Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

I recently went to Las Vegas for the first, and probably only, time in my life. I hadn't read this book in years, and previously, it hadn't even been my favorite Hunter S. Thompson work. Thompson is dearly missed by many people, and on a personal level, I miss him deeply. He spoke to a true astonishment at the complete, unrelenting fuckedupedness of America and her politics, and he did it with a bite that was deserved and unmatched. He probably could have been a very rich super-novelist of popular, uninspired filth. He probably could have been a brilliant novelist of any kind. But he chose to do what he did, and he did it better than any of his generation. Like Mark Twain, he chronicled American stupidity in the tongue of his generation, and he captured it perfectly, from the insanity of the drug experience to the depravity of American politics. For years, no work of his stood out to me as much as Fear and Loathing on the Campaign Trail '72 or the Gonzo letters. Fear and Loathing in Las Vegas, to me, wasn't his best work. Then I went to Vegas. Suddenly, all the subtle differences between this and his other work made sense, and I realized that he had captured the true tackiness of the truest tacky city on the entire planet (though Dubai with their fucking Island fantasies are likely to take over soon). Fear &amp; Loathing in Las Vegas IS Las Vegas. It's a nightmare, a joke, a blunder of comical, cosmically-fucked proportions. It's not Sin City. It's where Sin goes to die when it's embarrassed for itself. It's where families go on vacations with ten-year-olds, children who get handed fliers for prostitutes. It's the living, pulsing, filthing embodiment of the Holy Dollar. It's sensory overload on a scale drugs can't equal, a place where you almost have to take a brimful of Valium and a pint of ether to feel normal and not feel utterly ashamed at the state of the human condition. It would make you want to blow your brains out if it weren't so goddamned fun, even if you're gay, you hate gambling and hookers make your brain itch. Yet you never, ever feel like it is evil or subversive or curious in any way. It's just about a buck, and every other blink reminds you of it. This is a place where Hunter S. Thompson could easily mingle with a law enforcement convention and not get noticed. This is a place where a lawyer could leave you with a hotel bill. This is a place where no questions get asked because no answers would make sense, and the only thing profound about any of it is that you know, on a gut level, that all the oil used to produce all the plastic used to build that city no doubt funded an island shaped like Australia that was built off the coast of the UAE over the weekend. This novel will never cease to be important, and one day, as a cultural artifact of a forgotten culture from a forgotten nation, it will be one of the most important anthropological pieces in existence. I wish he'd survived the Bush administration. We need this man.NC

Heart of Darkness and Selected Short Fiction, by Joseph Conrad, is part of the Barnes &amp; Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes &amp; Noble Classics: * New introductions commissioned from today's top writers and scholars * Biographies of the authors * Chronologies of contemporary historical, biographical, and cultural events * Footnotes and endnotes * Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work * Comments by other famous authors * Study questions to challenge the reader's viewpoints and expectations * Bibliographies for further reading * Indices &amp; Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes &amp; Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.One of the most haunting stories ever written, Joseph Conrad’s Heart of Darkness follows Marlow, a riverboat captain, on a voyage into the African Congo at the height of European colonialism. Astounded by the brutal depravity he witnesses, Marlow becomes obsessed with meeting Kurtz, a famously idealistic and able man stationed farther along the river. What he finally discovers, however, is a horror beyond imagining. Heart of Darkness is widely regarded as a masterpiece for its vivid study of human nature and the greed and ruthlessness of imperialism. This collection also includes three of Conrad’s finest short stories: “Youth,” the author’s largely autobiographical tale of a young man’s ill-fated sea voyage, in which Marlow makes his first appearance, “The Secret Sharer,” and “Amy Forster.” Features a map of the Congo Free State.A. Michael Matin is a professor in the English Department of Warren Wilson College in Asheville, North Carolina. He has published articles on various twentieth-century British and postcolonial writers.

The Sirens of Titan is an outrageous romp through space, time, and morality. The richest, most depraved man on Earth, Malachi Constant, is offered a chance to take a space journey to distant worlds with a beautiful woman at his side. Of course there's a catch to the invitation—and a prophetic vision about the purpose of human life that only Vonnegut has the courage to tell.

comic science fiction novel by Kurt Vonnegut, Jr., published in 1959

Shakespeare’s King Lear challenges us with the magnitude, intensity, and sheer duration of the pain that it represents. Its figures harden their hearts, engage in violence, or try to alleviate the suffering of others. Lear himself rages until his sanity cracks. What, then, keeps bringing us back to King Lear? For all the force of its language, King Lear is almost equally powerful when translated, suggesting that it is the story, in large part, that draws us to the play.The play tells us about families struggling between greed and cruelty, on the one hand, and support and consolation, on the other. Emotions are extreme, magnified to gigantic proportions. We also see old age portrayed in all its vulnerability, pride, and, perhaps, wisdom—one reason this most devastating of Shakespeare’s tragedies is also perhaps his most moving.The authoritative edition of King Lear from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes:-Freshly edited text based on the best early printed version of the play-Full explanatory notes conveniently placed on pages facing the text of the play-Scene-by-scene plot summaries-A key to the play’s famous lines and phrases-An introduction to reading Shakespeare’s language-An essay by a leading Shakespeare scholar providing a modern perspective on the play-Fresh images from the Folger Shakespeare Library’s vast holdings of rare books-An annotated guide to further readingEssay by Susan SnyderThe Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

