Elena Rainn

Zach P

Kyrsten Iris

Fede Bonino

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Watashi Wa Jigabudesu

Karl Halmos-Westram

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Ljsly Bernard

Miguel Barreto Carrillo

Leonel González

Tim M

J.K. Rowling's screenwriting debut is captured in this exciting hardcover edition of the Fantastic Beasts and Where to Find Them screenplay.When Magizoologist Newt Scamander arrives in New York, he intends his stay to be just a brief stopover. However, when his magical case is misplaced and some of Newt's fantastic beasts escape, it spells trouble for everyone…Fantastic Beasts and Where to Find Them marks the screenwriting debut of J.K. Rowling, author of the beloved and internationally bestselling Harry Potter books. Featuring a cast of remarkable characters, this is epic, adventure-packed storytelling at its very best.Whether an existing fan or new to the wizarding world, this is a perfect addition to any reader's bookshelf.

I had removed this review, which violates Article 2 of the Terms of Use:You agree not to post User Content that: (i) may create a risk of harm, loss, physical or mental injury, emotional distress, death, disability, disfigurement, or physical or mental illness to you, to any other person, or to any animal.Looking at the comment thread, it is abundantly clear that the review not only may, but indeed has caused emotional distress to several Potter fans. I would like to offer my apologies to these unfortunate people, who had every right to expect better service from Goodreads. But, despite the above, I have decided on mature consideration that I will attempt an experiment: I am reinstating the original review, hiding the dangerous and inflammatory content inside a spoiler tag. If you are a person easily offended by negative comments about Harry Potter and still decide to click it, then you have only yourself to blame. You have been warned.(view spoiler)[I got into an argument the other day with an articulate 17 year old Harry Potter fan - let's call him D - who wanted to know why I was being so nasty in my review of Deathly Hallows. What was wrong with it? I offered various structural criticisms: the ending is abrupt and unconvincing, the subplot with the Horcruxes has not been adequately foreshadowed in the earlier volumes, and the book as a whole is overlong and boring. D expressed surprise that I could call Deathly Hallows boring, when I'd given five stars to Madame Bovary and Animal Farm, both of which he considered far duller. The discussion continued for some time. In the end, I said I would write a review summarising my objections to the series as a whole. Here it is.As I said to D, it's not the books or the author. The early Potter books are cute and entertaining, and J.K. Rowling seems like a nice person - if someone's going to scoop the literary Powerball jackpot, why not her? What I very strongly object to is the way the books have been marketed. About 10 years ago, it seems to me, some clever people figured out a new marketing strategy, which they first applied to Potter; when that came to an end, the same methods were used for Twilight. Both series have enjoyed a level of success which is utterly disproportionate to their quality, and which is also unprecedented in literary history. Twilight clearly follows Potter; I've had several discussions about what preceded Potter, and the answer, everyone seems to agree, is that there was no earlier success story of this kind. Before Potter, there was no YA series of dubious merit that absolutely everyone read. I think it's uncontroversial that Potter, in terms of literary quality, is better than Twilight, but Twilight has been even more successful. At one point, the four volumes occupied the top four spots in the New York Times bestseller list. On Goodreads, nearly half of the top 50 reviews are of Twilight books. This is an absurd and unnatural state of affairs. Even though Twilight may not be quite as bad as is sometimes made out - I'm one of many