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A common friend's sudden death brings three men, married with children, to reconsider their lives and ultimately leave together. But mindless enthusiasm for regained freedom will be short-lived.

The manager of England's national football unexpectedly succumbs to a heart attack, and suddenly the search is on for a replacement. Most people who seem qualified for the position have the good sense to turn it down, and so the responsibility falls to Mike Bassett, a scruffy and loud-mouthed lout whose claim to football fame is leading a previously undistinguished team to a league championship. Bassett insists that England will win the World Cup under his leadership, but that's before he replaces his star player with a once-gifted footballer who has since developed a drinking problem, and hired a one-time car salesman as his assistant. After stunning losses to Poland and Belgium, Bassett goes from a favorite of both fans and the press to one of the most hated men in England; hoping to whip his team into shape, he subjects them to the high-tech training methods of eccentric Dr. Shoegaarten, which injures more players than it helps. Despite Bassett's ineptitude, England manages to qualify for the World Cup tournament thanks to group opponents Turkey losing their final game, and he flies to Rio with his team in hopes of somehow turning their bad luck around.

A man and a woman arrive in a cafe-hotel near the Belgian frontier. The customers recognize the man from the police description. His name is Amedee Lange, and he murdered Batala in Paris. His ladyfriend Valentine tells the whole story: Lange was an employee in Batala's little printing works. Batala was a real bastard, swindling everyone, seducing female workers of Valentine's laundry - One day, he fled to avoid facing his creditors, and the workers set up a cooperative to go on working. But the plot is less important that the description of the atmosphere just before the Popular Front.

Francois, a sympathetic factory worker, kills Valentin with a gun. He locked himself in his furnished room and starts remembering how he was led to murder. He met once Francoise, a young fleurist, and they fell in love. But Francoise was gotten round by Valentin, a dog trainer, a machiavellian guy...

1939 French film directed by Marcel Carné

At the height of World War I, the German ace aviator, Captain von Rauffenstein, shoots down the plane of the aristocratic French pilot, Captain de Boeldieu, and his co-pilot, the working-class civilian mechanic, Lieutenant Maréchal, during an air-reconnaissance mission. As the captured officers find themselves in the Hallbach POW camp for officers, they befriend the wealthy former Jewish banker, Lieutenant Rosenthal, and along with a handful of determined compatriots, they organise an escape. However, fate has other plans in store for them, and shortly before the implementation of the plan, they are transferred by train to the impregnable Wintersborn fortress-prison in Alsace, France, overseen by Rauffenstein himself. More and more, respect and appreciation bond von Rauffenstein and de Boeldieu. But, will this delicate relationship, and the grand illusion, stand in the way of breaking out?

1937 French war film directed by Jean Renoir

Holed up in the labyrinthine trap of narrow cobblestoned streets and dark dead-end alleys in the bustling Casbah quarter of Algiers, the charismatic leader and elegant Parisian gangster, Pépé le Moko, is starting to reach the end of his tether. Under those pressing circumstances, and always homesick for his beloved Paris after two long years in the impenetrable district, Pépé and his loyal gang find themselves in a constant cat-and-mouse game with the local police and the sly, manipulative detective, Inspector Slimane, trying hard to be one step ahead of them. But, as if that weren't enough, a chance encounter with the dazzling coquette, Gaby, will expose the Achilles' heel of the love-smitten lord of the Casbah, who is now eager to dice with death only to be with her. Is she Pépé le Moko's last chance to leave his squalid criminal haven?

Domenico and Antonietta are two suburban Italian youths who meet while seeking "a job for life" from a big city corporation. After a bizarre screening process made up of written exams, physical agility exercises, and interview questions such as "Do you drink to forget your troubles?" (Domenico and Antonietta are no older than 17 or 18), they land jobs in the "Technical Division" and "Typing Services" respectively. From there, Domenico works as an underutilized errand boy until a clerk position is vacated by the death of an older employee. Domenico finally takes his place in a room of 12 other clerks with a manager overseeing them from a desk at the head of the room. The film ends as Domenico ponders his fate, from behind his tiny desk at the back of the small windowless room, listening to the sound of the mimeograph machine as it runs off carbon copies next to the manager's desk.

