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Mary Shelley began writing Frankenstein when she was only eighteen. At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein. Obsessed with discovering the cause of generation and life and bestowing animation upon lifeless matter, Frankenstein assembles a human being from stolen body parts but; upon bringing it to life, he recoils in horror at the creature's hideousness. Tormented by isolation and loneliness, the once-innocent creature turns to evil and unleashes a campaign of murderous revenge against his creator, Frankenstein.Frankenstein, an instant bestseller and an important ancestor of both the horror and science fiction genres, not only tells a terrifying story, but also raises profound, disturbing questions about the very nature of life and the place of humankind within the cosmos: What does it mean to be human? What responsibilities do we have to each other? How far can we go in tampering with Nature? In our age, filled with news of organ donation genetic engineering, and bio-terrorism, these questions are more relevant than ever.

The English literature experts are most likely rolling their eyes at me but I stick by my rating of 1 star. To me, there was no substance to this story. I won't even get into the strange way of Hemingway's writing. The book is about several mid-aged friends that basically meet or run into each other at various cafes and clubs in Paris. Some like each other; some don't. For the majority, they usually consume large amounts of wine each day. The main female character is one that most of the men seem to be in love with. Towards the end of the book they head to Spain for the week of festivals surrounding the bullfights. I have plans to also read For Whom the Bell Tolls and A Farewell to Arms but I am rethinking that if they appear to be anything like this. I read them all some 45 yrs ago and thought it would be good to do that again.

First published in 1952 and immediately hailed as a masterpiece, Invisible Man is one of those rare novels that have changed the shape of American literature. For not only does Ralph Ellison's nightmare journey across the racial divide tell unparalleled truths about the nature of bigotry and its effects on the minds of both victims and perpetrators, it gives us an entirely new model of what a novel can be.As he journeys from the Deep South to the streets and basements of Harlem, from a horrifying "battle royal" where black men are reduced to fighting animals, to a Communist rally where they are elevated to the status of trophies, Ralph Ellison's nameless protagonist ushers readers into a parallel universe that throws our own into harsh and even hilarious relief. Suspenseful and sardonic, narrated in a voice that takes in the symphonic range of the American language, black and white, Invisible Man is one of the most audacious and dazzling novels of our century.

A searing, postapocalyptic novel destined to become Cormac McCarthy’s masterpiece.A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other.The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, “each the other’s world entire,” are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.(front flap)

E-Myth \ 'e-,'mith\ n 1: the entrepreneurial myth: the myth that most people who start small businesses are entrepreneurs 2: the fatal assumption that an individual who understands the technical work of a business can successfully run a business that does that technical workVoted #1 business book by Inc. 500 CEOs.An instant classic, this revised and updated edition of the phenomenal bestseller dispels the myths about starting your own business. Small business consultant and author Michael E. Gerber, with sharp insight gained from years of experience, points out how common assumptions, expectations, and even technical expertise can get in the way of running a successful business.Gerber walks you through the steps in the life of a business—from entrepreneurial infancy through adolescent growing pains to the mature entrepreneurial perspective: the guiding light of all businesses that succeed—and shows how to apply the lessons of franchising to any business, whether or not it is a franchise. Most importantly, Gerber draws the vital, often overlooked distinction between working on your business and working in your business.The E-Myth Revisited will help you grow your business in a productive, assured way.

Influence, the classic book on persuasion, explains the psychology of why people say "yes"—and how to apply these understandings. Dr. Robert Cialdini is the seminal expert in the rapidly expanding field of influence and persuasion. His thirty-five years of rigorous, evidence-based research along with a three-year program of study on what moves people to change behavior has resulted in this highly acclaimed book.You'll learn the six universal principles, how to use them to become a skilled persuader—and how to defend yourself against them. Perfect for people in all walks of life, the principles of Influence will move you toward profound personal change and act as a driving force for your success.