people who have tried to defend it - there's no way it deserves this level of attention.So why is everyone reading it, and why, before that, was everyone reading Potter? As I said, I think it's primarily about the marketing, though I wish I was more sure about the details. Here, at any rate, are some thoughts. First, the publishers are aggressively using economies of scale and deals with third parties. They print very large numbers of copies, and they work together with movie studios, game companies and merchandisers to cross-promote them. I think it's particularly important that a large proportion of the books are sold, not at bookstores, but at normal supermarkets. It's well known that the cover price is usually marked down to the point where the supermarket is not in fact making any profit; they have discovered that they can successfully treat it as a loss leader. This is causing great pain to independent bookstores. Some of them, I have read, have adopted the desperate expedient of buying copies at supermarkets and then reselling them. Second, let's look at the content and style. Even though Potter and Twilight are fairly different in some ways, they also have many strong similarities. Above all, they are extremely easy to read, at every level. The vocabulary is unchallenging; the sentences are short and simple; most characters are one-dimensional stereotypes; the story is uncomplicatedly plot-driven; there are few references to other works of literature. You can read these books if you're tired, if you're sleepy, if you have poor reading skills, if you've never read anything else. They consequently have a very large potential audience.Third, they describe a comforting, emasculated world in which most of the things that make our own world so difficult and unpleasant have been removed. Most strikingly, there is no sex; in Harry Potter, which is supposed to be about fairly normal teens, no one masturbates, no girls get pregnant, none of them are labelled sluts because they've had sex with more than one boy (sometimes one is enough, for that matter), no one gets their heart broken and drops out of school or starts taking drugs as a result, no one is stuck in a dead-end relationship that they wish they could escape from, but can't. The worst thing that happens in either series is the sequence in New Moon where Edward temporarily leaves Bella. Meyer notoriously doesn't describe Bella's feelings at all, but just leaves several pages blank. Once, in fact not so long ago, most adults would have been embarrassed to be seen reading YA literature of this kind; to start with, the comforting word "YA" hadn't been invented yet, and they would have been reading children's books. Somehow, there's been a shift in standards. You look around you on a bus to see what people are reading, and you can be pretty sure you'll see at least a couple of people over 20 engrossed in Potter or Twilight. It's odd that this has happened, and I wish I understood why.In conclusion, I couldn't help being struck by the two books D chose to contrast against Potter. D, Madame Bovary is going to outlast both of these authors because Emma is a real person who experiences the crazy and contradictory emotions that real people experience when they are very unhappy, and as a result she behaves in a crazy and contradictory way; also, Flaubert, unlike Rowling and Meyer, took a great deal of trouble over his prose, and created some of the most beautiful and ironic passages in world literature. There aren't many books I'd call masterpieces, but this is one of them. And finally, Animal Farm is indeed an allegory of the Russian Revolution. More importantly, though, it's about how smart, unscrupulous people manipulate trusting, weak people. Tens of millions of people are reading Potter and Twilight, not because the books are well-written or interesting, but because the readers have been manipulated into buying them by the Napoleons and Squealers of this world. That's what I'm objecting to. Think about it for a moment. (hide spoiler)]

