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Evan Shively (Perseus271)

”The trouble you’re expecting never happens; it’s always something that sneaks up the other way. Mankind had been trembling about destruction through war, and had been having bad dreams of cities blown to pieces along with their inhabitants, of animals killed, too, and of the very vegetation blighted off the face of the earth. But actually mankind seemed merely to have been removed rather neatly, with a minimum of disturbance.”\
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Isherwood “Ish” WIlliams is out in the wilderness rock climbing to clear his head from the buzz of civilization when he puts his hand in the wrong crevice. He hears the rattle and feels the strike. He is pretty sure he is going to die. He gets back to the cabin, uses the snake kit to suck as much of the poison out as he can. He becomes too sick and too woozy to drive. He waits for someone to find him. As his time to return comes and passes he becomes angry that no one has come looking for him, not family or friends. He doesn’t die and when he recovers enough to drive into town he finds only dust motes and echoes. A virulent disease has swept through humanity, killing indiscriminately, collapsing society as easily as a biker crushes a beer can. The one thing that we have always been able to count on is our genetic diversity. There always seems to be a fraction of a percent of humanity that is immune to whatever nature has to throw at us. “As for man, there is little reason to think that he can in the long run escape the fate of other creatures, and if there is a biological law of flux and reflux, his situation is now a highly perilous one. During ten thousand years his numbers have been on the upgrade in spite of wars, pestilences, and famines. This increase in population has become more and more rapid. Biologically, man has for too long a time been rolling an uninterrupted run of sevens.”It was just our turn to roll snake eyes. He goes through this period of time swamped with a buffet of feelings. Ish never quite feels lucky to be alive, but certainly reaches varying levels of depression as the extent of the devastation becomes apparent. But for now the electricity still flows through San Francisco. Street lights come on as if the hand of humanity was still guiding the way. For a while he just goes about his life. There is plenty of food. He makes friends with a dog. He reads books, but his curiosity gets the better of him and he explores the city. He finds people, a few stragglers, still alive. He decides that he has to see what has happened to America. \
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The Earth reclaims what man has built, quickly.There is too much of everything now, too many cars, food spoiling, too many clothes, piles of things that no one might need for a thousand years. He drives across country and finds a survivor here or there. Some survivors can’t cope and suicide rates skyrocket among the few fortunate/unfortunate people who find themselves facing a new world bereft of family and friends. He discovers the the virulent entity has been thorough, unrelenting, all-embracing, and taken more far more than it has left. He returns to San Francisco and finds a woman who becomes his wife. She moves in with him because, he...well...had a house full of books and anybody who has moved books before can relate to the fact that it is easier to move to the books than move the books to you. Ish uses the term this is a New Deal to describe this new era which was ironic given that this book was written in 1949. Franklin D. Roosevelt’s New Deal policies had just been enacted in the decade before. The book moves languidly along. There is never this feeling of desperation or Mad Max situations or really even scenes of high tension. George R. Stewart was more interested in exploring cultures, how they emerge, how they survive, what motivates them to innovate. Being in the San Francisco area with a temperate climate, they don’t have to fight weather. The city is full of canned foods, weapons, bullets, clothes, and anything else they could possibly need. When the power does finally go out they switch to candles and lanterns. When the water shuts down they find streams and they dig latrines. Life overall is relatively easy almost better than before. Ish is the only intellectual in his tribe of survivors, soon offspring start to become plentiful. Ish finds himself to be the only one concerned about teaching them the ability to read. The only one that sees the importance of sharing a vision of the world through the lens of science. Ish has a dream of restoring the world, to bring back the civilization that took several millennium to create, but to the new generations who never lived in that world they have all they need now. To bring that world back to life will take more labor than they are willing to give. They respect what he knows and even look on him, superstitiously, as a deity of knowledge, but they lack the curiosity or the desire to learn what he knows. Ish reluctantly gives ground on his expectations. He soon realizes that instead of building an ice machine, or aqueducts, or keeping cars in working order that he needs to give them something they will desperately need when the supply of bullets finally run out, something that can be made with a sharp blade and a handful of feathers...the bow and arrow. \
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Original Ace Publishing painting for the 1949 cover.Certainly another very different take on the post-apocalyptic world. Some of the complaints that people may have about this book are the same ones that they had about On the Beach, that there isn’t enough action, not enough tension, not enough claws and teeth, but those situations were not of interest to Stewart. He wanted to explore what we need. Why civilization is necessary? What do we gain from it? Are we happier in a penthouse apartment or would we be happier if we had to forage for food every day? One thing that Stewart and I can agree on is: “Men go and come, but earth abides.” At least I like to believe the earth will ultimately survive us. You can read my most recent book and movie reviews at http://www.jeffreykeeten.comCheck out my Facebook bloggers page at: https://www.facebook.com/JeffreyKeeten

