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Evan Shively (Perseus271)

Apparently a classic of the sci-fi cannon, I'd never heard of this book until it came up on a book club here. It took me a long time to read only because of lack of time, and a rather annoying trait the author has that I'll go into later.This is one of those books that tells us more about the period it was written in than anything else, so it's important to note that it was first published in 1961 and later again in 1968 - when moon fever was running high and people seemed to have high expectations for human achievement. Events are set in an undisclosed future but the older characters seem to remember the first moon landing, so I wouldn't be surprised if Heinlein was thinking of it being set around about now. With a mix of very daggy technology like "stereo tanks" (TVs) and large, clumsy listening devices, alongside hover crafts and spaceships to Mars, the scope of the setting is hampered by a 50s' imagination. Stranger in a Strange Land is about Michael "Mike" Smith, the "Man from Mars", offspring of two of scientists on board the original mission to Mars, who was raised by Martians. He is more Martian than human, especially in his thinking and outlook and philosophy, when he is brought back to Earth. Heir to a shitload of money care of his parents' heritage, it's unsurprising that the bigshots on Earth are wanting to keep him locked up tight. A nurse at the hospital where he is first kept, Jill, offers him a glass of water and in that one action becomes a "water brother" - the highest accolade for Mike. She rescues him from the politicians with the help of her journalist friend Ben and takes him to the home of a grumpy, reclusive man, Dr Jubal Harshaw, who lives with three young women who serve as secretaries - Anne, Miriam and Dorcas - and two men who take care of the property - Duke and Larry. Mike's particular talents slowly reveal: he can vanish things, including people, if he recognises there is a "wrongness" in them; he can withdraw from his own body and shut down his body so there is no heartbeat; he can teleport and think telepathically; he can absorb books in minutes and regulate his own body, making it muscular and mature at will; and so on. All of this can be done with understanding of the Martian language, which Jill starts to learn. He's completely ignorant of human ways, of human concepts - things like jealousy, possessiveness etc. are all alien to him. He doesn't understand religions and he has never laughed.After months on the road with just Jill, learning and "grokking", he finally knows why humans laugh and how to do it himself, and gets the human condition. It leads him to start his own "church", though it's more of a way of life open to people of all religious denominations, with free love and open mindedness, and abilities gained through mastery of the Martian language. With Mike set up as a new Messiah, a prophet, there's only one logical conclusion for this story.As a story, Stranger in a Strange Land is enjoyable and original. Yet, as a story, it's also bogged down with sermons, with Heinlein's opinions, and a very out-of-date mentality. It reads very 60s and 70s, though it was written before then. Not as far-sighted as it would like to be! It's especially noticeable in the relations between men and women, which have that faintly liberated tinge that's all really lip service, and a great deal of sexist language. Which is ironic, really, considering Mike's free love cult. There's also an affectionate insult for a Muslim character who's nicknamed "Stinky" that I couldn't help but be offended by.It does make it hard to read, though, when you come across lines like this, as spoken by Jill very matter-of-factly: "Nine times out of ten, if a girl gets raped, it's partly her fault." (p304) While today the statistics are more like "nine of ten times, a woman's rapist is someone she knows", the idea that it's "partly her fault" is still considered true by way too many people. To hear this come out of Jill's mouth makes it especially awful.Another example is Jubal saying: "Pipe down, Anne. Close your mouth, Dorcas. This is not a time when women have the vote." (p382) Granted, they ignored him and did what they wanted anyway, but there're a lot of these flippant, dismissive remarks all through the book. Product of its times, sure: just not at all futuristic.Then we come to the proselytizing, which the book is rife with. Today, reading this book, the opinions shared are very "yes, so?" - old hat, in other words. Though it is fun to read the rants, the set-up is cringe-worthy. Jubal is the main lecturer, and the characters around him serve as props. There are a great many "Huh?"s from educated and knowledgeable people so that Jubal can share his abundant wisdom. One "huh?" is okay, but when each long paragraph of Jubal is responded to with a "huh?" it gets a bit silly. Frankly, it's bad writing. It reminded me somewhat of The Da Vinci Code, which also uses characters to expound the author's theories on religion etc. at great length. While these things did at times make it harder to read the book, essentially the book is easy to read and often quite fun too. Jubal's sermons (and when Jubal isn't around, other characters fill the role, like Ben and Sam) can be a bit heavy-handed and obvious but a lot of it I agree with, so it wasn't rubbing me up the wrong way. Mike is a challenging character to write, because in order to write a naive, ignorant character to this extent, you need to be incredibly self-aware. Heinlein has fairly good success here, and Mike's growth, maturation, development and resolutions fit the character and work. He has charisma and is definitely intriguing; yet because he lacks the human flaws, he's also somewhat unapproachable and alien: a good balance to achieve.

