Emo Nemo

Mily

Sarah

Shaidrian Rios

Jimmy Beans

miCCwatreSSop

Julie Wynne - videos

Kapuster

Nicky Tallon

Harini Sen

Vastralaya

Evan Shively (Perseus271)

Nobody Owens, known to his friends as Bod, is a perfectly normal boy. Well, he would be perfectly normal if he didn't live in a graveyard, being raised and educated by ghosts, with a solitary guardian who belongs to neither the world of the living nor the world of the dead.There are dangers and adventures for Bod in the graveyard: the strange and terrible menace of the Sleer; a gravestone entrance to a desert that leads to the city of ghouls; friendship with a witch, and so much more.But it is in the land of the living that real danger lurks, for it is there that the man Jack lives and he has already killed Bod's family.A deliciously dark masterwork by bestselling author Neil Gaiman, with illustrations by award-winning Dave McKean.

Melanie is a very special girl. Dr Caldwell calls her "our little genius." Every morning, Melanie waits in her cell to be collected for class. When they come for her, Sergeant keeps his gun pointing at her while two of his people strap her into the wheelchair. She thinks they don't like her. She jokes that she won't bite, but they don't laugh. Melanie loves school. She loves learning about spelling and sums and the world outside the classroom and the children's cells. She tells her favorite teacher all the things she'll do when she grows up. Melanie doesn't know why this makes Miss Justineau look sad. The Girl With All the Gifts is a sensational thriller, perfect for fans of Stephen King, Justin Cronin and Neil Gaiman.

Joanne Rowling, also known by her pen name J. K. Rowling, is a British author and philanthropist. She wrote Harry Potter, a seven-volume children's fantasy series published from 1997 to 2007. The series has sold over 600 million copies, been translated into 84 languages, and spawned a global media franchise including films and video games. The Casual Vacancy (2012) was her first novel for adults. She writes Cormoran Strike, an ongoing crime fiction series, under the alias Robert Galbraith.

The war against Voldemort is not going well; even Muggle governments are noticing. Ron scans the obituary pages of the Daily Prophet, looking for familiar names. Dumbledore is absent from Hogwarts for long stretches of time, and the Order of the Phoenix has already suffered losses.And yet . . .As in all wars, life goes on. The Weasley twins expand their business. Sixth-year students learn to Apparate - and lose a few eyebrows in the process. Teenagers flirt and fight and fall in love. Classes are never straightforward, through Harry receives some extraordinary help from the mysterious Half-Blood Prince.So it's the home front that takes center stage in the multilayered sixth installment of the story of Harry Potter. Here at Hogwarts, Harry will search for the full and complete story of the boy who became Lord Voldemort - and thereby find what may be his only vulnerability.

Harry Potter's life is miserable. His parents are dead and he's stuck with his heartless relatives, who force him to live in a tiny closet under the stairs. But his fortune changes when he receives a letter that tells him the truth about himself: he's a wizard. A mysterious visitor rescues him from his relatives and takes him to his new home, Hogwarts School of Witchcraft and Wizardry.After a lifetime of bottling up his magical powers, Harry finally feels like a normal kid. But even within the Wizarding community, he is special. He is the boy who lived: the only person to have ever survived a killing curse inflicted by the evil Lord Voldemort, who launched a brutal takeover of the Wizarding world, only to vanish after failing to kill Harry.Though Harry's first year at Hogwarts is the best of his life, not everything is perfect. There is a dangerous secret object hidden within the castle walls, and Harry believes it's his responsibility to prevent it from falling into evil hands. But doing so will bring him into contact with forces more terrifying than he ever could have imagined.Full of sympathetic characters, wildly imaginative situations, and countless exciting details, the first installment in the series assembles an unforgettable magical world and sets the stage for many high-stakes adventures to come.