On November 15, 1959, in the small town of Holcomb, Kansas, four members of the Clutter family were savagely murdered by blasts from a shotgun held a few inches from their faces. There was no apparent motive for the crime, and there were almost no clues. As Truman Capote reconstructs the murder and the investigation that led to the capture, trial, and execution of the killers, he generates both mesmerizing suspense and astonishing empathy. At the center of his study are the amoral young killers Perry Smith and Dick Hickcock, who, vividly drawn by Capote, are shown to be reprehensible yet entirely and frighteningly human. In Cold Blood is a seminal work of modern prose, a remarkable synthesis of journalistic skill and powerfully evocative narrative.

What do a dead cat, a computer whiz-kid, an Electric Monk who believes the world is pink, quantum mechanics, a Chronologist over 200 years old, Samuel Taylor Coleridge (poet), and pizza have in common? Apparently not much; until Dirk Gently, self-styled private investigator, sets out to prove the fundamental interconnectedness of all things by solving a mysterious murder, assisting a mysterious professor, unravelling a mysterious mystery, and eating a lot of pizza – not to mention saving the entire human race from extinction along the way (at no extra charge). To find out more, read this book (better still, buy it, then read it) – or contact Dirk Gently’s Holistic Detective Agency. ‘A thumping good detective-ghost-horror-whodunnit-time travel-romantic-musical-comedy epic.’ The author

The unhappy inhabitants of planet Krikkit are sick of looking at the night sky above their heads–so they plan to destroy it. The universe, that is. Now only five individuals stand between the killer robots of Krikkit and their goal of total annihilation.They are Arthur Dent, a mild-mannered space and time traveler who tries to learn how to fly by throwing himself at the ground and missing; Ford Prefect, his best friend, who decides to go insane to see if he likes it; Slartibartfast, the indomitable vice president of the Campaign for Real Time, who travels in a ship powered by irrational behavior; Zaphod Beeblebrox, the two-headed, three-armed ex-president of the galazy; and Trillian, the sexy space cadet who is torn between a persistent Thunder God and a very depressed Beeblebrox.How will it all end? Will it end? Only this stalwart crew knows as they try to avert “universal” Armageddon and save life as we know it–and don’t know it!

It’s easy to get disheartened when your planet has been blown up, the woman you love has vanished in a misunderstanding about space/time, the spaceship you are on crashes on a remote and Bob-fearing planet, and all you have to fall back on is a few simple sandwich-making skills. However, instead of being disheartened, Arthur Dent makes the terrible mistake of starting to enjoy life a bit and, immediately, all hell breaks loose.Hell takes a number of forms: there’s the usual Ford Prefect form of hell, fresh hell in the form of an all-new version of The Hitchhiker’s Guide to the Galaxy, and a totally unexpected hell in the form of a teenage girl who startles Arthur Dent by being his daughter when he didn’t even know he had one.Can Arthur save the Earth from total multidimensional obliteration? Can he save the Guide from a hostile alien takeover? Can he save his daughter, Random, from herself? Of course not. He never works out what is going on, exactly. Will you?

Including everything you wanted to know about the first three books but never thought to ask. "HE LOST ALL FAITH IN THE STRAIGHTFORWARD OPERATION OF CAUSE AND EFFECT THE DAY HE GOT UP INTENDING TO CATCH UP WITH SOME READING AND ENDED UP ON A PREHISTORIC EARTH WITH A MAN FROM BETELGEUSE AND A SPACESHIP-LOAD OF ALIEN TELEPHONE SANITISERS...". Left at the end of LIFE, THE UNIVERSE AND EVERYTHING with the address for God's Final Message To His Creation, Arthur Dent let this crucial information slip his mind. He tries everything to jog his memory - meditation, mind-reading, hitting himself about the head with blunt objects. But none of it works. Of course, as everyone knows, the answer lies in making life flash before your eyes...Source: douglasadams.com

alternate covers for this ISBN can be found here and hereThe story of THE HITCH-HIKER’S GUIDE TO THE GALAXY continues"Good Evening ladies and gentlemen, I am your host for tonight, Max Quordlepleen, and I have just come straight from the other end of time where I have been hosting a show at the Big Bang Burger Bar and I will be your host for this historic occasion - the End of History itself."If you've done six impossible things this morning why not round it off with breakfast, lunch or dinner at Milliway's, The Restaurant at the End of the Universe...--back coverCover illustration by Chris Moore

When a passenger check-in desk at London's Heathrow Airport disappears in a ball of orange flame, the explosion is deemed an act of God. But which god, wonders holistic detective Dirk Gently? What god would be hanging around Heathrow trying to catch the 3:37 to Oslo? And what has this to do with Dirk's latest--and late-- client, found only this morning with his head revolving atop the hit record "Hot Potato"? Amid the hostile attentions of a stray eagle and the trauma of a very dirty refrigerator, super-sleuth Dirk Gently will once again solve the mysteries of the universe...

