Emo Nemo

Mily

Sarah

Shaidrian Rios

Jimmy Beans

miCCwatreSSop

Julie Wynne - videos

Kapuster

Nicky Tallon

Harini Sen

Vastralaya

Evan Shively (Perseus271)

When an army of invading Martians lands in England, panic and terror seize the population. As the aliens traverse the country in huge three-legged machines, incinerating all in their path with a heat ray and spreading noxious toxic gases, the people of the Earth must come to terms with the prospect of the end of human civilization and the beginning of Martian rule.Inspiring films, radio dramas, comic-book adaptations, television series and sequels,The War of the Worlds is a prototypical work of science fiction which has influenced every alien story that has come since, and is unsurpassed in its ability to thrill, well over a century since it was first published.

The Time Machine is a science fiction novella by H. G. Wells, published in 1895 and written as a frame narrative. The work is generally credited with the popularization of the concept of time travel by using a vehicle or device to travel purposely and selectively forward or backward through time. The term "time machine", coined by Wells, is now almost universally used to refer to such a vehicle or device.The Time Machine has been adapted into three feature films of the same name, as well as two television versions and many comic book adaptations. It has also indirectly inspired many more works of fiction in many media productions.Wells had considered the notion of time travel before, in a short story titled "The Chronic Argonauts" (1888). This work, published in his college newspaper, was the foundation for The Time Machine.

George Orwell's timeless and timely allegorical novel—a scathing satire on a downtrodden society’s blind march towards totalitarianism.“All animals are equal, but some animals are more equal than others.”A farm is taken over by its overworked, mistreated animals. With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned—a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.  When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell’s masterpiece have a meaning and message still ferociously fresh.

The terrifyingly prophetic novel of a post-literate future.Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books.The classic dystopian novel of a post-literate future, Fahrenheit 451 stands alongside Orwell’s 1984 and Huxley’s Brave New World as a prophetic account of Western civilization’s enslavement by the media, drugs and conformity.Bradbury’s powerful and poetic prose combines with uncanny insight into the potential of technology to create a novel which, decades on from first publication, still has the power to dazzle and shock.--back cover

Brave New World is a dystopian novel by English author Aldous Huxley, written in 1931 and published in 1932. Largely set in a futuristic World State, inhabited by genetically modified citizens and an intelligence-based social hierarchy, the novel anticipates huge scientific advancements in reproductive technology, sleep-learning, psychological manipulation and classical conditioning that are combined to make a dystopian society which is challenged by only a single individual: the story's protagonist.

A searing, postapocalyptic novel destined to become Cormac McCarthy’s masterpiece.A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other.The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, “each the other’s world entire,” are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.(front flap)

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

Jack Torrance's new job at the Overlook Hotel is the perfect chance for a fresh start. As the off-season caretaker at the atmospheric old hotel, he'll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote...and more sinister. And the only one to notice the strange and terrible forces gathering around the Overlook is Danny Torrance, a uniquely gifted five-year-old.

Clive Barker is widely acknowledged as the master of nerve-shattering horror. The Hellbound Heart is one of his best, one of the most dead-frightening stories you are likely to ever read, a story of the human heart and all the great terrors and ecstasies within. It was also the book behind the cult horror film, Hellraiser.In a quiet house on a quiet street Frank and Julia are having an affair. Not your ordinary affair. For Frank it began with his own insatiable sexual appetite, a mysterious lacquered box- and then an unhinged voyage through a netherworld of imaginable pleasures and unimaginable horror… Now Frank - or what is left of Frank - waits in an empty room. All he wants is to live as he was before. All Julia can do is bring him her unfulfilled passions… and a little flesh and blood…

First published in 1967 and re-issued in 1983, I Have No Mouth and I Must Scream contains seven stories with copyrights ranging from 1958 through 1967. This edition contains the original introduction by Theodore Sturgeon and the original foreword by Harlan Ellison, along with a brief update comment by Ellison that was added in the 1983 edition. Among Ellison's more famous stories, two consistently noted as among his very best ever are the title story and the volume's concluding one, Pretty Maggie Moneyeyes.Since Ellison himself strongly resists categorization of his work, we won't call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are sui generis. They could only have been written by Harlan Ellison and they are incomparably original.CONTENT"I Have No Mouth &amp; I Must Scream""Big Sam Was My Friend""Eyes of Dust""World of the Myth""Lonelyache""Delusion for Dragonslayer""Pretty Maggie Moneyeyes"