A thrilling and original coming-of-age novel for adults about a young man practicing magic in the real world.Quentin Coldwater is brilliant but miserable. A senior in high school, he’s still secretly preoccupied with a series of fantasy novels he read as a child, set in a magical land called Fillory. Imagine his surprise when he finds himself unexpectedly admitted to a very secret, very exclusive college of magic in upstate New York, where he receives a thorough and rigorous education in the craft of modern sorcery. He also discovers all the other things people learn in college: friendship, love, sex, booze, and boredom. Something is missing, though. Magic doesn’t bring Quentin the happiness and adventure he dreamed it would. After graduation he and his friends make a stunning discovery: Fillory is real. But the land of Quentin’s fantasies turns out to be much darker and more dangerous than he could have imagined. His childhood dream becomes a nightmare with a shocking truth at its heart. At once psychologically piercing and magnificently absorbing, The Magicians boldly moves into uncharted literary territory, imagining magic as practiced by real people, with their capricious desires and volatile emotions. Lev Grossman creates an utterly original world in which good and evil aren’t black and white, love and sex aren’t simple or innocent, and power comes at a terrible price.

Once upon a time, an angel and a devil fell in love and dared to imagine a world free of bloodshed and war.This is not that world.Art student and monster's apprentice Karou finally has the answers she has always sought. She knows who she is—and what she is. But with this knowledge comes another truth she would give anything to undo: She loved the enemy and he betrayed her, and a world suffered for it.In this stunning sequel to the highly acclaimed Daughter of Smoke &amp; Bone, Karou must decide how far she'll go to avenge her people. Filled with heartbreak and beauty, secrets and impossible choices, Days of Blood &amp; Starlight finds Karou and Akiva on opposing sides as an age-old war stirs back to life.While Karou and her allies build a monstrous army in a land of dust and starlight, Akiva wages a different sort of battle: a battle for redemption. For hope.But can any hope be salvaged from the ashes of their broken dream?

Around the world, black hand prints are appearing on doorways, scorched there by winged strangers who have crept through a slit in the sky.In a dark and dusty shop, a devil’s supply of human teeth grows dangerously low.And in the tangled lanes of Prague, a young art student is about to be caught up in a brutal otherworldly war.Meet Karou. She fills her sketchbooks with monsters that may or may not be real, she’s prone to disappearing on mysterious "errands", she speaks many languages - not all of them human - and her bright blue hair actually grows out of her head that color. Who is she? That is the question that haunts her, and she’s about to find out.When beautiful, haunted Akiva fixes fiery eyes on her in an alley in Marrakesh, the result is blood and starlight, secrets unveiled, and a star-crossed love whose roots drink deep of a violent past. But will Karou live to regret learning the truth about herself?

In nineteenth-century China, in a remote Hunan county, a girl named Lily, at the tender age of seven, is paired with a laotong, “old same,” in an emotional match that will last a lifetime. The laotong, Snow Flower, introduces herself by sending Lily a silk fan on which she’s painted a poem in nu shu, a unique language that Chinese women created in order to communicate in secret, away from the influence of men.As the years pass, Lily and Snow Flower send messages on fans, compose stories on handkerchiefs, reaching out of isolation to share their hopes, dreams, and accomplishments. Together, they endure the agony of foot-binding, and reflect upon their arranged marriages, shared loneliness, and the joys and tragedies of motherhood. The two find solace, developing a bond that keeps their spirits alive. But when a misunderstanding arises, their deep friendship suddenly threatens to tear apart.

