Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

Harry Potter's life is miserable. His parents are dead and he's stuck with his heartless relatives, who force him to live in a tiny closet under the stairs. But his fortune changes when he receives a letter that tells him the truth about himself: he's a wizard. A mysterious visitor rescues him from his relatives and takes him to his new home, Hogwarts School of Witchcraft and Wizardry.After a lifetime of bottling up his magical powers, Harry finally feels like a normal kid. But even within the Wizarding community, he is special. He is the boy who lived: the only person to have ever survived a killing curse inflicted by the evil Lord Voldemort, who launched a brutal takeover of the Wizarding world, only to vanish after failing to kill Harry.Though Harry's first year at Hogwarts is the best of his life, not everything is perfect. There is a dangerous secret object hidden within the castle walls, and Harry believes it's his responsibility to prevent it from falling into evil hands. But doing so will bring him into contact with forces more terrifying than he ever could have imagined.Full of sympathetic characters, wildly imaginative situations, and countless exciting details, the first installment in the series assembles an unforgettable magical world and sets the stage for many high-stakes adventures to come.

Now available in a handsome paperback box set for the first time, these four paperback chapter books of "The Lion, the Witch and the Wardrobe" each have unique movie covers from the blockbuster Walt Disney Pictures and Walden Media film and black-and-white interior movie photographs. Each book tells the movie story of "The Lion, the Witch and the Wardrobe" from the perspective of one of the four Pevensie heroes: Peter, Susan, Edmund, and Lucy.

The Shadowhunters—touched by angels and charged with protecting innocents—battle demons and other evil in the bestselling Mortal Instruments series. \
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    City of Bones \
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When Clary Fray heads out to the Pandemonium Club in New York City, she hardly expects to witness a murder. Much less a murder committed by three teenagers covered with odd markings. This is Clary’s first meeting with the Shadowhunters, warriors dedicated to ridding the earth of demons—and keeping the odd werewolves and vampires in line. It’s also her first meeting with gorgeous, golden-haired Jace. Within twenty-four hours Clary is pulled into Jace’s world with a vengeance, when her mother disappears and Clary herself is attacked by a demon. But why would demons be interested in an ordinary mundane like Clary? And how did she suddenly get the Sight? The Shadowhunters would like to know. . . . \
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    City of Ashes \
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Clary Fray just wishes that her life would go back to normal. But what’s normal when you’re a demon-slaying Shadowhunter, your mother is in a magically induced coma, and you can suddenly see Downworlders like werewolves, vampires, and faeries? Clary would love to spend more time with her best friend, Simon. But the Shadowhunters won’t let her go—especially handsome, infuriating Jace. Clary’s only chance to help her mother is to track down rogue Shadowhunter Valentine, who is probably insane, certainly evil—and also Jace’s father. When the second of the Mortal Instruments is stolen, the terrifying Inquisitor suspects Jace. Could Jace really be willing to betray everything he believes in to help his father? \
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    City of Glass \
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To save her mother’s life, Clary travels to the City of Glass, the ancestral home of the Shadowhunters—never mind that by doing so she is breaking the Law, which could mean death. Even worse, Jace does not want her there, and Simon has been thrown in prison by Shadowhunters who are deeply suspicious of a vampire who can withstand sunlight. Luckily, Clary finds an ally in the mysterious Sebastian, who holds a strange attraction for her. As Valentine musters a demon army, can Downworlders and Shadowhunters put aside their ancient hatred and work together? And can Clary harness her newfound powers to help save them all—whatever the cost? \
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    City of Fallen Angels \
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The Mortal War is over, and Clary is back in New York, excited about all the possibilities before her. She's training to become a Shadowhunter and to use her unique power. Downworlders and Shadowhunters are at peace at last. And—most importantly of all—she can finally call Jace her boyfriend. But nothing comes without a price. Someone is murdering Shadowhunters, provoking tensions that could lead to a second, bloody war. Clary's best friend, Simon, can't help her. Everywhere he turns, someone wants him on their side—along with the power of the curse that's wrecking his life. Not to mention that he's dating two beautiful, dangerous girls—neither of whom knows about the other. When Jace begins to pull away from her without explaining why, Clary is forced to delve into the heart of a mystery whose solution reveals her worst nightmare: She herself has set in motion a terrible chain of events that could lead to her losing everything she loves. Even Jace.

