Emo Nemo

Mily

Sarah

Shaidrian Rios

Jimmy Beans

miCCwatreSSop

Julie Wynne - videos

Kapuster

Nicky Tallon

Harini Sen

Vastralaya

Evan Shively (Perseus271)

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  This is NOT Ender's Game by Orson Scott Card\
Ender's Game (1985) is a science fiction novel by American author Orson Scott Card. The book originated as the novelette "Ender's Game," published in the August 1977 issue of Analog Science Fiction and Fact. Elaborating on characters and plot lines depicted in the novel, Card later wrote additional books to form the Ender's Game series. Card released an updated version of Ender's Game in 1991, changing some political facts to accurately reflect the times. Set in Earth's future, the novel presents an imperiled humankind who have barely survived two conflicts with the Formics (an insectoid alien race also known as the "Buggers"). In preparation for an anticipated third invasion, an international fleet maintains a school to find and train future fleet commanders. The world's most talented children, including the novel's protagonist Ender Wiggin, are taken at a very young age to a training center known as the Battle School. There, teachers train them in the arts of war through increasingly difficult games including ones undertaken in zero gravity in the Battle Room where Ender's tactical genius is revealed.

This collection spans Lovecraft’s literary career, and charts the development of his ‘cosmicist’ philosophy; the belief that behind the veil of our blinkered everyday lives lies another reality, too terrible for the human mind to comprehend. In stories written in the gothic tradition, narrators recount their descent into madness and despair. Through their investigations into the unexplained, they tug at the thin threads that separate our world from another of indescribable horror. ‘“ Great God! I never dreamed of THIS!”’ screams occultist Harley Warren in ‘The Statement of Randolph Carter’, as he begs his companion to bury him alive. Another early piece, ‘The Outsider’ – a tragic and emotive evocation of loneliness and desolation – follows a man’s escape from his castle in a desperate search for human contact, but the loathsome truth he discovers destroys his mind.In later tales, such as the iconic ‘The Call of Cthulhu’ and ‘The Whisperer in Darkness’, Lovecraft reaches into the cosmos, bridging the divide between horror and science fiction. The extra-terrestrial ‘gods’ and cursed histories that would emerge from these stories now form the cornerstones of Lovecraft’s unique mythology: the Cthulhu Mythos. This fictional universe, built in large part by his friend and most ardent supporter August Derleth, has in the years since been reimagined in myriad forms, and continues to act as a haunted playground for countless illustrators, fans and authors.This edition, based on its sister limited edition, marries Lovecraft’s best-known fiction with two modern masters of the macabre, the acclaimed artist Dan Hillier and author Alan Moore. In his beautifully crafted new preface, Moore finds Lovecraft at once at odds with and integral to the time in which he lived: ‘the improbable embodiment of an estranged world in transition’. Yet, despite his prejudices and parochialisms, he ‘possessed a voice and a perspective both unique in modern literature’.Hillier’s six mesmerising, portal-like illustrations embrace the alien realities that lurk among the gambrel roofs of Lovecraft’s landscapes. By splicing Victorian portraits and lithographs with cosmic and Lovecraftian symbolism, each piece – like the stories themselves – pulls apart the familiar to reveal what lies beneath.The edition itself shimmers with Lovecraft’s ‘unknown colours’, bound in purple and greens akin to both the ocean depths and mysteries from outer space. The cover is embossed with a mystical design by Hillier, while a monstrous eye stares blankly from the slipcase.

The novel is set during World War II, from 1942 to 1944. It mainly follows the life of Captain John Yossarian, a U.S. Army Air Forces B-25 bombardier. Most of the events in the book occur while the fictional 256th Squadron is based on the island of Pianosa, in the Mediterranean Sea, west of Italy. The novel looks into the experiences of Yossarian and the other airmen in the camp, who attempt to maintain their sanity while fulfilling their service requirements so that they may return home.