The novels of Joanne Harris are a literary feast for the senses. Five Quarters of the Orange represents Harris's most complex and sophisticated work yet - a novel in which darkness and fierce joy come together to create an unforgettable story.When Framboise Simon returns to a small village on the banks of the Loire, the locals do not recognize her as the daughter of the infamous Mirabelle Dartigen - the woman they still hold responsible for a terrible tragedy that took place during the German occupation decades before. Although Framboise hopes for a new beginning she quickly discovers that past and present are inextricably intertwined. Nowhere is this truth more apparent than in the scrapbook of recipes she has inherited from her dead mother.With this book, Framboise re-creates her mother's dishes, which she serves in her small creperie. And yet as she studies the scrapbook - searching for clues to unlock the contradiction between her mother's sensuous love of food and often cruel demeanor - she begins to recognize a deeper meaning behind Mirabelle's cryptic scribbles. Within the journal's tattered pages lies the key to what actually transpired the summer Framboise was nine years old.Rich and dark. Five Quarters of the Orange is a novel of mothers and daughters of the past and the present, of resisting, and succumbing, and an extraordinary work by a masterful writer.

Chocolat is a 1999 novel by Joanne Harris. It tells the story of Vianne Rocher, a young single mother, who arrives in the French village of Lansquenet-sous-Tannes at the beginning of Lent with her six-year-old daughter, Anouk. Vianne has arrived to open a chocolaterie—La Céleste Praline—which is on the square opposite the church. During the traditional season of fasting and self-denial; she gently changes the lives of the villagers who visit her with a combination of sympathy, subversion and a little magic.This scandalises Francis Reynaud, the village priest, and his supporters. As tensions run high, the community is increasingly divided. As Easter approaches the ritual of the Church is pit against the indulgence of chocolate, and Father Reynaud and Vianne Rocher face an inevitable showdown.

The most checked-out book in the Hogwarts Library, and a volume no Quidditch player or Harry Potter fan should be without!If you have ever asked yourself where the Golden Snitch came from, how the Bludgers came into existence, or why the Wigtown Wanderers have pictures of meat cleavers on their robes, you need QUIDDITCH THROUGH THE AGES. This invaluable volume is consulted by young Quidditch fans on an almost daily basis.Proceeds from the sale of this book will go to Comic Relief, who will use your money to continue improving and changing lives -- work that is even more important and astonishing than the three-and-a-half-second capture of the Golden Snitch by Roderick Plumpton in 1921.

About three things I was absolutely positive.First, Edward was a vampire.Second, there was a part of him—and I didn't know how dominant that part might be—that thirsted for my blood.And third, I was unconditionally and irrevocably in love with him.Deeply seductive and extraordinarily suspenseful, Twilight is a love story with bite.

‘Armageddon only happens once, you know. They don’t let you go around again until you get it right.’People have been predicting the end of the world almost from its very beginning, so it’s only natural to be sceptical when a new date is set for Judgement Day. But what if, for once, the predictions are right, and the apocalypse really is due to arrive next Saturday, just after tea?You could spend the time left drowning your sorrows, giving away all your possessions in preparation for the rapture, or laughing it off as (hopefully) just another hoax. Or you could just try to do something about it.It’s a predicament that Aziraphale, a somewhat fussy angel, and Crowley, a fast-living demon now finds themselves in. They’ve been living amongst Earth’s mortals since The Beginning and, truth be told, have grown rather fond of the lifestyle and, in all honesty, are not actually looking forward to the coming Apocalypse.And then there’s the small matter that someone appears to have misplaced the Antichrist…

IN THE YEAR 2044, reality is an ugly place. The only time teenage Wade Watts really feels alive is when he's jacked into the virtual utopia known as the OASIS. Wade's devoted his life to studying the puzzles hidden within this world's digital confines, puzzles that are based on their creator's obsession with the pop culture of decades past and that promise massive power and fortune to whoever can unlock them. But when Wade stumbles upon the first clue, he finds himself beset by players willing to kill to take this ultimate prize. The race is on, and if Wade's going to survive, he'll have to win—and confront the real world he's always been so desperate to escape.

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

Introducing an instant classic—master storyteller Neil Gaiman presents a dazzling version of the great Norse myths.Neil Gaiman has long been inspired by ancient mythology in creating the fantastical realms of his fiction. Now he turns his attention back to the source, presenting a bravura rendition of the great northern tales. In Norse Mythology, Gaiman fashions primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds; delves into the exploits of the deities, dwarves, and giants; and culminates in Ragnarok, the twilight of the gods and the rebirth of a new time and people. Gaiman stays true to the myths while vividly reincarnating Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki, the son of giants, a trickster and unsurpassable manipulator. From Gaiman’s deft and witty prose emerges the gods with their fiercely competitive natures, their susceptibility to being duped and to dupe others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.