An intimate portrait of two men who cherish the slim bond between them and the dream they share in a world marred by petty tyranny, misunderstanding, jealousy, and callousness. Clinging to each other in their loneliness and alienation, George and his simple-minded friend Lennie dream, as drifters will, of a place to call their own—a couple of acres and a few pigs, chickens, and rabbits back in Hill Country where land is cheap. But after they come to work on a ranch in the fertile Salinas Valley of California, their hopes, like "the best laid schemes o' mice an' men," begin to go awry.Of Mice and Men also represents an experiment in form, as Steinbeck described his work, "a kind of playable novel, written in novel form but so scened and set that it can be played as it stands." A rarity in American letters, it achieved remarkable success as a novel, a Broadway play, and three acclaimed films. Steinbeck's tale of commitment, loneliness, hope, and loss remains one of America's most widely read and beloved novels.--front flap

I don’t know what to do with these stars anymore. I give stars to books and then I think, ‘god, you give five stars to everything, people will think you are terribly undiscriminating’ – so then I give four stars or even three stars to some books. Then I look back and it turns out that that I’ve given four stars to Of Human Bondage and honestly, how could I possibly have thought it was a good idea to give that book less than five stars? It is the absurdity of human conventions that has us doing such things.Now, that is what is called a segue, from the Italian ‘seguire’ – to follow. For the last thirty years I have studiously avoided reading this book. I have done that because for the last thirty years I have known exactly what this book is about and there just didn’t seem any point in reading it. In high school friends (one of them even became my ex-wife) told me it was a great book about a man condemned to die because he was an outsider. Later I was told that this book was a story about something much like the Azaria Chamberlain case. A case where someone does not react in a way that is considered to be ‘socially appropriate’ and is therefore condemned.But after 30 years of avoiding reading this book I have finally relented and read it. At first I didn’t think I was going to enjoy it. It didn’t really get off to the raciest of starts and the character's voice – it is told in first person – was a bit dull. He is a man who lives entirely in the present, how terribly Buddhist of him – although, really there doesn’t seem to be all that much to him.My opinion of the book began to change at his mother’s funeral. I particularly liked the man who kept falling behind in the march to the cemetery and would take short cuts. Okay, so it is black humour, but Camus was more or less French – so black humour is more or less obligatory.I really hadn’t expected this book to be nearly so funny as it turned out. I’d always been told it was a ponderous philosophical text – and so, to be honest, I was expecting to be bored out of my skull. I wasn’t in the least bit bored.A constant theme in my life at present is that I read ‘classics’ expecting them to be about something and they end up being about something completely different. And given I’ve called this a ‘constant’ theme then you might think I would be less than surprised when a read a new ‘classic’ and it turns out to be completely different to my expectations. I’m a little more upset about this one than some of the others, as I’ve been told about this one before, repeatedly, and by people I’d have taken as ‘reputable sources’ – although, frankly, how well one should trust one’s ex-wife in such matters is moot.I had gotten the distinct impression from all of my previous discussions about this book that the guy ends up dead. In fact, this is not the case – he ends up at the point in his life where he has no idea if he will be freed or not. The Priest who comes to him at the end is actually quite certain that he will be freed. Let’s face it, he is only guilty of having murdered an Arab, and as we have daily evidence, Westerners can murder Arabs with complete impunity. The main point of the book to me is when he realises he is no longer ‘free’. He needs this explained to him – because life up until then had been about ‘getting used to things’ and one can 'get used to just about anything'. But the prison guard helpfully informs him that he is being ‘punished’ and the manifestation of that punishment is the removal of his ‘freedom’. Interestingly, he didn’t notice the difference between his past ‘free’ life and his current ‘unfree’ one. The most interesting part of the book to me was the very end, the conversation with the priest. The religious often make the mistake of thinking that Atheists are one thing – I’ve no idea how they ever came to make this mistake, but make it they do. Given that there are thousands upon thousands of different shades of Christians – from Jesuit Catholics to Anti-Disney Episcopalians – it should be fairly obvious that something like Atheism (without any ‘organised’ church or even system of beliefs) could not be in anyway ‘homogeneous’.I am definitely not the same kind of Atheist as Camus. To Camus there is no truth, the world is essentially absurd and all that exists is the relative truth an individual places on events and ideas. This makes the conversation with the priest fascinatingly interesting. To the priest the prisoner who is facing death is – by necessity – someone who is interested in God. You can play around with ideas like the non-existence of God when it doesn’t seem to matter (life is long and blasphemy can seem fun) – but surely when confronted with the stark truth of the human condition any man would turn away from their disbelief and see the shining light.Not this little black duck. Now, if I was in that cell I would have argued with the priest too – but I would not have argued in the same way that Meursault argues. No, I do not believe in God, but I do believe in truth, and so Camus’ arguments are barred to me.Meursault essentially says, “Look, I’m bored, I’m totally uninterested in the rubbish you are talking – now go away”. Now, this is a reasonable response. What is very interesting is that the priest cannot accept this as an answer. The world is not allowed to have such a person in it – if such a person really did exist then it would be a fundamental challenge to the core beliefs of the priest. So, he has to assume Meursault is either lying to him or is trying to taunt him. But it is much worse – he is absolutely sincere, he is not interested in this ‘truth’.I don’t know that the world is completely meaningless, it is conventional rather than meaningless. That those conventions are arbitrary (decided by the culture we grew up in) doesn’t make them meaningless, it makes them conventional. I don’t think I would like to live in a world where people go up and kill Arabs pretty much at random and with impunity, but then again, we have already established this is precisely the world I do live in. My point is that it would be better if we did adhere to some sort of moral principles and that these should be better principles than ‘he should be killed because he didn’t cry at his mum’s funeral’. Camus is seeking to say that all of our ‘moral principles’ in the end come to be as meaningless as that – we judge on the basis of what we see from the framework of our own limited experience. And look, yes, there is much to this – but this ends up being too easy.The thing I like most about Existentialism, though it isn’t really as evident in this book as it is in the actual philosophy – although this is something that Meursault is supposed to have grown to understand (sorry, just one more sub-clause) even though this wasn’t something I noticed at all while reading the book, was the notion of responsibility. I didn’t think in the end Meursault was all that much more ‘responsible’ for his actions than he had been at the start. But I do think that ‘responsibility’ is a key concept in morality and one that seems increasingly to be ignored.Better by far that we feel responsible for too much in our lives than too little – better by far that we take responsibility for the actions of our governments (say) than to call these governments ‘them’. I’m not advocating believing in The Secret - but that if one must err, better to err on the side of believing you have too much responsibility for how your life has turned out, rather than too little.So, what can I say? I enjoyed this much more than I expected – but I’m still glad I waited before reading it, I really don’t think I would have gotten nearly as much out of it at 15 as I did now.

