwriter, musician, satirist, and actor

TheCarpenterswere an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (b. 1946). They produced a distinct soft musical style, combining Karen's contralto vocals with Richard's arranging and composition skills. During their 14-year career, the Carpenters recorded ten albums, along with numerous singles and several television specials.The siblings were born in New Haven, Connecticut, and moved to Downey, California, in 1963. Richard took piano lessons as a child, progressing to California State University, Long Beach, while Karen learned the drums. They first performed together as a duo in 1965 and formed the jazz-oriented Richard Carpenter Trio followed by the middle-of-the-road group Spectrum. Signing as Carpenters to A&M Records in 1969, they achieved major success the following year with the hit singles "(They Long to Be) Close to You" and "We've Only Just Begun". Subsequently, the duo's brand of melodic pop produced a record-breaking run of hit recordings on the American Top 40 and Adult Contemporary charts, and they became leading sellers in the soft rock, easy listening and adult contemporary music genres. The Carpenters had three number-one singles and five number-two singles on theBillboardHot 100 and fifteen number-one hits on the Adult Contemporary chart, in addition to twelve top-10 singles. They have sold more than 90 million records worldwide, making them one of the best-selling music artists of all time. The duo toured continually during the 1970s, which put them under increased strain; Richard took a year off in 1979 after he had become addicted to Quaaludes, while Karen suffered from anorexia nervosa.

Adventure Time is an American fantasy animated television series created by Pendleton Ward for Cartoon Network and distributed by Warner Bros. Domestic Television. The series follows the adventures of a boy named Finn (Jeremy Shada) and his best friend and adoptive brother Jake (John DiMaggio)—a dog with the magical power to change size and shape at will. Finn and Jake live in the post-apocalyptic Land of Ooo, where they interact with Princess Bubblegum (Hynden Walch), the Ice King (Tom Kenny), Marceline (Olivia Olson), BMO (Niki Yang), and others. The series is based on a 2007 short film that aired on Nicktoons. After the short became a viral hit on the Internet, Nickelodeon's executives passed on its option before Cartoon Network commissioned a full-length series from Fred Seibert and Ward, which was previewed on March 11, 2010. The same year, the series premiered on Cartoon Network on April 5, and ended its eight-year run on September 3, 2018.

A newly graduated doctor is required to set up his practice in an eccentric Alaskan town.

Five friends with big egos and small brains are the proprietors of an Irish pub in Philadelphia.

Improvisational comedy competition show in which four members of the regular cast as comedians and often with guest appearances with other comedians and celebrities and members of the audience perform various comic games and sketches

A scrappy, feisty, fiercely loyal Chicago family makes no apologies.

The story of a depressed man who inexplicably is the only one who can see his neighbor's dog as a full grown man in a dog suit.

The absurd antics of an Indiana town's public officials as they pursue sundry projects to make their city a better place.

The original surreal sketch comedy showcase for the Monty Python troupe.

A gifted young teen tries to survive life with his dimwitted, dysfunctional family.

The story of an office that faces closure when the company decides to downsize its branches. A documentary film crew follow staff and the manager David Brent as they continue their daily lives.

A mockumentary on a group of typical office workers, where the workday consists of ego clashes, inappropriate behavior, and tedium.

Follows the misadventures of four irreverent grade-schoolers in the quiet, dysfunctional town of South Park, Colorado.

Three different but related families face trials and tribulations in their own uniquely comedic ways.

A modern update finds the famous sleuth and his doctor partner solving crime in 21st century London.

British crime drama television series, first broadcast in 2010

Bernard Black runs a book shop, though his customer service skills leave something to be desired. He hires Manny as an employee. Fran runs the shop next door. Between the three of them many adventures ensue.

The comedic misadventures of Roy, Moss and their grifting supervisor Jen, a rag-tag team of IT support workers at a large corporation headed by a hotheaded yuppie.

A family of former child heroes, now grown apart, must reunite to continue to protect the world.

Everything you know about Alice's Adventures in Wonderland is about to be turned upside down in this modern-day mini-series. The cast includes Kathy Bates, Caterina Scorsone, Matt Frewer, Harry Dean Stanton, and Tim Curry.

The third season of Twin Peaks, also known as Twin Peaks: The Return and Twin Peaks: A Limited Event Series, consists of 18 episodes and premiered on Showtime on May 21, 2017. Developed and written by creators David Lynch and Mark Frost, the season is a continuation of the 1990–1991 ABC series. An ensemble of returning and new cast members appear, led by original star Kyle MacLachlan and directed by Lynch.Set 25 years after the events of the original Twin Peaks, the season follows multiple storylines, many of which are linked to FBI Special Agent Dale Cooper (MacLachlan) and his original 1989 investigation into the murder of Twin Peaks homecoming queen Laura Palmer (Sheryl Lee). In addition to the fictional Washington State town of Twin Peaks, the story extends to locations such as New York City, Las Vegas, South Dakota, Philadelphia, and New Mexico. Showtime president David Nevins said that "the core of [the plot] is Agent Cooper's odyssey back to Twin Peaks".

Adventures of the ghostly con-artist and his 12-year-old pal, Lydia.

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