Nine of us came here. We look like you. We talk like you. We live among you. But we are not you. We can do things you dream of doing. We have powers you dream of having. We are stronger and faster than anything you have ever seen. We are the superheroes you worship in movies and comic books--but we are real.Our plan was to grow, and train, and become strong, and become one, and fight them. But they found us and started hunting us first. Now all of us are running. Spending our lives in shadows, in places where no one would look, blending in. We have lived among you without you knowing.But they know.They caught Number One in Malaysia.Number Two in England.And Number Three in Kenya.They killed them all.I am Number Four.I am next.

It all begins with a fugitive billionaire and the promise of a cash reward. Turtles All the Way Down is about lifelong friendship, the intimacy of an unexpected reunion, Star Wars fan fiction, and tuatara. But at its heart is Aza Holmes, a young woman navigating daily existence within the ever-tightening spiral of her own thoughts.In his long-awaited return, John Green shares Aza's story with shattering, unflinching clarity.

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

Twelve-year-old Artemis Fowl is a millionaire, a genius, and above all, a criminal mastermind. But even Artemis doesn't know what he's taken on when he kidnaps a fairy, Captain Holly Short of the LEPrecon Unit. These aren't the fairies of bedtime stories—they're dangerous! Full of unexpected twists and turns, Artemis Fowl is a riveting, magical adventure.

But I keep pedaling, I keep pedaling...A photograph of Robert Cormier will show you an old man with a kind face, who was born and grew up in a small town of Leominster in Massachusetts which he never left, who graduated from a private catholic school and wrote articles for the local newspaper. It might be a surprise to learn that Cormier's novels are very bleak and pessimistic; concerned mostly with young protagonists and the pains of adolescence of growing up. Betrayals and conspiracies abound, secret societies full of violence and betrayals. No one is safe, and the good guys don't always win. Cormier's novels are unusually dark for fiction addressed towards a younger audience, so much that concerned individuals and institutions tried to ban them. In most of his works there's no hope or redemption at the end - perhaps Cormier's censors wanted to protect young minds from what they perceived to be unnecessary gloom. They underestimated writer who refused to back down and the intelligence of his audience. If they knew how truly cruel kids can be, their heads would explode.I Am The Cheese is the story of Adam Farmer, a 14 year old boy who cycles from Monument, Massachusets to see his father at a hospital in Rutterburg, Vermont. It's a long trip, and unusually ominous; Adam is fearful as there always seems to be something waiting around the corner or behind his back. He carries a package which he must deliver to his father, but why is he alone on his trip? Why is he suspicious of everybody he meets? Why is his father in a hospital so far away? Cormier's novel explores the themes of adolescence and alienation, with a brilliantly sinister twist. I was surprised at how ambiguous and dark the novel was, considering the audience it was aimed at - the feeling of confusion and helplessness and the fear of growing up. Most of us still can remember the time our trust in our friends was broken, and the realization that our parents aren't perfect and all-knowing as they once seemed. Children experience these emotions deeply and take them very seriously, but often do not let them out and keep them locked deep within themselves, and can relate to Adam and his struggles on his trip to Vermont.I Am The Cheeseis a terrific novel both for children and adults. It's very quiet and subdued, turning up the suspense with a deliberate slowness, revealing its secrets one by one until they all come together at the end in a truly shocking (and brave) conclusion. I can't wait to read more works by Cormier - he was truly an excellent author and is now sadly missed by one more reader.