The Little Prince (French: Le Petit Prince, pronounced [lә p(ә)ti pᴚἕS]) is a novella by French aristocrat, writer, and military aviator Antoine de Saint-Exupéry. It was first published in English and French in the United States by Reynal & Hitchcock in April 1943 and was published posthumously in France following liberation; Saint-Exupéry's works had been banned by the Vichy Regime. The story follows a young prince who visits various planets in space, including Earth, and address themes of loneliness, friendship, love, and loss. Despite its style as a children's book, The Little Prince makes observations about life, adults and human nature. [9]The Little Prince became Saint-Exupéry's most successful work, selling an estimated 140 million copies worldwide, which makes it one of the best-selling in history.[10][11][12][Note 2][14]The book has been translated into over 505 different languages and dialects worldwide, being the second most translated work ever published, trailing only the Bible.[15][16][17] The Little Prince has been adapted to numerous art forms and media, including audio recordings, radio plays, live stage, film, television, ballet, and opera.[16][18]

Melanie Stryder refuses to fade away. The earth has been invaded by a species that take over the minds of human hosts while leaving their bodies intact. Wanderer, the invading "soul" who has been given Melanie's body, didn't expect to find its former tenant refusing to relinquish possession of her mind.As Melanie fills Wanderer's thoughts with visions of Jared, a human who still lives in hiding, Wanderer begins to yearn for a man she's never met. Reluctant allies, Wanderer and Melanie set off to search for the man they both love.Also see: Alternate Cover Editions for this ISBN [ACE]  \
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Among Shakespeare's plays, "Hamlet" is considered by many his masterpiece. Among actors, the role of Hamlet, Prince of Denmark, is considered the jewel in the crown of a triumphant theatrical career. Now Kenneth Branagh plays the leading role and co-directs a brillant ensemble performance. Three generations of legendary leading actors, many of whom first assembled for the Oscar-winning film "Henry V", gather here to perform the rarely heard complete version of the play. This clear, subtly nuanced, stunning dramatization, presented by The Renaissance Theatre Company in association with "Bbc" Broadcasting, features such luminaries as Sir John Gielgud, Derek Jacobi, Emma Thompson and Christopher Ravenscroft. It combines a full cast with stirring music and sound effects to bring this magnificent Shakespearen classic vividly to life. Revealing new riches with each listening, this production of "Hamlet" is an invaluable aid for students, teachers and all true lovers of Shakespeare - a recording to be treasured for decades to come.

Nobilis is a contemporary fantasy role-playing game created by Jenna K. Moran, writing under the name R. Sean Borgstrom. The player characters are "Sovereign Powers" called the Nobilis; each Noble is the personification of an abstract concept or class of things such as Time, Death, cars, or communication. Unlike most role-playing games, Nobilis does not use dice or other random elements to determine the outcome of characters' actions, but instead uses a point-based system for task resolution.Nobilis draws on many sources, including Christian and Norse mythologies, but adds numerous unique details to its setting. Though the everyday world in the game appears much like our own, it is actually only the Prosaic Earth, a lie that the world told to itself in a desperate attempt to explain suffering, and a rationalized delusion which conceals the true reality that would plunge most mortals into madness: the Mythic Earth, an animistic world where everything has its own sentient spirit. In the Mythic, the earth is really flat, and hangs somewhere among the vast boughs of the "world-tree", Yggdrasil. Countless worlds dot the branches of this world-tree, but at the top is Heaven, which is inaccessible to all but the angels (only one human soul in a billion is not turned away) and is the source of all beauty. Beneath the earth, in the roots of Yggdrasil, is Hell, the source of all corruption. Around Yggdrasil, except above heaven (where it is open to the stars), is a mystical impenetrable curtain of blue flames known as the Weirding Wall.