In AD 2600 the human race is finally beginning to realize its full potential. Hundreds of colonized planets scattered across the galaxy host a multitude of prosperous and wildly diverse cultures. Genetic engineering has pushed evolution far beyond nature's boundaries, defeating disease and producing extraordinary spaceborn creatures. Huge fleets of sentient trader starships thrive on the wealth created by the industrialization of entire star systems. And throughout inhabited space the Confederation Navy keeps the peace. A true golden age is within our grasp.But now something has gone catastrophically wrong. On a primitive colony planet a renegade criminal's chance encounter with an utterly alien entity unleashes the most primal of all our fears. An extinct race which inhabited the galaxy aeons ago called it "The Reality Dysfunction." It is the nightmare which has prowled beside us since the beginning of history.

Very good collection, mostly fantasy, yet treading the dark edge of horror, rather than adventure or whimsey. Mostly worth it for the title novella and “Thorn,” but no outright clunkers. In detail:•	“The Bone Forest”–This is a prequel novella to Holdstock’s Mythago Wood and Lavondyss, I believe. It stands alone fine. This reminded me of Jonathan Carroll–what his writing would be like if he allowed himself to lose himself within the fantasy rather than playing on the dividing line between fantasy and “reality” (I read recently that Vladimir Nabokov recommends always enclosing the word “reality” in quote marks). The mythago idea is a powerful one, and provides plenty of material that Holdstock could work through for years. Yet, he seems to shy away from the epic, instead concentrating on individual stories–mano a mano with the wood. I have to admit that I think that I admire him for that.•	“Thorn”–Another powerful story, this time about a man led into a belief then believed betrayed. And, yet, was he? There’s a sense of both here. That what the man was being led to was right; that what was being done to him was wrong. But was it wrong, or just different? It reminds me of some of the cultural anthropology that I’ve been reading recently–what is one group’s delicacy is another’s abomination. What is moral in one group is highly irregular, if not immoral, in another. Excellent story to bring that out.•	“The Shapechanger”–Nice, yet not as good as the others. First, the good things. Excellent use of pagan magic and relationship between the old shaman and young, inexperienced and somewhat reluctant apprentice. Sense of danger high and yet not silly. But then, as we learn more of the daemon–the child haunting the past from the future–the idea goes downhill. Not necessarily Holdstock’s fault; battered children are, unfortunately, an overused element in today’s fantasy and horror fiction. While this might have been fresh at the time it was written, it appears old hat to us now. Still, the writing and pacing are excellent, and worth reading.•	“The Boy Who Jumped the Rapids”–Didn’t like this one so much…I think because it didn’t seem to complete itself. The elements are all there and fine–conflict, action, meaning–yet it seemed less cohesive than it should. The central mystery, the horned stranger, is resolved, but the secondary mystery, Caylon’s ability to ford the river, seems like it is resolved yet again doesn’t. Maybe it’s the interplay of the two, and trying to figure out what one theme does to the other.•	“Time of the Tree”–Very Borgesian. What it means, I don’t know, but the style, the description, are interesting. The world on man? The Earth as man? Strange–also reminiscent of Gabriel Garcia Marquez’s story about the beached giant.•	“Magic Man”–Well done pre-history story. I tend not to like Clan of the Cave Bear stories, so it had to get over that bias of mine. Good description, good conflict, and nice twist at the end.•	“Scarrowfell”–Like “Thorn,” a pagan fantasy/horror, playing with the modern reader’s normal Christian assumptions, then removing the veil to show the true meaning. Much of Holdstock’s work dabbles in the pagan–Mythago Wood makes a point that what we perceive as history is just the last link in a long chain of myths. It certainly differentiates his fantasies from those of others.•	“The Time Beyond Age”–This is science fiction; the rest of the book has been fantasy. Yet there’s a similarity here with the fantasy. Again, the focus is on obsession and the need to study something and understand it (as with the title novella), but the very act of studying drives the observer into contact with the phenomena and, ultimately, ruins any chances for objective advancement of knowledge. Basically, it’s the Heisenberg Uncertainty Principle made fictive.