Winner of the 1961 Hugo Award for Best Novel and widely considered one of the most accomplished, powerful, and enduring classics of modern speculative fiction, Walter M. Miller, Jr.'s A Canticle for Leibowitz is a true landmark of twentieth-century literature—a chilling and still provocative look at a post-apocalyptic future.In a nightmarish ruined world slowly awakening to the light after sleeping in darkness, the infant rediscoveries of science are secretly nourished by cloistered monks dedicated to the study and preservation of the relics and writings of the blessed Saint Isaac Leibowitz. From here the story spans centuries of ignorance, violence, and barbarism, viewing through a sharp, satirical eye the relentless progression of a human race damned by its inherent humanness to recelebrate its grand foibles and repeat its grievous mistakes. Seriously funny, stunning, and tragic, eternally fresh, imaginative, and altogether remarkable, A Canticle for Leibowitz retains its ability to enthrall and amaze. It is now, as it always has been, a masterpiece.

Capital, one of Marx's major and most influential works, was the product of thirty years close study of the capitalist mode of production in England, the most advanced industrial society of his day. This new translation of Volume One, the only volume to be completed and edited by Marx himself, avoids some of the mistakes that have marred earlier versions and seeks to do justice to the literary qualities of the work. The introduction is by Ernest Mandel, author of Late Capitalism, one of the only comprehensive attempts to develop the theoretical legacy of Capital.

“Modern sosyalizm, içeriği bakımından, her şeyden önce, bir yandan mülk sahipleri ile mülksüzler, kapitalistler ile ücretli emekçiler arasındaki günümüz toplumunda hüküm süren sınıf karşıtlıklarının, diğer yandan da üretimde hüküm süren anarşinin kavranmasının ürünüdür.”Engels’in bu cümleyle başlayan eseri, Karl Marx’ın sözleriyle, “bir bilimsel sosyalizme giriş metni oluşturdukları söylenebilecek olan” pasajlardan oluşuyor.Marksizm, Fransız aydınlanmacılığının bir devamı mıdır? Ütopyacı sosyalizm anlayışlarından nerelerde ayrılır, bunların hangi özelliklerini sahiplenir? Felsefeye ve doğa bilimlerine nasıl yaklaşır? Materyalist tarih anlayışının ayırt edici özellikleri nelerdir? İnsanlığın zorunluluk dünyasından özgürlük dünyasına sıçrayışı nasıl gerçekleşecek? Proletarya hareketinin teorik ifadesi olan bilimsel sosyalizmin bu konudaki görevi nedir?Ütopyadan Bilime Sosyalizmin Gelişimi, Marksizmle ilgili temel soruların pek çoğunu yanıtladığından, farklı dillere en çabuk çevrilen Marksist klasiklerden biri olmuştu.

Karl Heinrich Marx (5 May 1818 – 14 March 1883) was a German philosopher, economic historian, journalist and revolutionary socialist famous for developing Marxism, a socialist movement that has been incorporated by societies around the globe. He published various books during his lifetime, with the most notable being The Communist Manifesto (1848) and Capital (1867–1894), many of which were co-written with his friend, the fellow German revolutionary socialist Friedrich Engels.The text of Wage Labour and Capital came from lectures Marx delivered to the German Workmen's Club of Brussels in 1847, a time of great political upheaval. The relationship between wage-labour to capital is a core concept in Marx's analysis of political economy and its relationship with capitalism. This book is an essential for anyone attempting to understand the development of Marxist theory.This edition of Wage Labour and Capital is specially formatted with a Table of Contents.