Changeling: The Lost is the fifth supplementary role-playing game line published by White Wolf Publishing. It uses the Storytelling System for rules and is set in the Chronicles of Darkness setting. Changeling is the second limited game published by White Wolf after Promethean: The Created, but in April 2008 it was announced that because of the success of the line it would be an extended limited series not limited to 5 books. Since then, three full hard-cover books were published: Equinox Road, Dancers in the Dusk, and Swords at Dawn. Goblin Markets, available only on PDF, was also created. This was followed by the setting book Victorian Lost.The game is primarily inspired by tales of changelings from European folklore but includes elements of similar stories from around the world. While superficially similar to the Classic World of Darkness game Changeling: The Dreaming, Changeling: The Lost approaches the legends from a more traditional perspective of mortals kidnapped by Fae and eschews the past life angle that characterized its predecessor.

Spider is a type of patience game, and is one of the more popular two-deck solitaire games. The game originates in 1949, and its name comes from a spider's eight legs, referencing the eight foundation piles that must be filled to win the game.

Portal is a new single player game from Valve. Set in the mysterious Aperture Science Laboratories, Portal has been called one of the most innovative new games...

The Generic Universal RolePlaying System, or GURPS, is a tabletop role-playing game system designed to allow for play in any game setting. It was created by Steve Jackson Games and first published in 1986 at a time when most such systems were story- or genre-specific.Players control their in-game characters verbally and the success of their actions are determined by the skill of their character, the difficulty of the action, and the rolling of dice. Characters earn points during play which are used to gain greater abilities. Gaming sessions are story-told and run by "Game Masters" (often referred to as simply "GMs").GURPS won the Origins Award for Best Roleplaying Rules of 1988, and in 2000 it was inducted into the Origins Hall of Fame. Many of its expansions have also won awards.

Munchkin is a dedicated deck card game by Steve Jackson Games, written by Steve Jackson and illustrated by John Kovalic. It is a humorous take on role-playing games, based on the concept of munchkins (immature role-players, playing only to "win" by having the most powerful character possible).Munchkin won the 2001 Origins Award for Best Traditional Card Game, and is itself a spin-off of The Munchkin's Guide to Powergaming, a gaming humor book which also won an Origins Award in 2000.After the success of the original Munchkin game several expansion packs and sequels were published. Now available in 15 different languages, Munchkin accounted for more than 70% of the 2007 sales for Steve Jackson Games.

Gloomis a 1995 computer game for the Amiga computer.Gloomwas the first commercially released Amiga clone of first-person shooterDoom.Gloomfeatures 'Messy' or 'Meaty' graphics, if 'Messy' graphics are enabled gibs from enemies explode more violently but disappear promptly, and if 'Meaty' graphics are enabled, all gibs from defeated enemies will remain on the floor where they died until the level is completed.Gloom Deluxeis playable on a workbench screen, a feature absent from its predecessor.Gloomhas a two-player mode, and can be played over a network or by using split screen.Gloomwas developed as Amiga Doom clone by Mark Sibly (programmer) Kurt & Hans Butler (graphics), Laki Schuster (additional artwork) and Kev Stanard (music). A later version of the game,Gloom Deluxe, featured higher resolution graphic modes.

Dixit, is a French card game created by Jean-Louis Roubira, illustrated by Marie Cardouat, and published by Libellud. Using a deck of cards illustrated with dreamlike images, players select cards that match a title suggested by the designated storyteller player, and attempt to guess which card the storyteller selected. The game was introduced in 2008. Dixit won the 2010 Spiel des Jahres award.