Paul Iverson's life changes in an instant. He returns home one day to find that his wife, Lexy, has died under strange circumstances. The only witness was their dog, Lorelei, whose anguished barking brought help to the scene - but too late. In the days and weeks that follow, Paul begins to notice strange "clues" in their home: books rearranged on their shelves, a mysterious phone call, and other suggestions that nothing about Lexy's last afternoon was quite what it seemed. Reeling from grief, Paul is determined to decipher this evidence and unlock the mystery of her death. But he can't do it alone; he needs Lorelei's help. A linguist by training, Paul embarks on an impossible endeavor: a series of experiments designed to teach Lorelei to communicate what she knows. Perhaps behind her wise and earnest eyes lies the key to what really happened to the woman he loved. As Paul's investigation leads him in unexpected and even perilous directions, he revisits the pivotal moments of his life with Lexy, the brilliant, enigmatic woman whose sparkling passion for life and dark, troubled past he embraced equally.

In the future, in a place called Satelite City, fourteen-year-old Cosmo Hill enters the world, unwanted by his parents. He's sent to the Clarissa Frayne Institute for Parentally Challenged Boys, Freight class. At Clarissa Frayne, the boys are put to work by the state, testing highly dangerous products. At the end of most days, they are covered with burns, bruises, and sores. Cosmo realizes that if he doesn't escape, he will die at this so-called orphanage. When the moment finally comes, Cosmo seizes his chance and breaks out with the help of the Supernaturalists, a motley crew of kids who all have the same special ability as Cosmo-they can see supernatural Parasites, creatures that feed on the life force of humans. The Supernaturalists patrol the city at night, hunting the Parasites in hopes of saving what's left of humanity in Satellite City. Or so they think. The Supernaturalist soon find themselves caught in a web far more complicated than they'd imagined, when they discover a horrifying secret that will force them to question everything they believe in. Eoin Colfer has created an eerie and captivating world-part Blade Runner, part futuristic Dickens-replete with non-stop action

It's been a year since Septimus Heap discovered his real family and true calling to be a wizard. As Apprentice to Extra Ordinary Wizard Marcia Overstrand, he is learning the fine arts of Conjurations, Charms, and other Magyk, while Jenna is adapting to life as the Princess and enjoying the freedom of the Castle.But there is something sinister at work. Marcia is constantly trailed by a menacing Darke Shadow, and Septimus's brother Simon seems bent on a revenge no one understands. Why is the Darke Magyk still lingering?Bringing fantasy to new heights, Angie Sage continues the journey of Septimus Heap with her trademark humor and all of the clever details readers have come to love.

It’s been several months since Lina and Doon escaped the dying city of Ember and, along with the rest of their people, joined the town of Sparks. Now, struggling through the harsh winter aboveground, they find an unusual book. Torn up and missing most of its pages, it alludes to a mysterious device from before the Disaster, which they believe is still in Ember. Together, Lina and Doon must go back underground to retrieve what was lost and bring light to a dark world.In the fourth Book of Ember, bestselling author Jeanne DuPrau juxtaposes yet another action-packed adventure with powerful themes about hope, learning, and the search for truth.

Nickie will grow up to be one of the first citizens of the city of Ember. But for now, she's an eleven-year-old girl whose father was sent away on some mysterious government project.So when the opportunity to move presents itself, Nickie seizes it. But her new town of Yonwood, North Carolina, isn't what she'd anticipated. It's a place full of suspicion and mistrust, where one person's visions of fire and destruction have turned the town's citizens against each other. Nickie explores the oddities around her—her great-grandfather's peculiar journals, a reclusive neighbor who studies the heavens, a strange boy who is fascinated with snakes—all while keeping an eye out for ways to help the world. Or is it already too late to avoid a devastating war?A prequel to the modern-day classic The City of Ember. This highly acclaimed adventure series has captivated kids and teachers alike for almost fifteen years and has sold over 3.5 MILLION copies!An alternate cover for this ISBN can be found here.

