Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

"It took me a long time and most of the world to learn what I know about love and fate and the choices we make, but the heart of it came to me in an instant, while I was chained to a wall and being tortured."So begins this epic, mesmerizing first novel set in the underworld of contemporary Bombay. Shantaram is narrated by Lin, an escaped convict with a false passport who flees maximum security prison in Australia for the teeming streets of a city where he can disappear.Accompanied by his guide and faithful friend, Prabaker, the two enter Bombay's hidden society of beggars and gangsters, prostitutes and holy men, soldiers and actors, and Indians and exiles from other countries, who seek in this remarkable place what they cannot find elsewhere.As a hunted man without a home, family, or identity, Lin searches for love and meaning while running a clinic in one of the city's poorest slums, and serving his apprenticeship in the dark arts of the Bombay mafia. The search leads him to war, prison torture, murder, and a series of enigmatic and bloody betrayals. The keys to unlock the mysteries and intrigues that bind Lin are held by two people. The first is Khader Khan: mafia godfather, criminal-philosopher-saint, and mentor to Lin in the underworld of the Golden City. The second is Karla: elusive, dangerous, and beautiful, whose passions are driven by secrets that torment her and yet give her a terrible power.Burning slums and five-star hotels, romantic love and prison agonies, criminal wars and Bollywood films, spiritual gurus and mujaheddin guerrillas – this huge novel has the world of human experience in its reach, and a passionate love for India at its heart. Based on the life of the author, it is by any measure the debut of an extraordinary voice in literature.

Meet Pat. Pat has a theory: his life is a movie produced by God. And his God-given mission is to become physically fit and emotionally literate, whereupon God will ensure a happy ending for him—the return of his estranged wife, Nikki. (It might not come as a surprise to learn that Pat has spent time in a mental health facility.) The problem is, Pat's now home, and everything feels off. No one will talk to him about Nikki; his beloved Philadelphia Eagles keep losing; he's being pursued by the deeply odd Tiffany; his new therapist seems to recommend adultery as a form of therapy. Plus, he's being hunted by Kenny G!In this enchanting novel, Matthew Quick takes us inside Pat's mind, showing us the world from his distorted yet endearing perspective. As the award-winning novelist Justin Cronin put it: "Tender, soulful, hilarious, and true, The Silver Linings Playbook is a wonderful debut."

It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will be busier still.By her brother's graveside, Liesel's life is changed when she picks up a single object, partially hidden in the snow. It is The Gravedigger's Handbook, left behind there by accident, and it is her first act of book thievery. So begins a love affair with books and words, as Liesel, with the help of her accordian-playing foster father, learns to read. Soon she is stealing books from Nazi book-burnings, the mayor's wife's library, wherever there are books to be found.But these are dangerous times. When Liesel's foster family hides a Jew in their basement, Liesel's world is both opened up, and closed down.In superbly crafted writing that burns with intensity, award-winning author Markus Zusak has given us one of the most enduring stories of our time.

I know you killed my sister.I wrote this novel for you.Twelve years ago, Linda's sister Anna was murdered. Her killer was never caught, but Linda saw him. Now, all these years on, she's just seen him again. On TV.He has since become a well-known reporter, and Linda - a famous novelist and infamous recluse - knows no one will believe her if she accuses him, so she does the only thing she can think of: she writes a thriller about a woman who is murdered, her killer never caught. When the book is published, she agrees to give just one media interview. At home. To the one person who knows more about the case than she does.He knows what happened that night and she wrote a book about it but, when the doorbell rings, neither of them can be sure how the story will end.

The compartments in our father's life were not the separations he needed to build to preserve his sanity. They were his sanity. When he fell in love... when he fell to the abjection he deserved, the walls began dissolving. And once the walls came down between all three, or now four, of his lives, so did every other retaining wall - between past and present, present and future, self- and non-self, dream and wakefulness. The walls were his sanity. Love had driven him mad.This is the story of John Wonder, a man with three families, each one kept secret from the other, each one containing two children, a boy and a girl, each called Adam and Evie. As he travels from family to family in different cities, he works as an Authenticator, verifying world records, confirming facts, setting things straight, while his own life is a teetering tower of breathtaking lies and betrayals.