Catan, previously known as The Settlers of Catan or simply Settlers, is a multiplayer board game designed by Klaus Teuber. It was first published in 1995 in Germany by Franckh-Kosmos Verlag (Kosmos) as Die Siedler von Catan. Players take on the roles of settlers, each attempting to build and develop holdings while trading and acquiring resources. Players gain points as their settlements grow; the first to reach a set number of points, typically 10, wins. The game and its many expansions are also published by Catan Studio, Filosofia, GP, Inc., 999 Games, Κάισσα, and Devir.The Settlers of Catan became one of the first German-style board games to achieve popularity outside Europe. As of 2015, more than 22 million copies in 30 languages had been sold.

Ticket to Ride is a railway-themed German-style board game designed by Alan R. Moon. It was illustrated by Julien Delval and Cyrille Daujean and published in 2004 by Days of Wonder. The game is also known as Zug um Zug (German), Les Aventuriers du Rail (French), Aventureros al Tren (Spanish), Wsiąść do pociągu (Polish), and Menolippu (Finnish).

In Citadels, the player experiences the Arthurian legend in two campaigns; one fighting on the side of Arthur and the Knights of the Round Table, and the other...

Small World is a board game designed by Philippe Keyaerts, Illustrated by Miguel Coimbra and Cyrille Daujean as graphic designer, and published by Days of Wonder in 2009. The game is a reworking of Keyaerts' 1999 game Vinci. Small World has won several awards, including Games magazine 2010 Game of the Year.

Dominion is a deck-building card game created by Donald X. Vaccarino and published by Rio Grande Games. Each player uses a separate deck of cards and draw their hands from their own decks, not others'. Players use the cards in their hands to either perform actions or buy select cards from a common pool of card stacks. The player with the most victory points at the end wins. The game has a "light" medieval theme, with card names that reference pre-industrial, monarchical, and feudal social structures.
Regarding the feel of the game, parallels are often drawn with collectible card games such as the popular Magic: The Gathering. Vaccarino, however, denies that Magic was the inspiration. Unlike that game, players of Dominion build their decks ad hoc as the game proceeds, rather than coming to the table with a pre-made deck. Dominion was the first game of its kind, but has spawned a whole genre of similar card-based games dubbed "deck-building games" (and retroactively applied as a descriptor to this game).

Master strategy in the medieval world! In the classic board game Carcassonne, the medieval countryside thrives as you and your opponents place tiles and complet...

Agricola is a Euro-style board game created by Uwe Rosenberg. It is a worker placement game with a focus on resource management. In Agricola, players are farmers who sow, plow the fields, collect wood, build stables, buy animals, expand their farms and feed their families. After 14 rounds players calculate their score based on the size and prosperity of the household.

Exalted is a role-playing game published by White Wolf Publishing. The game is classified as high fantasy and it was inspired by a mixture of world mythologies as well as Japanese Anime. The game is currently in its third edition. First Edition was originally created by Robert Hatch, Justin Achilli and Stephan Wieck. The original core rulebook was published in July 2001.
The setting is strongly influenced by Tanith Lee's Tales from the Flat Earth, Michael Moorcock's Hawkmoon, Lord Dunsany's The Gods of Pegana and Yoshiaki Kawajiri's Ninja Scroll. Other influences include Glen Cook's The Black Company; Sean Stewart's Resurrection Man, The Night Watch, and Galveston; Homer's Odyssey, the Bible, and Wu Cheng'en's Journey to the West.

Take the helm of your customised steamship and set sail for the unknown. Sunless Sea is a 2D game of discovery, survival and loneliness set in the Victorian Got...

Fallen London, originally Echo Bazaar, is a browser-based interactive narrative game developed by Failbetter Games and set in "Fallen London", an alternative Victorian London with gothic overtones. The franchise subsequently expanded to other games, including Sunless Sea and its sequel Sunless Skies.

Video game adventurer Lara Croft comes to life in a movie where she races against time and villains to recover powerful ancient artifacts.

A science teacher, his wife, and a young girl struggle to survive a plague that causes those infected to commit suicide.

