Elena Rainn

Zach P

Kyrsten Iris

Fede Bonino

_ eshago@uw.edu

Watashi Wa Jigabudesu

Karl Halmos-Westram

lonely loser

Ljsly Bernard

Miguel Barreto Carrillo

Leonel González

Tim M

Throughout history, throughout most of the world, psychopaths have gotten a bad rap. That is quite understandable since almost all of the world's religious and social philosophies have little use for the individual except as a tool to be placed in service to their notion of something else: "God," or the "collective," or the "higher good" or some other equally undefinable term. Only rarely, such as in Zen and Tibetan Buddhism, and some school of Existentialism, is the individual considered primal. Here, finally, is a book which celebrates, encourages and educates the best part of ourselves--the Psychopath. "You take people as you find them. They all have a secret life inside, and they usually die with it never coming out. That is the waste; the waste is not something they are not...the waste is not living what they are; however, what they are came about...came into existence...so what you do with your cards is what is important." -- Christopher S. Hyatt, Ph.D.

A Time Out and Daily News Top Ten Book of the Year upon its initial release, Please Kill Me is the first oral history of the most nihilist of all pop movements. Iggy Pop, Danny Fields, Dee Dee and Joey Ramone, Malcom McLaren, Jim Carroll, and scores of other famous and infamous punk figures lend their voices to this definitive account of that outrageous, explosive era. From its origins in the twilight years of Andy Warhol's New York reign to its last gasps as eighties corporate rock, the phenomenon known as punk is scrutinized, eulogized, and idealized by the people who were there and who made it happen.

This collection of eleven essays originally appeared in France thirty years ago and created a literary whirlwind on the Left Bank. Cioran writes incisively about Western civilizations, the writer, the novel, mystics, apostles, and philosophers."A sort of final philosopher of the Western world. His statements have the compression of poetry and the audacity of cosmic clowning."—Washington Post"An intellectual bombshell that blasts away at all kinds of cant, sham and conventionality. . . . [Cioran's] language is so erotic, his handling of words so seductive, that the act of reading becomes an encounter in the erogenous zone."—Jonah Raskin, L.A. Weekly

The Poetry of DeathA Short History of Decay is a compendium of pessimistic aphorism, a sort of cosmopolitan collection of Gnostic scripture through the ages. It is entertaining, observationally acute, and compelling - all descriptions that the author would object to strenuously. I think he would accept ‘poetry of death’ much more readily, however. There is little except for death about which Cioran has anything good to say.Cioran begins as a sort of secular Qoholeth from the Old Testament: All is vanity. And Cioran means everything, especially those conceits of faith by religionists who have lost the capacity to doubt: “What is the Fall but the pursuit of a truth and the assurance you have found it, the passion for a dogma, domicile within a dogma?” Cioran’s hero is the doubting Hamlet, he who hesitates, who doubts, who questions what he knows incessantly. “The devil pales beside the man who owns a truth, his truth”But it is not religion per se that is the source of evil, it is human self-assurance: “Even when he turns from religion, man remains subject to it... His power to adore is responsible for all his crimes: a man who loves a god unduly forces other men to love his god, eager to exterminate them if they refuse... We kill only in the name of a god or of his counterfeits.” One can almost hear Nietzsche clapping with approval in the distance.So the fundamental problem is idealism. People who have a plan for making things better are the carriers of a deadly mental virus. These small-time peddlers of happiness scam a willing audience into believing that it is possible to reduce the net amount of misery in the world. Thus “Society is an inferno of saviors!” What human beings don’t or won’t recognise is that existence is misery. Schopenhauer has now joined Nietzsche in approbation.The only cure for miserable existence is the termination of existence, suicide. This is the only aspect of existence we can control. Contrary to the dictum of St. Paul that our lives are not our own, Cioran makes the rather more obvious point that they are. It is the only thing we can call entirely our own: “We change ideas like neckties; for every idea, every criterion comes from outside, from the configurations and accidents of time... death is the true criterion, the only one contained within us.” Writing seven years after Camus’s Sisyphus, he managed to radicalise even that paean to control 0ver one’s existence.Philosophy, actually thought in general, is not helpful in the situation. “The abundance of solutions to the aspects of existence is equaled only by their futility.” Philosophies are at best consoling fictions, and at worst reasons to persecute other human beings. “All of life’s evils come from a ‘conception of life’,” Cioran thinks. In this he is not far from Kierkegaard’s distrust of philosophy: “Life is not a problem to be solved, but a reality to be experienced.”In fact Cioran’s real issue is with language itself, with words pretending to be more than grunts and scratches. He thinks “Man is the chatterbox of the universe.” We throw words around as if they had substance. But as Wittgenstein has demonstrated, words refer only to other words. Consequently, Cioran concludes “We die in proportion to the words which we fling around us.” Ludwig would likely agree.The only acceptable use of words, indeed the only ‘reasonable’ activity for a human being is poetry. At least poetry doesn’t pretend to be more than it is. In fact it doesn’t pretend to be anything at all. Poetry is a personal act of construction. “Only the poet takes responsibility for ‘I,’ he alone speaks in his own name, he alone is entitled to do so.” T. S. Eliot’s The Wasteland seems a model for just this view.Ultimately it is the ancient Gnostic appreciation of the world - shared certainly by the relatively optimistic(!) Thomas Ligotti - which drives Cioran: “Injustice governs the universe. Everything which is done and undone there bears the stamp of a filthy fragility, as if matter were the fruit of a scandal at the core of nothingness.” This seems to me outstanding poetry, as does his summary of his own life “In Time’s sentence men take their place like commas, while, in order to end it, you have immobilized yourself into a period.”