Drawing on cutting-edge neuroscience and psychology and displaying all of the brilliance that made The Tipping Point a classic, Blink changes the way you'll understand every decision you make. Never again will you think about thinking the same way.Malcolm Gladwell redefined how we understand the world around us. Now, in Blink, he revolutionizes the way we understand the world within. Blink is a book about how we think without thinking, about choices that seem to be made in an instant - in the blink of an eye - that actually aren't as simple as they seem. Why are some people brilliant decision makers, while others are consistently inept? Why do some people follow their instincts and win, while others end up stumbling into error? How do our brains really work - in the office, in the classroom, in the kitchen, and in the bedroom? And why are the best decisions often those that are impossible to explain to others? In Blink we meet the psychologist who has learned to predict whether a marriage will last, based on a few minutes of observing a couple; the tennis coach who knows when a player will double-fault before the racket even makes contact with the ball; the antiquities experts who recognize a fake at a glance. Here, too, are great failures of "blink": the election of Warren Harding; "New Coke"; and the shooting of Amadou Diallo by police. Blink reveals that great decision makers aren't those who process the most information or spend the most time deliberating, but those who have perfected the art of "thin-slicing" - filtering the very few factors that matter from an overwhelming number of variables.

Dark Horse presents new editions of the entire Hellboy line with new covers, beginning with Seed of Destruction, the basis of director Guillermo del Toro's blockbuster films. Hellboy is one of the most celebrated comics series in recent years. The ultimate artists' artist and a great storyteller whose work is in turns haunting, hilarious, and spellbinding. Mike Mignola has won numerous awards in the comics industry and beyond. When strangeness threatens to engulf the world, a strange man will come to save it. Sent to investigate a mystery with supernatural overtones, Hellboy discovers the secrets of his own origins, and his link to the Nazi occultists who promised Hitler a final solution in the form of a demonic avatar." ... Hellboy is a brilliant example of how to elevate the comic of the future to a higher literary level while achieving a higher pitch of excitement." --Robert Bloch, from his introduction

The screenplay for Stanley Kubrick’s disturbing and exhilarating masterpiece, featuring 800 film stills chosen by the director.This unique illustrated screenplay features 800 still images from “A Clockwork Orange,” selected by Stanley Kubrick when the film was first released in 1971. As Kubrick comments in his introduction: “I have always wondered if there might be a more meaningful way to present a book about a film. To make, as it were, a complete graphic representation of the film, cut by cut, with the dialogue printed in the proper place in relation to the cuts, so that within the limits of still photos and words, an accurate (and I hope interesting) record of a film might be available… This book represents that attempt.”Screenplay by Stanley Kubrick, based on the novel by Anthony Burgess.

The quintessential novel of the Lost Generation, The Sun Also Rises is one of Ernest Hemingway's masterpieces, and a classic example of his spare but powerful writing style. A poignant look at the disillusionment and angst of the post-World War I generation, the novel introduces two of Hemingway's most unforgettable characters: Jake Barnes and Lady Brett Ashley. The story follows the flamboyant Brett and the hapless Jake as they journey from the wild nightlife of 1920s Paris to the brutal bullfighting rings of Spain with a motley group of expatriates. It is an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions. First published in 1926, The Sun Also Rises helped to establish Hemingway as one of the greatest writers of the twentieth century.