The Tales of Beedle the Bard contains five richly diverse fairy tales, each with its own magical character, that will variously bring delight, laughter and the thrill of mortal peril.Additional notes for each story penned by Professor Albus Dumbledore will be enjoyed by Muggles and wizards alike, as the Professor muses on the morals illuminated by the tales, and reveals snippets of information about life at Hogwarts.A uniquely magical volume, with illustrations by the author, J. K. Rowling, that will be treasured for years to come.

An approved textbook at Hogwarts School of Witchcraft and Wizardry since publication, Newt Scamander's masterpiece has entertained wizarding families through the generations. Fantastic Beasts and Where to Find Them is an indispensable introduction to the magical beasts of the Wizarding World. Scamander's years of travel and research have created a tome of unparalleled importance. Some of the beasts will be familiar to readers of the Harry Potter books - the Hippogriff, the Basilisk, the Hungarian Horntail ... Others will surprise even the most ardent amateur Magizoologist. This is an essential companion to the Harry Potter stories, and includes a new foreword from J.K. Rowling (writing as Newt Scamander) and six new beasts!

Harry Potter is leaving Privet Drive for the last time. But as he climbs into the sidecar of Hagrid’s motorbike and they take to the skies, he knows Lord Voldemort and the Death Eaters will not be far behind.The protective charm that has kept him safe until now is broken. But the Dark Lord is breathing fear into everything he loves. And he knows he can’t keep hiding.To stop Voldemort, Harry knows he must find the remaining Horcruxes and destroy them.He will have to face his enemy in one final battle.--jkrowling.com

There is a door at the end of a silent corridor. And it’s haunting Harry Pottter’s dreams. Why else would he be waking in the middle of the night, screaming in terror?Harry has a lot on his mind for this, his fifth year at Hogwarts: a Defense Against the Dark Arts teacher with a personality like poisoned honey; a big surprise on the Gryffindor Quidditch team; and the looming terror of the Ordinary Wizarding Level exams. But all these things pale next to the growing threat of He-Who-Must-Not-Be-Named - a threat that neither the magical government nor the authorities at Hogwarts can stop.As the grasp of darkness tightens, Harry must discover the true depth and strength of his friends, the importance of boundless loyalty, and the shocking price of unbearable sacrifice.His fate depends on them all.

For twelve long years, the dread fortress of Azkaban held an infamous prisoner named Sirius Black. Convicted of killing thirteen people with a single curse, he was said to be the heir apparent to the Dark Lord, Voldemort.Now he has escaped, leaving only two clues as to where he might be headed: Harry Potter's defeat of You-Know-Who was Black's downfall as well. And the Azkaban guards heard Black muttering in his sleep, "He's at Hogwarts . . . he's at Hogwarts."Harry Potter isn't safe, not even within the walls of his magical school, surrounded by his friends. Because on top of it all, there may well be a traitor in their midst.

The Dursleys were so mean and hideous that summer that all Harry Potter wanted was to get back to the Hogwarts School for Witchcraft and Wizardry. But just as he's packing his bags, Harry receives a warning from a strange, impish creature named Dobby who says that if Harry Potter returns to Hogwarts, disaster will strikeAnd strike it does. For in Harry's second year at Hogwarts, fresh torments and horrors arise, including an outrageously stuck-up new professor, Gilderoy Lockhart, a spirit named Moaning Myrtle who haunts the girls' bathroom, and the unwanted attentions of Ron Weasley's younger sister, Ginny.But each of these seem minor annoyances when the real trouble begins, and someone -- or something -- starts turning Hogwarts students to stone. Could it be Draco Malfoy, a more poisonous rival than ever? Could it possibly be Hagrid, whose mysterious past is finally told? Or could it be the one everyone at Hogwarts most suspects . . . Harry Potter himself?

Harry Potter's life is miserable. His parents are dead and he's stuck with his heartless relatives, who force him to live in a tiny closet under the stairs. But his fortune changes when he receives a letter that tells him the truth about himself: he's a wizard. A mysterious visitor rescues him from his relatives and takes him to his new home, Hogwarts School of Witchcraft and Wizardry.After a lifetime of bottling up his magical powers, Harry finally feels like a normal kid. But even within the Wizarding community, he is special. He is the boy who lived: the only person to have ever survived a killing curse inflicted by the evil Lord Voldemort, who launched a brutal takeover of the Wizarding world, only to vanish after failing to kill Harry.Though Harry's first year at Hogwarts is the best of his life, not everything is perfect. There is a dangerous secret object hidden within the castle walls, and Harry believes it's his responsibility to prevent it from falling into evil hands. But doing so will bring him into contact with forces more terrifying than he ever could have imagined.Full of sympathetic characters, wildly imaginative situations, and countless exciting details, the first installment in the series assembles an unforgettable magical world and sets the stage for many high-stakes adventures to come.