Stoned, rolling from here to there on that route from megasex to metatheater, &amp; gathering no moss--just a certain amount of grundge--this is young Marco Vassi's search for...who knows. It begins with a Gurdjieffite psychic who comments that killing himself will be the "one significant act" of which he's capable; goes on to LSD &amp; Scientology where a lovely girl smiles "deep into his libido," travels west to a commune, the Haight, the nude encounter, a place called the Grainery which is half macrobiotic, half fruitarian, &amp; finally to a hospital as an unpaid aide where supposedly he's getting into other people's heads before he's his Laingian revelation. Sort of like that soiled stub of a Greyhound bus ticket, it's just a tedious remnant of the world we've seen too often in books like this even if Vassi has managed to retain some of his youthful energy.--Kirkus

Jean Genet's seminal Our Lady Of The Flowers (1943) is generally considered to be his finest fictional work. The first draft was written while Genet was incarcerated in a French prison; when the manuscript was discovered and destroyed by officials, Genet, still a prisoner, immediately set about writing it again. It isn't difficult to understand how and why Genet was able to reproduce the novel under such circumstances, because Our Lady Of The Flowers is nothing less than a mythic recreation of Genet's past and then - present history. Combining memories with facts, fantasies, speculations, irrational dreams, tender emotion, empathy, and philosophical insights, Genet probably made his isolation bearable by retreating into a world not only of his own making, but one which he had total control over.

The Story of O relates the progressive willful debasement of a young and beautiful Parisian fashion photographer, O, who wants nothing more than to be a slave to her lover, René. The test is severe—sexual in method, psychological in substance… The artistic interest here has precisely to do with the use not only of erotic materials but also erotic methods, the deliberate stimulation of the reader as a part of and means to a total, authentic literary experience.—Eliot Fremont-Smith, The New York Times

The definitive collection of anti-establishment American poetry, from Bob Dylan and Jack Kerouac to Sapphire and Tupac Shakur "Welcome to the Wild West of American Poetry, the Hole-In-The-Wall of Blakean vision, a two-fisted saloon of New World dreams where you'll meet the greatest Outlaw voices from the post-war era to the present day. Here are the inventors of the Beat generation and the heroes of today's Spoken Word movement, poets who don't get taught in American poetry 101, yet hold the literary future in their tattooed hands." So begins The Outlaw Bible of American Poetry, a primer for generational revolt and poetic expression, and an enduring document of the visionary tradition of authenticity and nonconformity in literature. From the Beat poetry of the '50s to the spoken word of the 1990s, The Outlaw Bible of American Poetry brings readers the words, visions, and extravagant lives of bohemians, beatniks, hippies, punks, and slackers. This exuberant manifesto includes lives of the poets, on-the-scene testimony, seminal underground articles never before collected, photographs of clubs and cafes, interviews, and, above all, the poems.