If I could give this book 6 stars, I would. I enjoyed City of Ember as a fun, quick YA read, but this sequel is just as entertaining, while also being profoundly thought-provoking and insightful.I loved that the main characters - Lina and Doon - are honest and warm, with realistic struggles: Doon is still working on controlling his temper, and Lina's curiosity and impulsiveness still tend to cause trouble. However, they are both guided by good advice and a strong conscience, paving the way for growth.Incidentally, I was very surprised to see so many mediocre reviews on this book! I agree that the writing is fairly simplistic, but I actually felt that this contributed to the story, rather than being detrimental (I felt the same about City of Ember). Also, the message never seemed pushy or preachy to me. It's still definitely YA literature, but I highly recommend it for its great plot, wonderful characters, and quiet inspiration.

An alternate cover edition can be found here.Many hundreds of years ago, the city of Ember was created by the Builders to contain everything needed for human survival. It worked…but now the storerooms are almost out of food, crops are blighted, corruption is spreading through the city and worst of all—the lights are failing. Soon Ember could be engulfed by darkness…But when two children, Lina and Doon, discover fragments of an ancient parchment, they begin to wonder if there could be a way out of Ember. Can they decipher the words from long ago and find a new future for everyone? Will the people of Ember listen to them?

Poor Creel. She can't believe her aunt wants to sacrifice her to the local dragon. It's a ploy to lure a heroic knight so that he will fight the dragon, marry Creel out of chivalrous obligation, and lift the entire family out of poverty. Creel isn't worried. After all, nobody has seen a dragon in centuries.But when the beast actually appears, Creel not only bargains with him for her life, she also ends up with a rare bit of treasure from his hoard, not gold or jewels, but a pair of simple blue slippers-or so she thinks. It's not until later that Creel learns a shocking truth: She possesses not just any pair of shoes, but ones that could be used to save her kingdom, which is on the verge of war, or destroy it.

Magicka is an action-adventure game set in a rich fantasy world based on Norse mythology. The player assumes the role of a wizard from a sacred order tasked wit...

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Hi, Monika here! Welcome to the Literature Club! It's always been a dream of mine to make something special out of the things I love. Now that you're a club me...

Yarny's mission is to mend broken bonds and the yarn represents the love and connection between people. The player will use Yarny's thread to do things such as...

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The goal is simple - help our Maxwell reach the Starite by solving each challenge - but the mission before you can range from straightforward to downright trick...

After receiving the healing powers from a magical flower, the baby Princess Rapunzel is kidnapped from the palace in the middle of the night by Mother Gothel. Mother Gothel knows that the flower's magical powers are now growing within the golden hair of Rapunzel, and to stay young, she must lock Rapunzel in her hidden tower. Rapunzel is now a teenager and her hair has grown to a length of 70-feet. The beautiful Rapunzel has been in the tower her entire life, and she is curious of the outside world. One day, the bandit Flynn Ryder scales the tower and is taken captive by Rapunzel. Rapunzel strikes a deal with the charming thief to act as her guide to travel to the place where the floating lights come from that she has seen every year on her birthday. Rapunzel is about to have the most exciting and magnificent journey of her life.

An animated fantasy-adventure. Set one thousand years from now, the Earth is ravaged by pollution and war. In the Valley of the Wind lives Nausicaä, Princess of her people. Their land borders on a toxic jungle, filled with dangerous over-sized insects. Meanwhile, two nearby nations are bitterly engaged in a war and the Valley of the Wind is stuck in the middle.