I don’t know what to do with these stars anymore. I give stars to books and then I think, ‘god, you give five stars to everything, people will think you are terribly undiscriminating’ – so then I give four stars or even three stars to some books. Then I look back and it turns out that that I’ve given four stars to Of Human Bondage and honestly, how could I possibly have thought it was a good idea to give that book less than five stars? It is the absurdity of human conventions that has us doing such things.Now, that is what is called a segue, from the Italian ‘seguire’ – to follow. For the last thirty years I have studiously avoided reading this book. I have done that because for the last thirty years I have known exactly what this book is about and there just didn’t seem any point in reading it. In high school friends (one of them even became my ex-wife) told me it was a great book about a man condemned to die because he was an outsider. Later I was told that this book was a story about something much like the Azaria Chamberlain case. A case where someone does not react in a way that is considered to be ‘socially appropriate’ and is therefore condemned.But after 30 years of avoiding reading this book I have finally relented and read it. At first I didn’t think I was going to enjoy it. It didn’t really get off to the raciest of starts and the character's voice – it is told in first person – was a bit dull. He is a man who lives entirely in the present, how terribly Buddhist of him – although, really there doesn’t seem to be all that much to him.My opinion of the book began to change at his mother’s funeral. I particularly liked the man who kept falling behind in the march to the cemetery and would take short cuts. Okay, so it is black humour, but Camus was more or less French – so black humour is more or less obligatory.I really hadn’t expected this book to be nearly so funny as it turned out. I’d always been told it was a ponderous philosophical text – and so, to be honest, I was expecting to be bored out of my skull. I wasn’t in the least bit bored.A constant theme in my life at present is that I read ‘classics’ expecting them to be about something and they end up being about something completely different. And given I’ve called this a ‘constant’ theme then you might think I would be less than surprised when a read a new ‘classic’ and it turns out to be completely different to my expectations. I’m a little more upset about this one than some of the others, as I’ve been told about this one before, repeatedly, and by people I’d have taken as ‘reputable sources’ – although, frankly, how well one should trust one’s ex-wife in such matters is moot.I had gotten the distinct impression from all of my previous discussions about this book that the guy ends up dead. In fact, this is not the case – he ends up at the point in his life where he has no idea if he will be freed or not. The Priest who comes to him at the end is actually quite certain that he will be freed. Let’s face it, he is only guilty of having murdered an Arab, and as we have daily evidence, Westerners can murder Arabs with complete impunity. The main point of the book to me is when he realises he is no longer ‘free’. He needs this explained to him – because life up until then had been about ‘getting used to things’ and one can 'get used to just about anything'. But the prison guard helpfully informs him that he is being ‘punished’ and the manifestation of that punishment is the removal of his ‘freedom’. Interestingly, he didn’t notice the difference between his past ‘free’ life and his current ‘unfree’ one. The most interesting part of the book to me was the very end, the conversation with the priest. The religious often make the mistake of thinking that Atheists are one thing – I’ve no idea how they ever came to make this mistake, but make it they do. Given that there are thousands upon thousands of different shades of Christians – from Jesuit Catholics to Anti-Disney Episcopalians – it should be fairly obvious that something like Atheism (without any ‘organised’ church or even system of beliefs) could not be in anyway ‘homogeneous’.I am definitely not the same kind of Atheist as Camus. To Camus there is no truth, the world is essentially absurd and all that exists is the relative truth an individual places on events and ideas. This makes the conversation with the priest fascinatingly interesting. To the priest the prisoner who is facing death is – by necessity – someone who is interested in God. You can play around with ideas like the non-existence of God when it doesn’t seem to matter (life is long and blasphemy can seem fun) – but surely when confronted with the stark truth of the human condition any man would turn away from their disbelief and see the shining light.Not this little black duck. Now, if I was in that cell I would have argued with the priest too – but I would not have argued in the same way that Meursault argues. No, I do not believe in God, but I do believe in truth, and so Camus’ arguments are barred to me.Meursault essentially says, “Look, I’m bored, I’m totally uninterested in the rubbish you are talking – now go away”. Now, this is a reasonable response. What is very interesting is that the priest cannot accept this as an answer. The world is not allowed to have such a person in it – if such a person really did exist then it would be a fundamental challenge to the core beliefs of the priest. So, he has to assume Meursault is either lying to him or is trying to taunt him. But it is much worse – he is absolutely sincere, he is not interested in this ‘truth’.I don’t know that the world is completely meaningless, it is conventional rather than meaningless. That those conventions are arbitrary (decided by the culture we grew up in) doesn’t make them meaningless, it makes them conventional. I don’t think I would like to live in a world where people go up and kill Arabs pretty much at random and with impunity, but then again, we have already established this is precisely the world I do live in. My point is that it would be better if we did adhere to some sort of moral principles and that these should be better principles than ‘he should be killed because he didn’t cry at his mum’s funeral’. Camus is seeking to say that all of our ‘moral principles’ in the end come to be as meaningless as that – we judge on the basis of what we see from the framework of our own limited experience. And look, yes, there is much to this – but this ends up being too easy.The thing I like most about Existentialism, though it isn’t really as evident in this book as it is in the actual philosophy – although this is something that Meursault is supposed to have grown to understand (sorry, just one more sub-clause) even though this wasn’t something I noticed at all while reading the book, was the notion of responsibility. I didn’t think in the end Meursault was all that much more ‘responsible’ for his actions than he had been at the start. But I do think that ‘responsibility’ is a key concept in morality and one that seems increasingly to be ignored.Better by far that we feel responsible for too much in our lives than too little – better by far that we take responsibility for the actions of our governments (say) than to call these governments ‘them’. I’m not advocating believing in The Secret - but that if one must err, better to err on the side of believing you have too much responsibility for how your life has turned out, rather than too little.So, what can I say? I enjoyed this much more than I expected – but I’m still glad I waited before reading it, I really don’t think I would have gotten nearly as much out of it at 15 as I did now.