I HATED this book! It was excellently written and it did what it was supposed to do...it scared the crap out of me. This is a character study of a social deviant. I don't want to spoil this for anyone who reads it, so I won't give away the ending, but definitely not something you read while lying on the beach catching your tan. No escapism here. You come face to face with the evil and cunning of the sociopathic and psychotic mind. Be prepared to bathe in Dettol and then curl up in bed under the covers next to your favorite stuffed animal with your thumb in your mouth, your night light on and your mommy on the phone 'til you go to sleep when you finish reading it. Kudos to Joyce Carol Oates for what I consider a brave, realistic creepy and excellently executed foray into the criminal mind. But I still HATED it...in a good way.

HOUDINI HEART harkens back to the masters of suspenseful supernatural horror: Poe, Lovecraft, Shirley Jackson, but speaks with a wholly fresh voice. Once caught in its pages, there's no escaping Longfellow's terrible tale. Weeks ago, she was one of Hollywood's biggest writers, wed to one of its greatest stars. The doting mother of their golden child. But now? She's alone, tortured by a horrifying secret no woman could bear. Pursued by those she can't outrun, anguished by a guilt she can't endure, and driven close to madness, she flees to the one place she's ever called home: a small town in Vermont where River House still stands. To a child, the splendid hotel was mysterious and magical and all its glamorous guests knew delicious secrets. Cocooned in its walls, she will write one last book. Her atonement? Or her suicide note? But life is never as you dream it, and River House isn't what she'd always imagined it was. Intense, literary, and harrowing, Houdini Heart is a tale of bone-chilling horror, emotional torment, and psychological terror. Gripped by River House, trapped in an aging hotel of mirrors only Houdini could escape, how much can haunt a mind before it too is only a thing once imagined? "A haunting and disturbing journey through the psyche."-Erika Mailman, Author of "The Witch's Trinity"

You do not talk about Fight Club, but...Upon winning the Oregon Book Award for best novel and the Pacific Northwest Booksellers Association Award, Chuck Palahniuk’s visionary debut novel, Fight Club, was shot to the veins of mainstream fiction. Following the success of its 1999 film adaptation directed by David Fincher, Fight Club gained cult classic status and has become a disturbingly accurate interpretation of our modern world.The unnamed male narrator, suffering from a long streak of insomnia, finds cure by attending cancer support groups. But when Marla Singer—a sallow, heavy-smoking nihilist—enters the evening meetings and mirrors his own fraud, his insomnia returns, so he confronts Singer to split schedules with him.On the night when his condominium mysteriously blows up, he calls Tyler Durden, whom he had previously met—under strange circumstances—on a beach. They agree to meet at a bar, where, after drinking, Durden asks him a favor, “I want you to hit me as hard as you can.” The narrator swings the punch that cradled Fight Club into the world. Shortly, a multitude of men with white-collar jobs join them. Every weekend, in the parking lots and basements of bars, they hold these late-hour no-holds-barred-and-barefisted fights that “go on as long as they have to.”These one-on-one melees curiously evoke psychotherapeutic effects—resembling that of enlightenment—within the men: they are reborn from their entombed lives.Fight Club soon evolves into Project Mayhem, an anarchic army led by Durden, who seeks to fulfill his visions of global enlightenment through organized chaos, public unrest, and demolition.Fight Club is a social satire on the dehumanizing effects of consumerism: alienation brought by chronic materialism, illusory comforts, overindulgence, and career and lifestyle obsessions fueled by advertising. “The modern world is for business—not for the people,” as what the great psychoanalyst Carl Jung said.“It’s only after you’ve lost everything that you’re free to do anything.” Skillfully fusing Zen elements with Durden’s extremist ideologies, Palahniuk has written a provocative expression of metaphysical rebellion. The collective revolt against the existential vacuum is Durden’s nucleus and what draws men toward him.Fight Club’s noir ambience and the solid economy of its prose are reminiscent of Albert Camus’s The Stranger, but with the sharp nonlinear narration executing its plot; inheriting Kurt Vonnegut’s dark humor, Chuck Palahniuk is among today’s distinct and intriguing voices.

Patrick Bateman is twenty-six and he works on Wall Street, he is handsome, sophisticated, charming and intelligent. He is also a psychopath. Taking us to head-on collision with America's greatest dream—and its worst nightmare—American Psycho is bleak, bitter, black comedy about a world we all recognise but do not wish to confront.

