Emo Nemo

Mily

Sarah

Shaidrian Rios

Jimmy Beans

miCCwatreSSop

Julie Wynne - videos

Kapuster

Nicky Tallon

Harini Sen

Vastralaya

Evan Shively (Perseus271)

'When you read his extraordinary memoir you don't laugh, then cry, then laugh again; you somehow experience these emotions all at once.'"Well, this was when Bill was sighing a lot. He had decided that after our parents died he just didn't want any more fighting between what was left of us. He was twenty-four, Beth was twenty-three, I was twenty-one, Toph was eight, and all of us were so tried already, from that winter. So when something would come up, any little thing, some bill to pay or decision to make, he would just sigh, his eyes tired, his mouth in a sorry kind of smile. But Beth and I...Jesus, we were fighting with everyone, anyone, each other, with strangers at bars, anywhere -- we were angry people wanting to exact revenge. We came to California and we wanted everything, would take what was ours, anything within reach. And I decided that little Toph and I, he with his backward hat and long hair, living together in our little house in Berkeley, would be world-destroyers. We inherited each other and, we felt, a responsibility to reinvent everything, to scoff and re-create and drive fast while singing loudly and pounding the windows. It was a hopeless sort of exhilaration, a kind of arrogance born of fatalism, I guess, of the feeling that if you could lose a couple of parents in a month, then basically anything could happen, at any time -- all bullets bear your name, all cars are there to crush you, any balcony could give way; more disaster seemed only logical. And then, as in Dorothy's dream, all these people I grew up with were there, too, some of them orphans also, most but not all of us believing that what we had been given was extraordinary, that it was time to tear or break down, ruin, remake, take and devour. This was San Francisco, you know, and everyone had some dumb idea -- I mean, wicca? -- and no one there would tell you yours was doomed. Thus the public nudity, and this ridiculous magazine, and the Real World tryout, all this need, most of it disguised by sneering, but all driven by a hyper-awareness of this window, I guess, a few years when your muscles are taut, coiled up and vibrating. But what to do with the energy? I mean, when we drive, Toph and I, and we drive past people, standing on top of all these hills, part of me wants to stop the car and turn up the radio and have us all dance in formation, and part of me wants to run them all over."

At the dawn of the next world war, a plane crashes on an uncharted island, stranding a group of schoolboys. At first, with no adult supervision, their freedom is something to celebrate; this far from civilization the boys can do anything they want. Anything. They attempt to forge their own society, failing, however, in the face of terror, sin and evil. And as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far from reality as the hope of being rescued. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies is perhaps our most memorable novel about “the end of innocence, the darkness of man’s heart.”

A Farewell to Arms is the unforgettable story of an American ambulance driver on the Italian front and his passion for a beautiful English nurse. Set against the looming horrors of the battlefield - the weary, demoralized men marching in the rain during the German attack on Caporetto; the profound struggle between loyalty and desertion—this gripping, semiautobiographical work captures the harsh realities of war and the pain of lovers caught in its inexorable sweep. Ernest Hemingway famously said that he rewrote his ending to A Farewell to Arms thirty-nine times to get the words right.

Sylvia Plath's shocking, realistic, and intensely emotional novel about a woman falling into the grip of insanity. Esther Greenwood is brilliant, beautiful, enormously talented, and successful, but slowly going under—maybe for the last time. In her acclaimed and enduring masterwork, Sylvia Plath brilliantly draws the reader into Esther's breakdown with such intensity that her insanity becomes palpably real, even rational—as accessible an experience as going to the movies. A deep penetration into the darkest and most harrowing corners of the human psyche, The Bell Jar is an extraordinary accomplishment and a haunting American classic.