As the United States raced against Russia to put a man in space, NASA found untapped talent in a group of African-American female mathematicians that served as the brains behind one of the greatest operations in U.S. history. Based on the unbelievably true life stories of three of these women, known as "human computers", we follow these women as they quickly rose the ranks of NASA alongside many of history's greatest minds specifically tasked with calculating the momentous launch of astronaut John Glenn into orbit, and guaranteeing his safe return. Dorothy Vaughan, Mary Jackson, and Katherine Gobels Johnson crossed all gender, race, and professional lines while their brilliance and desire to dream big, beyond anything ever accomplished before by the human race, firmly cemented them in U.S. history as true American heroes.

The daughter of the last Russian Czar, Nicolas II (Rick Jones), Anastasia (Meg Ryan) is found by two Russian con men, Dimitri (John Cusack) and Vladimir (Kelsey Grammer), who seek the reward that her grandmother, the Dowager Empress Marie Feodorovna (Dame Angela Lansbury), promised to the ones who'll find her. But the evil mystic of the Czar family, Grigori Rasputin (Christopher Lloyd), still wants the Romanov family to be destroyed forever.

1997 American animated musical drama film by Don Bluth and Gary Goldman

Matilda Wormwood is an exquisite and intelligent little girl. Unfortunately, Matilda is misunderstood by her family because she is very different from their ways of life. As time passes, Matilda finally starts school that has a kindly teacher, loyal friends and a sadistic principal. As she gets fed up with the constant cruelty, Matilda begins to realize that she has a gift of telekinetic powers. After some days of practice, Matilda suddenly turns the tables to stand up to her parents and outwit the principal.

Jacob Mills Productions Timeline on the Years February 10, 2004 November 21, 2019 August 27, 2021 June 19, 2032 October 27, 2036 March 21, 2038 April 27, 2041 November 26, 2045 August 11, 2049 April 24, 2051 October 22, 2053 November 29, 2057 August 24, 2060 September 24, 2073 August 28, 2077 May 30, 2083 April 29, 2090 June 23, 2096 November 29, 2098 November 24, 2099 March 25, 2131 April 26, 2132 October 24, 2135 April 26, 2137 February 10, 2138 June 19, 2138 August 27, 2138 November 21, 2138 October 26, 2139 November 29, 2140 Timeline on the Years

Fourteen-year-old Arrietty (Bridgit Mendler, Saoirse Ronan, and Mirai Shida) and the rest of the Clock family live in peaceful anonymity as they make their own home from items that they borrow from the house's human inhabitants. However, life changes for the Clocks when a human boy discovers Arrietty.

2010 Japanese animated film directed by Hiromasa Yonebayashi

Snow White's mother, the Queen dies when she is born. Her father, the King, remarries a beautiful but vain lady. The new Queen has a magic mirror that she asks every day, who is the fairest one of all? When it answers Snow White, the Queen is furious. Will handsome Prince Charming and the Seven Dwarfs be able to save Snow White from the wicked Queen's wrath?

1955 German film directed by Erich Kobler

Three children - Violet (Emily Browning), Klaus (Liam Aiken), and Sunny Baudelaire (Kara and Shelby Hoffman) - are left orphaned when their house burns down, with their parents in it, in mysterious circumstances. They are left in the custody of a distant relative, Count Olaf (Jim Carrey). It is soon apparent that Count Olaf only cares about the children for their large inheritance.