The story opens after a 600-year journey to the Andromeda galaxy, as the crew begins searching for a new home for humanity. The dreams of easy settlement are qu...

Vampire: The Masquerade – Bloodlines is a 2004 action role-playing video game developed by Troika Games and published by Activision for Microsoft Windows. Set in White Wolf Publishing's World of Darkness, the game is based on White Wolf's role-playing game Vampire: The Masquerade and follows a human who is killed and revived as a fledgling vampire. The game depicts the fledgling's journey through the early 21st-century Los Angeles to uncover the truth behind a recently discovered relic that heralds the end of all vampires.Bloodlines is presented from first- and third-person perspectives. The player assigns their character to one of several vampire clans—each with unique powers, customizes their combat and dialog abilities and progresses through Bloodlines using violent and nonviolent methods. The selection of clan affects how the player is perceived in the game world, and which powers and abilities they possess; this opens up different avenues of exploration and methods of interacting with or manipulating other characters. The player is able to complete side missions away from the primary storyline by moving freely between the available hubs: Santa Monica, Hollywood, downtown Los Angeles, and Chinatown.

Set in the shattered subway of a post apocalyptic Moscow, Metro 2033 is a story of intensive underground survival where the fate of mankind rests in your hands....

Like System Shock 1, there will be persistent levels (i.e., drop an item on one level, and you could go back later to retrieve it), gameplay elements like logs,...

Featuring visual artistry and dark imagery with striking cel-shaded graphics, Killer 7 chronicles the connection between two men whose intertwined paths develop...

Hi, Monika here! Welcome to the Literature Club! It's always been a dream of mine to make something special out of the things I love. Now that you're a club me...

Ib is a 2012 freeware horror video game published and developed by kouri for Microsoft Windows. Players control the titular character from a top-down perspective trapped in an eldritch art museum, later revealed to be titled the "Fabricated World", where they meet the characters Garry and Mary. Together, they make the goal of escaping the gallery and returning to the real world.

LSD: Dream Emulator is a 1998 exploration game by Asmik Ace Entertainment that released for the PlayStation. In LSD, the player explores surreal environments without any objective. The player can only move and touch objects that will warp them to another setting. The game was conceived by Japanese artist Osamu Sato, who rejected the idea of games, and wanted to use the PlayStation as a medium for creating contemporary art. The game's concept is based on a dream diary kept by an Asmik Ace employee for over a decade.

Yume Nikki is a 2004 adventure game created by pseudonymous Japanese developer Kikiyama. The player controls a girl named Madotsuki and explores her dreams, collecting 24 effects that change her appearance and equipment. Random events also occur throughout the game in the form of cutscenes and unique gameplay sequences. The game was developed using RPG Maker 2003 without a traditional plot or battle system. Gameplay instead focuses on exploration of the dream world.

Stardew Valley is an RPG-style farming game. It's up to you to choose your path... Will you devote your time to raising crops and caring for animals? Will you s...

New to the series, the Sims display a range of emotions which influence your variety of decisions in the game. Emotions give you new choices that impact your Si...

A Machine for Pigs is an upcoming survival horror video game developed by thechineseroom and produced by Frictional Games. The game is an indirect seq...

Cities: Skylines is a city-building game developed by Colossal Order and published by Paradox Interactive. The game is a single-player open-ended city-building simulation. Players engage in urban planning by controlling zoning, road placement, taxation, public services, and public transportation of an area. Players work to maintain various elements of the city, including its budget, health, employment, and pollution levels. Players are also able to maintain a city in a sandbox mode, which provides unrestricted creative freedom for the player.Cities: Skylines is a progression of development from Colossal Order's previous Cities in Motion titles, which focused on designing effective transportation systems. While the developers felt they had the technical expertise to expand to a full city simulation game, their publisher Paradox held off on the idea, fearing the market dominance of SimCity. After the critical failure of the 2013 SimCity game, however, Paradox greenlit the title. The developer's goal was to create a game engine capable of simulating the daily routines of nearly a million unique citizens, while presenting this to the player in a simple way, allowing the player to easily understand various problems in their city's design. This includes realistic traffic congestion, and the effects of congestion on city services and districts. Since the game's release, various expansions and other DLC has been released for the game. The game also has built-in support for user-generated content.

Bloodborne is an action RPG in which you hunt for answers in the ancient city of Yharnam, now cursed with a strange endemic illness spreading through the street...