What happens when the most beautiful girl in the world marries the handsomest prince of all time and he turns out to be...well...a lot less than the man of her dreams?As a boy, William Goldman claims, he loved to hear his father read the S. Morgenstern classic, The Princess Bride. But as a grown-up he discovered that the boring parts were left out of good old Dad's recitation, and only the "good parts" reached his ears.Now Goldman does Dad one better. He's reconstructed the "Good Parts Version" to delight wise kids and wide-eyed grownups everywhere.What's it about? Fencing. Fighting. True Love. Strong Hate. Harsh Revenge. A Few Giants. Lots of Bad Men. Lots of Good Men. Five or Six Beautiful Women. Beasties Monstrous and Gentle. Some Swell Escapes and Captures. Death, Lies, Truth, Miracles, and a Little Sex.In short, it's about everything.

George Orwell's timeless and timely allegorical novel—a scathing satire on a downtrodden society’s blind march towards totalitarianism.“All animals are equal, but some animals are more equal than others.”A farm is taken over by its overworked, mistreated animals. With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned—a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.  When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell’s masterpiece have a meaning and message still ferociously fresh.

The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices-but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep. J.D. Salinger's classic novel of teenage angst and rebellion was first published in 1951. The novel was included on Time's 2005 list of the 100 best English-language novels written since 1923. It was named by Modern Library and its readers as one of the 100 best English-language novels of the 20th century. It has been frequently challenged in the court for its liberal use of profanity and portrayal of sexuality and in the 1950's and 60's it was the novel that every teenage boy wants to read.

The unforgettable novel of a childhood in a sleepy Southern town and the crisis of conscience that rocked it, To Kill A Mockingbird became both an instant bestseller and a critical success when it was first published in 1960. It went on to win the Pulitzer Prize in 1961 and was later made into an Academy Award-winning film, also a classic.Compassionate, dramatic, and deeply moving, To Kill A Mockingbird takes readers to the roots of human behavior - to innocence and experience, kindness and cruelty, love and hatred, humor and pathos. Now with over 18 million copies in print and translated into forty languages, this regional story by a young Alabama woman claims universal appeal. Harper Lee always considered her book to be a simple love story. Today it is regarded as a masterpiece of American literature.

Tyrannical Nurse Ratched rules her ward in an Oregon State mental hospital with a strict and unbending routine, unopposed by her patients, who remain cowed by mind-numbing medication and the threat of electric shock therapy. But her regime is disrupted by the arrival of McMurphy – the swaggering, fun-loving trickster with a devilish grin who resolves to oppose her rules on behalf of his fellow inmates. His struggle is seen through the eyes of Chief Bromden, a seemingly mute half-Indian patient who understands McMurphy's heroic attempt to do battle with the powers that keep them imprisoned. Ken Kesey's extraordinary first novel is an exuberant, ribald and devastatingly honest portrayal of the boundaries between sanity and madness.