2008 American science fiction thriller film directed by M. Night Shyamalan

A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on t

2012 American science fiction action film directed by Len Wiseman

An origins story centered on the centuries-old feud between the race of aristocratic vampires and their onetime slaves, the Lycans.

2009 American action horror film directed by Patrick Tatopoulos

Rookie cop Denny Colt returns from the beyond as The Spirit, a hero whose mission is to fight against the bad forces in Central City.

2008 American film directed by Frank Miller

Picking up directly from the previous movie, vampire warrior Selene and the half werewolf Michael hunt for clues to reveal the history of their races and the war between them.

A frustrated office worker discovers that he is the son of a professional assassin, and that he shares his father's superhuman killing abilities.

2008 American action thriller film directed by Timur Bekmambetov

After New York City receives a series of attacks from giant flying robots, a reporter teams up with a pilot in search of their origin, as well as the reason for the disappearances of famous scientists around the world.

2004 American dieselpunk film by Kerry Conran

In the year 2019, a plague has transformed almost every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to

The only way to save Earth from catastrophe is to drill down to the core and set it spinning again.

2003 American science fiction disaster film directed by Jon Amiel

Space Marines are sent to investigate strange events at a research facility on Mars but find themselves at the mercy of genetically enhanced killing machines.

2005 film based on the video game series directed by Andrzej Bartkowiak

In 2035, a technophobic cop investigates a crime that may have been perpetrated by a robot, which leads to a larger threat to humanity.

2004 American science-fiction action film directed by Alex Proyas

A group of archaeologists become trapped in the past when they go there to retrieve a friend. The group must survive in 14th-century France before they can escape back to the twenty-first century.

2003 science fiction adventure film directed by Richard Donner

In an oppressive future where all forms of feeling are illegal, a man in charge of enforcing the law rises to overthrow the system and state.

2002 science fiction movie directed by Kurt Wimmer

Aeon Flux is a mysterious assassin working for the Monicans, a group of rebels trying to overthrow the government. When she is sent on a mission to kill the Chairman, a whole new mystery is found.

A man living in a futuristic sterile colony begins to question his circumscribed existence when his friend is chosen to go to the Island, the last uncontaminated place on earth.

2005 American science fiction action thriller film directed by Michael Bay

A beautiful hæmophage infected with a virus that gives her superhuman powers has to protect a boy in a futuristic world, who is thought to be carrying antigens that would destroy all hæmophages.

In a future mind-controlling game, death row convicts are forced to battle in a 'Doom'-type environment. Convict Kable, controlled by Simon, a skilled teenage gamer, must survive thirty sessions in order to be set free.

2009 American science fiction action film

A priest disobeys church law to track down the vampires who kidnapped his niece.

2011 American science-fiction film directed by Scott Stewart

Two young Americans with special abilities must race to find a girl in Hong Kong before a shadowy government organization called Division does.

Italian composer and violinist (1678-1741)

American composer, conductor, pianist and trombonist (born 1932)

American violinist, musician, dancer, performance artist, singer and composer

Three sisters discover their destiny, to battle against the forces of evil, using their witchcraft. They are the Charmed Ones.

American supernatural drama / fantasy television series (1998–2006)

A young woman, destined to slay vampires, demons and other infernal creatures, deals with her life fighting evil, with the help of her friends.

1997 American supernatural drama TV series

Lucifer Morningstar has decided he's had enough of being the dutiful servant in Hell and decides to spend some time on Earth to better understand humanity. He settles in Los Angeles - the City of Angels.

An intelligent high school student goes on a secret crusade to eliminate criminals from the world after discovering a notebook capable of killing anyone whose name is written into it.

Former Daily Show host and correspondent John Oliver brings his persona to this weekly news satire program.

American late-night talk and news satire television program hosted by comedian John Oliver

A Congressman works with his equally conniving wife to exact revenge on the people who betrayed him.