Forty-nine year old Bobby Bowfinger is the owner/president of a Hollywood-based production company, Bowfinger International Pictures. The company has yet to produce a film, Bobby's personal net worth is virtually zero, and the company only has $2,184 to its name, $1 invested into it personally by Bobby every week since he first decided he wanted to make a movie when he was a child. Bobby believes his fortunes will change when his accountant Afrim changes hats and writes a science-fiction alien invasion screenplay that Bobby thinks all studios will clamor for and has Oscar written all over it. He has a small stable of followers who support his vision in being part of this movie, which eventually includes Daisy as the lead actress, she a stereotypical small town girl looking to make it big in Hollywood. Having just arrived in town, she does not know her way around the Hollywood system,... except on her proverbial back. Bobby is not averse to telling bald-faced lies in his singular focus in getting the picture made and distributed all on this $2,184 as a starting point. It is using several of those lies that he is able to get a verbal confirmation from big studio executive Jerry Renfro to distribute the movie *if* it stars Kit Ramsey, arguably the biggest action star in the world. Using similar lies, Bobby, however, is unable to convince Kit to star in the movie. Kit, who has a weakness for the Laker Girls, is a self-absorbed and paranoid movie star whose life and thus career is largely directed behind the scenes by Terry Stricter, the head of a new age religion called MindHead. Bobby comes up with a scheme that he believes will get around Kit not agreeing to star: film Kit without him knowing that he is being filmed. The only person who knows of the scheme is Dave, Bobby's lowest of low level inside man turned cinematographer who has unofficial (i.e. technically stolen and thus free) access to studio camera equipment and general knowledge of Kit's general day-to-day movements through the studio system. Bobby is able to convince all the other actors that Kit's acting process involves him not interacting with them outside of filming the specific scenes he has with them. Part of Bobby's scheme involves using Kit's general paranoia that aliens truly are invading the planet to get his gut reactions to what is happening within the context of the script. But Bobby knows he has to get Kit to scream the closing lines of the movie "gotcha suckas" for the movie to be a success. Complications ensue when another of the the actors, Carol, tries to go against Bobby's policy of not making contact with Kit outside of filming, and when Bobby is required to hire a production assistant cum stunt double cum acting double, whose job in part is to stand-in for the requisite Kit Ramsey naked ass shot. Through it all, Bobby will know if he has made it in Hollywood if he gets a specific sign specifically from the heavens in the form of FedEx.

Eleven articulate people work through affairs of the heart in Los Angeles. Paul produces Hannah's television cooking show, and they must move beyond gentle barbs when she wants to know about an affair of his years ago. Mark is dying of A.I.D.S., and his mother comes to his bedside: they must speak truthfully. Men have scalded Meredith, so she rebuffs Trent's charm, but he persists. The trendy, prolix Joan tries to pull the solitary Keenan into her orbit: why is he reluctant? An adulterous couple meets at hotels for evening sex, but she is unwilling for the relationship to grow. Hugh tells tall tales, usually tragic, to women in bars. By the week's end, their parallel stories converge.

Rosie (Michelle Pfeiffer), a 40-year-old divorced mother produces the has-been television comedy "You Go Girl," which seems doomed since her boss no longer allows the show to tackle any vaguely-controversial subjects. Then she meets Adam (Paul Rudd) , an attractive, spontaneously funny, single, 29-year-old actor at an audition. She successfully casts him, which revives the show's ratings. She also dates him, but her pathological insecurity, focused on their age difference, compromises the relationship. That culminates when she suspects him of infidelity with the show's star, and the studio gives those two their own sitcom.

The Roxbury Guys, Steve and Doug Butabi, want to get into the best club in town, and also hope to open their own club. Vivica, a gold-digging supermodel, and her friend Cambi try to work the Roxbury Guys for their money, only to find out the pair is broke.

Rick Gassko is about to marry Debbie Thompson. Her parents hate him. Her old boyfriend hates him. They all have money and he gets a cut of the crap games on the Catholic school bus that he drives. His friends decide to give him the bachelor party of all bachelor parties in an expensive hotel with booze, adult movies and hookers. As the players catch wind of the elements of the party, each adds a little monkey wrench so that one set of hookers ends up giving demos at the bride's shower, the brides friends end up dressed as hookers in a room with a number of non English speaking Japanese businessmen, and so on, as things get out of hand.