I don’t know what to do with these stars anymore. I give stars to books and then I think, ‘god, you give five stars to everything, people will think you are terribly undiscriminating’ – so then I give four stars or even three stars to some books. Then I look back and it turns out that that I’ve given four stars to Of Human Bondage and honestly, how could I possibly have thought it was a good idea to give that book less than five stars? It is the absurdity of human conventions that has us doing such things.Now, that is what is called a segue, from the Italian ‘seguire’ – to follow. For the last thirty years I have studiously avoided reading this book. I have done that because for the last thirty years I have known exactly what this book is about and there just didn’t seem any point in reading it. In high school friends (one of them even became my ex-wife) told me it was a great book about a man condemned to die because he was an outsider. Later I was told that this book was a story about something much like the Azaria Chamberlain case. A case where someone does not react in a way that is considered to be ‘socially appropriate’ and is therefore condemned.But after 30 years of avoiding reading this book I have finally relented and read it. At first I didn’t think I was going to enjoy it. It didn’t really get off to the raciest of starts and the character's voice – it is told in first person – was a bit dull. He is a man who lives entirely in the present, how terribly Buddhist of him – although, really there doesn’t seem to be all that much to him.My opinion of the book began to change at his mother’s funeral. I particularly liked the man who kept falling behind in the march to the cemetery and would take short cuts. Okay, so it is black humour, but Camus was more or less French – so black humour is more or less obligatory.I really hadn’t expected this book to be nearly so funny as it turned out. I’d always been told it was a ponderous philosophical text – and so, to be honest, I was expecting to be bored out of my skull. I wasn’t in the least bit bored.A constant theme in my life at present is that I read ‘classics’ expecting them to be about something and they end up being about something completely different. And given I’ve called this a ‘constant’ theme then you might think I would be less than surprised when a read a new ‘classic’ and it turns out to be completely different to my expectations. I’m a little more upset about this one than some of the others, as I’ve been told about this one before, repeatedly, and by people I’d have taken as ‘reputable sources’ – although, frankly, how well one should trust one’s ex-wife in such matters is moot.I had gotten the distinct impression from all of my previous discussions about this book that the guy ends up dead. In fact, this is not the case – he ends up at the point in his life where he has no idea if he will be freed or not. The Priest who comes to him at the end is actually quite certain that he will be freed. Let’s face it, he is only guilty of having murdered an Arab, and as we have daily evidence, Westerners can murder Arabs with complete impunity. The main point of the book to me is when he realises he is no longer ‘free’. He needs this explained to him – because life up until then had been about ‘getting used to things’ and one can 'get used to just about anything'. But the prison guard helpfully informs him that he is being ‘punished’ and the manifestation of that punishment is the removal of his ‘freedom’. Interestingly, he didn’t notice the difference between his past ‘free’ life and his current ‘unfree’ one. The most interesting part of the book to me was the very end, the conversation with the priest. The religious often make the mistake of thinking that Atheists are one thing – I’ve no idea how they ever came to make this mistake, but make it they do. Given that there are thousands upon thousands of different shades of Christians – from Jesuit Catholics to Anti-Disney Episcopalians – it should be fairly obvious that something like Atheism (without any ‘organised’ church or even system of beliefs) could not be in anyway ‘homogeneous’.I am definitely not the same kind of Atheist as Camus. To Camus there is no truth, the world is essentially absurd and all that exists is the relative truth an individual places on events and ideas. This makes the conversation with the priest fascinatingly interesting. To the priest the prisoner who is facing death is – by necessity – someone who is interested in God. You can play around with ideas like the non-existence of God when it doesn’t seem to matter (life is long and blasphemy can seem fun) – but surely when confronted with the stark truth of the human condition any man would turn away from their disbelief and see the shining light.Not this little black duck. Now, if I was in that cell I would have argued with the priest too – but I would not have argued in the same way that Meursault argues. No, I do not believe in God, but I do believe in truth, and so Camus’ arguments are barred to me.Meursault essentially says, “Look, I’m bored, I’m totally uninterested in the rubbish you are talking – now go away”. Now, this is a reasonable response. What is very interesting is that the priest cannot accept this as an answer. The world is not allowed to have such a person in it – if such a person really did exist then it would be a fundamental challenge to the core beliefs of the priest. So, he has to assume Meursault is either lying to him or is trying to taunt him. But it is much worse – he is absolutely sincere, he is not interested in this ‘truth’.I don’t know that the world is completely meaningless, it is conventional rather than meaningless. That those conventions are arbitrary (decided by the culture we grew up in) doesn’t make them meaningless, it makes them conventional. I don’t think I would like to live in a world where people go up and kill Arabs pretty much at random and with impunity, but then again, we have already established this is precisely the world I do live in. My point is that it would be better if we did adhere to some sort of moral principles and that these should be better principles than ‘he should be killed because he didn’t cry at his mum’s funeral’. Camus is seeking to say that all of our ‘moral principles’ in the end come to be as meaningless as that – we judge on the basis of what we see from the framework of our own limited experience. And look, yes, there is much to this – but this ends up being too easy.The thing I like most about Existentialism, though it isn’t really as evident in this book as it is in the actual philosophy – although this is something that Meursault is supposed to have grown to understand (sorry, just one more sub-clause) even though this wasn’t something I noticed at all while reading the book, was the notion of responsibility. I didn’t think in the end Meursault was all that much more ‘responsible’ for his actions than he had been at the start. But I do think that ‘responsibility’ is a key concept in morality and one that seems increasingly to be ignored.Better by far that we feel responsible for too much in our lives than too little – better by far that we take responsibility for the actions of our governments (say) than to call these governments ‘them’. I’m not advocating believing in The Secret - but that if one must err, better to err on the side of believing you have too much responsibility for how your life has turned out, rather than too little.So, what can I say? I enjoyed this much more than I expected – but I’m still glad I waited before reading it, I really don’t think I would have gotten nearly as much out of it at 15 as I did now.