Twenty years after a pandemic radically transformed known civilization, infected humans run amuck and survivors kill one another for sustenance and weapons - li...

In single player, Titanfall 2 delivers a crafted experience that explores the unique bond between man and machine. Playable offline, the single player campaign...

Horizon Zero Dawn is a PS4-exclusive action role playing game developed by Guerrilla Games, creators of the Killzone franchise. As Horizon Zero Dawn’s main pr...

After a secretive agency in New York is invaded by an otherworldly threat, you become the new Director struggling to regain Control. This supernatural third-per...

Initially conceived as a floating symbol of American ideals at a time when the United States was emerging as a world power, Columbia is sent to distant shores w...

In 2027, in a chaotic world in which women have become somehow infertile, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea.

In the future, a sadistic gang leader is imprisoned and volunteers for a conduct-aversion experiment, but it doesn't go as planned.

1971 dystopian crime film directed by Stanley Kubrick

Memento is a 2000 American neo-noir psychological thriller film written and directed by Christopher Nolan, based on the 2001 short story "Memento Mori" by Jonathan Nolan. Guy Pearce stars as Leonard Shelby, a man who suffers from anterograde amnesia, resulting in short-term memory loss and the inability to form new memories. He searches for the people who attacked him, raped and killed his wife, using an elaborate system of Polaroid photographs, handwritten notes, and tattoos to track information he won't remember. Carrie-Anne Moss and Joe Pantoliano co-stars in the film.The film's non-linear narrative is presented as two different sequences of scenes interspersed during the film: a series in black-and-white that is shown chronologically, and a series of color sequences shown in reverse order (simulating for the audience the mental state of the protagonist). The two sequences meet at the end of the film, producing one complete and cohesive narrative.

An insane general triggers a path to nuclear holocaust that a War Room full of politicians and generals frantically tries to stop.

1964  Satire film directed by Stanley Kubrick

A S.W.A.T. team becomes trapped in a tenement run by a ruthless mobster and his army of killers and thugs.

2011 Indonesian action thriller film written, directed and edited by the Welsh filmmaker Gareth Evans

Batman has not been seen for ten years. A new breed of criminal ravages Gotham City, forcing 55-year-old Bruce Wayne back into the cape and cowl. But, does he still have what it takes to fight crime in a new era?

Two detectives, a rookie and a veteran, hunt a serial killer who uses the seven deadly sins as his motives.

1995 neo-noir crime thriller film by David Fincher

A jury holdout attempts to prevent a miscarriage of justice by forcing his colleagues to reconsider the evidence.

After discovering a mysterious artifact buried beneath the Lunar surface, mankind sets off on a quest to find its origins with help from intelligent supercomputer H.A.L. 9000.

A bureaucrat in a dystopic society becomes an enemy of the state as he pursues the woman of his dreams.

A businessman accidentally kills The Metal Fetishist, who gets his revenge by slowly turning the man into a grotesque hybrid of flesh and rusty metal.

An insurance salesman discovers his whole life is actually a reality TV show.

Three film students vanish after traveling into a Maryland forest to film a documentary on the local Blair Witch legend, leaving only their footage behind.

1999 film by Daniel Myrick, Eduardo Sánchez

A secret military project endangers Neo-Tokyo when it turns a biker gang member into a rampaging psychic psychopath who can only be stopped by a teenager, his gang of biker friends and a group of psychics.

1988 Japanese animated action film directed by Katsuhiro Otomo

After being kidnapped and imprisoned for fifteen years, Oh Dae-Su is released, only to find that he must find his captor in five days.

Oldboy (Korean: 올드보이; RR: Oldeuboi; MR: Oldŭboi) is a 2003 South Korean neo-noir action thriller film directed and co-written by Park Chan-wook. A loose adaptation of the Japanese manga of the same name, the film follows the story of Oh Dae-su (Choi Min-sik), who is imprisoned in a cell which resembles a hotel room for 15 years without knowing the identity of his captor nor his captor's motives. When he is finally released, Dae-su finds himself still trapped in a web of conspiracy and violence. His own quest for vengeance becomes tied in with romance when he falls in love with an attractive young sushi chef, Mi-do (Kang Hye-jung).The film won the Grand Prix at the 2004 Cannes Film Festival and high praise from the president of the jury, director Quentin Tarantino. The film has received widespread acclaim in the United States, with film critic Roger Ebert stating that Oldboy is a "powerful film not because of what it depicts, but because of the depths of the human heart which it strips bare". It also received praise for its action sequences, most notably the single shot corridor fight sequence.