When Andy and Elizabeth buy a farm in Vermont, they can't imagine the trouble that awaits them. Andy has quit his job as a sports journalist and is planning to use the peace and quiet of the country to write the Great American Novel. From the moment the movers' truck gets lost with their furniture, though, there's little peace and less quiet. From a manical mailman to a dead body buried in the garden, Andy is distracted by the town and its wacky inhabitants. His effort at a novel is mediocre, at best, and he's threatened by Elizabeth's foray into writing when she attempts a children's book. Can the Farmers survive the townsfolk and each other?

The story of the Buckman family and friends, attempting to bring up their children. They suffer/enjoy all the events that occur: estranged relatives, the "black sheep" of the family, the eccentrics, the skeletons in the closet, and the rebellious teenagers.

Bob and Walt Tenor are twin brothers, who not only share a passion for life, but also a liver. Thanks to their teamwork, being conjoined twins is not a handicap to them. But, when Walt's dreams of stardom of acting on the screen and Bob's shyness clashes, they both begin to fall out. This doesn't help when Bob's Internet girl arrives in town, unaware of their handicap, and when Walt gains his own TV show with Cher.

2003 film directed by Peter Farrelly and Bobby Farrelly

Kate is working on a career at Mercer Advertising but is passed up for promotion because she's 'not stable enough', still being single and having no ties to the company. A story is made up about her being engaged to Nick, a guy whom she just met at a friend's wedding, and all seems to work out well for Kate. She even gets the attention of a colleague she had always wanted, but events soon take a dramatic turn, forcing her to 'present' her alleged fiance to her boss.

Fleur is the blue angel in one of Hong Kong's "flower houses" - bordellos and night clubs of the 1930s. A detached and beautiful performer, she falls in love with Twelfth Master Chan, heir to a chain of pharmacies. They agree to a suicide pact. 50 years later, in modern Hong Kong, Fleur's ghost appears in Yuen's newspaper office, wanting to place an ad to find Chan, who never arrived in the afterlife. Yuen, and his equally bewildered girlfriend, An Chor, are captivated by Fleur and her story.

Quiet teenager Marc Hall arrives as a new student at Indian Hills High School in Agoura Hills, California. He is befriended by fame-obsessed Rebecca Ahn. While at a party at Rebecca's house, the pair check unlocked vehicles on the street, taking valuables such as cash and credit cards. When Marc mentions that one of his wealthy acquaintances is out of town, Rebecca persuades him to join her in breaking into his house. Rebecca steals a handbag, mentioning that her idol, Lindsay Lohan, has the same one. She also steals cash and the keys to a Porsche, which the pair use to flee the scene. With the cash, the two go on a shopping spree, affording themselves the luxury lifestyle they admire in magazines. Marc visits a nightclub with Rebecca and her friends Nicki Moore, Nicki's adoptive sister Sam, and Chloe Tainer, where they rub shoulders with celebrities such as Kirsten Dunst and Paris Hilton. While researching Hilton on the Internet, Marc and Rebecca realize that she will be out of town. The pair go to her house, and finding the key under the doormat, they go through Hilton's belongings, taking some jewelry. Rebecca then flaunts a stolen bracelet to Nicki, Sam, and Chloe at a party..

Louise wants to find a way to reconnect with her husband, Ian, who is divorcing her after many years of marriage. But when she surprises him at their country home, she is more than slightly dismayed that the roses and romantic set-up are not for her but for his much younger mistress. Louise takes matters into her own hands, and abducts Ian duct-taping him to the toilet, where he must admit to his true feelings and he is unable to leave her. Things grow exceedingly awry for everybody when a burglar shows up at their house, and then everybody must discover and admit to their true feelings.