The story of a mentally disabled man whose experimental quest for intelligence mirrors that of Algernon, an extraordinary lab mouse. In diary entries, Charlie tells how a brain operation increases his IQ and changes his life. As the experimental procedure takes effect, Charlie's intelligence expands until it surpasses that of the doctors who engineered his metamorphosis. The experiment seems to be a scientific breakthrough of paramount importance--until Algernon begins his sudden, unexpected deterioration. Will the same happen to Charlie?

It is not so much that The Life of Pi, is particularly moving (although it is). It isn’t even so much that it is written with language that is both delicate and sturdy all at once (which it is, as well). And it’s certainly not that Yann Martel’s vision filled passages are so precise that you begin to feel the salt water on your skin (even though they are). It is that, like Bohjalian and Byatt and all of the great Houdini’s of the literary world, in the last few moments of your journey – after you’ve felt the emotions, endured the moments of heartache, yearned for the resolution of the characters’ struggle – that you realize the book is not what you thought it was. The story transforms, instantly, and forever.And in those last few chapters, you suddenly realize that the moral has changed as well.You feel Martel’s words lingering, suggesting, and you find yourself wondering whether you are his atheist who takes the deathbed leap of faith – hoping for white light and love? Or the agnostic who , in trying to stay true to his reasonable self, explains the mysteries of life and death in only scientific terms, lacking imagination to the end, and, essentially, missing the better story?There is no use in trying to provide a brief synopsis for this ravishing tale of a young boy from India left adrift in the Pacific in a lifeboat with a tiger who used to reside in his father’s zoo in Pondicherry. There is no use because once you finish the book you might decide that this was not, indeed, what the book was about at all. There is no use because, depending on your philosophical bent, the book will mean something very different to your best friend than it will to you. There is no use because it is nearly impossible to describe what makes this book so grand.Read this book. Not because it is an exceptional piece of literary talent. It is, of course. But there are many good authors and many good books. While uncommon, they are not endangered. Read this book because in recent memory - aside from Jose Saramago’s arresting Blindness – there have been no stories which make such grand statements with such few elements. As Pi says in his story “Life on a lifeboat isn’t much of a life. It is like an end game in chess, a game with few pieces. The elements couldn’t be more simple, nor the stakes higher.” It is the same with Martel’s undulating fable of a book about a boy in a boat with a tiger. A simple story with potentially life altering consequences for it’s readers. As Martel writes, "The world isn't just the way it is. It is how we understand it, no? And in understanding something, we bring something to it, no?" Like Schroedinger's cat in the box, the way this book is understood, the way it is perceived affects what it is. There has been some talk that this book will make it’s readers believe in god. I think it’s a question of perspective. To behold this gem of a novel as an adventure of man against the elements (the “dry, yeastless factuality” of what actually happened) is certainly one way to go about it. But to understand this piece to be something indescribable, something godlike, is by far the greater leap of faith.Oh, but worth the leap, if the reader is like that atheist, willing to see the better story.	

