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Vivian's family are penniless nomads, moving from one cheap flat to another in Beverly Hills so she and her brothers can attend the city's schools. Uncle Mickey sends them money to survive. When Mickey's daughter Rita runs away from an asylum, Vivian's dad offers shelter to her if Mickey will pay for a plush flat. Vivian must babysit her adult cousin, making sure she gets to nursing school and avoids pills and booze. But Vivian has her own problems: she's curious about sex, likes an older neighbor kid, has inherited her mother's ample breasts, and wants a family that doesn't embarrass her. Can she help Rita, keep Uncle Mickey happy, and feel OK about her body and her family?

She's young, sexy and dangerous. Debbie Strand (

Looking back a few years later, Jefferson Roth tells the story of the last few weeks of her senior year at a Wisconsin boarding school when she and two girl friends, the naive Lisa and the outrageous Karen, use a pistol to turn the tables on men (boys, really) who make them feel weak, put upon, and desired only as sex objects. They stage a sexual assault on David, who's been hot and cold toward Lisa. Meanwhile, each of the three keeps trying to find love even while Karen wants to attack others: Jefferson falls for a cowboy singer, ignoring a boy she grew up with, Jeremy, who likes her; Lisa tries again to reach David; Karen puts herself at risk with an older man. Can it end well?

14-year-old Lisa is raised by her unmarried mother Katherine who overprotects her by forbidding her to date until she's 16. In despair, Lisa and schoolmate Wendy make up a game that consists of inferring attractive men's phone numbers from their car ID and calling them anonymously. Lisa begins a passionate phone relationship with the last man, the handsome Richard...unaware that he is a sex maniac and a psycho killer..

Richard and Priscilla Parker's lives take a turn for the better when Eddy and Kay move into the house next door. Eddy's a risk-taker and shows his new neighbours how to enjoy life at the expense of a rule or convention or two. What Richard doesn't realize is that Eddy's little games are just a prelude to something that's intended to destroy his neighbours' lives.

San Franciscans Drake Goodman and Patty Palmer are taking their relationship to the next level not only by moving in together, but their new abode being a house they purchase. Despite it being slightly outside of their price range and only affordable to them in the right circumstances, they purchase a Victorian house in Pacific Heights. Those circumstances include making all the necessary renovations on their own, and immediately renting out the two suites on the main floor at a specific price point. While they rent out the rear one bedroom unit to the Watanabes without incident, outwardly wealthy Carter Hayes is able to manipulate his way into renting the front studio apartment, partly in promising to pay half a year's rent in advance. Drake and Patty eventually learn that Carter, whose money they do not receive, is in the "business" of causing havoc in such rental situations to ruin the owners financially, he being the tenant from hell. In Carter seemingly knowing how to manipulate the system to his benefit including the proverbial possession being nine-tenths of the law, Drake and Patty also learn from the police and Stephanie MacDonald, the property lawyer they hire to help evict Carter and who they cannot afford, that the law is on Carter's side, the process to get him out costly and time consuming. As the battle between Drake/Patty and Carter escalates, which also includes the Watanabes being caught in the crossfire, it becomes potentially deadly if either side crosses a breaking point.

Homicide detective Catherine Palmer investigates a series of serial killings of women who have been tortured to death by S&M, all of whom have had their eyelids cut off. The investigation takes Catherine into a group wealthy upper class women, where she is drawn to the chief suspect, Vickie Kittrie, who has a penchant for S&M and women, as well as to Dr. Broussard, the victims' shady therapist with some dark secrets of his own.

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A former rock star, Johnny Boz, is brutally killed during sex, and the case is assigned to detective Nick Curran of the SFPD. During the investigation, Nick meets Catherine Tramell, a crime novelist who was Boz's girlfriend when he died. Catherine proves to be a very clever and manipulative woman, and though Nick is more or less convinced that she murdered Boz, he is unable to find any evidence. Later, when Nilsen, Nick's rival in the police, is killed, Nick suspects of Catherine's involvement in it. He then starts to play a dangerous lust-filled mind game with Catherine to nail her, but as their relationship progresses, the body count rises and contradicting evidences force Nick to start questioning his own suspicions about Catherine's guilt.

Sarah Morton is a famous British mystery author. Tired of London and seeking inspiration for her new novel, she accepts an offer from her publisher John Bosload to stay at his home in Luberon, in the South of France. It is the off-season, and Sarah finds that the beautiful country locale and unhurried pace is just the tonic for her--until late one night, when John's indolent and insouciant French daughter Julie unexpectedly arrives. Sarah's prim and steely English reserve is jarred by Julie's reckless, sexually charged lifestyle. Their interactions set off an increasingly unsettling series of events, as Sarah's creative process and a possible real-life murder begin to blend dangerously together.

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