A haunting entry in the World Fantasy Award-winning Mythago CycleIn Mythago Wood, Robert Holdstock gave us an intricate world spun from the stories of Irish and English mythology, a great forest steeped in mystery and legend, whose heart contains secrets that will change all who behold them.Young Tallis is one such seeker. When she was just an infant, she lost her brother Harry to Ryhope Wood. Her adolescent fancies now cause her to suspect that he is still alive---and in grave danger. Tallis follows Harry into the primal Otherworld armed only with magic, masks, and clues left by her grandfather. Eventually the primitive forest gives way to Lavondyss itself, a fascinating and terrible realm where she is forced to confront the mythagos, physical manifestations of the legends of humanity's collective unconscious.Join Tallis on her quest into the ultimate unknown, and be invited into one of the finest and most compelling mythologies you will ever encounter."A stunningly good book . . . conveys the haunting power of old heroes and lost gods."--Locus"Magical . . . It is rare to find a sequel which measures up to its original; but Lavondyss surpasses it."--Times Literary Supplement

The mystery of Ryhope Wood, Britain's last fragment of primeval forest, consumed George Huxley's entire, and long, life. Now, after his death, his sons have taken up his work. But what they discover is beyond what they could have expected. For the Wood is a realm where myths gain flesh and blood, tapping primal fears and desires subdued through the millennia. A realm where love and beauty haunt your dreams -- and may drive you insane. Mythago Wood won the World Fantasy Award on its first publication in 1984, and secured Robert Holdstock's reputation as one of the major fantasy writers of our time. Now it returns to print in America for the first time in nearly a decade.

If you're into stuff like this, you can read the full review.Techno-Dystopia: "Idoru" by William GibsonI think it's very telling - and promising, that this guy who thinks he can predict an apocalyptic future for Earth where 80% of people are killed has had at least the first part of his dystopian fantasy fall at the first hurdle. Just because you got it right on a few obvious ones - Cyberspace, virtual reality, reality TV, etc., doesn't guarantee that kind of thinking is going to take you much further. The future is a lot less SF than people think. If you want my prediction (you don’t), we can expect a future that is less technology focused and more experience focused.