‘Armageddon only happens once, you know. They don’t let you go around again until you get it right.’People have been predicting the end of the world almost from its very beginning, so it’s only natural to be sceptical when a new date is set for Judgement Day. But what if, for once, the predictions are right, and the apocalypse really is due to arrive next Saturday, just after tea?You could spend the time left drowning your sorrows, giving away all your possessions in preparation for the rapture, or laughing it off as (hopefully) just another hoax. Or you could just try to do something about it.It’s a predicament that Aziraphale, a somewhat fussy angel, and Crowley, a fast-living demon now finds themselves in. They’ve been living amongst Earth’s mortals since The Beginning and, truth be told, have grown rather fond of the lifestyle and, in all honesty, are not actually looking forward to the coming Apocalypse.And then there’s the small matter that someone appears to have misplaced the Antichrist…

IN THE YEAR 2044, reality is an ugly place. The only time teenage Wade Watts really feels alive is when he's jacked into the virtual utopia known as the OASIS. Wade's devoted his life to studying the puzzles hidden within this world's digital confines, puzzles that are based on their creator's obsession with the pop culture of decades past and that promise massive power and fortune to whoever can unlock them. But when Wade stumbles upon the first clue, he finds himself beset by players willing to kill to take this ultimate prize. The race is on, and if Wade's going to survive, he'll have to win—and confront the real world he's always been so desperate to escape.

Strip after strip after strip.Some books just win you over. I too sleep with the baseball bat beside my bed to kill the monster lurking down it.I wonder I still may not be old enough to not start doing this poll manipulation thing with my dad either.I do not want my wife to have such a kid in the house. I want to be that kid rather. We might consider a tiger instead.With characters sketched up as well as these, you will be going out of your way not to give this one a 5 star.Wonderful and addictive.Did I say 5 stars already? Make that 5 stars plus one more for the timelessness captured.

“I’ve had a most amazing time....”So begins the Time Traveller’s astonishing firsthand account of his journey 800,000 years beyond his own era—and the story that launched H.G. Wells’s successful career and earned him his reputation as the father of science fiction. With a speculative leap that still fires the imagination, Wells sends his brave explorer to face a future burdened with our greatest hopes...and our darkest fears. A pull of the Time Machine’s lever propels him to the age of a slowly dying Earth.  There he discovers two bizarre races—the ethereal Eloi and the subterranean Morlocks—who not only symbolize the duality of human nature, but offer a terrifying portrait of the men of tomorrow as well.  Published in 1895, this masterpiece of invention captivated readers on the threshold of a new century. Thanks to Wells’s expert storytelling and provocative insight, The Time Machine will continue to enthrall readers for generations to come. 

Douglas Adams changed the face of science fiction with his cosmically comic novel The Hitchhiker’s Guide to the Galaxy and its classic sequels. Sadly for his countless admirers, he hitched his own ride to the great beyond much too soon. Culled posthumously from Adams’s fleet of beloved Macintosh computers, this selection of essays, articles, anecdotes, and stories offers a fascinating and intimate portrait of the multifaceted artist and absurdist wordsmith.Join Adams on an excursion to climb Kilimanjaro…dressed in a rhino costume; peek into the private life of Genghis Khan—warrior and world-class neurotic; root for the harried author’s efforts to get a Hitchhiker movie off the ground in Hollywood; thrill to the further exploits of private eye Dirk Gently and two-headed alien Zaphod Beeblebrox. Though Douglas Adams is gone, he’s left us something very special to remember him by. Without a doubt.