Parks and Recreation actor Nick Offerman shares his humorous fulminations on life, manliness, meat, and much more in his first book. Growing a perfect moustache, grilling red meat, wooing a woman—who better to deliver this tutelage than the always charming, always manly Nick Offerman, best known as Parks and Recreation’s Ron Swanson?  Combining his trademark comic voice and very real expertise in woodworking—he runs his own woodshop—Paddle Your Own Canoe features tales from Offerman’s childhood in small-town Minooka, Illinois—“I grew up literally in the middle of a cornfield”—to his theater days in Chicago, beginnings as a carpenter/actor and the hilarious and magnificent seduction of his now-wife Megan Mullally.   It also offers hard-bitten battle strategies in the arenas of manliness, love, style, religion, woodworking, and outdoor recreation, among many other savory entrees. A mix of amusing anecdotes, opinionated lessons and rants, sprinkled with offbeat gaiety, Paddle Your Own Canoe will not only tickle readers pink but may also rouse them to put down their smart phones, study a few sycamore leaves, and maybe even hand craft (and paddle) their own canoes.

It is not so much that The Life of Pi, is particularly moving (although it is). It isn’t even so much that it is written with language that is both delicate and sturdy all at once (which it is, as well). And it’s certainly not that Yann Martel’s vision filled passages are so precise that you begin to feel the salt water on your skin (even though they are). It is that, like Bohjalian and Byatt and all of the great Houdini’s of the literary world, in the last few moments of your journey – after you’ve felt the emotions, endured the moments of heartache, yearned for the resolution of the characters’ struggle – that you realize the book is not what you thought it was. The story transforms, instantly, and forever.And in those last few chapters, you suddenly realize that the moral has changed as well.You feel Martel’s words lingering, suggesting, and you find yourself wondering whether you are his atheist who takes the deathbed leap of faith – hoping for white light and love? Or the agnostic who , in trying to stay true to his reasonable self, explains the mysteries of life and death in only scientific terms, lacking imagination to the end, and, essentially, missing the better story?There is no use in trying to provide a brief synopsis for this ravishing tale of a young boy from India left adrift in the Pacific in a lifeboat with a tiger who used to reside in his father’s zoo in Pondicherry. There is no use because once you finish the book you might decide that this was not, indeed, what the book was about at all. There is no use because, depending on your philosophical bent, the book will mean something very different to your best friend than it will to you. There is no use because it is nearly impossible to describe what makes this book so grand.Read this book. Not because it is an exceptional piece of literary talent. It is, of course. But there are many good authors and many good books. While uncommon, they are not endangered. Read this book because in recent memory - aside from Jose Saramago’s arresting Blindness – there have been no stories which make such grand statements with such few elements. As Pi says in his story “Life on a lifeboat isn’t much of a life. It is like an end game in chess, a game with few pieces. The elements couldn’t be more simple, nor the stakes higher.” It is the same with Martel’s undulating fable of a book about a boy in a boat with a tiger. A simple story with potentially life altering consequences for it’s readers. As Martel writes, "The world isn't just the way it is. It is how we understand it, no? And in understanding something, we bring something to it, no?" Like Schroedinger's cat in the box, the way this book is understood, the way it is perceived affects what it is. There has been some talk that this book will make it’s readers believe in god. I think it’s a question of perspective. To behold this gem of a novel as an adventure of man against the elements (the “dry, yeastless factuality” of what actually happened) is certainly one way to go about it. But to understand this piece to be something indescribable, something godlike, is by far the greater leap of faith.Oh, but worth the leap, if the reader is like that atheist, willing to see the better story.	