Blackshirts &amp; Reds explores some of the big issues of our time: fascism, capitalism, communism, revolution, democracy, and ecology—terms often bandied about but seldom explored in the original and exciting way that has become Michael Parenti’s trademark.Parenti shows how “rational fascism” renders service to capitalism, how corporate power undermines democracy, and how revolutions are a mass empowerment against the forces of exploitative privilege. He also maps out the external and internal forces that destroyed communism, and the disastrous impact of the “free-market” victory on eastern Europe and the former Soviet Union. He affirms the relevance of taboo ideologies like Marxism, demonstrating the importance of class analysis in understanding political realities and dealing with the ongoing collision between ecology and global corporatism.Written with lucid and compelling style, this book goes beyond truncated modes of thought, inviting us to entertain iconoclastic views, and to ask why things are as they are. It is a bold and entertaining exploration of the epic struggles of yesterday and today."A penetrating and persuasive writer with an astonishing array of documentation to implement his attacks."—The Catholic Journalist"Blackshirts &amp; Reds discusses the great combat between fascism and socialism that is the defining feature of the Twentieth Century, and takes every official version to task for its substitution of moral analysis for critical analysis, for its selectivity, and for its errata. By portraying the struggle between fascism and Communism in this century as a single conflict, and not a series of discrete encounters, between the insatiable need for new capital on the one hand and the survival of a system under siege on the other, Parenti defines fascism as the weapon of capitalism, not simply an extreme form of it. Fascism is not an aberration, he points out, but a "rational" and integral component of the system."—Stan Goff, The PrismMichael Parenti, PhD Yale, is an internationally known author and lecturer. He is one of the nation's leadiing progressive political analysts. He is the author of over 275 published articles and twenty books. His writings are published in popular periodicals, scholarly journals, and his op-ed pieces have been in leading newspapers such as The New York Times and The Los Angeles Times. His informative and entertaining books and talks have reached a wide range of audiences in North America and abroad.

The three laws of Robotics:1) A robot may not injure a human being or, through inaction, allow a human being to come to harm.2) A robot must obey orders given to it by human beings except where such orders would conflict with the First Law.3) A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.With these three, simple directives, Isaac Asimov changed our perception of robots forever when he formulated the laws governing their behavior. In I, Robot, Asimov chronicles the development of the robot through a series of interlinked stories: from its primitive origins in the present to its ultimate perfection in the not-so-distant future--a future in which humanity itself may be rendered obsolete.Here are stories of robots gone mad, of mind-read robots, and robots with a sense of humor. Of robot politicians, and robots who secretly run the world--all told with the dramatic blend of science fact and science fiction that has become Asimov's trademark.

A searing, postapocalyptic novel destined to become Cormac McCarthy’s masterpiece.A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other.The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, “each the other’s world entire,” are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.(front flap)

The story of a mentally disabled man whose experimental quest for intelligence mirrors that of Algernon, an extraordinary lab mouse. In diary entries, Charlie tells how a brain operation increases his IQ and changes his life. As the experimental procedure takes effect, Charlie's intelligence expands until it surpasses that of the doctors who engineered his metamorphosis. The experiment seems to be a scientific breakthrough of paramount importance--until Algernon begins his sudden, unexpected deterioration. Will the same happen to Charlie?

The Hobbit, or There and Back Again is a children's fantasy novel by English author J. R. R. Tolkien. It was published on 21 September 1937 to wide critical acclaim, being nominated for the Carnegie Medal and awarded a prize from the New York Herald Tribune for best juvenile fiction. The book remains popular and is recognized as a classic in children's literature.The Hobbit is set within Tolkien's fictional universe and follows the quest of home-loving Bilbo Baggins, the titular hobbit, to win a share of the treasure guarded by Smaug the dragon. Bilbo's journey takes him from light-hearted, rural surroundings into more sinister territory.The story is told in the form of an episodic quest, and most chapters introduce a specific creature or type of creature of Tolkien's geography. Bilbo gains a new level of maturity, competence, and wisdom by accepting the disreputable, romantic, fey, and adventurous sides of his nature and applying his wits and common sense. The story reaches its climax in the Battle of Five Armies, where many of the characters and creatures from earlier chapters re-emerge to engage in conflict.