This unusual fictional memoir - in good part autobiographical - narrates without self-pity and often with humor the adventures of a penniless British writer among the down-and-outs of two great cities. The Parisian episode is fascinating for its expose of the kitchens of posh French restaurants, where the narrator works at the bottom of the culinary echelon as dishwasher, or plongeur. In London, while waiting for a job, he experiences the world of tramps, street people, and free lodging houses. In the tales of both cities we learn some sobering Orwellian truths about poverty and of society.

At the dawn of the next world war, a plane crashes on an uncharted island, stranding a group of schoolboys. At first, with no adult supervision, their freedom is something to celebrate; this far from civilization the boys can do anything they want. Anything. They attempt to forge their own society, failing, however, in the face of terror, sin and evil. And as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far from reality as the hope of being rescued. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies is perhaps our most memorable novel about “the end of innocence, the darkness of man’s heart.”

You awaken, alone, on a strange island full of puzzles that challenge and surprise you. You can't remember who you are, and you don't remember how you came to b...

ABZÛ is an grand descent into the depths of the sea, where players explore ocean environments with fluid swimming controls. The experience draws inspiration fr...

Attention all earthlings! Relentless alien hordes have been identified in a vicinity near you. Be aware - the classic arcade update has proven to be even more d...

One day, the Mushroom Kingdom was invaded by the Koopas, a tribe of turtles famous for their black magic. The quiet, peace-loving Mushroom People were turned in...

flOw is a game about piloting an aquatic organism through a surreal biosphere where players consume other organisms, evolve, and dive into the abyss. With an em...

[Playstation Network] The pioneers that brought you the award-winning PlayStation Network title "flOw" are back with another concept that challenges traditiona...

In Monument Valley you will manipulate impossible architecture and guide a silent princess through a beautiful world. Monument Valley is a surreal exploration t...

Enter the world of Journey, the third game from indie developers thatgamecompany (creators of "flOw" and "Flower"). Journey is an interactive parable, an anonym...

McMurphy has a criminal past and has once again gotten himself into trouble and is sentenced by the court. To escape labor duties in prison, McMurphy pleads insanity and is sent to a ward for the mentally unstable. Once here, McMurphy both endures and stands witness to the abuse and degradation of the oppressive Nurse Ratched, who gains superiority and power through the flaws of the other inmates. McMurphy and the other inmates band together to make a rebellious stance against the atrocious Nurse.

After his death sometime in his 43rd year, suburbanite Lester Burnham tells of the last few weeks of his life, during which he had no idea of his imminent passing. He is a husband to real estate agent Carolyn Burnham and father to high school student Jane Burnham. Although Lester and Carolyn once loved each other, they now merely tolerate each other. Typical wallflower Jane also hates both her parents; the three suffer individually in silence in their home life. Jane tries to steer clear of both her parents. Carolyn, relatively new to the real estate business, wants to create the persona of success to further her career, aspiring to the professional life of Buddy Kane, the king of the real estate business in their neighborhood. Lester merely walks mindlessly through life, including at his job in advertising. His company is downsizing, and he, like all the other employees, has to justify his position to the newly hired efficiency expert to keep his job. Things change for Lester when he falls in love at first sight with Jane's more experienced classmate, Angela Hayes. Both Janie and Angela can see Lester's sexual infatuation with Angela, who courts such attention from any man as a sign that she is model material, she having once appeared in Seventeen and is a career to which she aspires. Lester's infatuation with Angela gives him a reenergized view on life, where he openly doesn't care anymore what anyone thinks about what he does, anyone except Angela. This infatuation coincides with the Fittses moving in next door: homophobic disciplinarian US Marine Colonel Frank Fitts who rules the house with a military fist (that fist being both figurative and literal), his semi-comatose wife Barbara Fitts, and their bright and quietly subversive 18-year-old son Ricky Fitts, who openly abides by his father's rules while behind the scenes lives by his own quite different perspective. Much like Lester's infatuation, Ricky immediately becomes infatuated with Jane; he considers girls like Angela as ordinary. The entry of Angela and the Fittses into the Burnhams' lives ultimately leads to each of the players confronting what is truly in his or her heart.