2004 adventure film directed by Brad Silberling

In a distant, but not so unrealistic, future where mankind has abandoned earth because it has become covered with trash from products sold by the powerful multi-national Buy N Large corporation, WALL-E, a garbage collecting robot has been left to clean up the mess. Mesmerized with trinkets of Earth's history and show tunes, WALL-E is alone on Earth except for a sprightly pet cockroach. One day, EVE, a sleek (and dangerous) reconnaissance robot, is sent to Earth to find proof that life is once again sustainable. WALL-E falls in love with EVE. WALL-E rescues EVE from a dust storm and shows her a living plant he found amongst the rubble. Consistent with her "directive", EVE takes the plant and automatically enters a deactivated state except for a blinking green beacon. WALL-E, doesn't understand what has happened to his new friend, but, true to his love, he protects her from wind, rain, and lightning, even as she is unresponsive. One day a massive ship comes to reclaim EVE, but WALL-E, out of love or loneliness, hitches a ride on the outside of the ship to rescue EVE. The ship arrives back at a large space cruise ship, which is carrying all of the humans who evacuated Earth 700 years earlier. The people of Earth ride around this space resort on hovering chairs which give them a constant feed of TV and video chatting. They drink all of their meals through a straw out of laziness and/or bone loss, and are all so fat that they can barely move. When the auto-pilot computer, acting on hastily-given instructions sent many centuries before, tries to prevent the people of Earth from returning by stealing the plant, WALL-E, EVE, the portly captain, and a band of broken robots stage a mutiny.

2008 American computer-animated romantic science fiction film directed by Andrew Stanton

As children, Prince Derek and Princess Odette are forced to spend their summers together by their widowed parents, who hope that the two will eventually fall in love and marry, so their two kingdoms will be united. As children and adolescents, Derek and Odette can't stand each other, but as young adults they begin to see each other in a different light and fall in love with each other. But one night things take a bad turn when Derek unintentionally offends Odette, who then refuses to marry him if he can't prove that he loves her for who she is and not just her beauty. Odette and her father are then attacked by Lord Rothbart, a vengeful sorcerer who was cast out of William's kingdom when he plotted against the king. In the form of a beast, Rothbart mortally wounds William, and kidnaps Odette then places her under a spell. Now it is up to Derek to rescue Odette by showing his undying love. But will he be in time?

1994 American animated musical fantasy film directed by Richard Rich

When Miami dentist Ted Brooks learns that his birth mother has passed away and that he was named in her will, he travels to Alaska to claim his inheritance. Rather than the large chunk of change that many people would expect, Ted instead receives his mother's pack of rowdy sled dogs and her property. Although the dogs seemingly have it in for Ted, he decides to keep the dogs and race them in the local race, the Arctic Challenge, spiting a mountain man who wants the dogs. What follows is a comedy detailing Ted's adventures in learning to run the sled dogs.

Teenager Ethan Wate (Alden Ehrenreich) is obsessed with his urge to finish high school, go on to college, and leave behind the small town of Gatlin, South Carolina, until a mysterious girl invades his dreams. When he meets Lena Duchannes (Alice Englert), a newcomer who has just enrolled in his school, he knows she's the girl in his dreams. Lena is rejected by the rest of her classmates for being the niece of Macon Ravenwood (Jeremy Irons), whom the town's superstitious residents consider to be a devil-worshiper. But Ethan gives her a ride anyway and they fall in love. Lena reveals to her new boyfriend that she is a witch, and that on her 16th birthday she will be claimed by either the forces of light or of darkness. She can only remain in the light if she doesn't remain in love with Ethan. Worse, her evil mother Sarafine (Dame Emma Thompson) is casting spells to push her to the dark side. Ethan joins her in a search to find a magic spell to save their doomed love. Will they succeed?

It is based on the real life story of legendary cryptanalyst Alan Turing. The film portrays the nail-biting race against time by Turing and his brilliant team of code-breakers at Britain's top-secret Government Code and Cypher School at Bletchley Park, during the darkest days of World War II.

Having harnessed her ever-growing power after lifting the dreadful curse of the eternal winter in

Longing to roam free in the vast landscapes of Mother Africa, Marty, the bored and dejected zebra of the famous Central Park Zoo, escapes his prison on the night of his tenth birthday celebration. However, after a botched rescue attempt by Marty's companions--Alex, the content lion; Melman, the skittish giraffe, and Gloria, the resolute hippo--the friends will find themselves crated up and shipped off to a remote wildlife preserve, only to end up on the sandy shores of exotic Madagascar. At last, Marty's dream will come true; nevertheless, what does it really mean to be a truly wild animal?