This is not a review. This is a story, a story about a man who opened the first pages of Mistborn: The Final Empire.Back in August 2016, there was a man who lived in emptiness. He was probably clinically depressed, but he would never know; he didn’t get himself checked. His heart didn’t ache, his smile was freely given, but he was never happy; he felt empty every day. Damages were added when he realized his hobbies didn’t interest him that much anymore, which resulted in reluctant social interaction with his friends. His insomnia was so acute that he couldn’t sleep without alcohol so he drowned in it every night. These symptoms were most likely the aftermath of cumulative mental damage afflicted by those closest to him. His best friend spread lies about him, his closest cousin stole tons of money from him, and then he lost his job and his then girlfriend dumped him. He was alone. He told himself, this can’t be it. There’s always a way to come back stronger. He decided to do something new; he decided to fully immerse himself in reading novels. There were countless choices out there and he didn’t know what to choose first, but on the 1st of September 2016, he dived into the mist and hope was born.He was completely addicted. By the end of the trilogy, reading fiction, especially fantasy, became a drug for him. Amazed by the five-year struggle, the characters in the book became incredibly real to him and he lived through every single event with them. He knew that the end of this trilogy was the beginning of what he hoped would be an everlasting adventure. He knew that he had become deeply entrenched by the power of words.This is not a review; this is a story. A story about a renewed man who closed the last page on The Hero of Ages as a different person from the one who first picked up the book. A story about me, rising out of the mist a better man. \
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    “I am, unfortunately, the Hero of Ages.”\
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Picture: The Hero of Ages by breath-artI’ve read and reviewed more than 200 novels within the past two and a half years. I won’t lie; during that journey, I’ve read series that I think are better than this trilogy. However, when it comes to a matter of importance, this trilogy stands at the utmost top and there will never exist another that could change that situation for me. Finishing this trilogy watered the flower of hope in my garden. I found a lot of friends who have the same hobby as me, I found a new job, I found a new girlfriend who loves to read and understand my passions; I’m not empty anymore.Some readers will consider Brandon Sanderson a weak author who doesn’t deserve his success. Some will consider his books or characters to be poorly written. Some will envy Sanderson because he’s more successful than their favorite authors. All of these are views they have every right to hold; after all, we’re all entitled to our opinions. For me, he’s none of these things. Sometimes I wonder if I would have become the man I am today if I had picked a different series to start my literary adventure. Maybe I wouldn’t have fallen in love with fantasy novels so deeply; maybe all the blessings I mentioned before would not have aligned with my stars. However, that’s a question I can’t answer.I know that I haven’t talked about this concluding installment and what made the book superb. But thinking about it, when a book has managed to change the core of my lifestyle, I doubt I need to fully explain what made this trilogy amazing. Like I said, I won’t claim this trilogy is the best series out there, because it’s not. It’s one of my favorites but I’ve encountered plenty that are definitely better. However, nothing can change the fact that the Mistborn trilogy will always be the most important novels in my life. It sparked my love for reading fantasy novels; it’s an alpha in my endless journey to find omega. I haven’t met Sanderson and I don’t know if I ever will; he most likely won’t ever read these words and that’s okay. A reader and author are connected most of the time by a monetary relationship. I pay to read their story, and they need money to keep on making stories; I’m content with doing that. It’s time for me to put an end to this portion of my story; more adventure awaits. Brandon Sanderson, here are my closing sentences for you:No matter what anyone else says about you, your works are responsible for changing my life for the better. For that, no words will ever be enough to express my gratitude.This is not a review; this is a story. A story about me, and I’d like to thank Brandon Sanderson for sparking my love for reading novels. \
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    “You are, fortunately, my hero of ages.” - Petrik\
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Picture: Mistborn trilogy by Marc Simonetti\
  Series Review:\
Mistborn: The Final Empire: \
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    5/5 stars\
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The Well of Ascension: \
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    5/5 stars\
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The Hero of Ages: \
  5/5 stars\
Mistborn trilogy: \
  15/15 stars\
You can order the book from: Book Depository (Free shipping)You can find this and the rest of my reviews at Novel Notions