The real story behind the world of sales. This is a realistic portrayal of what it is to try making a life in high pressure sales with all its highs and lows; promises of fortunes and deliveries of dross. Red-leads and dead-leads are to blame for life's outcomes. Living with "Objection, Rebuttal, Close".

Following a truck hijack in New York, five criminals are arrested and brought together for questioning. As none of them are guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser Söze is felt. It becomes clear that each one of them has wronged Söze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser Söze?

Because his wife left him and took his son with her, screenwriter Ben Sanderson has started drinking, a lot. He's getting more and more isolated and he troubles women in bars because he wants to have sex with them. When he gets fired, he decides to leave everything behind and move to Las Vegas and drink himself to death. In Las Vegas he meets Sera, a prostitute with some problems as well who he moves in with.

Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the streets of Britain..

Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber.

Brandon and Philip are two young men who share a New York City apartment. They consider themselves intellectually superior to their friend David Kentley, and as a consequence, decide to murder him. Together they strangle David with a rope and placing the body in an old chest, they proceed to hold a small party. The guests include David's father, his fiancée Janet, and their old schoolteacher Rupert, from whom they mistakenly took their ideas. As Brandon becomes increasingly more daring, Rupert begins to suspect.

Why are we here, what's it all about? The Monty Python team is trying to sort out the most important question on Earth: what is the meaning of life? They do so by exploring the various stages of life, starting with birth. A doctor seems more interested in his equipment than in delivering the baby or caring for the mother, a Roman Catholic couple have quite a lot of children because "every sperm is sacred". In the growing and learning part of life, Catholic schoolboys attend a rather strange church service and ditto sex education lesson. Onto war, where an officer's plan to attack is thwarted by his underlings wanting to celebrate his birthday, and an officer's leg is bitten off by presumably an African tiger. At middle age, a couple orders "philosophy" at a restaurant, after which, the movie continues with live organ transplants. The autumn years are played in a restaurant, which, after being treated to the song "Isn't It Awfully Nice to Have a Penis?" by an entertainer, sees the arrival of an extremely fat man. He can eat a lot, but also throw up quite copiously. The Grim Reaper brings for the final stage of human life, death, a visit to a mansion, where the people are rather interested in him. But life doesn't stop at death. It's onto heaven, where it's always Christmas.

1983 musical-sketch comedy film by the Monty Python team

Married couple Bernard and Vivian Jaffe operate their own detective agency. They're not ordinary detectives, but existentialist detectives whose clients want them to discover some deeper meaning of life. Their latest client is Albert Markovski, the poetry spouting, bicycle riding founder and director of the Open Spaces Coalition, whose raison d'être is the opposition of suburban sprawl in protecting open spaces. Their latest project is opposition to the construction of a Huckabees outlet on some suburban marshland, it a big box retailer. Brad Stand, a flashy Huckabees sales executive, is trying to seize control of the coalition to thwart Albert. Albert, who only "stumbled" upon Vivian and Bernard's agency, wants them to discover not anything related to work - in fact, he wants them to stay clear of his work altogether - but the meaning behind his encounters with a young, thin, tall black man, who he's run into in three different, unrelated situations. Regardless of Albert's request, Bernard and Vivian do look into his work in needing to see all aspects of his life, in the process Brad also hiring them in his continued takeover of all things Albert, which affects Brad's beautiful but insecure girlfriend, Dawn Campbell, the voice and image of Huckabee's latest marketing campaign. Bernard and Vivian further believe that both Albert and another of their existing clients, firefighter Tommy Corn, would benefit from being each other's "other". Tommy, whose wife does not understand him, believes all the world's problems are the result of petroleum. Tommy has recently come to an epiphany in reading Caterine Vauban's book he thought was given to him by Bernard and Vivian, but she who is really Bernard and Vivian's rival, a Frenchwoman come to infiltrate their cases. That epiphany, Caterine's theory, is that nothing is coincidental, she using science to back her theory. That epiphany may indeed be the center of what is happening as this collective tries to come to some meaning not only with the issues that brought them to Bernard and Vivian, but of what happens between them.

On the day he gets married and hangs up his badge, Marshal Will Kane is told that a man he sent to prison years before, Frank Miller, is returning on the noon train to exact his revenge. Having initially decided to leave with his new spouse, Will decides he must go back and face Miller. However, when he seeks the help of the townspeople he has protected for so long, they turn their backs on him. It seems Kane may have to face Miller alone, as well as the rest of Miller's gang, who are waiting for him at the station.

1952 American Western film directed by Fred Zinnemann

When the annual fair comes to town, murder, madness and mayhem creep in its shadows. Dr. Caligari, a mysterious hypnotist, appears to control every move of his bizarre, clairvoyant sleepwalker, but does he?