[Penguin Readers Level 4]Winston Smith lives in a society where the government controls people every second of the day. He fights this world with love. But it's dangerous: love for another person can be punished by death - and Big Brother is always watching.Orwell's classic story shows that there is no freedom unless ideas and beliefs can be questioned. This is as true today as when it was written, more than fifty years ago.

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

The Hobbit, or There and Back Again is a children's fantasy novel by English author J. R. R. Tolkien. It was published in 1937 to wide critical acclaim, being nominated for the Carnegie Medal and awarded a prize from the New York Herald Tribune for best juvenile fiction. The book is recognized as a classic in children's literature, and is one of the best-selling books of all time with over 100 million copies sold.

Slaughterhouse-Five, or, The Children's Crusade: A Duty-Dance with Death is a 1969 semi-autobiographic science fiction-infused anti-war novel by Kurt Vonnegut. It follows the life and experiences of Billy Pilgrim, from his early years, to his time as an American soldier and chaplain's assistant during World War II, to the post-war years, with Billy occasionally traveling through time. The text centers on Billy's capture by the German Army and his survival of the Allied firebombing of Dresden as a prisoner of war, an experience which Vonnegut himself lived through as an American serviceman. The work has been called an example of "unmatched moral clarity" and "one of the most enduring anti-war novels of all time".

The terrifyingly prophetic novel of a post-literate future.Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books.The classic dystopian novel of a post-literate future, Fahrenheit 451 stands alongside Orwell’s 1984 and Huxley’s Brave New World as a prophetic account of Western civilization’s enslavement by the media, drugs and conformity.Bradbury’s powerful and poetic prose combines with uncanny insight into the potential of technology to create a novel which, decades on from first publication, still has the power to dazzle and shock.--back cover

The Colour of Magic is a 1983 fantasy comedy novel by Terry Pratchett, and is the first book of the Discworld series. The first printing of the British edition consisted of only 506 copies. Pratchett has described it as "an attempt to do for the classical fantasy universe what Blazing Saddles did for Westerns."

George Orwell's timeless and timely allegorical novel—a scathing satire on a downtrodden society’s blind march towards totalitarianism.“All animals are equal, but some animals are more equal than others.”A farm is taken over by its overworked, mistreated animals. With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned—a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.  When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell’s masterpiece have a meaning and message still ferociously fresh.

Ender's Game is a 1985 military science fiction novel by American author Orson Scott Card. Set at an unspecified date in Earth's future, the novel presents an imperiled humankind after two conflicts with the Formics, an insectoid alien species they dub the "buggers". In preparation for an anticipated third invasion, children, including the novel's protagonist, Andrew "Ender" Wiggin, are trained from a very young age by putting them through increasingly difficult games, including some in zero gravity, where Ender's tactical genius is revealed.The book originated as a short story of the same name, published in the August 1977 issue of Analog Science Fiction and Fact. The novel was published on January 15, 1985. Later, by elaborating on characters and plotlines depicted in the novel, Card was able to write additional books in the Ender's Game series. Card also released an updated version of Ender's Game in 1991, changing some political facts to reflect the times more accurately (e.g., to include the recent collapse of the Soviet Union and the end of the Cold War). The novel has been translated into 34 languages.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he’s sure he’ll be the first person to die there.After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive—and even if he could get word out, his supplies would be gone long before a rescue could arrive. Chances are, though, he won’t have time to starve to death. The damaged machinery, unforgiving environment, or plain-old “human error” are much more likely to kill him first. But Mark isn’t ready to give up yet. Drawing on his ingenuity, his engineering skills — and a relentless, dogged refusal to quit — he steadfastly confronts one seemingly insurmountable obstacle after the next. Will his resourcefulness be enough to overcome the impossible odds against him?

Hearts of Iron IV challenges players to face the brutal conflict of World War II in a multifaceted grand strategy game, where history can be fully relived or re...

Verdun is a multiplayer FPS set in a realistic First World War setting. The trench warfare offers a unique battlefield experience, immersing you and your squad...

Showdown is a competitive first-person bounty hunting game that packs the thrill of survival games into a match-based format. Set in Louisiana in 1895, th...

Team Fortress 2 (TF2) is the sequel to the game that put class-based, multiplayer team warfare on the map. TF2 delivers new gametypes, a signature art style pow...