I can't remember being this violently conflicted about a book in quite some time. There are some areas where it's just so well done, with the author absolutely nailing it, and then others where I found myself grinding my teeth in frustration. I'm going to abandon my usual practice of writing short, pithy reviews and just drunkenly ramble on a few things here. (Still no spoilers, though.) That OK with y'all?Language. About two and a half chapters into this book, I found myself asking, "Why does this feel like a kids' fantasy book?" It wasn't the subject material or the plot, both of which are much more sophisticated than Harry Potter and his ilk. While I would feel perfectly comfortable having a 12-year old read this PG13-violent and utterly asexual book, I don't feel as though it's necessarily written for tweens. Finally it occurred to me: it's the language. This book is one of the most simply written books I've ever read, using only the most basic vocabulary. That isn't a bad thing, as I'd rather read something direct and simple than something flowery and overwritten, but Sanderson's language is so simple here that it's almost as if he's drawing with the Crayola 16-set when other authors have the big 64. (One notable exception: having apparently become recently enamored of the word, he uses maladroitly at least three times. Maybe he was jamming some Weezer while he wrote.) I haven't read any of his other works (yet; Mistborn #2 is on deck), but I have to assume this simplicity is by conscious choice, and it's an interesting choice at that. I'm just not sure yet how I feel about it.One language choice that I am sure how I feel about is Sanderson's decision to have his characters speak good old American English. The narration is similarly plainspoken, with a fair amount of American slang thrown in, rather than the twee, faux-Elizabethan style of a lot of fantasy authors. I like the approach. One of the most time-honored fantasy tropes is having all the characters thee and thou each other, with a few ne'er did yon stars of Yomama glimmer so resplendently, my suzerain for good measure. And I can handle that stuff, having been weaned on Tolkien and everything that came after, but I found Sanderson's decision to move away from that convention refreshing. I interpreted it as Sanderson saying, "The unspoken assumption here is that this book has been translated from whatever languages they speak on this made-up world, so why translate it to anything other than what is most understandable and comfortable for you to read? To couch this story in funky language is to insult your imagination by implying that you need that in order to realize you're reading a fantasy novel."Setting and Plot. The setting is a typical high fantasy world - feudal-style nobility and peasantry; shadowy, powerful priesthood; mysterious evil lord, etc. - with some odd, almost steampunk flourishes thrown in. There are wristwatches. Men's formal wear is described as something more like Victorian coat and tails than medieval garb. Magic in this world is fueled by elemental and alloyed metals, which are described rather exactly, using percentages. It's a unique and interesting blend.The basic plot is about as stock as it gets. If you're familiar with the Star Wars films, the Harry Potter or Percy Jackson books, Eragon, the Dragonriders of Pern trilogy, Dune, Ender's Game, or any one of about a million other works, please play Mad Libs with me:Dear [kid with weird name], I know you are only a [farmer / orphan / urchin / child of a minor noble], and this will be hard for you to accept, but you [have Great Powers / are the Chosen One / insert name of funky power here]. You are the only one who can [save the world / save the universe / defeat the Empire / restore order to the Force / kill the Big Boss]. Luckily, even though you just learned your destiny fifteen minutes ago, you will make up for lost time by quickly becoming better than anyone in the history of ever at [Quidditch / dragon riding / sandworm riding / Allomancy]. Any questions?Needless to say, the book's plot could have been a ticket to Hack City, but it really isn't. Vin's growth and development are handled well.Exposition. This is a fantasy book for the video game generation. By that, I mean that the book follows the general path of a first person RPG:1) Introduction to the world and the main characters2) A few early levels whose only apparent purpose is to teach the player how to use the buttons3) Quests of increasing difficulty, with progressive reveals of the Big Plot4) Fight with the Main Boss, including the inevitable twist5) Denouement and teaser for the next installment.Not that that's a bad thing! But I was really surprised at the way Allomancy (the main "magic" in this world) was laid out. In the two towering fantasy/sci-fi works of the 20th century, The Lord of the Rings and Dune, the supernatural elements of the story operated behind a sort of curtain or screen. The One Ring in LotR and the spice Melange in Dune both held great, mysterious powers, but the specific effects and extent of those powers were seen only in fits and flashes, and never understood completely by the characters or the reader. In contrast, fairly early in this book, Kelsier takes Vin on a practice run where he explains how her powers work and what their advantages and limitations are, using plain language and real-world physics, and lets her fly and mess around and just generally exult in her magic. It left me, the reader, as well as Vin the character, feeling that even if we didn't understand this magic perfectly right now, we might at some point in the future, which was a very different feel.OK, after enough rambling about things I feel ambivalently about, let's wrap up with one big win and one big fail:WIN: Brandon Sanderson can write the hell out of an action scene. (And since the final quarter of this book is pretty much all action, playing directly into Sanderson's strengths, it kicks all kinds of ass.) The fights in this book are gut-wrenching without being overly gory, and the chases and sneaks are heart-stopping as well. Perfect combination of pace and detail. Amazing. Possibly the best I've ever read from an author in this genre, and if he's able to do that so effortlessly, so early in his career, it gives me hope that he can fix...FAIL: ...the dialogue. In spite of being favorably disposed due to the use of informal American English, I eventually found the dialogue here really clunky. Everyone is too wordy. Everyone says one sentence too many. Over and over again, I found myself going, "Real people don't talk like this" and especially, "Real people who are supposed to be close friends don't talk anything like this to each other." Seriously, think of how you talk to your best friends in private, then compare it to this book. In addition, there was always that odd feeling of unneeded exposition, as if the characters were talking half to each other and half to the reader. It was unfortunate, especially in contrast to how slick and fast-moving and just plain awesome a lot of the other writing was.All in all, this was a fun, kinetic read...with a few holes in it. It builds, it explodes, and the ending is really good. If half-stars were allowed, this would have been a 3 1/2. Good stuff.Also, here are my (spoiler-free, suitable as previews) reviews of the second and third books in the series, if you enjoyed this one!