Rather than go into the plot details I'd rather touch on the larger metaphors of the book in this review. Although the basic plot is chilling enough on its own (A man kidnaps a beautiful and intelligent young girl) the parts that truly disturbed me had to do more with what I believe Fowles was saying about modern culture and the rise of the middle class. Though this book is decidedly "British" in many ways, I think the issues he raises are applicable to any society where a large middle class is created in a relatively short amount of time. For me, this book is asking whether financial stability really leads to morality and more fulfilling lives (as in Major Barbara) or if perhaps we actually lose our souls once our bellies are fed.As some have mentioned in other reviews, Miranda is the stereotypical posh young artist. Born rich, it's easy for her to dismiss the complaints of the lower classes while at the same time hurling scorn at the society that produced her. I've met many people like Miranda (especially during my Masters at Columbia School of the Arts where trust fund babies were the norm, I went to school with a Pulitzer heiress for goodness sake) and usually found them boring and shallow, quick to namedrop an artist or recite tired rhetoric. But as her story progressed I began to like her more and more; Miranda is extremely self-aware, and I sensed that given time, she would grow out of her naivety and become a truly amazing woman. She is only 20 after all, barely an adult, and for all her idealistic pretension she is trying to evolve and grow (something that's can't be said for many of my Columbia peers). That's where the butterfly metaphor becomes even more apt; it's not just that she's a butterfly that Frederick has collected, it's what a butterfly represents: metamorphoses. It's almost as if Frederick has trapped her right when she was about to break out of her cocoon, halting her true beauty right before she was about to spread her wings. Which brings me to Frederick as a stand-in for middle-class mediocrity. Reading this book, I was often reminded of the idea that the opposite of love is not hate, but indifference. Frederick is indifferent to everything: art, war, sex, etc. The only thing he seems to respond to is a fleeting type of beauty, and all he wants to do with that beauty is possess it. Not love it, not understand it, just possess it. His need to possess is similar to the middle classes need to buy buy buy with no thought as to why it’s important to own the largest house, drive the nicest car or watch the most expensive television. As we’ve seen with the rise of divorce, prescription drugs, therapy, suicides and the general malaise of the populace during the latter half of the 20th century these things rarely produce happiness, if anything they produce more anxiety as credit debt rises while wages fall. What Fowles seems to be asking is “what are we doing with all this money and success, are we living more stable fulfilling lives, or are we turning into something just as bad or worse than the elite we despise?” Frederick’s winning the lottery should have been an opportunity for him to live the life he wanted free of economic worries, not a chance to commit evil. Similarly, the rise of the middle class in America and the UK should have been a renaissance of ideas once our bellies were fed. In many ways it was (the civil rights and feminist movements come to mind), but in others, like the rise of reality television, celebrity culture and punditry news, our success has just made us comfortable and indifferent to human suffering. We go on collecting pop music, techno gadgets, houses, cars, spouses, designer clothes, with no question or investigation as to why. With the internet we have the opportunity to learn about anything and everything, for the first time in history the entire history of the world is available at our fingertips. Why then does misinformation and stupidity seem to be on the rise rather then the reverse? Why then are we becoming less literate rather than more? Why when given the world, we’re choosing the slum instead? I agree with Miranda when she says art collectors are the worst offenders. The idea that art is merely an investment (just like the idea that a house is merely an investment rather than a home you share your life in) is abhorrent to me. I could never stand to look at an ugly painting in my home just because it was worth money, nor could I ever live with myself if I hoarded Picassos or Bacons or Kirchners purely for my own benefit. Because the true lover of beauty (and not all beauty is beautiful as Bacon proves) wants to share that beauty with the world. They want everyone to see, hear, taste, feel, and enjoy that beauty so that others lives may be enriched as well. They want everyone to feel as passionately as they do about what they love, but more importantly they just want others to feel. (the example of the American soldier in the book comes to mind) Anyone, regardless of class, money, status etc., is capable of living passionately and truthfully. Frederick is a perfect example of someone who chooses not to, or worse, just doesn’t really care either way. 