At last in paperback in one complete volume, here are the five novels from Douglas Adams's Hitchhiker series. "The Hitchhiker's Guide to the Galaxy"Seconds before the Earth is demolished for a galactic freeway, Arthur Dent is saved by Ford Prefect, a researcher for the revised Guide. Together they stick out their thumbs to the stars and begin a wild journey through time and space."The Restaurant at the End of the Universe"Facing annihilation at the hands of warmongers is a curious time to crave tea. It could only happen to the cosmically displaced Arthur Dent and his comrades as they hurtle across the galaxy in a desperate search for a place to eat."Life, the Universe and Everything"The unhappy inhabitants of planet Krikkit are sick of looking at the night sky- so they plan to destroy it. The universe, that is. Now only five individuals can avert Armageddon: mild-mannered Arthur Dent and his stalwart crew."So Long, and Thanks for All the Fish"Back on Earth, Arthur Dent is ready to believe that the past eight years were all just a figment of his stressed-out imagination. But a gift-wrapped fishbowl with a cryptic inscription conspires to thrust him back to reality. So to speak."Mostly Harmless"Just when Arthur Dent makes the terrible mistake of starting to enjoy life, all hell breaks loose. Can he save the Earth from total obliteration? Can he save the Guide from a hostile alien takeover? Can he save his daughter from herself?Also includes the short story "Young Zaphod Plays It Safe".

The unhappy inhabitants of planet Krikkit are sick of looking at the night sky above their heads–so they plan to destroy it. The universe, that is. Now only five individuals stand between the killer robots of Krikkit and their goal of total annihilation.They are Arthur Dent, a mild-mannered space and time traveler who tries to learn how to fly by throwing himself at the ground and missing; Ford Prefect, his best friend, who decides to go insane to see if he likes it; Slartibartfast, the indomitable vice president of the Campaign for Real Time, who travels in a ship powered by irrational behavior; Zaphod Beeblebrox, the two-headed, three-armed ex-president of the galazy; and Trillian, the sexy space cadet who is torn between a persistent Thunder God and a very depressed Beeblebrox.How will it all end? Will it end? Only this stalwart crew knows as they try to avert “universal” Armageddon and save life as we know it–and don’t know it!

* The Hitchhiker's Guide to the Galaxy* The Restaurant at the End of the Universe* Life, the Universe and Everything* So Long, and Thanks for all the Fish* Mostly HarmlessSuppose a good friend calmly told you over a round of drinks that the world was about to end? And suppose your friend went on to confess that he wasn't from around here at all, but rather from a small planet near Betelgeuse? And what if the world really did come to an end, but instead of being blown away, you found yourself hitching a ride on a spaceship with your buddy as a travelling companion?It happens to Arthur Dent.An ordinary guy from a small town in England, Arthur is one lucky sonofagun: his alien friend, Ford Prefect, is in fact a roving researcher for the universally bestselling Hitchhiker's Guide to the Galaxy ... and expert at seeing the cosmos on 30 Altairian dollars a day. Ford lives by the Guide's seminal bit of advice: Don't Panic. Which comes in handy when their first ride--on the very same vessel that demolished Earth to make way for a hyperspacial freeway--ends disastrously (they are booted out of an airlock). with 30 seconds of air in their lungs and the odd of being picked up by another ship 2^276,709 to 1 against, the pair are scooped up by the only ship in the universe powered by the Infinite Improbability Drive.But this (and the idea that Bogart movies and McDonald's hamburgers now exist only in his mind) is just the beginning of the weird things Arthur will have to get used to. For, on his travels, he'll encounter Zaphod Beeblebrox, the two-headed, three-armed ex-President of the Galaxy; Trillian, a sexy spacecadet he once tried to pick up at a cocktail party, now Zaphod's girlfriend; Marvin, a chronically depressed robot; and Slartibartfast, the award-winning engineer who built the Earth and travels in a spaceship disguised as a bistro.Arthur's crazed wanderings will take him from the restaurant at the end of the Universe (where the main dish of the day introduces itself and the floor show is doomsday), to the planet Krikkit (locked in Slo-Time to punish its inhabitants for trying to end the Universe), to Earth (huh? wait! wasn't it destroyed?!) to the very offices of The Hitchhiker's Guide itself as he and his friends quest for the answer to the Question of Life, the Universe and Everything ... and search for a really good cup of tea.Ready or not, Arthur Dent is in for one hell of a ride!