The Outlaw Bible of American Literature will serve as a primer for generational revolt and an enduring document of the visionary tradition of authenticity and nonconformity in literature. This exuberant manifesto includes lives of the writers, on-the-scene testimony, seminal underground articles never before collected, photographs, cartoons, drawings, interviews, and, above all, the writings. Beat, Punk, Noir, Prison, Porn, Cyber, Queer, Anarchist, Blue Collar, Pulp, Sci-Fi, Utopian, Mobster, Political—all are represented. The Bible includes fiction, essays, letters, memoirs, journalism, lyrics, diaries, manifestoes, and selections from seminal film scripts, including Easy Rider, Apocalypse Now, and Taxi Driver. The editors have brought together an extravagant, eclectic, searing, and unforgettable body of work, showcasing Hustlers, Mavericks, Contrarians, Rockers, Barbarians, Gangsters, Hedonists, Provocateurs, Hipsters, and Revolutionaries—all in one raucous cauldron of rebellion and otherness. This prose companion to the best-selling award-winning Outlaw Bible of American Poetry features selections from Hunter S. Thompson, Exene Cervenka, Patti Smith, Dennis Cooper, Malcolm X, Sonny Barger, Maggie Estep, Lenny Bruce, Henry Miller, R. Crumb, Philip K. Dick, Iceberg Slim, Gil Scott-Heron, Kathy Acker, Jim Carroll, Charles Mingus, Norman Mailer, and many others.

Like its highly acclaimed companions, The Outlaw Bible of American Poetry and The Outlaw Bible of American Literature, this edition is a prime for generational revolt and an enduring document of the visionary tradition of authenticity and nonconformity in American lives and letters. A raucous eruption of language and a showcase for the best essayists of our time, The Outlaw Bible of American Essays chronicles American history and measures the boundlessness of dissident thought.

Adorned with gripping cover art by Man Ray and translated by renowned scholar Dr. Paul J. Gillette, this dramatic collection of de Sade writings includes "Justine," "Juliette," "120 Days of Sodom," "Philosophy In The Bedroom" and many works often scattered among "pastiche" versions of de Sades oeuvre. Free of the author's repetitions, polemics and syntactically complex 18th century phrases, this edition captures the drama of de Sade's forays into human sexuality including such practices as voyeurism, fetishism, and, most famously, sadism. Vilified by critics in the 1800s as "Monstrous… depraved… An odious book by an even more odious man," de Sades depiction of his personal adventures has been studied and enjoyed by readers in light of the 20th and 21st centuries.  Readers will also discover a mind as free as de Sades adventures were uninhibited, for he discusses natural evolution 25 years before Darwin's birth; postulates the existence of the unconscious mind a century before Sigmund Freud; and probes social mores decades before the work of Margaret Mead. He also espouses political ideas that were put into practice by such diverse figures as Joseph Stalin, Adolph Hitler and Fidel Castro.  Born into French nobility in 1740, Marquis de Sade continues to open minds to new human experience more than 250 years later in this dramatic new release from Holloway House Publishing.

As a Dick fan, I picked up this book at an obscure book shop that stocks only rarities and valuable first editions. I'm not quite sure whether this was a rarity or a valuable first edition, but I'm much more certain that I'm glad I bought it.This book collects most of Dick's important writings other than his published novels, including assorted essays and speeches as well as some scraps from his unpublished work. For a man whose body of work is so legendary and also so strange, this collection really helps to fill in the gaps and let us better understand the man himself. Only through hearing him tell stories other than the ones he made up can we come to hear the voice behind the words.I would not say this is one of my favourites, or even a very informative book in the educational sense. Instead, its value comes in its ability to help me understand Dick. I think attempting to read VALIS without having first read this would have been impossible. Dick is a complicated figure, both for his own strange experiences and his own strange way of dealing with them. His writing is both fascinating and gripping. It is interesting to see the ways in which this is still true when he is not writing "in his element," so to speak.Within this book there is much repetition, especially in the section on Dick's views of science fiction literature. However, I cannot fault Sutin for that, as his collection is well-edited. It gives us what is needed and no more or less (perhaps just a little less). I cannot even really blame Dick, as many of these are actually delivered speeches or published articles. Hearing him talk about his own experiences with poverty, I definitely do not blame him for not always putting in his all. Even an author has to get paid. Make it rain, y'all.This book is a good resource for anyone fascinated by Dick, the man. Fans of his novels will not find much of the same here, nor will fans of science fiction in general. Dick, however, has much to say and much worth saying (it does well not to confuse the two). This book should adorn the shelves of any scholar on his life and work. Its absence would be quite improper.