What happens when the most beautiful girl in the world marries the handsomest prince of all time and he turns out to be...well...a lot less than the man of her dreams?As a boy, William Goldman claims, he loved to hear his father read the S. Morgenstern classic, The Princess Bride. But as a grown-up he discovered that the boring parts were left out of good old Dad's recitation, and only the "good parts" reached his ears.Now Goldman does Dad one better. He's reconstructed the "Good Parts Version" to delight wise kids and wide-eyed grownups everywhere.What's it about? Fencing. Fighting. True Love. Strong Hate. Harsh Revenge. A Few Giants. Lots of Bad Men. Lots of Good Men. Five or Six Beautiful Women. Beasties Monstrous and Gentle. Some Swell Escapes and Captures. Death, Lies, Truth, Miracles, and a Little Sex.In short, it's about everything.

The unforgettable, heartbreaking story of the unlikely friendship between a wealthy boy and the son of his father’s servant, The Kite Runner is a beautifully crafted novel set in a country that is in the process of being destroyed. It is about the power of reading, the price of betrayal, and the possibility of redemption; and an exploration of the power of fathers over sons—their love, their sacrifices, their lies.A sweeping story of family, love, and friendship told against the devastating backdrop of the history of Afghanistan over the last thirty years, The Kite Runner is an unusual and powerful novel that has become a beloved, one-of-a-kind classic.--khaledhosseini.com

In Othello, Shakespeare creates a powerful drama of a marriage that begins with fascination (between the exotic Moor Othello and the Venetian lady Desdemona), with elopement, and with intense mutual devotion and that ends precipitately with jealous rage and violent deaths. He sets this story in the romantic world of the Mediterranean, moving the action from Venice to the island of Cyprus and giving it an even more exotic coloring with stories of Othello's African past. Shakespeare builds so many differences into his hero and heroine—differences of race, of age, of cultural background—that one should not, perhaps, be surprised that the marriage ends disastrously. But most people who see or read the play feel that the love that the play presents between Othello and Desdemona is so strong that it would have overcome all these differences were it not for the words and actions of Othello's standard-bearer, Iago, who hates Othello and sets out to destroy him by destroying his love for Desdemona. As Othello succumbs to Iago's insinuations that Desdemona is unfaithful, fascination—which dominates the early acts of the play—turns to horror, especially for the audience. We are confronted by spectacles of a generous and trusting Othello in the grip of Iago's schemes; of an innocent Desdemona, who has given herself up entirely to her love for Othello only to be subjected to his horrifying verbal and physical assaults, the outcome of Othello's mistaken convictions about her faithlessness.

This was a loaner from my neighbor and not something that I would have normally picked out for myself. 'Cause it's...old. And the art looks...old. It even smelled...old. As I read over the blurb on the back, I was like, Hey, Thanos and the Infinity Gauntlet? Isn't that the theme for that cartoon that my kids like so much? Superhero Squad!...and then my son snatched it. Honestly, I didn't fight him for it either. I mean, it looked so...old.  But a few days later, when I heard him telling his brother about how Dr. Strange and the Silver Surfer helped Adam Warlock save the universe, I decided that I should probably make sure this was suitable reading material for children. Um, you know, just to be a responsible parent...and all that. Considering the fact that there are actually people who ask me for advice because I'm old and therefore wise, I should know better than to judge a book by its ancient cover. But I'm shallow. And I was shocked when I realized that this was good. Surprisingly good. It opened with Dr. Strange, so how could it not be? Don't answer that.So, yes. This is one of those stories that stand the test of time. It's not required reading, but it is fun.   Do you have to get past the overblown grandiose dialogue that was par for the course when this was written? Yes.Personally, when I read something like this, the little narrator in my head sounds like William Shatner. I've found it makes the reading experience a bit more fun. Is the art slick eye-candy? No. It still looks...old. It's the kind of old that grows on you, though. Kinda like that crazy uncle who won't stop chain-smoking and talking about his Days in 'Nam...even though everyone in the family knows he actually spent that time in Canada. Just roll with it.Anyway, check this out when you get in the mood for wacky/fun space opera set in the Marvel universe! 