With John's social life at a standstill and his ex-wife about to get remarried, a down on his luck divorcé finally meets the woman of his dreams, only to discover she has another man in her life - her son. Still single seven years after the breakup of his marriage, John has all but given up on romance. But at the urging of his ex-wife and best friend Jamie, John grudgingly agrees to join her and her fiancé Tim at a party. To his and everyone else's surprise, he actually manages to meet someone: the gorgeous and spirited Molly. Their chemistry is immediate. The relationship takes off quickly but Molly is oddly reluctant to take the relationship beyond John's house. Perplexed, he follows her home and discovers the other man in Molly's life: her son, Cyrus. A 21-year-old new age musician, Cyrus is his mom's best friend and shares an unconventional relationship with her. Cyrus will go to any lengths to protect Molly and is definitely not ready to share her with anyone, especially John. Before long, the two are locked in a battle of wits for the woman they both love-and it appears only one man can be left standing when it's over.

The film opens with a loving husband and wife preparing for a very important fund raising dinner. The evening ends with the loss of the wife. In a hospital a weak young woman who may die soon if she can not get a new heart. Jump ahead one year the young woman received a heart and is trying to adjust to a life no longer counted by hours or days, she can actually make plans. The grieving husband and his dog are still trying to adjust to life without his wife. His friends keep trying to pry him from his "work is my life" existence by setting him up on blinds dates. Finally he actually shows up for one at an Irish-Italian restaurant where he finds himself more attracted to the waitress than his blind date. He finds an excuse to return to the restaurant in hopes of seeing the waitress again, there's just something attractive about her. Unknown to both the attraction they both feel for one another is Grace has the heart of Bob's dead wife. What can you say after that! Carroll O'Connor says exactly the right thing to Bob after he finds out this ironic coincidence.

Dan is a 51 year old executive who learns that his company is being restructured and he is being demoted. Carter, who is 26, replaces him. Dan who has two teenage daughters with another on the way, decides to suck it up and work for Carter. Dan and Carter's working relationship is tested when Carter begins a relationship with Alex, who is Dan's daughter.

Nick and the other boys (and Vicki Lewis) working the hotspot of air traffic control in New York are impressed with themselves, to say the least. They thrive on the no-room-for-error, fast-paced job and let it infect their lives. The undisputed king of pushing tin, "The Zone" Falzone, rules his workplace and his wedded life with the same short-attention span that gets planes where they need to be in the nick of time. That is, until Russell Bell, a new transfer with a reputation for recklessness but a record of pure perfection shatters the tensely-held status quo. The game of one-upmanship between the two flies so high as to lead Nick into Russell's bed with his wife. His sanity slipping just as fast as his hold on #1, Cusack's controller is thrown out-of-control when Thornton's wanderer quietly leaves town. Nick must now find a way to regain his sanity and repair his marriage before he breaks down completely.

Brett, a young woman from the suburbs, is an associate editor at a small New York publishing house hoping for a promotion. One day, she first meets literary lion Archie Knox, who's 50 and shows interest in her; then gets a new boss, a dolly-dolly Brit. Brett is soon dating Archie, then moves in with him. He's charming, attentive, and gives advice. He also has a history--ex-wives, a distant daughter, a couple of diseases, and a photo album of former girlfriends. It's no fairy tale: family issues (and more) intervene, and Brett faces decisions. Meanwhile, she's working with a writer who fears peanut butter sticking to the roof of his mouth. Is Archie dinner, an hors d'oeuvre, or a peanut-butter sandwich?

American rapper, singer, songwriter, and actress

New Zealand singer-songwriter (born 1996)

Bridget and Eamon are the typical unhappily married 80s Irish couple. They live somewhere in the Midlands with their indeterminate number of children.

A woman overcomes childhood leukemia to achieve her dream of becoming an on-air host at a home shopping network.