American political drama television series (2013-2018)

Sakura stumbled upon the book of Clow Cards in a library. Accidentally setting the magical cards loose, it's now up to Sakura to catch them all with her best friend Tomoyo, and Kerberos, the guardian of the cards.

Sora, a young girl from Japan, comes to America in search of her dream. She wants, with all her heart, to be a member of the famous Kaleido Stage, a combination of musicals, acrobatics and magical effects. With the help of her friend

Having gone missing seven years ago, the previously blind Prairie returns home, now in her twenties with her sight restored. While many believe she is a miracle, others worry that she could be dangerous.

2016 American mystery drama television series

Yuri!!! on Ice (Japanese: ユーリ!!! on ICE) is a Japanese sports anime television series about figure skating. The series was produced by MAPPA, directed and written by Sayo Yamamoto with original scripts by Mitsurō Kubo under the chief direction of Jun Shishido. Character designs were handled by Tadashi Hiramatsu, and its music was composed by Taro Umebayashi and Taku Matsushiba. The figure skating was choreographed by Kenji Miyamoto, who also performed routines himself which were recorded and used as skating sound effects. The series premiered on October 6, 2016 and ended on December 22, with a total of 12 episodes. A Yuri on Ice feature film, Ice Adolescence, was originally planned for release in 2019, but has been delayed to a later date. The series revolves around the relationships between Japanese figure skater Yuri Katsuki; his idol, Russian figure-skating champion Victor Nikiforov, and up-and-coming Russian skater Yuri Plisetsky; as Yuri K. and Yuri P. take part in the Figure Skating Grand Prix, with Victor acting as coach to Yuri K.

An animated series based on the popular children's toy "Digimon", in which kids raise and train electronic monsters to fight against those raised by other kids. The show follows the adventures of a team of real monster trainers as th

Vampire Knight is a story about how Vampires Survive without drinking blood

Code Geass: Lelouch of the Rebellion (Japanese: コードギアス 反逆のルルーシュ, Hepburn: Kōdo Giasu: Hangyaku no Rurūshu), often referred to simply as Code Geass, is a Japanese anime television series produced by Sunrise. It was directed by Gorō Taniguchi and written by Ichirō Ōkouchi, with original character designs by Clamp. Set in an alternate timeline, it follows the exiled prince Lelouch vi Britannia, who obtains the "power of absolute obedience" from a mysterious woman named C.C. Using this supernatural power, known as Geass, he leads a rebellion against the rule of the Holy Britannian Empire, commanding a series of mecha battles.Code Geass was broadcast in Japan on MBS from October 2006 to July 2007. Its sequel series, Code Geass: Lelouch of the Rebellion R2, ran as a simulcast on MBS and TBS from April to September 2008. The series has also been adapted into various manga and light novels, with the former showing alternate scenarios from the TV series.

Two university students come across a seemingly harmless girl named Lucy, unaware that she's actually a mutant serial killer with a split personality.

When a sabotaged experiment gives him super strength and unbreakable skin, Luke Cage becomes a fugitive attempting to rebuild his life in Harlem and must soon confront his past and fight a battle for the heart of his city.

After her mother's death, Tohru Honda finds herself living with the Sohma family consisting of three cousins: Yuki, the 'prince charming' of their high school, Kyo the hot headed, short tempered outcast, and Shigure the mischievous n

A creature named Kyubey offers Madoka and Sayaka a wish if they agree to become 'magical girls' and fight abstract beings called 'witches'. However, a magical girl named Homura is, for uncertain reasons, determined to stop this agree

In the inner computer world of Mainframe, a guardian program sprite and his friends defend the system from threats from viruses and the User.

A gangster family epic set in 1900s England, centering on a gang who sew razor blades in the peaks of their caps, and their fierce boss Tommy Shelby.

Explorer Sir Malcolm Murray, American gunslinger Ethan Chandler, scientist Victor Frankenstein and medium Vanessa Ives unite to combat supernatural threats in Victorian London.

2014 British-American horror drama television series

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