A mild mannered film critic is dumped by his wife and his ego is crushed. His hero persona is the tough guy played by Humphrey Bogart in many of his movies and the apparition of Bogart begins showing up to give him advice. With the encouragement of his two married friends, he actually tries dating again, with less than satisfactory results, until he relaxes.

Guido is a film director, trying to relax after his last big hit. He can't get a moment's peace, however, with the people who have worked with him in the past constantly looking for more work. He wrestles with his conscience, but is unable to come up with a new idea. While thinking, he starts to recall major happenings in his life, and all the women he has loved and left. An autobiographical film of Fellini, about the trials and tribulations of film making.

Set in the midwest of the depression-era, Paper Moon follows Moses Pray and Addie Loggins - one a con artist, the other, the young girl who's the daughter of a woman who's just passed away. The pair meet when 'Mose' stops by the sparsely-attended funeral in Kansas of a woman he once knew (we never see her). In attendance, is the woman's young daughter, Addie, whom Moses agrees to transport to St Joseph, Mo -- for money, of course. Mose - an inveterate hustler, has been working ostensibly as a representative of the Kansas Bible Company - who picks his marks from the obits, and tries to sell - at exorbitant prices - the decedents' spouse the custom bible they'd previously ordered. Wise beyond her years, Addie picks up on Moses' grift, and very quickly, she and Mose become a team. Traveling from town to town, making money in every dishonest way imaginable, and looking for the ultimate score. The colorful characters they meet along the way make the film all the more interesting. One in particular - Miss Trixie Delight - an exotic dancer who Mose rescues from a traveling carnival and the girl who works for her, poor, suffering Imogene. Addie sees Miss Delight as a potential rival, and she concocts a plan with Imogene to free themselves of her. The film's peppered with regional dialogue, one of the most memorable line's uttered when Mose is forced to wrestle a backwoodsman in order to trade his new car for the hillbilly's battered old truck; "make him say calf-rope, Leroy!" one of the observers calls out. Paper Moon, directed by Peter Bogdonovich is adapted from the novel, "Addie Pray" (1971) by Joe David Brown.

Michael Dorsey is an unemployed actor with an impossible reputation. In order to find work and fund his friend's play he dresses as a woman, Dorothy Michaels, and lands the part in a daytime drama. Dorsey loses himself in this woman role and essentially becomes Dorothy Michaels, captivating women all around the city and inspiring them to break free from the control of men and become more like Dorsey's initial identity. This newfound role, however, lands Dorsey in a hot spot between a female friend/'lover,' a female co-star he falls in love with, that co-star's father who falls in love with him, and a male co-star who yearns for his affection.

Forty-two year old Isaac Davis has a romanticized view of his hometown, New York City, most specifically Manhattan, as channeled through the lead character in the first book he is writing, despite his own Manhattan-based life being more of a tragicomedy. He has just quit his job as a hack writer for a bad television comedy, he, beyond the ten second rush of endorphins during the actual act of quitting, now regretting the decision, especially as he isn't sure he can live off his book writing career. He is paying two alimonies, his second ex-wife, Jill Davis, a lesbian, who is writing her own tell-all book of their acrimonious split. The one somewhat positive aspect of his life is that he is dating a young woman named Tracy, although she is only seventeen and still in high school. Largely because of their differences a big part of which is due to their ages, he does not see a long term future with her. His life has the potential to be even more tragicomical when he meets journalist Mary Wilkie, the mistress of his best friend, college professor Yale Pollack. Although Isaac's first impression of Mary is that she is a pretentious intellectual, he falls for her. They do become friends with the potential of becoming more than just friends as she knows that being the "other woman" in Yale's life is not a long term role that she wants. An Isaac/Mary coupling may complicate matters even more with Yale being mutually in their lives. Regardless, Isaac may be able to rationalize events after they happen, no matter what those events are.

American interdisciplinary artist and musician

American guitarist, singer and songwriter (1942–1970)

English guitarist, singer, and songwriter (born 1945)

The character-driven cartoon chronicles the nautical and often nonsensical adventures of SpongeBob, an incurably optimistic and earnest sea sponge, and his underwater friends. Dwelling a few fathoms beneath the tropical isle of Bikini Atoll in the sub-surface city of Bikini Bottom, SpongeBob lives in a two-story pineapple. Instead of taking the logical approach to everyday challenges, SpongeBob approaches life in a wayward and unconventional way. Whether searching for the ultimate spatula to perfect his burger flipping technique at the Krusty Krab or just hanging out with his best friend Patrick (an amiable starfish), SpongeBob's good intentions and overzealous approach to life usually create chaos in his underwater world.