The aristocratic Tony (James Fox) moves to London and hires the servant Hugo Barrett (Sir Dirk Bogarde) for all services at home. Barrett seems to be a loyal and competent employee, but Tony's girlfriend Susan (Wendy Craig) does not like him, and asks Tony to send him away. When Barrett brings his sister Vera (Sarah Miles) to work and live in the house, Tony has a brief hidden affair with her. After travelling with Susan and spending a couple of days in a friend's house outside London, the couple unexpectedly returns and finds Barrett and Vera, who are actually lovers, in Tony's room. They are fired and Susan breaks with Tony. Later, Tony meets Barrett alone in a pub and hires him back, and Barrett imposes his real dark intentions in the house, turning the table and switching position with his master.

Those five are unemployed penniless workers. Together they win 100,000 Francs with the national lottery. Instead of sharing the money, they buy a ruin and build an open-air cafe. But difficulties come to split their friendly group apart: former wife, police tracking one of them (Spanish republican refugee), jealousy...

1936 French film directed by Julien Duvivier

In 1971 Courbevoie (France), former typographist Julien Bouin and his wife Clemence, who used to perform in a circus, hardly talk to each other in their small house, which is soon to be demolished. To Clemence's anger, Julien's cat Greffier is the only one who gets his attention, let alone love.

This film explores a Parisian woman's descent into prostitution. The movie is comprised of a series of 12 "tableaux"-- scenes which are basically unconnected episodes, each presented with a worded introduction.

Dominique Marceau is on trial for the murder of Gilbert Tellier. The counsels duel relentlessly, elaborating explanations for why the pretty, idle and fickle girl killed the talented and ambitious conductor freshly graduated from the conservatory. Was it passion, vengeance, desperation, an accident? The acquaintances of Gilbert testify, as well as Dominique's former lovers, and her sister, Annie, the studious violin player engaged to Gilbert. The evidence they give progressively paints a more finely-shaded picture of the personalities of Dominique and Gilbert, and of their relationship, than the eloquent and convincing justifications of the counsels.

1960 film directed by Henri-Georges Clouzot

Francois comes back to his home village in France after more than a decade. He notices that the village hasn't changed much, but the people have, especially his old friend Serge who has become a drunkard. Francois now tries to find out what happened to him and tries to help him.

1958 film by Claude Chabrol, Philippe de Broca, Claude de Givray

On the eve of his release after five years imprisoned, the thief Corey is contacted by one guard of the prison that offers him a jewelry heist. However Corey seeks out his former boss Rico and steals money from him. Rico sends two gangsters to hunt Corey down and retrieve the stolen amount. Meanwhile the criminal Vogel is transported by train by the Police Officer Mattei and succeeds to escape. Corey drives from Marseille to Paris and Vogel hides in the trunk of his car. Corey finds him but does not object to ride Vogel to Paris hidden in the trunk. When the gangsters sent by Rico cut in Corey's car, Vogel saves him from the criminals, but Corey loses the money. Without money, Corey decides to heist the jewelry with Vogel and invites the former police detective Jansen to team-up with them. The trio executes a perfect heist but Rico is seeking revenge and Mattei is an unethical but efficient police officer capable to use any means to resolve the case.

In Paris, Jef Costello is a lonely hit man who works under contract. He is hired to kill the owner of a club and becomes the prime suspect of the murder. However, his perfect alibi drops the accusation against him. His girlfriend Jane, her client and citizen above any suspicion Wiener and Valerie, the pianist of the club and main witness of the crime, provide the necessary evidence of his innocence supporting his alibi. Free, he is betrayed and chased by the gangsters sent by the one who hired him and also by the police, not convinced of his innocence. Jef seeks out who has hired him to revenge.

The second film in Terence Davies's autobiographical series ('Trilogy', 'The Long Day Closes') is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies's own family. The first part, 'Distant Voices', opens with grown siblings Eileen (Angela Walsh), Maisie (Lorraine Ashbourne) and Tony (Dean Williams), and their mother (Freda Dowie) arranged in mourning clothes before the photograph of their smiling father (Pete Postlethwaite). Soon after, the family poses in a similar tableau, but for a happier occasion - Eileen's wedding. While relatives sing at her reception, Eileen hysterically grieves for her dad, and recalls happy times of her youth. Tony and Maisie's memories, however, are more troubled. Davies intermingles and contrasts scenes like the family peacefully lighting candles in church with the brutal man beating his wife and terrorizing his young children. In 'Still Lives', set (and filmed) two years later, the siblings are settled in life, but not all happily. For Eileen, relief from her drab existence comes only when singing at the pub. With his skillfully composed frames and evocative use of music in place of dialogue, Davies creates a lovely, affecting photo album of a troubled family wrestling with the complexity of love.