With over nine million units sold worldwide, and unprecedented critical acclaim from fans and press around the world, Sid Meier's Civilization is recognized as...

The next chapter in the Elder Scrolls saga arrives from the Bethesda Game Studios. Skyrim reimagines the open-world fantasy epic, bringing to life a complete vi...

The latest game in the post-nuclear RPG series is being developed by many members of the Fallout 1 and 2 team at Obsidian Entertainment using the Fallout 3 eng...

Cards Against Humanity is an adult party game in which players complete fill-in-the-blank statements, using words or phrases typically deemed offensive, risqué, or politically incorrect, printed on playing cards. It has been compared to the earlier card game Apples to Apples (1999).

In the modern hyper-connected world, Chicago has the nation's most advanced and integrated computer system – one which controls almost every facet of city tec...

Black Flag is a free-roaming action-adventure game for the PS3, PC, Xbox 360, and WiiU. It is rumored that the game's protagonist will be p...

Hatred is an isometric shooter with disturbing atmosphere of mass killing, where player takes the role of a cold blood antagonist, who is full of hatred for hum...

Fight your way through Mordor and reveal the truth of the spirit that compels you, discover the origins of the Rings of Power, build your legend and ultimately...

Building on 10 years of constant engine development, ARMA II boasts the most realistic combat environment in the world. It models real world ballistics & round...

Take to the streets for intense close quarters combat, where a team's survival depends upon securing crucial strongholds and destroying enemy supply in this mul...

Approach each assassination with your own unique style. Use shadow and sound to your advantage to traverse silently through levels unseen by enemies, or attack...

Prove your worth as Gotham&rsquo;s Dark Knight, facing off against a slew of deadly assassins and their thugs in the new mobile game, Batman Arkham Origins. Fig...

Global Offensive features new maps, characters, and weapons and delivers updated versions of the classic CS content....

a strategic fault-line between crumbling European influence and a powerful, resu...

The first expansion pack for Mount & Blade introduces an array of brand-new features, highlighted by a multiplayer capability that allows up to 64 players to pa...

HD Edition, fans of the original game and new players alike will fall in love with the classic Age of Empires II experience. Explore all t...

After John Nash, a brilliant but asocial mathematician, accepts secret work in cryptography, his life takes a turn for the nightmarish.

Carol Danvers becomes one of the universe's most powerful heroes when Earth is caught in the middle of a galactic war between two alien races.

A chronicle of the decade-long hunt for al-Qaeda terrorist leader Osama bin Laden after the September 2001 attacks, and his death at the hands of the Navy S.E.A.L.s Team 6 in May 2011.

The magically long-haired Rapunzel has spent her entire life in a tower, but now that a runaway thief has stumbled upon her, she is about to discover the world for the first time, and who she really is.

2010 computer-animated musical fantasy-comedy film by Disney

A mean lord exiles fairytale creatures to the swamp of a grumpy ogre, who must go on a quest and rescue a princess for the lord in order to get his land back.

2001 film directed by Andrew Adamson and Vicky Jenson

When Hiccup and Toothless discover an ice cave that is home to hundreds of new wild dragons and the mysterious Dragon Rider, the two friends find themselves at the center of a battle to protect the peace.

Determined to make her own path in life, Princess Merida (Kelly Macdonald) defies a custom that brings chaos to her kingdom. Granted one wish, Merida must rely on her bravery and her archery skills to undo a beastly curse.

2012 American computer-animated fantasy film

When a criminal mastermind uses a trio of orphan girls as pawns for a grand scheme, he finds their love is profoundly changing him for the better.

2010 American computer-animated 3D comedy film

When Woody is stolen by a toy collector, Buzz and his friends set out on a rescue mission to save Woody before he becomes a museum toy property with his roundup gang Jessie, Prospector, and Bullseye.

A group of animals who have spent all their life in a New York zoo end up in the jungles of Madagascar, and must adjust to living in the wild.

2005 American computer-animated comedy film

The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.

2010 American animated film directed by Lee Unkrich

The Dragon Warrior has to clash against the savage Tai Lung as China's fate hangs in the balance. However, the Dragon Warrior mantle is supposedly mistaken to be bestowed upon an obese panda who is a novice in martial arts.

An insurance salesman discovers his whole life is actually a reality TV show.