The Department of Scientific Intelligence (aka "The Shop") never anticipated that two participants in their research program would marry and have a child. Charlie McGee inherited pyrokinetic powers from her parents, who had been given a low-grade hallucinogen called "Lot Six" while at college. Now the government is trying to capture young Charlie and harness her powerful firestarting skills as a weapon.--stephenking.com

NOS4A2 is a spine-tingling novel of supernatural suspense from master of horror Joe Hill, the New York Times bestselling author of Heart-Shaped Box and Horns.Victoria McQueen has a secret gift for finding things: a misplaced bracelet, a missing photograph, answers to unanswerable questions. On her Raleigh Tuff Burner bike, she makes her way to a rickety covered bridge that, within moments, takes her wherever she needs to go, whether it’s across Massachusetts or across the country.Charles Talent Manx has a way with children. He likes to take them for rides in his 1938 Rolls-Royce Wraith with the NOS4A2 vanity plate. With his old car, he can slip right out of the everyday world, and onto the hidden roads that transport them to an astonishing – and terrifying – playground of amusements he calls “Christmasland.” Then, one day, Vic goes looking for trouble—and finds Manx. That was a lifetime ago. Now Vic, the only kid to ever escape Manx’s unmitigated evil, is all grown up and desperate to forget. But Charlie Manx never stopped thinking about Victoria McQueen. He’s on the road again and he’s picked up a new passenger: Vic’s own son.

What if the most terrifying person you know is your ten-year-old sister?Seventeen-year-old Aussie Che Taylor loves his younger sister, Rosa. But he's also certain that she's a psychopath--clinically, threateningly, dangerously. Recently Rosa has been making trouble, hurting things. Che is the only one who knows; he's the only one his sister trusts. Rosa is smart, talented, pretty, and very good at hiding what she is and the manipulation she's capable of.Their parents, whose business takes the family from place to place, brush off the warning signs as Rosa's -acting out.- Now that they have moved again--from Bangkok to New York City--their new hometown provides far too many opportunities for Rosa to play her increasingly complex and disturbing games. Che's always been Rosa's rock, protecting her from the world. Now, the world might need protection from her.

congratulations! semifinalist in goodreads' best horror category 2016!\
  \
orange is the new black… with ghosties!*man, m.r. carey can write a book. but can i write a review? i'm a little gun-shy, since it seems fans of m.r. carey are people who don't like to know what books are about, and would rather have all book reviews everywhere be reduced to thumbs-up or -down emojis. i keeed, but i'm not looking for any kerfuffles this time, you hear? this book takes place in a prison. says so on the back. jess moulson is a prisoner at fellside - a notorious maximum security prison in the bleak moors of yorkshire. she's been incarcerated for arson and murder, when a fire she unwittingly set while in the throes of heroin burned down her flat, causing injuries to herself and her boyfriend, and killing alex beech, the ten-year-old boy upstairs. she's an addict, but not so far gone into her addiction that she's lost her connection to humanity - she feels utterly broken by what she's done, and neither her imprisonment nor the extensive reconstructive surgery she's had to undergo feel like punishment enough; jess' guilt compels her to go on a hunger strike to end herself and her memories, or lack of memories, since she remembers very little about that night. while jess gets weaker and the other prisoners place bets on how long she will live, jess is visited by a ghostly figure in the shape of a little boy that she perceives to be alex, who tells her that he was dead before the fire even started, but his memories are as vague and confused as jess' own. jess promises to return to the world of the living to help alex figure out the mystery of his death. not for her own vindication, because jess is one giant self-flagellating bleeding heart, but for alex himself, to honor the gentle friendship they'd established before heroin eroded jess' ability to have a relationship with anyone except heroin and her heroin-providing boyfriend john. the rest of the book is spent exploring alex's mystery, but also uncovering the moving-parts underbelly of fellside, with its not-so-secret hierarchies, resentments, debts, contraband-smuggling, corruption, etc. there's enough archetypal character-overlap that you can totally use your orange is the new black playset when you're acting this book out in your head as you read, but know that this prison is much less quirky-with-occasional-violence than your dollies and while it doesn't reach the level of oz-shenanigans, there is a lot of stomping. so much stomping.it's an impressive novel on a number of fronts: the story is the biggie, because it's sprawling and intense, but it keeps you completely in its world, desperate to know what is going to happen and when and to whom. a subset of this is the number of fascinating POV characters peeling back the layers of the story for the reader as all the pieces start to come together in one big horrible bloody tapestry. however, that unsung hero "pacing" is also a huge factor in what makes this book so gulpy. most of the chapters are fewer than ten pages, 3-4 pages on average**, where each chapter switches viewpoint so you're always being propelled forward at great speed, although not always in the same direction. this book is totally fun and gripping and also totally different from The Girl with All the Gifts. strong open, strong resolution, some lumpy bits in the middle, but overall really spectacular. my only problem*** with this book is that i kept forgetting the name of it. and it's not that fellside isn't mentioned enough in the book, because it is, but it was the same phenomenon i experienced when i was reading beautiful creatures - i kept calling this "wildfell" or "winterfell" or "wildside" and eventually just saying "the new m.r. carey book." still and all, i absolutely adored it. 4.5 with wings.* which oh my god i just realized is an actual thing:and is contained in a book i own but have yet to read: 100 Ghosts: A Gallery of Harmless Haunts. amazing. ** through casual flipping, with no mathematical rigor applied. *** which is not to say that i docked a star for this reason because duh, but is a reason i can give without venturing into spoilertown.------------------------------------------------best week ever - in which i receive three books in the mail i really really want to read and maggie really really wants to sleep on.best week ever part three:\
  \
which i hope will have a much less whiny thread than my last m.r. carey review.best week ever part onebest week ever part twocome to my blog!