AN ENGLISHMAN'S CONTINUING SEARCH THROUGH SPACE AND TIME FOR A DECENT CUP OF TEA...Arthur Dent's accidental association with that wholly remarkable book The Hitchhiker's Guide to the Galaxy has not been entirely without incident.Arthur has traveled the length, breadth, and depth of known, and unknown, space. He has stumbled forward and backward through time. He has been blown up, reassembled, cruelly imprisoned, horribly released, and colorfully insulted more than is strictly necessary. And of course Arthur Dent has comprehensively failed to grasp the meaning of life, the universe, and everything.Arthur has finally made it home to Earth, but that does not mean he has escaped his fate.Arthur's chances of getting his hands on a decent cuppa have evaporated rapidly, along with all the world's oceans. For no sooner has he touched down on the planet Earth than he finds out that it is about to be blown up...again.And Another Thing...is the rather unexpected, but very welcome, sixth installment of the Hitchhiker's Guide to the Galaxy series. It features a pantheon of unemployed gods, everyone's favorite renegade Galactic President, a lovestruck green alien, an irritating computer, and at least one very large slab of cheese.

- Cast includes Sam Rockwell as Zaphod, Mos Def as Ford Prefect, Martin Freeman as Arthur, Bill Nighy as Slartibartfast and John Malkovich as Humma Kavula, a new character created by Adams for the movie.- Jim Henson's Creature Workshop adds refreshing mix of CGI technology, state of the art puppeteering, and animation.- Hammer &amp; Tongs--Garth Jennings and Nick Goldsmith, the film's director and producer--is the company behind some of the most memorable music videos of recent times, including Fatboy Slim and Coffee &amp; TV.- Adams' close personal friend and executive producer Robbie Stamp had exclusive access to all aspects of the production. As the book's editor, he includes rare interviews and materials--storyboards, sketches, never-before-seen artwork--about the making of The Heart of Gold, The Vogons, and the Guide itself.- Includes chapters on Earth, The Cast, The Vogons, The Heart of Gold, Vogon Command Headquarters, Viltvodle 6, Vogsphere, Magrathea, and Earth II.A must-have companion to the film, this is the book old and new fans of Hitchhiker's have been waiting for.

Hmmm. . .I'm not entirely sure why I have heard so much about this book throughout the years. The Hitchhiker's Guide itself (the first of three books contained within this Omni Edition) was rather uneventful and ended quite abruptly.The Restaurant at the End of the Universe was a tad more interesting though equally disappointing. The third and final book, Life, the Universe and Everything is all but!As far as science fiction goes, this borders on what I dislike; a conglomeration or innane words and characters that really hold no great meaning or comparison to people/places/worlds that we know of. Sure, it's imaginative but this is just borderline obnoxious.Certainly not a favorite of mine! I would prefer, and recommend, any Vonnegut over any of the books in this trilogy any day and to any one! Or, if you're looking for an Englishman with a knack for silly words, than stick to Dahl. . .To be honest, I was so bored reading at times that I contemplated fligning myself face first in to the ground, hoping to be distracted by something else. . .if you don't get it, read the book! I'm not against it, just don't waste your time on it if you don't have a ton to spare!

The Diamond Age: Or, a Young Lady's Illustrated Primer is a postcyberpunk novel by Neal Stephenson. It is to some extent a science fiction coming-of-age story, focused on a young girl named Nell, and set in a future world in which nanotechnology affects all aspects of life. The novel deals with themes of education, social class, ethnicity, and the nature of artificial intelligence.

I don't read science fiction or fantasy. Some might say that Pratchett is a fantasy writer. I say that he is a humorous satirist. This is the book that started my love of his writing, with at least a giggle on nearly every page, and "the sentence" that made me want to read anything he writes... ever... for as long as he can, in the face of his early onset Alzheimer's. And this is True Satire, not mere parody, but human foibles on parade, entertaining screeds, and one book with a marvelous meditation on morality.