An investigator on the Moscow police force relentlessly pursues the solution to a triple homicide which occurred in Moscow's Gorky Park. He finds that no one really wants him to solve the crime because it is just the tip of a complex conspiracy which involves the highest levels of the Moscow city government.

The plot of this movie, like smoke, drifts and swirls ethereally. Characters and subplots are deftly woven into a tapestry of stories and pictures which only slowly emerges to our view. This movie tries to convince us that reality doesn't matter so much as aesthetic satisfaction. In Auggie Wren's (Harvey Keitel's) New York City smoke shop, day by day passes, seemingly unchanging until he teaches us to notice the little details of life. Paul Benjamin (William Hurt), a disheartened and broken writer, has a brush with death that is pivotal and sets up an unlikely series of events that afford him a novel glimpse into the life on the street which he saw, but did not truly perceive, every day. Finally, it's Auggie's turn to spin a tale.

In 1986, In Brooklyn, New York, the dysfunctional family of pseudo intellectuals composed by the university professor Bernard and the prominent writer Joan split. Bernard is a selfish, cheap and jealous decadent writer that rationalizes every attitude in his family and life and does not accept "philistines" - people that do not read books or watch movies, while the unfaithful Joan is growing as a writer and has no problems with "philistines". Their sons, the teenager Walt and the boy Frank, feel the separation and take side: Walt stays with Bernard, and Frank with Joan, and both are affected with abnormal behaviors. Frank drinks booze and smears with sperm the books in the library and a locker in the dress room of his school. The messed-up and insecure Walt uses Roger Water's song "Hey You" in a festival as if it was of his own, and breaks up with his girlfriend Sophie. Meanwhile Joan has an affair with Frank's tennis teacher Ivan and Bernard with his student Lili.

An odd film, primarily looking at how the dole affects the underclass in Britain. Tim Roth stars as Colin, a slow and possibly intellectually disabled man living with his parents and brother in a housing project. He and his sarcastic manipulative brother still behave like teenagers, living with their parents, harassing each other. The problem is that they are in their late teens or twenties. Neighborhood characters include Hayley, a young woman with a crush on Colin, and Coxy (Gary Oldman) a violent local skinhead who befriends Colin. Trouble ensues when their wealthy aunt gives Colin a job and his brother becomes jealous.

English actor, comedian, director, radio presenter and writer

American actor, comedian, musician, author, playwright, and producer

British comedian, actor, writer, presenter, and activist

English actor, comedian, director, musician and writer

Canadian actor, musician, recording artist, author and film director

A satire of British news programmes. It parodies the 'hard-hitting' Gulf War-era style of journalism, as well as mocking sports journalism, weather reports, American news programmes, business reports, soap operas, 'vox pops', and many other targets.

surreal British parody of television current affairs programmes

Librarian Henry Nunn leaves his boring life and moves to his childhood home in Stackley which he thinks of as a lost paradise only to find it squatted by a green-haired punk and that his neighbours are less than enamoured with him.

Mockumentary comedy series following the life of scottish police officers from different areas of the force. In a fly on the wall style.

Mike, now living in Spain, returns to England to take the manager role at Wirral County, the club that his dad played for, tasked with saving the club from relegation.

A mockumentary which looks behind the scenes of a supposedly elite police force.

A series of killings of bank managers has London in a turmoil, all the way up to Parliament. And the killer regularly calls about his handiwork, but only to a street-wise, and usually rather tipsy, radio reporter, about to be sacked for his habitual irreverence toward his station and the BBC. And while everything seems to point to a lead singer of a rock group famous for the "In The Red" music which has been connected to the killings, in typical British mystery fashion, there are also other sub-plots to be considered.

Two cricket-loving Englishman, now elderly, get involved in a bizarre plot which seems to involve espionage.

The central character is Detective Chief Inspector Vera Stanhope. Who is obsessive about her work and driven by her own demons. If she's lonely she doesn't show it and faces the world with caustic wit, guile and courage. Her trusted and long suffering colleague is Sergeant Joe Ashworth. Together they approach every new case with unparalleled gusto and professionalism.