Becky, Harry, and Leon are leaving London in a fourth-hand Ford with a suitcase full of stolen money, in a mess of tangled loyalties and impulses. But can they truly leave the city that's in their bones?Kate Tempest's novel reaches back through time--through tensely quiet dining rooms and crassly loud clubs--to the first time Becky and Harry meet. It sprawls through their lives and those they touch--of their families and friends and faces on the street--revealing intimacies and the moments that make them. And it captures the contemporary struggle of urban life, of young people seeking jobs or juggling jobs, harboring ambitions and making compromises.The Bricks that Built the Houses is an unexpected love story. It's about being young, but being part of something old. It's about how we become ourselves, and how we effect our futures. Rich in character and restless in perspective, driven by ethics and empathy, it asks--and seeks to answer--how best to live with and love one another.Kate Tempest, a major talent in the poetry and music worlds, sits poised to become a major novelist as well.

 The gripping international bestseller about motherhood gone awry.Eva never really wanted to be a mother - and certainly not the mother of the unlovable boy who murdered seven of his fellow high school students, a cafeteria worker, and a much-adored teacher who tried to befriend him, all two days before his sixteenth birthday. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin's horrific rampage in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails. 

MGB officer Leo is a man who never questions the Party Line. He arrests whomever he is told to arrest. He dismisses the horrific death of a young boy because he is told to, because he believes the Party stance that there can be no murder in Communist Russia. Leo is the perfect soldier of the regime. But suddenly his confidence that everything he does serves a great good is shaken. He is forced to watch a man he knows to be innocent be brutally tortured. And then he is told to arrest his own wife. Leo understands how the State works: Trust and check, but check particularly on those we trust. He faces a stark choice: his wife or his life. And still the killings of children continue...

When four classmates from a small Massachusetts college move to New York to make their way, they're broke, adrift, and buoyed only by their friendship and ambition. There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their center of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride. Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he’ll not only be unable to overcome—but that will define his life forever.

It is the greatest bounty hunt in history. The targets are the finest warriors in the world-commandos, spies, terrorists. And they must all be dead by 12 noon, today. The price on their heads: almost $20 million each.Among the names, one stands out. The enigmatic Marine, Shane Schofield, who goes by the call-sign "Scarecrow." Schofield is plunged into a race around the world, pursued by a fearsome collection of international bounty hunters. The race is on and the pace is frantic as he fights for survival, in the process unveiling a vast international conspiracy and the terrible reason why he cannot, under any circumstances, be allowed to live!He led his men into hell in Ice Station. He protected the President against all odds in Area 7. But this time it's different, because he is the target. With all of his trademark action, Matthew Reilly continues to establish himself as one of the top thriller writers of today.