Few first novels have created as much popular excitement as The Pickwick Papers–-a comic masterpiece that catapulted its 24-year-old author to immediate fame. Readers were captivated by the adventures of the poet Snodgrass, the lover Tupman, the sportsman Winkle &amp;, above all, by that quintessentially English Quixote, Mr Pickwick, &amp; his cockney Sancho Panza, Sam Weller. From the hallowed turf of Dingley Dell Cricket Club to the unholy fracas of the Eatanswill election, via the Fleet debtor’s prison, characters &amp; incidents sprang to life from Dickens’s pen, to form an enduringly popular work of ebullient humour &amp; literary invention.

Written in his distinctively dazzling manner, Oscar Wilde’s story of a fashionable young man who sells his soul for eternal youth and beauty is the author’s most popular work. The tale of Dorian Gray’s moral disintegration caused a scandal when it ﬁrst appeared in 1890, but though Wilde was attacked for the novel’s corrupting inﬂuence, he responded that there is, in fact, “a terrible moral in Dorian Gray.” Just a few years later, the book and the aesthetic/moral dilemma it presented became issues in the trials occasioned by Wilde’s homosexual liaisons, which resulted in his imprisonment. Of Dorian Gray’s relationship to autobiography, Wilde noted in a letter, “Basil Hallward is what I think I am: Lord Henry what the world thinks me: Dorian what I would like to be—in other ages, perhaps.

Alternate Cover Edition ISBN: 0743273567 (ISBN13: 9780743273565)The Great Gatsby, F. Scott Fitzgerald's third book, stands as the supreme achievement of his career. This exemplary novel of the Jazz Age has been acclaimed by generations of readers. The story is of the fabulously wealthy Jay Gatsby and his new love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when The New York Times noted "gin was the national drink and sex the national obsession," it is an exquisitely crafted tale of America in the 1920s.The Great Gatsby is one of the great classics of twentieth-century literature.(back cover)

You can find the redesigned cover of this edition HERE.This best-selling Norton Critical Edition is based on the 1847 first edition of the novel. For the Fourth Edition, the editor has collated the 1847 text with several modern editions and has corrected a number of variants, including accidentals. The text is accompanied by entirely new explanatory annotations.New to the fourth Edition are twelve of Emily Bronte's letters regarding the publication of the 1847 edition of Wuthering Heights as well as the evolution of the 1850 edition, prose and poetry selections by the author, four reviews of the novel, and poetry selections by the author, four reviews of the novel, and Edward Chitham's insightful and informative chronology of the creative process behind the beloved work.Five major critical interpretations of Wuthering Heights are included, three of them new to the Fourth Edition. A Stuart Daley considers the importance of chronology in the novel. J. Hillis Miller examines Wuthering Heights's problems of genre and critical reputation. Sandra M. Gilbert assesses the role of Victorian Christianity plays in the novel, while Martha Nussbaum traces the novel's romanticism. Finally, Lin Haire-Sargeant scrutinizes the role of Heathcliff in film adaptations of Wuthering Heights. A Chronology and updated Selected Bibliography are also included.

Librarian's note: See alternate cover edition of ISBN 0571225381 here.In the summer of 1956, Stevens, a long-serving butler at Darlington Hall, decides to take a motoring trip through the West Country. The six-day excursion becomes a journey into the past of Stevens and England, a past that takes in fascism, two world wars, and an unrealised love between the butler and his housekeeper.

