Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

The struggles of illegal African immigrant Amadou in search for a better life in Brussels.

Anna (Mulligan) increasingly suspects that her relationship with her longtime partner may not actually be the real thing. In an attempt to improve things, she secretly embarks on a new assignment working at a mysterious institute designed to incite and test the presence of romantic love in increasingly desperate couples.

Story of two comfortable, affably married Parisian couples. When Rachel's jewelry business delivers to her web designer Vincent, their mutual attraction is readily apparent. It isn't long before Rachel invites Vincent and his wife Teri to dinner. Everything is very pleasant, relaxed and shabby-chic, very savoir-vivre. The instant physical chemistry between Teri and Rachel's husband, Franck is also obvious. After they've shared a few drops of wine and a large dose of metaphor, all revolving around a ping-pong table, Teri and Franck kiss. Everyone is mildly shocked, yet more intrigued and they handle it with a rather jejune sophistication. Soon they are regularly putting their sex lives on shuffle, passionately partner-swapping with an abandon that is both respectful and injurious to their ongoing marriages. At first they consensually agree to set no rules and enjoy themselves. As their feelings become more complicated they're forced to question modern relationships, responsibilities and how possible it really is to be in love with more than one person at a time.

Armand, the bookish son of Iranian immigrants who's completely smitten by Leila, an Arab girl from the banlieue enrolled with Armand in Paris' prestigious Sciences Po university. The two are set to spend a few months in New York interning at the United Nations, but those plans quickly unravel when Leila's brother, Mahmoud, returns from an extended trip to the Middle East as a full-blown Islamist replete with beard, prayer beads and a desire to quell his sister's profane Western ways.

Like Voltaire's Candide in his eponymous novel, Jallel, a young North-African man, dreaming of better prospects, immigrates illegally to France. He struggles at first as he is unable to find work and finds it difficult to make friends. But soon he gets to sell fruits in the underground, albeit illegally. He also makes some new friends and then falls in love. But his dreams of success remain unrealized as he comes to discover and share the solidarity of the other outcasts going from one encounter to the other, making his way through Paris, from hostels to immigrant aid societies and social welfare groups, living among the excluded and the destitute.

In the slums of Paris, a group of students - primarily North African and Southeast Asian immigrants - are staging a class production of the Marivaux play "Le Jeu de l'Amour et du Hasard," about the inevitability of class distinctions. Lead actress Lydia (Sara Forestier) takes to the material, encouraging and bullying the other students to take the production seriously. Meanwhile, her friend Krimo (Osman Elkharraz) plays her love interest on stage and harbors real affection as well.

Amin, an aspiring screenwriter and photographer, returns to his hometown, a fishing village in the south of France, after living a year in Paris. He spends his time hopping from beach to beach and from bar to bar, finding his childhood friends and chasing new encounters. The summer lights of the Mediterranean coast guide his quest for love, as he hopes to live a passionate romance like in the movies. Surrounded by his loving family, who sometimes helps and often hinders, Amin searches to find his own way. Inspiration comes in the form of many female characters who enchant him, but when it comes to love only the mektoub ("destiny" in Arabic) can decide. This coming-of-age saga set in 1994 casts a nostalgic glow on losing the innocence of youth.

It's the end of summer vacation for Amin, the young photographer. He spends cozy evenings with Charlotte, the ex-girlfriend of Tony, his Casanova cousin. She talks to him about literature, and he photographs her. Nobody knows that they see each other, especially not Ophélie, his childhood friend, who instead confides her troubles to Amin: her father wants her to take over the family farm, her fiancé Clement will return soon from Iraq for their wedding, she is pregnant with Tony's baby, and Tony wants to keep their affair secret instead of having a serious relationship. Ophélie constantly contemplates her choices : would it be better to get an abortion in secret and marry Clement or to follow her maternal instinct and keep the child, perhaps seeking refuge with Amin in Paris?

Ahmed, 18, French of Algerian origin, grew up in the suburbs of Paris. At the university, he meets Farah, a young Tunisian girl, full of energy, who has just arrived in Paris. While discovering a corpus of sensual and erotic Arabic literature he never imagined existed, Ahmed falls deep in love with Farah, and although literally overwhelmed with desire, he will try to resist it.

Following the death of her husband in an accident, young Amel tries to find some consolation in photography. She takes photos of strangers from the street, looking at men as they tend to do towards women.

Who is this Karim D. ? The new young writer whom the media can't get enough of? Or his alias, Arthur Rambo, the author of old hate-fuellled messages which are dredged up, one day, from social media websites?

Samba migrated to France ten years ago from Senegal, and has since been plugging away at various lowly jobs. Alice is a senior executive who has recently undergone a burn-out. Both struggle to get out of their dead-end lives. Samba's willing to do whatever it takes to get working papers, while Alice tries to get her life back on track until fate draws them together.

Two youngsters are raised in the same city, yet they live light years apart, separated economically, socially and culturally. That is until the day they start in the same high school class.

The advocate for a young Iranian refugee held in detention. Amir Ali claims to be an Iranian student persecuted by the government but the Department of Immigration dispute his identity. When Julia meets Amir, he is severely depressed and close to deportation. Julia throws herself obsessively into Amir's case, causing friction between Julia and her husband, Peter. Julia eventually frees Amir and the young Iranian man moves in with Peter and Julia. As Julia helps Amir adjust to ordinary life, she finds herself increasingly attracted to this handsome, damaged young man. But she also starts to see the subtle cracks in Amir's story. Is he really who he claims he is? Or does he have a darker, more dangerous history?

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