Jack Torrance's new job at the Overlook Hotel is the perfect chance for a fresh start. As the off-season caretaker at the atmospheric old hotel, he'll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote...and more sinister. And the only one to notice the strange and terrible forces gathering around the Overlook is Danny Torrance, a uniquely gifted five-year-old.

This masterpiece of modern comics storytelling brings to vivid life a dark world and an even darker man. Together with inker Klaus Janson and colorist Lynn Varley, writer/artist Frank Miller completely reinvents the legend of Batman in his saga of a near-future Gotham City gone to rot, ten years after the Dark Knight's retirement. Crime runs rampant in the streets, and the man who was Batman is still tortured by the memories of his parents' murders. As civil society crumbles around him, Bruce Wayne's long-suppressed vigilante side finally breaks free of its self-imposed shackles. The Dark Knight returns in a blaze of fury, taking on a whole new generation of criminals and matching their level of violence. He is soon joined by this generation's Robin—a girl named Carrie Kelley, who proves to be just as invaluable as her predecessors.But can Batman and Robin deal with the threat posed by their deadliest enemies, after years of incarceration have made them into perfect psychopaths? And more important, can anyone survive the coming fallout of an undeclared war between the superpowers—or a clash of what were once the world's greatest superheroes?Over fifteen years after its debut, Batman: The Dark Knight Returns remains an undisputed classic and one of the most influential stories ever told in the comics medium.Collecting Batman: The Dark Knight Returns #1-4

John Milton's Paradise Lost is one of the greatest epic poems in the English language. It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny. The struggle rages across three worlds - heaven, hell, and earth - as Satan and his band of rebel angels plot their revenge against God. At the center of the conflict are Adam and Eve, who are motivated by all too human temptations but whose ultimate downfall is unyielding love.Marked by Milton's characteristic erudition, Paradise Lost is a work epic both in scale and, notoriously, in ambition. For nearly 350 years, it has held generation upon generation of audiences in rapt attention, and its profound influence can be seen in almost every corner of Western culture.

After moving to a new town, two brothers discover that the area is a haven for vampires.

1987 film by Joel Schumacher, Richard Donner

Tells the story of Benjamin Button, a man who starts aging backwards with consequences.

The Candyman, a murderous soul with a hook for a hand, is accidentally summoned to reality by a skeptic grad student researching the monster's myth.

A homeschooled teenager begins to suspect her mother is keeping a dark secret from her.

Mourning his dead child, a haunted Vietnam War veteran attempts to uncover his past while suffering from a severe case of dissociation. To do so, he must decipher reality and life from his own dreams, delusions, and perceptions of de

A delusional young man strikes up an unconventional relationship with a doll he finds on the Internet.

Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than the

2008 romantic sex comedy film directed by Kevin Smith

In 2027, in a chaotic world in which women have become somehow infertile, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea.

A week in the life of a young singer as he navigates the Greenwich Village folk scene of 1961.

Six complete strangers with widely varying personalities are involuntarily placed in an endless maze containing deadly traps.

1997 Canadian independent science-fiction horror film by Vincenzo Natali

A sole survivor tells of the twisty events leading up to a horrific gun battle on a boat, which began when five criminals met at a seemingly random police lineup.

1995 German-American neo-noir crime thriller film directed by Bryan Singer

Mere seconds before the Earth is to be demolished by an alien construction crew, journeyman Arthur Dent is swept off the planet by his friend Ford Prefect, a researcher penning a new edition of "The Hitchhiker's Guide to the Galaxy."