A wealthy New York City investment banking executive, Patrick Bateman, hides his alternate psychopathic ego from his co-workers and friends as he delves deeper into his violent, hedonistic fantasies.

A U.S. Army officer serving in Vietnam is tasked with assassinating a renegade Special Forces Colonel who sees himself as a god.

1979 American war film directed by Francis Ford Coppola

A team of commandos on a mission in a Central American jungle find themselves hunted by an extraterrestrial warrior.

1987 American-Mexican co-production science fiction film directed by John McTiernan

Armed with only one word, Tenet, and fighting for the survival of the entire world, a Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time.

In a future world devastated by disease, a convict is sent back in time to gather information about the man-made virus that wiped out most of the human population on the planet.

1995 American science fiction film by Terry Gilliam

After being coerced into working for a crime boss, a young getaway driver finds himself taking part in a heist doomed to fail.

2017 British-American film directed by Edgar Wright

Fugitive Jesse Pinkman runs from his captors, the law, and his past.

Philip J. Fry, a pizza delivery boy, is accidentally frozen in 1999 and thawed out on New Year's Eve 2999.

American animated sitcom for the Fox Broadcasting Company and Comedy Central

Covert black ops and espionage take a back seat to zany personalities and relationships between secret agents and drones.

A workplace comedy set in the world of the monsters from Big Mouth.

BoJack Horseman was the star of the hit television show "Horsin' Around" in the '80s and '90s, but now he's washed up, living in Hollywood, complaining about everything, and wearing colorful sweaters.

A high school chemistry teacher diagnosed with inoperable lung cancer turns to manufacturing and selling methamphetamine in order to secure his family's future.

The trials and tribulations of criminal lawyer Jimmy McGill in the time before he established his strip-mall law office in Albuquerque, New Mexico.

A hit man from the Midwest moves to Los Angeles and gets caught up in the city's theatre arts scene.

An Atlantic City politician plays both sides of the law by conspiring with gangsters during the Prohibition era.

American TV series set in Atlantic City during the Prohibition era

Adventure Time is an American fantasy animated television series created by Pendleton Ward for Cartoon Network and distributed by Warner Bros. Domestic Television. The series follows the adventures of a boy named Finn (Jeremy Shada) and his best friend and adoptive brother Jake (John DiMaggio)—a dog with the magical power to change size and shape at will. Finn and Jake live in the post-apocalyptic Land of Ooo, where they interact with Princess Bubblegum (Hynden Walch), the Ice King (Tom Kenny), Marceline (Olivia Olson), BMO (Niki Yang), and others. The series is based on a 2007 short film that aired on Nicktoons. After the short became a viral hit on the Internet, Nickelodeon's executives passed on its option before Cartoon Network commissioned a full-length series from Fred Seibert and Ward, which was previewed on March 11, 2010. The same year, the series premiered on Cartoon Network on April 5, and ended its eight-year run on September 3, 2018.

In Marzipan City, the young, excitable food-loving Chowder is the apprentice of Mung Daal, a very old chef who runs a catering company with his wife, Truffles and assistant, Shnitzel.

A boy and his beloved imaginary friend are able to stay together at an orphanage of sorts for imaginary friends that children have outgrown to be adopted by new children.

The life of a twelve-year-old boy who happens to be a blue cat as he lives with his family and other strange creatures.

British-American children's animated television series

Three bear brothers do whatever they can to be a part of human society by doing what everyone around them does.

The adventures of a group of ten-year-old friends who fight for the right to do everything that adults restrict from them.

An animated series that follows the exploits of a super scientist and his not-so-bright grandson.

The absurd antics of an Indiana town's public officials as they pursue sundry projects to make their city a better place.

Bob Belcher runs his dream restaurant with his wife and three children as their last hope of holding the family together.

The comical seafaring adventures of a young, enthusiastic boy, his pirate captain mentor, and the talking whale that raised him from birth.

The daily surreal adventures of a blue jay and raccoon duo that attempt to deal with their mundane jobs as groundskeepers at the local park.

American animated television series created by J. G. Quintel for Cartoon Network

Bee, an unemployed woman is living a normal life, until a grumpy companion named PuppyCat arrives. Follow Bee and and PuppyCat as they travel between reality and "Fishbowl Space".

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