In her sixth year of law school, Cristela is finally on the brink of landing her first big (unpaid) internship at a prestigious law firm. The only problem is that her pursuit of success is more ambitious than her traditional Mexican-American family thinks is appropriate. She's stuck straddling the old culture she's trying to modernize at home with her working-class family and the modern world she's trying to embrace in her professional career. Breakout comedian Cristela Alonzo stars in this hilarious comedy about laughing your way down the path to the new American dream.

Mike Baxter is the marketing director for an iconic outdoor sporting goods store. He loves to have adventures while he's traveling for work and, of course, he drives a pick-up truck. While Mike is king of the hill at work, he's the odd man out in a home that is dominated by women -- namely his wife, Vanessa, and their three daughters, 20- year-old Kristin, 17-year-old Mandy and 13-year-old Eve. After being a stay-at-home mom for years, Vanessa recently returned to the workplace and was quickly promoted (much to the dismay of her primarily male co-workers). As a result of Vanessa's increased work load, Mike is pulled into more hands-on parenting than ever before.

This half-hour situation comedy centered on a small group of waitresses working at a first class restaurant. A stern female supervisor and a young male piano player are also added into the mix.

Hickory, dickory, dock...the Dice Man's back and he's ready to rock. Twenty-five years after taking the entertainment world by storm, Andrew Dice Clay is eager to reclaim his comedy throne.

With a pay check that is lower than what the local beggar is earning, and with a wife and two children whose only interest is to rob him of his last cents, shoe-salesman Al Bundy is lucky if he can sit down in front of the TV with an ice-cold beer, or sneak out to the local Nudy bar every Tuesday night. Life isn't what it used to be when he was the star of the high-school football team, and when he scored four touch-downs in a single game.

This show tells the story of partners Freddie Thornhill (Sir Ian McKellen) and Stuart Bixby (Sir Derek Jacobi), who have lived together in a small central London flat for nearly fifty years. Constantly picking each other apart and holding on to petty slights for decades, Freddie and Stuart are always at each other's throats, cracking snide remarks aimed at the other's age, appearance, and flaws. However, underneath their vicious, co-dependent fighting, they have a deep love for one another. Freddie and Stuart are often joined by feisty best friend Violet Crosby (Frances de la Tour) and Ash Weston (Iwan Rheon), their young, upstairs neighbor.

British television sitcom, showing on ITV between 2013-2016

Michelle is a Las Vegas showgirl who would like to return to her true love - dancing. After a tumultuous experience at an audition for the musical Chicago, Michelle accepts a marriage proposal from an admirer. On impulse Michelle and Hubble get married and she relocates to a small town where she learns she will be sharing a house with her mother-in-law Fanny. Little to Michelle's knowledge, Fanny owns a dance studio in the back of the property and Michelle sees all these young ballerinas striving to reach their dreams. After an unexpected tragedy, Michelle's entire world will change.

Michaela Quinn, fifth daughter of a Boston physician, defies the conventions of post-Civil War society by following in her father's footsteps, and after his death, 'Dr. Mike' moves to the frontier town of Colorado Springs, where she finds the citizens less than thrilled by the concept of a woman doctor. While she struggles to earn their trust, Mike's life is complicated by a growing relationship with mountain man Byron Sully and the unexpected responsibility of raising three orphaned children.

Obsessive compulsive cleaners help clean homes of hoarders.

A reality TV show that features compulsive hoarders, people who are addicted to filling their homes with objects and how that spills out into their lives.

In this sitcom based on Christine Houston's play about the lives of black women residing in an apartment building in 1950s Chicago, Illinois. Marla Gibbs, who first shot to stardom for playing Florence Johnston, the sarcastic housekeeper to Louise and George Jefferson on The Jeffersons (1975), got her own series. Gibbs starred as tart-tongued Mary Jenkins. Her husband Lester (Hal Williams) was a construction worker and they had a teenage daughter, Brenda (Regina King). Pearl Shay (Helen Martin) was an annoying but open-minded neighbor who gossiped with Mary, and Rose Lee Holloway (Alaina Reed-Hall) was Mary's best friend, who lived in the building with her daughter Tiffany (Kia Goodwin) and was sympathetic to the neighbors. The landlord died in the pilot episode and Rose took his place until season four. Attractive, sassy vamp Sandra Clark (Jackée Harry) showed up later in the show's run.