Here I am, 54 years old, and for the very first time reading William Makepeace Thackeray's Vanity Fair. "Vanity Fair: A Novel without a Hero." I disagree with Thackeray. The 'Hero' of Vanity Fair is the steadfast and stalwart William Dobbin; of that there is no doubt. This novel is not the coming of age, or bildungsroman, of Becky Sharp. No, Miss Rebecca Sharp sprang from the womb enlivened with her desire to claw her way to the top. She can't help it, and nor should she; is she really any different than any of us? No, she's not. It is her methods that vary from what you and I might use; or do they?To me, the narrator's voice in the novel was most amazing. It seemed that at every opportune moment, the narrator took a step back and informed us, the reader, of some nugget, some little moral, that placed the actions of the participants in the Fair in context. Vanity Fair is with us, all around us; and many times we never fully understand the roles that the players play. This voice of reason grounds us; makes us understand the joy, the pain, the happiness, and the sorrow that accompanies each of us in our journey through life. If we care to, we can learn to become better parents, better husbands, better wives, and better friends.I also learned through the course of the novel that I can't outright condemn Becky Sharp. Becky is perhaps not a woman easily liked, but she is an admirable woman, a tough woman, and a woman I can respect. Strong-minded and willed, a terrible mother, but a battle-axe to those who take her head-on. Miss Becky Sharp -- Mrs. Rawdon Crawley -- is committed to living life at its fullest, and not one jot less. She is a woman of purpose, and that is a rare quality in many people.The novel drips with satire from page to page; it is full of wit and sardonic humor. It is through the use of satire that we realize that the characters at the Fair are us -- have been us, and always will be us -- generation after generation, and nothing will change; only the time will change. There will always be Lord Steynes, Jos Sedleys, Old Osbornes, Mother Sedleys, Sir Pitt Crawleys, Miss Crawleys, the George Osbornes, William Dobbins, and Amelias. Our task, according to Thackeray, is to figure out how best to treat them, how best to interact and understand them, how to live with them. The real challenge, however, is how best to love, appreciate, and care for the Miss Becky Sharps in our lives. We do deserve to know her, to care for her, to appreciate her for whom she is, and she deserves to be brought in from the rambunctiousness and vagaries of the Fair.In the end, it is Miss Sharp that gains at least some measure of redemption. It is she, and she alone, that removes the mote from Amelia's eyes regarding her feelings for William Dobbin. For Becky Sharp does understand honor, virtue, and integrity (or, does she?). Thackeray finishes appropriately -- For truly it can be said, "Vanitas Vanitatum! Which of us is happy in this world? Which of us has his desire? or, having it, is satisfied? -- Come, children, let us shut up the box and the puppets, for our play is played out."A magnificent novel from start to finish.

A satiric masterpiece about the allure and peril of money, Our Mutual Friend revolves around the inheritance of a dust-heap where the rich throw their trash. When the body of John Harmon, the dust-heap’s expected heir, is found in the Thames, fortunes change hands surprisingly, raising to new heights “Noddy” Boffin, a low-born but kindly clerk who becomes “the Golden Dustman.” Charles Dickens’s last complete novel, Our Mutual Friend encompasses the great themes of his earlier works: the pretensions of the nouveaux riches, the ingenuousness of the aspiring poor, and the unfailing power of wealth to corrupt all who crave it. With its flavorful cast of characters and numerous subplots, Our Mutual Friend is one of Dickens’s most complex—and satisfying—novels.

Set against the backdrop of the Gordon Riots of 1780, Barnaby Rudge is a story of mystery and suspense which begins with an unsolved double murder and goes on to involve conspiracy, blackmail, abduction and retribution. Through the course of the novel fathers and sons become opposed, apprentices plot against their masters and Protestants clash with Catholics on the streets. And, as London erupts into riot, Barnaby Rudge himself struggles to escape the curse of his own past. With its dramatic descriptions of public violence and private horror, its strange secrets and ghostly doublings, Barnaby Rudge is a powerful, disturbing blend of historical realism and Gothic melodrama.

The novel is set during World War II, from 1942 to 1944. It mainly follows the life of Captain John Yossarian, a U.S. Army Air Forces B-25 bombardier. Most of the events in the book occur while the fictional 256th Squadron is based on the island of Pianosa, in the Mediterranean Sea, west of Italy. The novel looks into the experiences of Yossarian and the other airmen in the camp, who attempt to maintain their sanity while fulfilling their service requirements so that they may return home.