2005 British-American comic science fiction film directed by Garth Jennings

A rescue crew investigates a spaceship that disappeared into a black hole and has now returned...with someone or something new on-board.

1997 British-American science fiction horror movie directed by Paul W. S. Anderson

A brilliant scientist left for dead returns to exact revenge on the people who burned him alive.

1990 American superhero film by Sam Raimi

An arms dealer confronts the morality of his work as he is being chased by an INTERPOL Agent.

In 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.

2009 neo-noir superhero film directed by Zack Snyder

Professional assassin Chev Chelios learns his rival has injected him with a poison that will kill him if his heart rate drops.

<p>The Silence of the Lambs is a 1991 American psychological horror film directed by Jonathan Demme and written by Ted Tally, adapted from Thomas Harris's 1988 novel. It stars Jodie Foster as Clarice Starling, a young FBI trainee who is hunting a serial killer named "Buffalo Bill", who skins his female victims. To catch him, she seeks the advice of the imprisoned Dr. Hannibal Lecter, a brilliant psychiatrist and cannibalistic serial killer. The film also features performances from Scott Glenn, Anthony Heald, and Kasi Lemmons.</p>

An associate burns down a wax museum with the owner inside, but he survives only to become vengeful and murderous.

In the summer of 1989, a group of bullied kids band together to destroy a shape-shifting monster, which disguises itself as a clown and preys on the children of Derry, their small Maine town.

2017 supernatural horror film directed by Andy Muschietti and based on a novel by Stephen King

American recording artist, singer-songwriter, musician, author, artist and Nobel Laureate in 2016

A family of aliens move to middle America, where they debate whether life is better there or on their home planet.

Clancy, a spacecaster with a malfunctioning multiverse simulator, leaves the comfort of his home to interview beings living in dying worlds.

An antisocial maverick doctor who specializes in diagnostic medicine does whatever it takes to solve puzzling cases that come his way using his crack team of doctors and his wits.

A high school chemistry teacher diagnosed with inoperable lung cancer turns to manufacturing and selling methamphetamine in order to secure his family's future.

New Jersey mob boss Tony Soprano deals with personal and professional issues in his home and business life that affect his mental state, leading him to seek professional psychiatric counseling.

A housewife in 1958 decides to become a stand-up comic.

Orphaned at the tender age of nine, prodigious introvert Beth Harmon discovers and masters the game of chess in 1960s USA. But child stardom comes at a price.

A ne'er do well wins $100,000 in the lottery and decides to right all the wrongs from his past with his newfound realization.

Follow the Murphy family back to the 1970s, when kids roamed wild, beer flowed freely and nothing came between a man and his TV.

A royal woman living in rural Russia during the 18th century is forced to choose between her own personal happiness and the future of Russia, when she marries an Emperor.

2020 British-American comedy series on Hulu

An injured hitman befriends his kidnapped daughter's imaginary friend - a perky blue flying unicorn.

The story behind Detective James Gordon's rise to prominence in Gotham City in the years before Batman's arrival.

A troubled youth becomes embroiled in the lives of a close-knit group of people in the wealthy, upper-class neighborhood of Newport Beach, Orange County, California.

2003 American teen drama television series

Follows the personal and professional lives of six twenty to thirty-something-year-old friends living in Manhattan.

A biker struggles to balance being a father and being involved in an outlaw motorcycle club.

A financial advisor drags his family from Chicago to the Missouri Ozarks, where he must launder money to appease a drug boss.

Return to the world of Thra, where three Gelfling discover the horrifying secret behind the Skeksis' power, and set out to ignite the fires of rebellion and save their world.

A look at the lives of employees at a big box store.

When a young boy disappears, his mother, a police chief and his friends must confront terrifying supernatural forces in order to get him back.

American science fiction horror Netflix series

A dangerously charming, intensely obsessive young man goes to extreme measures to insert himself into the lives of those he is transfixed by.

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