TV detective series based on Ann Cleeves' novels

In a remote town in Iceland, Police desperately try to solve a crime as a powerful storm descends upon the town.

David Powlett-Jones has just returned to England from the trenches of WWI. He was injured and shell-shocked and, after a spell in hospital he gets a job teaching in a boys boarding school in S.W. England. He is not at all sure he can do the job, but the avuncular headmaster has faith in him. David, although well educated, is just a humble lad from the Welsh valleys at heart and has to fit himself and his ideas into the heart of the English establishment.

Series of one-off dramas, each focusing on a different house within the same street.

A nine part series depicting the varying fortunes of four friends, Nicky, Geordie, Mary, and Tosker, from the optimistic times of 1964 to the uncertainties of 1995. Taking nine pivotal years (1964, 1966, 1967, 1970, 1974, 1979, 1984, 1987, and 1995) the personal lives of the characters become intertwined with the political struggles of their home town of Newcastle, and the capital, London. We also see the machinations behind the scenes that affect their lives, often for the worse: slum housing projects, police corruption, the rise of Thatcherism, political sleaze, and specific events like the 1984 Miners' Strike.

This thirteen-part series explores just how painful love can be for young people. Would-be writer Edward Richardson is in love with heiress Lydia Aspen and wants her all to himself. Lydia professes to be in love with him, but her first love is excitement. There are several other young men who vie with Richardson for Lydia's affection, and she sends mixed signals to them all, playing them off against each other, sometimes with dire results. At least that's the way Richardson sees things, but it's not the whole story.

Majority House Whip Francis Underwood takes you on a long journey as he exacts his vengeance on those he feels wronged him - that is, his own cabinet members including the President of the United States himself. Dashing, cunning, methodical and vicious, Frank Underwood along with his equally manipulative yet ambiguous wife, Claire, take Washington by storm through climbing the hierarchical ladder to power in this Americanized recreation of the BBC series of the same name.

American political drama television series (2013-2018)

This mini-series follows the history of the Roman Empire, from approximately the death of Marcellus (24/23 B.C.) to Claudius' own death in 54 A.D. As Claudius narrates his life, we witness Augustus' attempts to find an heir, often foiled by his wife Livia who wants her son Tiberius to become emperor. We also see the conspiracy of Sejanus, the infamous reign of Caligula, and Claudius' own troubled period of rule.

Francis Urquhart is the Chief Whip of the Conservative Party. When

1990 British political thriller television drama

When a gruesomely-staged body is found propped up on a mountain pass in the Alps close to the German-Austrian border, two detectives are sent to investigate. For German detective Ellie, this is the first real challenge of her career; her Austrian counterpart Gedeon seems to have lost any ambitions in his job. Very soon, they discover more crime scenes with symbolically-posed victims, reminiscent of pagan rituals. It all seems to be part of a bigger, sinister plan. Ellie finds herself under increasing pressure to understand the deranged killer's motives so she can stop him. The hunt leads them ever deeper in the dark valleys and archaic Alpine customs--and the paranoid world of the killer.

Series 1 follows Ben Coulter who is accused of committing a crime that he has no recollection of after a drunken and drug-filled night out. Series 2 follows Juliet through the criminal justice system after she stabs her abusive husband.

Hugo Machado

Two teenagers, both newcomers to London, forge an unlikely friendship over the course of a hot summer. Tomo is a runaway from Nottingham; Marek lives in the district of Somers Town, between King's Cross and Euston stations, where his dad is working on a new rail link. The boys are both infatuated with the same girl, and pass their days bickering over which of them loves her the most. Finding himself homeless, Tomo surreptitiously moves into Marek's bedroom - but it's only a matter of time before Marek's dad discovers what's going on...

Poppy Cross is happy-go-lucky. At 30, she lives in Camden: cheeky, playful, frank while funny, and talkative to strangers. She's a conscientious and exuberant primary-school teacher, flatmates with Zoe, her long-time friend; she's close to one sister, and not so close to another. In this slice of life story, we watch her take driving lessons from Scott, a dour and tightly-wound instructor, take classes in flamenco dance from a fiery Spaniard, encounter a tramp in the night, and sort out a student's aggressive behavior with a social worker's help. Along the way, we wonder if her open attitude puts her at risk of misunderstanding or worse. What is the root of happiness?

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