The debut of the Tales series on the Xbox 360, Tales of Vesperia launches the series to new heights of interactive narrative and engrossing gameplay with anime-...

An epic adventure across 3 cd-roms. What begins as a rebellion against an evil corporation becomes much more. And what erupts goes beyond imagination. With vivi...

Square Enix is brings this role-playing game to the PSP the fourth installment in their Compilation of Final Fantasy VII series which includes the movie "Final...

Dark Chronicle, which was released as Dark Cloud 2 in North America, is an action role-playing game developed by Level-5 Inc. and published by Sony Computer Entertainment for the PlayStation 2. It was released in Japan in November 2002, in North America in February 2003, and in Europe in September 2003. The game is a spiritual sequel to a 2000 game titled Dark Cloud, with which it shares the same basic game mechanics—action role-playing combined with elements of city-building games—but features different characters and an unrelated plot.Players control two main protagonists, Max and Monica, who come from the present and future, respectively. They must work together to stop the game's main antagonist Emperor Griffon, who wishes to destroy the present from deep in the past.

Join Justin and friends on an epic journey through a captivating story line, providing over 80 hours of intensive gameplay. With vast polygonal worlds to explor...

The age of exploration has dawned and you are about to embark on a magical journey, a voyage of discovery across the vast Skies of Arcadia in search of treasure...

Nocturne is actually the third game in the series, which first appeared on the Super F...

The Mass Effect Trilogy bundles together all three games from the Mass Effect Trilogy....

Zero Mission relives the story that started it all--r...

EarthBound, released in Japan as Mother 2: Gīgu no Gyakushū, is a role-playing video game developed by Ape Inc. and HAL Laboratory and published by Nintendo for the Super Nintendo Entertainment System. The second entry in the Mother series, it was first released in Japan in August 1994, and in North America in June 1995. As Ness and his party of Paula, Jeff and Poo, the player travels the world to collect melodies from eight Sanctuaries in order to defeat the universal cosmic destroyer Giygas.

In his evil plot to take over the Mushroom Kingdom, Fawful tricks Bowser into eating a magic mushroom. The mushroom causes Bowser to begin inhaling everything a...

Mega Man Legends is an action-adventure shooter game released by Capcom. It is the first game in the Mega Man Legends sub-series of Mega Man games from Capcom, and the second major 3D polygonal Mega Man title released in the franchise, following Mega Man: Battle & Chase. It was released on the PlayStation in 1997 in Japan and in 1998 in North America. A Nintendo 64 port was released in 2000 with the same title, but it was renamed Mega Man 64 for the English release in 2001. Another port was released for Microsoft Windows in 2001, and PlayStation Portable in 2005, with the latter only in Japan.It stars a different spiritual incarnation of Mega Man named Mega Man Volnutt, the game's player character. Mega Man Volnutt is a "Digger", a person in charge of investigating ruins from a flooded Earth. During his journey with his friends, their ship crashes in Kattelox Island, where Mega Man confronts pirates who are attacking it to obtain its hidden treasure. As an action-adventure game, Mega Man Legends's gameplay is very different from that of the original series, despite sharing a few elements.

Welcome to UNDERTALE. In this RPG, you control a human who falls underground into the world of monsters. Now you must find your way out... or stay trapped forev...

Ghost Trick is a story of mystery and intrigue that blends fun logic puzzles with the world of the supernatural, making for an entirely new and unique experienc...

The story begins as our hero, Neku, wakes up amidst the hustle and bustle of Shibuya, Tokyo. Confused and disoriented, he receives a message on his phone warnin...

Mother 3 is a 2006 role-playing video game developed by Brownie Brown and HAL Laboratory and published by Nintendo for the Game Boy Advance. It is the third entry in the Mother series. The game follows Lucas, a young boy with psychic abilities, and a party of characters as they attempt to prevent a mysterious invading army from corrupting and destroying the world.