A murder mystery brings together a private eye, a struggling actress, and a thief masquerading as an actor.

2005 crime-comedy film directed by Shane Black

As Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, he is sued by the twins who claimed he stole their idea, and by the co-founder who was later squeezed out of the business.

Barely 21 yet, Frank is a skilled forger who has passed as a doctor, lawyer and pilot. FBI agent Carl becomes obsessed with tracking down the con man, who only revels in the pursuit.

After a tragic accident, two stage magicians engage in a battle to create the ultimate illusion while sacrificing everything they have to outwit each other.

2006 British-American mystery thriller film directed by Christopher Nolan

Taxidermy is the preserving of an animal's body via mounting (over an armature) or stuffing, for the purpose of display or study. Animals are often, but not always, portrayed in a lifelike state. The word taxidermy describes the process of preserving the animal, but the word is also used to describe the end product, which are called taxidermy mounts or referred to simply as "taxidermy".
The word taxidermy is derived from the Greek words taxis and derma. Taxis means "arrangement", and derma means "skin" (the dermis). The word taxidermy translates to "arrangement of skin".Taxidermy is practiced primarily on vertebrates (mammals, birds, fish, reptiles, and less commonly on amphibians) but can also be done to larger insects and arachnids under some circumstances. Taxidermy takes on a number of forms and purposes including hunting trophies and natural history museum displays. Museums use taxidermy as a method to record species, including those that are extinct and threatened, in the form of study skins and life-size mounts. Taxidermy is sometimes also used as a means to memorialize pets.

American recording artist; musician, singer, songwriter

The offbeat adventures of Courage, a cowardly dog who must overcome his own fears to heroically defend his unknowing farmer owners from all kinds of dangers, paranormal events and menaces that appear around their land.

American horror animated television series

Adventure Time is an American fantasy animated television series created by Pendleton Ward for Cartoon Network and distributed by Warner Bros. Domestic Television. The series follows the adventures of a boy named Finn (Jeremy Shada) and his best friend and adoptive brother Jake (John DiMaggio)—a dog with the magical power to change size and shape at will. Finn and Jake live in the post-apocalyptic Land of Ooo, where they interact with Princess Bubblegum (Hynden Walch), the Ice King (Tom Kenny), Marceline (Olivia Olson), BMO (Niki Yang), and others. The series is based on a 2007 short film that aired on Nicktoons. After the short became a viral hit on the Internet, Nickelodeon's executives passed on its option before Cartoon Network commissioned a full-length series from Fred Seibert and Ward, which was previewed on March 11, 2010. The same year, the series premiered on Cartoon Network on April 5, and ended its eight-year run on September 3, 2018.

Bee, an unemployed woman is living a normal life, until a grumpy companion named PuppyCat arrives. Follow Bee and and PuppyCat as they travel between reality and "Fishbowl Space".

Star Butterfly arrives on Earth to live with the Diazes, a Mexican-American family. She continues to battle villains throughout the universe and high school, mainly to protect her extremely powerful wand, an object that still confuse

A rude, crude, and scruffy curmudgeon named Dan tries to get revenge on anyone and anything that angers him. His misadventures are coupled with his best friend and summer camp buddy, Chris, and occasionally the skills of Chris's secr

American Flash animated television series

Wander is is eager to help anyone in the galaxy, together with his friend Sylvia. Wander's friendliness often angers Lord Hater, who is bent on galactic domination, and his army of Watchdogs.

Puella Magi Madoka Magica (Japanese: 魔法少女まどか☆マギカ, Hepburn: Mahō Shōjo Madoka Magika, lit. "Magical Girl Madoka Magica") often referred to simply as Madoka Magica, is a Japanese anime television series created by Magica Quartet, an artist collective consisting of director Akiyuki Shinbo, screenwriter Gen Urobuchi, character designer Ume Aoki, and producer Atsuhiro Iwakami. The story follows a group of female middle school students who choose to become magical girls, subsequently battling surreal enemies known as "witches." In consequence, they learn of the anguish and peril associated with their new role.The first ten episodes of the series aired in Japan on TBS and MBS between January and March 2011, while the final two episodes were delayed until April 2011 due to the 2011 Tōhoku earthquake and tsunami. A manga adaptation of the series and various spin-off manga series have been published by Houbunsha and licensed in North America by Yen Press. A novelization by Nitroplus was released in August 2011, and a dedicated magazine titled Manga Time Kirara Magica was launched by Houbunsha in June 2012. A video game for the PlayStation Portable was released in March 2012 and another for PlayStation Vita was released in December 2013. A film series has also been produced; it consists of two films recapping the anime series and released in October 2012. A third film featuring an original story was released on October 26, 2013, and a concept film acting as a trailer for a new project was screened in December 2015. A smartphone game, Magia Record, launched in August 2017, and an anime adaptation premiered in January 2020.