<p>The Hyperion Cantos is a series of science fiction novels by Dan Simmons. The title was originally used for the collection of the first pair of books in the series, Hyperion and The Fall of Hyperion, and later came to refer to the overall storyline, including Endymion, The Rise of Endymion, and a number of short stories. More narrowly, inside the fictional storyline, after the first volume, the Hyperion Cantos is an epic poem written by the character Martin Silenus covering in verse form the events of the first two books.</p>

This edition features George Orwell's best known novels – 1984 and Animal Farm – with an introduction by Christopher Hitchens. In 1984, London is a grim city where Big Brother is always watching you and the Thought Police can practically read your mind.  Winston Smith joins a secret revolutionary organization called The Brotherhood, dedicated to the destruction of the Party. Together with his beloved Julia, he hazards his life in a deadly match against the powers that be.Animal Farm is Orwell's classic satire of the Russian Revolution -- an account of the bold struggle, initiated by the animals, that transforms Mr. Jones's Manor Farm into Animal Farm--a wholly democratic society built on the credo that All Animals Are Created Equal. But are they?

I don't think that I can write a full review of this right now considering that it took me about 8 months to read this series. (Darn school. They should work around my reading). I can tell you that this is now at the top of my favorite books list. Sanderson outdid himself writing this in a totally new setting with amazing and terrible creatures. Vin had to be my favorite. She developed and matured so much throughout this series along with Elend who was a bigger role as the series progressed. There were so many different personalities and powers along with mysteries and physical and mental battles. The mists were even a character which was very cool. The ending of the whole series which included the last 100 pages was AMAZING. I never wanted to put it down but sleep made me. Those pages were the highest point of the series where everything was solved and made sense. You connected all of the dots that had been brought up throughout the series and there was an unlikely hero and outcome of the book which you'll have to read to find out. The ending caused me to be in a sort of daze that only great books will cause. I was sitting in bed just reeling in how that whole series ended. I will definitely have to re-read this wonderful series.

Set in the far future amidst a sprawling feudal interstellar empire where planetary dynasties are controlled by noble houses that owe an allegiance to the imperial House Corrino, Dune tells the story of young Paul Atreides (the heir apparent to Duke Leto Atreides and heir of House Atreides) as he and his family accept control of the desert planet Arrakis, the only source of the 'spice' melange, the most important and valuable substance in the cosmos. The story explores the complex, multi-layered interactions of politics, religion, ecology, technology, and human emotion as the forces of the empire confront each other for control of Arrakis.Published in 1965, it won the Hugo Award in 1966 and the inaugural Nebula Award for Best Novel. Dune is frequently cited as the world's best-selling sf novel.

The road in front of Dr. Louis Creed's rural Maine home frequently claims the lives of neighborhood pets. Louis has recently moved from Chicago to Ludlow with his wife Rachel, their children and pet cat. Near their house, local children have created a cemetery for the dogs and cats killed by the steady stream of transports on the busy highway. Deeper in the woods lies another graveyard, an ancient Indian burial ground whose sinister properties Louis discovers when the family cat is killed.source: stephenking.com