When a newly developed teleportation device malfunctions at the Millennial Fair, young Crono must travel through time to rescue his unfortunate companion from a...

Secret of Evermore is an action role-playing game developed and published by Square for the Super Nintendo Entertainment System. It was released in North America on October 1, 1995, and in Europe and Australia in February 1996. A Japanese release was planned to follow the North American release by a few months but was ultimately cancelled.

Myst is a graphic adventure designed by the Miller brothers, Robyn and Rand. It was developed by Cyan, Inc., published by Broderbund, and initially released in 1993 for the Macintosh. In the game, the player travels via a special book to a mysterious island called Myst. From there, solving puzzles allows the player to travel to other worlds ("Ages"), which reveal the backstory of the game's characters and help the player make the choice of whom to aid. The player interacts with objects and walks to different locations by clicking on pre-rendered imagery.

Super Mario World 2: Yoshi's Island is a 1995 platform game developed and published by Nintendo for the Super Nintendo Entertainment System (SNES). To reunite baby Mario with his brother Luigi, who has been kidnapped by Kamek, the player controls Yoshi, a friendly dinosaur, through 48 levels while carrying Baby Mario. As a Super Mario series platformer, Yoshi runs and jumps to reach the end of the level while solving puzzles and collecting items. In a style new to the series, the game has a hand-drawn aesthetic and is the first to have Yoshi as its main character. The game introduces his signature abilities to flutter jump and produce eggs from swallowed enemies.The game has a unique visual style, which heavily contrasts with the pre-rendered visuals of contemporary games popularized by Donkey Kong Country. After four years of development, Yoshi's Island was released in Japan in August 1995, and worldwide two months later. Some of its special effects were powered by a new Super FX2 microchip. The game was ported to the Game Boy Advance with few changes in 2002. This version was rereleased for the Nintendo 3DS in 2011 and the Wii U Virtual Console in 2014. The original version was also released for the Super NES Classic Edition in 2017 and Nintendo Switch Online in 2019.

Heathers: The Musical is a musical with music, lyrics and book by Laurence O'Keefe and Kevin Murphy, based on the 1989 film of the same name written by Daniel Waters. The producers include J. Todd Harris, Amy Powers, RJ Hendricks, and Andy Cohen. After a sold-out Los Angeles tryout, the show moved Off-Broadway in 2014. After the run in 2014, the show had an Off-West End run in 2018 and then transferred to the West End in 2018 for a limited engagement.

A sexually frustrated suburban father has a mid-life crisis after becoming infatuated with his daughter's best friend.

1999 American drama film directed by Sam Mendes

Sixteen-year-old Sarah is given thirteen hours to solve a labyrinth and rescue her baby brother Toby when her wish for him to be taken away is granted by the Goblin King Jareth.

Wesley Wales Anderson (born May 1, 1969) is an American filmmaker. His films are known for their eccentricity and distinctive visual and narrative styles, and he is regarded by some critics as a modern-day example of the auteur. Three of his films—The Royal Tenenbaums, Moonrise Kingdom, and The Grand Budapest Hotel—appeared in BBC's 2016 poll of the greatest films since 2000.Anderson was nominated for the Academy Award for Best Original Screenplay for The Royal Tenenbaums (2001), Moonrise Kingdom (2012) and The Grand Budapest Hotel (2014), as well as the Academy Award for Best Animated Feature for the stop-motion films Fantastic Mr. Fox (2009) and Isle of Dogs (2018). With The Grand Budapest Hotel, he received his first Academy Award nominations for Best Director and Best Picture, and won the Golden Globe Award for Best Motion Picture – Musical or Comedy and the BAFTA Award for Best Original Screenplay. He currently runs the production company American Empirical Pictures, which he founded in 1998. Anderson won the Silver Bear for Best Director for Isle of Dogs in 2018.

Three friends plan to pull off a simple robbery and go on the run.