2005 American computer-animated comedy film

Phil Lord and Christopher Miller, the creative minds behind The Lego Movie and 21 Jump Street, bring their unique talents to a fresh vision of a different Spider-Man Universe, with a groundbreaking visual style that's the first of its kind. "Spider-Man(TM): Into the Spider-Verse" introduces Brooklyn teen Miles Morales (Shameik Moore), and the limitless possibilities of the Spider-Verse, where more than one can wear the mask.

When Jacob (Asa Butterfield) discovers clues to a mystery that spans different worlds and times, he finds a magical place known as Miss Peregrine's Home for Peculiar Children. But the mystery and danger deepen as he gets to know the residents and learns about their special powers and their powerful enemies. Ultimately, Jacob discovers that only his own special "peculiarity" can save his new friends.

The story follows Arima Kousei, a skilled pianist. However, he hasn't played since he played for his mother who died a few years ago. One day Arima meets a brilliant violinist at the park. After their meeting she tries to guide Arima back into the world of music.

After four long years of conflict, The Great War has finally come to an end. Caught up in the bloodshed was Violet Evergarden, a young girl raised to be a deadly weapon on the battlefield. Hospitalized and maimed in a bloody skirmish during the War's final leg, she was left with only words from the person she held dearest, but no understanding of their meaning. Recovering from her wounds, Violet starts a new life working at CH Postal Services. There, she witnesses by pure chance the work of an "Auto Memory Doll", amanuenses that transcribe people's thoughts and feelings into words on paper. Moved by the notion, Violet begins work as an Auto Memory Doll, a trade that will take her on an adventure, one that will reshape the lives of her clients and hopefully lead to self-discovery.

Life is anything but normal for Gortimer and his two best friends, Ranger and Mel, as they navigate Normal Street - an ordinary suburb that has a hint of something magical just beneath the surface.

After an intelligent yet cynical high school student begins to cleanse the world from evil with the help of a magical notebook that can kill anyone whose name is written on it, international authorities call upon a mysterious detective known as "L" to thwart his efforts.

Kraft Lawrence, a 25 year old peddler travelling from town to town selling and buying various things to make a living during a period much like Europe in the Middle Ages. One night when stopped at the town of Pasroe, he finds in his wagon a 250 year old pagan wolf deity girl named Holo. She appears to be that of a 15 year old girl, except for a wolf tail and ears. She introduces herself as the town's goddess of harvest who has kept it blessed with good harvests of wheat for many years. Despite having the responsibility to watch over the town, she wants to go back to her homeland in the north called Yoitsu, she believes the people have already forsaken her anyway and that she has kept her promise to maintain the good harvests. She manages to bargain her way out of the village by making a deal with Lawrence to take her with him. As they travel, her wisdom helps increase his profits, but at the same time, her true nature draws unwanted attention from the church.

After the unsolved murder of his wife, Trudy, Adrian Monk develops obsessive-compulsive disorder, which includes his terror of germs and contamination. His condition costs him his job as a prominent homicide detective in the San Francisco Police Department, but he continues to solve crimes with the help of his assistant and his former boss.

Set in the Shinigami technical school for weapon meisters, the series revolves around 3 duo's. These pairs are a partnership between a weapon meister and a human weapon. Trying to reach a ranking of "Death Scythe" (and thus fit for use by the Shinigami) they must collect the souls of 99 evil humans and 1 witch. However, forces outside of the Academy make it more challenging of a feat causing trouble around the world.

An anime in which personified countries show history in a humorous fashion.

Chopped challenges four promising chefs to turn a selection of everyday ingredients into an extraordinary three-course meal. In each episode, four chefs compete. The show is divided into three rounds; in each round, the chefs are given a basket with four unrelated ingredients, and the dish each competitor prepares must contain all of these ingredients.