April, 1984. Winston Smith, thinks a thought, starts a diary, and falls in love. But Big Brother is watching him, and the door to Room 101 can swing open in the blink of an eye. Its ideas have become our ideas, and Orwell’s fiction is often said to be our reality. The definitive book of the 20th century is re-examined in a radical new adaptation exploring why Orwell’s vision of the future is as relevant as ever."This is a staging that reconsiders a classic with such steely power that it chills brain, blood and bone." - The Times"[A] pitilessly brilliant retelling." - Guardian"This risk-taking adaptation of George Orwell's masterpiece is doubleplusgood." - Telegraph"A theatrical tour de force that has the destructive power of an earthquake." - The Stage"Skilfully brought to life.... This is a very neat theatrical telling of the classic dystopian parable which is more a study of internal tension and tiny acts of defiance as it is a political drama... a work of extraordinary quality and intensity." - IndependentEric Arthur Blair (25 June 1903 – 21 January 1950), better known by his pen name George Orwell, was an English novelist and journalist, whose most famous works include the novella Animal Farm, and the classic dystopia 1984.Duncan Macmillan is an award-winning writer and director. Plays include: Lungs (Paines Plough/Sheffield Crucible and Studio Theatre Washington D.C.), Platform (Old Vic Tunnels), Monster (Royal Exchange/Manchester International Festival), The Most Humane Way to Kill A Lobster (Theatre 503), I Wish To Apologise For My Part In The Apocalypse, So Say All of Us and Family Tree (all BBC Radio 4).Robert Icke was artistic director of the Arden Theatre Company in Stockton-on-Tees from 2003–7 and of the Swan Theatre Company in Cambridge from 2005–8, where he was awarded the Susie Gautier-Smith Prize for his contribution to theatre.

Frank, no ordinary sixteen-year-old, lives with his father outside a remote Scottish village. Their life is, to say the least, unconventional. Frank's mother abandoned them years ago: his elder brother Eric is confined to a psychiatric hospital; and his father measures out his eccentricities on an imperial scale. Frank has turned to strange acts of violence to vent his frustrations. In the bizarre daily rituals there is some solace. But when news comes of Eric's escape from the hospital Frank has to prepare the ground for his brother's inevitable return - an event that explodes the mysteries of the past and changes Frank utterly.The Wasp Factory is a work of horrifying compulsion: horrifying, because it enters a mind whose realities are not our own, whose values of life and death are alien to our society; compulsive, because the humour and compassion of that mind reach out to us all. A novel of extraordinary originality, imagination and comic ferocity.

The war against Voldemort is not going well; even Muggle governments are noticing. Ron scans the obituary pages of the Daily Prophet, looking for familiar names. Dumbledore is absent from Hogwarts for long stretches of time, and the Order of the Phoenix has already suffered losses.And yet . . .As in all wars, life goes on. The Weasley twins expand their business. Sixth-year students learn to Apparate - and lose a few eyebrows in the process. Teenagers flirt and fight and fall in love. Classes are never straightforward, through Harry receives some extraordinary help from the mysterious Half-Blood Prince.So it's the home front that takes center stage in the multilayered sixth installment of the story of Harry Potter. Here at Hogwarts, Harry will search for the full and complete story of the boy who became Lord Voldemort - and thereby find what may be his only vulnerability.

The three laws of Robotics:1) A robot may not injure a human being or, through inaction, allow a human being to come to harm.2) A robot must obey orders given to it by human beings except where such orders would conflict with the First Law.3) A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.With these three, simple directives, Isaac Asimov changed our perception of robots forever when he formulated the laws governing their behavior. In I, Robot, Asimov chronicles the development of the robot through a series of interlinked stories: from its primitive origins in the present to its ultimate perfection in the not-so-distant future--a future in which humanity itself may be rendered obsolete.Here are stories of robots gone mad, of mind-read robots, and robots with a sense of humor. Of robot politicians, and robots who secretly run the world--all told with the dramatic blend of science fact and science fiction that has become Asimov's trademark.

A seventeen-year-old aristocrat falls in love with a kind but poor artist aboard the luxurious, ill-fated R.M.S. Titanic.

A criminal pleads insanity and is admitted to a mental institution, where he rebels against the oppressive nurse and rallies up the scared patients.

1975 drama film based on the novel by Ken Kesey

A girl is among the few survivors of a dystopian Earth. Riding a war tank, she fights against the tyranny of a mega-corporation that dominates the remaining potable water supply of the planet.