John Samuel Waters Jr. (born April 22, 1946) is an American filmmaker, writer, actor, and artist. Born and raised in Baltimore, Waters rose to prominence in the early 1970s for his transgressive cult films, including Multiple Maniacs (1970), Pink Flamingos (1972), and Female Trouble (1974). He wrote and directed the 1988 film Hairspray which became an international success and turned into a hit Broadway musical which has remained in almost continuous production. Waters has written and directed other successful films, including Polyester (1981), Cry-Baby (1990), Serial Mom (1994), Pecker (1998), and Cecil B. Demented (2000).As an actor, Waters has appeared in films such as Sweet and Lowdown (1999), Seed of Chucky (2004), Excision (2012), and Suburban Gothic (2014). His television work includes 'Til Death Do Us Part (2006-2007) and John Waters Presents Movies That Will Corrupt You (2006). More recently, Waters performs in his touring one-man show This Filthy World. He has often worked with actor Divine, and his regular cast of the Dreamlanders.

Todd Solondz (; born October 15, 1959) is an American filmmaker and playwright known for his style of dark, socially conscious satire. Solondz's work has received critical acclaim for its commentary on the "dark underbelly of middle class American suburbia," a reflection of his own background in New Jersey. His work includes Welcome to the Dollhouse (1995), Happiness (1998), Storytelling (2001), Palindromes (2004), Life During Wartime (2009), Dark Horse (2011), and Wiener-Dog (2016).Solondz was born in Newark, New Jersey. He wrote several screenplays while working as a delivery boy for the Writers Guild of America. Solondz earned his undergraduate degree in English from Yale and attended New York University's (NYU) Graduate MFA Program in film and television, but did not complete a degree.

Pedro Almodóvar Caballero (Spanish pronunciation: [ˈpeðɾo almoˈðoβaɾ kaβaˈʝeɾo]; born 25 September 1949) is a Spanish filmmaker, director, screenwriter, producer, and former actor.He came to prominence as a director and screenwriter during La Movida Madrileña, a cultural renaissance that followed after the end of Francoist Spain. His first few films characterised the sense of sexual and political freedom of the period. In 1986, he established his own film production company, El Deseo, with his younger brother Agustín Almodóvar, responsible for producing all of his films since Law of Desire (1987).Almodóvar achieved international recognition for his black comedy-drama film Women on the Verge of a Nervous Breakdown (1988), which was nominated for the Academy Award for Best Foreign Language Film, and went on to more success with the dark romantic comedy film Tie Me Up! Tie Me Down! (1990), the melodrama High Heels (1991) and the romantic drama thriller Live Flesh (1997).

The life of Mason, from early childhood to his arrival at college.

2014 American coming-of-age drama film directed by Richard Linklater

Jon, a young wanna-be musician, discovers he's bitten off more than he can chew when he joins an eccentric pop band led by the mysterious and enigmatic Frank.

A New York woman (who doesn't really have an apartment) apprentices for a dance company (though she's not really a dancer) and throws herself headlong into her dreams, even as the possibility of realizing them dwindles.

A renowned New York playwright is enticed to California to write for the movies and discovers the hellish truth of Hollywood.

The lives of several individuals intertwine as they go about their lives in their own unique ways, engaging in acts society as a whole might find disturbing in a desperate search for human connection.

1998 American comedy-drama film by Todd Solondz

A teenage hustler and a young man obsessed with alien abductions cross paths, together discovering a horrible, liberating truth.

A talented young photographer, who enjoys snapping photos of his satirical, perverted Baltimore neighborhood and his wacky family, gets dragged into a world of pretentious artists from New York City and finds newfound fame.

A husband-and-wife team play detective, but not in the traditional sense. Instead, the happy duo helps others solve their existential issues, the kind that keep you up at night, wondering what it all means.

With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.

A year after their father's funeral, three brothers travel across India by train in an attempt to bond with each other.

A lonely shoe salesman and an eccentric performance artist struggle to connect in this unique take on contemporary life.

2005 American romantic comedy-drama film directed by Miranda July

A puppeteer discovers a portal that leads literally into the head of movie star John Malkovich.

American composer, songwriter, record producer, and pianist

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