A spinoff of the Golden Girls. After Dorothy gets married and leaves the group, Blanche, Rose, and Sophia buy a hotel. But what do they know about running a hotel? For that particular reason, they fall back on the experience of the trusted manager and the funny cook.

The character-driven cartoon chronicles the nautical and often nonsensical adventures of SpongeBob, an incurably optimistic and earnest sea sponge, and his underwater friends. Dwelling a few fathoms beneath the tropical isle of Bikini Atoll in the sub-surface city of Bikini Bottom, SpongeBob lives in a two-story pineapple. Instead of taking the logical approach to everyday challenges, SpongeBob approaches life in a wayward and unconventional way. Whether searching for the ultimate spatula to perfect his burger flipping technique at the Krusty Krab or just hanging out with his best friend Patrick (an amiable starfish), SpongeBob's good intentions and overzealous approach to life usually create chaos in his underwater world.

The three Halliwell sisters discover that they are descendents of a line of female witches. Each has a special ability (stopping time, moving objects, seeing the future), and they can also combine their abilities into the "Power of Three" to fight demons, warlocks, and other evils.

American supernatural drama / fantasy television series (1998–2006)

The FBI teams up with a formerly-institutionalized scientist - who was performing experiments on the fringe of real science - and his son to investigate weird crimes that are seemingly part of a larger pattern, and may be connected with a global company called Massive Dynamic.

American science fiction television series

The series follows the life of anti-social, pain killer addict, witty and arrogant medical doctor Gregory House (Hugh Laurie) with only half a muscle in his right leg. He and his team of medical doctors try to cure complex and rare diseases from very ill ordinary people in the United States of America.

A modern take on the cases of Sherlock Holmes, with the detective now living in New York City.

Jacqueline Dusk

Bryson Scott Lightfoot

pgchrs

alexicon

elvira groeneveld

Tyleeha Gary

Mellow Yellow

Santos L. Halper

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Jon Deles

Finding family. Shelley Darlingson was raised in an orphanage, finally happy when she blossoms into a fox and moves into the Playboy Mansion. Unfortunately, she's summarily expelled on her 27th birthday(she's now too old). In desperation she takes a job as house mother for a sorority of misfits losing their house for lack of members. They have but a few months to find 30 pledges, or a sorority of mean girls will take over their place. Shelley figures that girls will pledge a house that boys find interesting, so she sets out to make the Zetas alluring, not act too smart, and host great parties. Can she succeed, and what about her own makeover? Sabotage is everywhere, plus it's hard to be one's self.

To ease their roommate through a relationship-induced depression, Christina Walters and Courtney Rockcliffe take her out on the town. During their attempts to find her "Mr. Right Now", Christina meets Peter Donahue. Missing her opportunity with him that night, Christina is talked into pursuing him to his brother's wedding.

After an unsuccessful mission, FBI agents Kevin and Marcus Copeland fall into disgrace at the agency. They decide to work undercover on an abduction case disguised as Brittany and Tiffany Wilson, the vain, spoiled white daughters of a tycoon.

In a small Minnesota town, the annual beauty pageant is being covered by a TV crew. Former winner Gladys Leeman wants to make sure her daughter follows in her footsteps. Explosions, falling lights, and trailer fires prove that. As the Leemans are the richest family in town the police are pretty relaxed about it all. Despite everything, main rival (but nice) Amber Atkins won't be stopped. There could well be more death and disappointment to come.

1999 American beauty pageant mockumentary film directed by Michael Patrick Jann

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