In the year 2154, the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth. A man takes on a mission that could bring equality to the polarized worlds.

A man meets a clone of himself and stumbles into a grand conspiracy about clones taking over the world.

2000 American science fiction action thriller movie directed by Roger Spottiswoode

A sexually frustrated suburban father has a mid-life crisis after becoming infatuated with his daughter's best friend.

1999 American drama film directed by Sam Mendes

When two kids find and play a magical board game, they release a man trapped in it for decades - and a host of dangers that can only be stopped by finishing the game.

A teenager who dies during childbirth leaves clues in her journal that could tie her child to a rape involving a violent Russian mob family.

In 2027, in a chaotic world in which women have become somehow infertile, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea.

A police officer is brought out of suspended animation in prison to pursue an old ultra-violent nemesis who is loose in a non-violent future society.

1993 dystopian science fiction action comedy movie directed by Marco Brambilla

Six complete strangers with widely varying personalities are involuntarily placed in an endless maze containing deadly traps.

1997 Canadian independent science-fiction horror film by Vincenzo Natali

A sole survivor tells of the twisty events leading up to a horrific gun battle on a boat, which began when five criminals met at a seemingly random police lineup.

1995 German-American neo-noir crime thriller film directed by Bryan Singer

Set in the near-future, technology controls nearly all aspects of life. But when the world of Grey, a self-labeled technophobe, is turned upside down, his only hope for revenge is an experimental computer chip implant.

In a totalitarian future society, a man, whose daily work is re-writing history, tries to rebel by falling in love.

A cyborg policewoman and her partner hunt a mysterious and powerful hacker called the Puppet Master.

As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.

2013 American science fiction film directed by Guillermo del Toro

In a world where mutants (evolved super-powered humans) exist and are discriminated against, two groups form for an inevitable clash: the supremacist Brotherhood, and the pacifist X-Men.

2000 American superhero film directed by Bryan Singer

A computer hacker is abducted into the digital world and forced to participate in gladiatorial games where his only chance of escape is with the help of a heroic security program.

The crew of the ship Serenity try to evade an assassin sent to recapture telepath River.

2005 space western film directed by Joss Whedon

An F.B.I. Agent persuades a social worker, who is adept with a new experimental technology, to enter the mind of a comatose serial killer in order to learn where he has hidden his latest kidnap victim.

2000 American science fiction psychological horror film directed by Tarsem Singh

American musician, recording artist, singer-songwriter (1942-2013)

Russian-born American singer-songwriter and pianist

Set after the events in Terminator 2: Judgment Day (1991), Sarah Connor and her son, John, try to stay under-the-radar from the government, as they plot to destroy the computer network, Skynet, in hopes of preventing Armageddon.

When an old enemy, the Cylons, resurface and obliterate the 12 colonies, the crew of the aged Galactica protect a small civilian fleet - the last of humanity - as they journey toward the fabled 13th colony, Earth.

Following the destruction of the Twelve Colonies of Kobol by the Cylons, a rag-tag fugitive fleet of the last remnants of mankind flees the pursuing Cylons while simultaneously searching for their true home: Earth.

In April 1986, an explosion at the Chernobyl nuclear power plant in the Union of Soviet Socialist Republics becomes one of the world's worst man-made catastrophes.

2019 miniseries about the Chernobyl disaster

Two families, the Graystones and the Adamas, live together on a peaceful planet known as Caprica, where a startling breakthrough in artificial intelligence brings about unforeseen consequences.

A group of disparate fugitives from an interplanetary tyranny find themselves in control of a massively powerful starship.

An anthology series exploring a twisted, high-tech multiverse where humanity's greatest innovations and darkest instincts collide.

Set at the intersection of the near future and the reimagined past, explore a world in which every human appetite can be indulged without consequence.

2016 US science fiction thriller TV series

Geralt of Rivia, a solitary monster hunter, struggles to find his place in a world where people often prove more wicked than beasts.

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