The New York Public Library. A silent sanctuary of knowledge; a 100-year-old labyrinth of towering bookcases, narrow aisles and long marble hallways. For Doctor Stephen Swain and his daughter, Holly, it is the site of a nightmare. Because for one night this historic building is to be the venue for a contest. A contest in which Swain is to compete - whether he likes it or not.The rules are simple: Seven contestants will enter, only one will leave.With his daughter in his arms, Stephen Swain is plunged into a terrifying fight for survival. The stakes are high, the odds brutal. He can choose to run, to hide or to fight - but if he wants to live, he has to win. For in this contest, unless you leave as the victor, you do not leave at all.Readers all over the world have been cheering about Matthew Reilly’s lightning fast adventure thrillers. Contest, the action-packed extravaganza that launched this international bestselling career, is vintage Reilly at his explosive best.

I love the action-packed, fast pace of the Scarecrow series. I do have to suspend my disbelief to get into these books, but they’re always such a wild ride that it doesn’t bother me. This is another great adventure for Scarecrow and crew, although it is a short one at around 100 pages. It left me wanting more.

Matthew Reilly dazzled the world with his electrifying thrillers Ice Station and Temple. And now, Shane "Scarecrow" Schofield returns with his most harrowing and explosive adventure yet. . .AREA 7It is America's most secret base, hidden deep in the Utah desert, an Air Force installation known only as Area 7. And today, it has a visitor - the President of the United States. He has come to inspect Area 7, to examine its secrets for himself. But he's going to get more than he bargained for on this trip. Because hostile forces are waiting inside.Among the President's helicopter crew, however, is a young Marine. He is quiet, enigmatic, and he hides his eyes behind a pair of silver sunglasses. His name is Schofield. Call-sign: Scarecrow. Rumor has it, he's a good man in a storm. Judging by what the President has just walked into, he'd better be...

Antarctica is the last unconquered continent, a murderous expanse of howling winds, blinding whiteouts and deadly crevasses. On one edge of Antarctica is Wilkes Station. Beneath Wilkes Station is the gate to hell itself...A team of U.S. divers, exploring three thousand feet beneath the ice shelf has vanished. Sending out an SOS, Wilkes draws a rapid deployment team of Marines-and someone else...First comes a horrific firefight. Then comes a plunge into a drowning pool filled with killer whales. Next comes the hard part, as a handful of survivors begin an electrifying, red-hot, non-stop battle of survival across the continent and against wave after wave of elite military assassins-who've all come for one thing: a secret buried deep beneath the ice...

By day, Harper Cole trades commodities from his farmhouse in the isolated Mississippi Delta. But at night, Harper serves as system operator for E.R.O.S., a highly exclusive, sexually explicit on-line service whose clients range from the glitterati of Hollywood to the literati of New York. Shielded by a guarantee of absolute anonymity, these clients pour their secrets into the digital confession box of E.R.O.S. Only "sysops" like Harper - the high priests of the system - know and see all. When six female clients inexplicably drop off the network, Harper suspects that something is amiss. But when a world-famous New Orleans author - and E.R.O.S. client - is decapitated in her mansion, Harper breaks the code of silence and contacts the police. They are as shocked as Harper to learn that all six women have been brutally murdered, each with a different weapon, and in a different city. And each time the killer has claimed the same bizarre trophy. Horrified to find himself the prime suspect in the murders he reported, Harper is swept into a secret manhunt led by the FBI's Investigative Support Unit. While the FBI uses the technology of the future and the psychology of the past to trap the brilliant killer, Harper realizes that he alone stands a chance of luring the elusive madman into the open.

Canadian singer, songwriter and filmmaker (born 1945)

American guitarist, singer and songwriter (1942–1970)

music

books

podcasts

Active tastebuds