Lord Robert Crawley, Earl of Grantham (Hugh Bonneville) sees his family heritage, especially the grand country home Downton Abbey, as his mission in life. The death of his heir aboard R.M.S. Titanic means distant cousin Matthew Crawley (Dan Stevens), a Manchester lawyer, suddenly is next in line and accepts moving onto the vast estate with his even more modernist, socially engaged mother, who clashes with his Lordship's domineering, conservative mother, the dowager countess. Marrying off the daughters is another concern. Meanwhile, the butler presides over a staff which serves the family, but also lead most of their entire lives in the servants' quarters, intriguing amongst themselves.

British historical drama television series

Bugs Bunny, the famous, Oscar-winning cartoon rabbit, hosts his first weekly television series, along with all his fellow Warner Brothers cartoon stars, including Daffy Duck, Porky Pig, Elmer Fudd, Yosemite Sam, the Tasmanian Devil, Tweety Bird, Sylvester Cat, the Road Runner, Wile E. Coyote, Pepe Le Pew, Foghorn Leghorn, and Speedy Gonzales. Each episode features three theatrical cartoons introduced by Bugs and/or the other characters, and often with a unifying idea, or theme. Many episodes feature Bugs as a lecturer on such subjects as cats, dogs, birds, and humans, and offering classic Warner Brothers cartoon footage to comically illustrate his points.

Daytime Host of the now-defunct Air America Radio's liberal talk show host discusses current events, with an emphasis on politics.

daily news and opinion television program

Stephen Colbert took over as host, executive producer and writer of THE LATE SHOW on Tuesday, Sept. 8, 2015. The comedy-variety-talk show is broadcast five nights a week from the Ed Sullivan theater in New York.

TV series about the life of Brendon Small, an eight-year-old visionary who, using his friends Jason and Melissa as actors, have managed to direct over a thousand homemade films. His parents are divorced, but it doesn't feel strange since so many other kids' parents are divorced. His friend Jason actually feels upset because his parents are still together. At school, he is taught soccer by his coach John McGirk, or as he calls him, "that weird Irish guy".

American adult animated television sitcom

Comedian Dave Chappelle hosts this sketch-comedy show that parodies many of the nuances of race and culture.

The comical seafaring adventures of a young, enthusiastic boy, his pirate captain mentor, and the talking whale that raised him from birth.

Nathaniel Fisher, his wife Ruth, and their children David and Claire run a small funeral business that offers the best care to be found anywhere close by. Prodigal son Nate Jr. arrives home for Christmas just as his father is killed by a bus, and has to stick around when he and David are willed the funeral service together. How does a family who helps others deal with grief deal with its own?

Disillusioned at the thought of taking down another "mark," depressed, low-level hit man Barry Berkman seeks a way out. When the Midwesterner reluctantly travels to Los Angeles to execute a hit on an actor who is bedding a mobster's wife, little does Barry know that the City of Angels may be his sanctuary. He follows his target into acting class and ends up instantly drawn to the community of eager hopefuls, especially dedicated student Sally, who becomes the object of his affection. While Barry wants to start a new life as an actor, his handler, Fuches, has other ideas, and the hit man's criminal past won't let him walk away so easily.

The Aqua Teen Hunger Force debuted on episode 92 "Baffler Meal" of the cartoon talk-show "Space Ghost Coast to Coast" According to TVtome.com, Master Shake is portrayed as being a chocolate milkshake in this episode, although he's a pistachio shake in the series

This sitcom follows recently divorced mother (Ann Romano) and her two teenage daughters (Barbara and Julie) as they start a new life together in Indianapolis, They are befriended by the building superintendent (Dwayne Schneider), who treats them like family. Together, these four main characters face life's challenges together.

A group of never-do-well forest rangers are facing the shutdown of their National Park when a new ranger arrives to help transform them and save the park.

After starring in the popular sitcom "Horsin' Around" in the late 80s and early 90s, BoJack Horseman struggles with his deteriorating popularity, depression, addiction, and maintaining the relationships with those he cares about, but can't seem to stop hurting, all while living in the satirical, pun-filled city of Hollywood, California.

At a predominantly white Ivy League college, a group of black students navigate various forms of racial and other types of discrimination.

American satirical comedy-drama television series

British travel documentary television series

An updated iteration of the classic Looney Tunes characters focusing on their satirical misadventures living in suburbia.

More than a decade after the original series went off the air, Netflix reboots the "Queer Eye" franchise with a new Fab Five and a new setting, trading in the concrete jungle of New York City for communities in and around Atlanta. The style experts forge relationships with men and women who often have different beliefs from them, leading to moments of social commentary interspersed with style advice. Advising people in need of lifestyle makeovers are food and wine specialist

Trailer Park Boys is about life between prison terms. Always trying to play the angles, always done-in by forces beyond their control, and always in the middle of a gunfight, Ricky and Julian are decent, hard- working guys trying to cope with the New World Economic Order. It's not that the boys don't know right from wrong, it's just that "right" rarely presents itself.

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