I want to try and review both this and The Colour of Magic: Graphic Novel independently from the actual novels, but I think being such a big fan of Terry Pratchett's books it is a bit of an impossibility to entirely split them away from each other.Well talk about throwing Galder Weatherwax underneath the bus! I cannot believe that Granny will be happy with the substitution of Trymon. I understand that in graphic novel adaptations there is a need to not have too many extraneous characters, but I always felt that a lot of what I liked about the Discworld and The Light Fantastic is based around the politics within the Unseen University and that is lost by just subbing out the ambitious Trymon for Weatherwax. But oh well... I suppose they retained most of the heart of the story anyway.This book suffers from the same issues as The Colour of Magic: Graphic Novel, mainly beautiful artwork suffering from the lack of Pratchett's witty asides and wider vision. The loss of the capitalisation of Death's vocals (well they are capitalised, but so is everyone else) loses a lot of what really makes Pratchett's Death who he is. It's still not the Rincewind of my mind (that hasn't changed since the first book) but then as I said in that review, you can't really complain if people visualise characters differently to you.An enjoyable diversion of a book, but please do NOT judge Terry Pratchett's entire Discworld series on these graphic novels, because they really are not a patch on the actual novels.

Welcome to the Discrworld, where the gods are not so much worshipped as blamed!Terry Pratchett is the world's bestselling writer of comic fantasy. This is the first ever fully-illustrated version of the original Discworld novel.Rincewind the "Wizzard" lives in the city of fair Ankh-Morpork, a metropolis placed atop the Discworld, a flat earth being carried through space on the backs of four giant elephants, who in turn rest on the back of an even more gigantic celestial turtle, the Great A'Tuin. A failed mage, Rincewind only wants to have a peaceful and unexciting life. So it is extremely unfortunate for him when he runs into the Discworld's first tourist, Twoflower, come sightseeing to Ankh-Morpork from the fabled, and often believed to be mythical, Agatean Empire, accompanied by his homicidally sentient Luggage. As one of the few people able to communicate with Twoflower in a language the tourist understands, the extremely reluctant Rincewind finds himself forced to become Twoflower's guide by Ankh-Morpork's ruler, the Patrician, who fears the Agatean Emperor's wrath should something untoward befall a citizen of that empire within the bounds of crime-ridden Ankh-Morpork. Unfortunately for the city, Twoflower works in "inn sewers ants", and once he explains the concept of people agreeing to pay out if you make a bet with them that your business won't burn down, he inspires the first attempt at insurance fraud on the Disc.As a result, the unlikely companions are forced to flee the burning city, and venture into the wilds beyond. Out of the frying pan, and into the fire...

The three laws of Robotics:1) A robot may not injure a human being or, through inaction, allow a human being to come to harm.2) A robot must obey orders given to it by human beings except where such orders would conflict with the First Law.3) A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.With these three, simple directives, Isaac Asimov changed our perception of robots forever when he formulated the laws governing their behavior. In I, Robot, Asimov chronicles the development of the robot through a series of interlinked stories: from its primitive origins in the present to its ultimate perfection in the not-so-distant future--a future in which humanity itself may be rendered obsolete.Here are stories of robots gone mad, of mind-read robots, and robots with a sense of humor. Of robot politicians, and robots who secretly run the world--all told with the dramatic blend of science fact and science fiction that has become Asimov's trademark.