Too Many Cooks is a surreal black comedy short that originally aired as a special during Adult Swim's "infomercials" block on October 28, 2014, at 4:00 am Eastern Time. It was created, written, and directed by Casper Kelly, and produced by Williams Street. After its original airing, the piece became a viral video online and was repeated each night at midnight Eastern Time during the week of November 11, 2014.The short begins as a parody of opening credits sequences of 1970s, 1980s, and 1990s American situation comedies, then television crime dramas, prime time soap operas, Saturday morning cartoons, superhero live-action series, slasher films, and science fiction television shows, with each of them gradually bleeding into the next. Particular focus is put on a slasher film villain (played by William Tokarsky), who is hidden in the background of several early shots but eventually starts killing the other characters with a machete. The opening credits sequence ends after about ten minutes and transitions into the "episode", with all the characters from the opening standing in the one house; the short ends roughly ten seconds later, cutting to closing credits before a full line of dialogue ("Honey, I'm ho-") can be spoken.

Animals is an American animated comedy television series created by Phil Matarese and Mike Luciano. The first two episodes were independently produced and presented at the Sundance Film Festival in January 2015. In May 2015, HBO picked the series up with a two-season order, which premiered on February 5, 2016. The series was renewed for a third season on May 19, 2017. Season 3 premiered on August 3, 2018. In October 2018, it was announced that HBO had canceled the series.Each episode features a different cast of special guests, along with creators Matarese and Luciano playing various animals. The show features retroscripting and improvised dialogue based on plot outlines. Each season also has a story arc featuring humans in live-action sequences, such as a corrupt mayor and the events leading to his reelection in season one.

Xavier is a faun-like wanderer/seeker who is traveling across the land to find out the truth about his mysterious origin. Facing rednecks, inflicting righteousness and preaching about the 'strong, silent types' and morality, this her

Surreal and bizarre short films, based around a chosen theme.

In this crudely animated series, a mouse performs odd jobs so he can buy more beer.

Camp Lazlo is an American animated television series created by Joe Murray for Cartoon Network. The series follows Lazlo, an anthropomorphic spider monkey that goes to a camp called "Camp Kidney", a Boy Scout-like summer camp in Pimpleback Mountains. Lazlo resides in the "Jelly Bean" cabin with his fellow Bean Scouts; Raj, an Indian elephant, and Clam, a pygmy rhinoceros. Lazlo is often at odds with his pessimistic camp leader, Scoutmaster Lumpus, but usually gets along well with the second-in-command, Slinkman and other campers. Camp Kidney sits just across the lake from Acorn Flats, which is home to the campsite of the all-female Squirrel Scouts. Camp Lazlo was one of the first Cartoon Network Studios series produced in a widescreen aspect ratio of 16:9, despite originally being broadcast in the full screen aspect ratio of 4:3.

A boy and his beloved imaginary friend are able to stay together at an orphanage of sorts for imaginary friends that children have outgrown to be adopted by new children.

The comical seafaring adventures of a young, enthusiastic boy, his pirate captain mentor, and the talking whale that raised him from birth.

The misadventures of a magical uncle and grandpa to everyone in the world and his friends.

A team of intergalactic warriors fights to protect the universe, but the combination of three highly trained beings and one quirky young boy leaves the team struggling to overcome the dangerous scenarios that are put in front of them

In Marzipan City, the young, excitable food-loving Chowder is the apprentice of Mung Daal, a very old chef who runs a catering company with his wife, Truffles and assistant, Shnitzel.

Twin siblings Dipper and Mabel Pines spend the summer at their great-uncle's tourist trap in the enigmatic Gravity Falls, Oregon.

Four teenage heroes-for-hire warp through the universe to save adorable aliens and their worlds using the power of their emotions.

music

movies

shows

books

games

Active tastebuds