It's 1989, and 9-year-old Sheldon Cooper has skipped four grades to start high school along with his less-intellectual older brother. As he struggles to be understood by his family, classmates, and neighbors, his mother arms him with the best tool she has: reminding bullies that his dad is the football coach and his brother is on the team. His twin sister doesn't share his exceptional mind, but she is brilliant at reading people and has a much clearer vision of what life has in store for the young genius.

The family of a special-needs teen is good at dealing with the challenges he faces - and excellent at creating new ones.

After the Baudelaire parents die in a terrible fire, the Baudelaire orphans search for their families secrets and get them and their fortune away from the terrible grasp of the sinister Count Olaf as he moves with them between different guardians in disguise.

American black comedy-drama television series from Netflix

Sabrina Spellman (Melissa Joan Hart), a perfectly normal sixteen-year-old, is informed by her aunts, Hilda (Caroline Rhea) and Zelda (Beth Broderick), that she (and they, and her whole family on her father's side) are witches. She lives with them in Massachusetts while preparing to receive her witch's license. Along the way, she gets into many scrapes while figuring out how certain spells work. She also has to keep the secret from her boyfriend, Harvey (Nate Richert), friends Jenny (Michelle Beaudoin), and later Valerie (Lindsay Sloane), stuck-up nemesis Libby (Jenna Leigh Green), and the ever-suspicious Principal Willard Kraft (Martin Mull).

Somewhere, lost in the clouded annals of history, lies a place that few have seen. A mysterious place called The Unknown... Two Brothers, Wirt and Greg find themselves lost in the strange woods, adrift in a time. With the help of a shadowy Woodsmen and a foul-tempered bluebird named Beatrice, they travel through the foggy land in Hope of finding a way home.

While playing a wide assortment of video games, Arin Hanson and Dan Avidan talk about everything from their own personal lives to the 80s in daily 10-15 minute episodes.

The story takes place in the world of Remnant, which is filled with supernatural forces and shadowy creatures known as the Grimm. Prior to the events of the series, mankind waged a battle of survival against the Grimm before discovering the power of a mysterious element called Dust, which allowed them to fight back against the monsters. In the present day, Dust is used to power abilities and weapons. Those who use these abilities to battle the Grimm are known as Huntsmen and Huntresses. The series focuses on four girls, each with her own unique weapon and powers. Together, they form a team at Beacon Academy in the city of Vale, where they are trained to become Huntresses.

Honnouji Academy is forcefully ruled by the iron-fisted control of its student council and its president, Satsuki Kiryuuin. Transfer student, Ryuuko Matoi, arrives on campus carrying a giant sword, that is actually half of a scissor. She is looking for the woman who holds the other half of her sword who killed her father. It is said that Satsuki Kiryuuin knows the identity of the killer but when Ryuuko confronts her she is beaten by the student council and their powerful "goku uniforms" whom she cannot match in strength. However, once Ryuuko receives her own "Kamui" by the name of Senketsu , the odds are lifted in her favor.

anime television series produced by Trigger

One night, 14-year-old Madoka Kaname has a terrible nightmare - against the backdrop of a devastated city, she witnesses a girl fight a losing battle against a dreadful being lingering above, while a cat-like magical creature tells Madoka the only way to change that tragic outcome is for her to make a contract with him and become a magical girl. The next day, the teen's dream seemingly becomes reality as the girl she saw in her dream - Homura - arrives at Mitakihara Middle School as a transfer student, mysteriously warning Madoka to stay just the way she is. But when later on she and her best friend Sayaka encounter the same cat-like magical creature from her dream - who introduces himself as Kyubey - the pair discovers that magical girls are real, and what's more, they can choose to become one. All they must do is sign a contract with Kyubey and agree to take on the duty to fight abstract beings called 'witches' that spread despair to the human world, and in return, each one of them will be granted any single wish they desire. However, as Homura's omen suggests, there might be far more to becoming a magical girl than Madoka and Sayaka realize.

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