Robots and Empire (Robot #4), Isaac Asimov The Earthman Elijah Baley (the detective hero of the previous Robot books) has died nearly two centuries earlier. During these two centuries, Earth-people have overcome their agoraphobia and resumed space colonization, using faster-than-light drive to reach distant planets beyond the earlier "Spacer" worlds. Their inhabitants, calling themselves "Settlers" rather than "Spacers", revere Earth as their mother-world. ...تاریخ نخستین خوانش: ماه ژانویه سال 1994 میلادیعنوان: امپراطوری روباتها (کتاب 4 از سری روبات)؛ نویسنده: آیزاک آسیموف؛ مترجم: کامبیز شمس؛ تهران، شقایق، 1371؛ در 523 ص؛ چاپ دوم با عنوان: امپراتوری روباتها، 1373؛ در 523 ص؛ موضوع: داستانهای علمی تخیلی از نویسندگان امریکایی - سده 20 مسری روبات: کتاب 1: غارهای پولادی؛ کتاب 2: خورشید عریان؛ کتاب 3: روباتهای سپیده دم؛ کتاب 4: امپراتوری روباتها؛ این چهار کتاب را بارها و بارها خوانده و لذت برده ام؛ داستانی از سه جامعه ی زمین، اورورا، و سولاریا است. زمینیهای ضد روبات، در صلح و صفا، اورورا، به عنوان جامعه ای روبات زده، و سولاریا جامعه ای که تعداد روباتهایش از انسانیها بیشتر، و رو به انحطاط است. نقل آغاز داستان: گلادیا صندلی چمنی را لمس کرد، تا مظمئن شود، که مرطوب نیست، و سپس نشست، یک تماس با کنترل، باعث میشد که صندلی، به حالت نیمه خوابیده قرار گیرد، و با تماس دیگر، میدان دیامغناطیسی فعال شده، و مانند همیشه، در او احساس سستی مطلق، ایجاد میکرد. گلادیا، در حقیقت در یک سانتیمتری سطح زمین، شناور بود...؛ پایان نقل. ا. شربیانی

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Pyotr Ilyich Tchaikovsky ( chy-KOF-skee; Russian: Пётр Ильи́ч Чайко́вский, IPA: [pʲɵtr‿ɨˈlʲjitɕ tɕɪjˈkofskʲɪj] (listen); 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets Swan Lake and The Nutcracker, the 1812 Overture, his First Piano Concerto, Violin Concerto, the Romeo and Juliet Overture-Fantasy, several symphonies, and the opera Eugene Onegin.Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary nationalist movement embodied by the Russian composers of The Five with whom his professional relationship was mixed.

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2021 American streaming television miniseries of 9 episodes

Five hundred years in the future, a renegade crew aboard a small spacecraft tries to survive as they travel the unknown parts of the galaxy and evade warring factions as well as authority agents out to get them.

After crash-landing on an alien planet, the Robinson family fight against all odds to survive and escape, but they're surrounded by hidden dangers.

2018 American science fiction television series

During a government experiment into time travel, a scientist finds himself trapped in the past, "leaping" into the bodies of different people on a regular basis and sorting out their problems whilst trying to get back home to his own

Pulled to the far side of the galaxy, where the Federation is seventy-five years away at maximum warp speed, a Starfleet ship must cooperate with Maquis rebels to find a way home.

American science fiction television series from 1995–2001

In attempt to find a non-violent alternative for reducing Hell's overpopulation, the daughter of Lucifer opens a rehabilitation hotel that offers a group of misfit demons a chance at redemption.

Following the destruction of the Twelve Colonies of Kobol by the Cylons, a rag-tag fugitive fleet of the last remnants of mankind flees the pursuing Cylons while simultaneously searching for their true home: Earth.

A prequel to Star Trek: The Original Series, the show will follow the crew of the USS Enterprise under Captain Christopher Pike.

When an old enemy, the Cylons, resurface and obliterate the 12 colonies, the crew of the aged Galactica protect a small civilian fleet - the last of humanity - as they journey toward the fabled 13th colony, Earth.

In the vicinity of the liberated planet of Bajor, the Federation space station Deep Space Nine guards the opening of a stable wormhole to the far side of the galaxy.

American science fiction television series from 1993-1999

A century before Captain Kirk's five-year mission, Jonathan Archer captains the United Earth ship Enterprise during the early years of Starfleet, leading up to the Earth-Romulan War and the formation of the Federation.

American science fiction television series from 2001–2005

Set almost 100 years after Captain Kirk's five-year mission, a new generation of Starfleet officers set off in the U.S.S. Enterprise-D on their own mission to go where no one has gone before.

American science fiction television series from 1987–1994

The further adventures in time and space of the alien adventurer known as the Doctor and their companions from planet Earth.

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