Narcotics, stimulants and hallucinogens . . . these drugs have always affected far more than the perceptions, minds and moods of their users. Writing on Drugs explores the profound and pervasive nature of their influence on contemporary culture. It reads Coleridge on opium, Freud on cocaine, Michaux on mescaline and Burroughs on them all, and with such writers it begins to understand the many ways in which the modern world has found itself on drugs. Psychoactive substances have been integral to its economic history, its politics, media and technologies. They have influenced its poetry and stories, and shaped some of its most fundamental philosophies. They have even exposed the neurochemistry of a human brain which, like its cultures, has never been drug-free.

The original edition of this text found common ground between student radicals and hippie dropouts in their mutual rejection of technocracy -- the regime of corporate and technological expertise that dominates industrial society. The book traces the intellectual underpinnings of the two groups in the writings of Herbert Marcuse and Norman O. Brown, Allan Ginsberg and Paul Goodman.

Only Georges Bataille could write, of an eyeball removed from a corpse, that "the caress of the eye over the skin is so utterly, so extraordinarily gentle, and the sensation is so bizarre that it has something of a rooster's horrible crowing." Bataille has been called a "metaphysician of evil," specializing in blasphemy, profanation, and horror.Story of the Eye, written in 1928, is his best-known work; it is unashamedly surrealistic, both disgusting and fascinating, and packed with seemingly endless violations. It's something of an underground classic, rediscovered by each new generation. Most recently, the Icelandic pop singer Björk Guðdmundsdóttir cites Story of the Eye as a major inspiration: she made a music video that alludes to Bataille's erotic uses of eggs, and she plans to read an excerpt for an album.Warning: Story of the Eye is graphically sexual, and is only suited for adults who are not easily offended.

Across Bataille's oeuvre, represented in this volume by essays touching on fields of intellectual inquiry from sociology to metaphysics, as well as literary works of phenomenological introspection and erotic surrealism, the refrain to which he constantly returns might be summed up as a search to define the conditions of human freedom. This liberty which he pursues, as the reader ultimately discovers, transcending banal notions of social relations or even personal will, exists only in our capacity to live beyond utility and purpose, beyond reasons – indeed, beyond reason, that very ability to reason and plan for an intuited future which, as Bataille acknowledges, determines our humanity as such. Nevertheless, what Bataille suggests is neither a regression to animality, nor a quixotic diversion bearing no relevance to real social life. As he illustrates, more or less explicitly, in works exploring fascism, archaic religion, and his own speculative meta-economics, the irruption of an irrational, unassimilable excess of energy occurs continuously and ineluctably. Bataille, whose writings bookend the rise and fall of fascism and the second World War, was issuing a warning: unless we recognize and engage that excess, unless we find ways to successfully live excessively on our own terms, then heterogeneous force will blindly overtake us in the forms of social disintegration, cults of personality, and war.

PAPERBACK INCLUDES TWO NEW CHAPTERSDavid Cronenberg is one of the most fascinating filmmakers in the world today. His provocative work has stimulated debate and received major retrospectives in museums, galleries, and cinematheques around the world. William Beard's The Artist as Monster was the first book-length scholarly work in English on Cronenberg's films, analyzing all of his features from Stereo (1969) to Crash (1996). In this paperback edition, Beard includes new chapters on eXistenZ (1999) and Spider (2002).Through close readings and visual analyses, Beard argues that the structure of Cronenberg's cinema is based on a dichotomy between, on the one hand, order, reason, repression, and control, and on the other, liberation, sexuality, disease, and the disintegration of self and of the boundaries that define society. The instigating figure in the films is a scientist character who, as Cronenberg evolves as a filmmaker, gradually metamorphoses into an artist, with the ground of liberation and catastrophe shifting from experimental subject to the self.Bringing a wealth of analytical observation and insight into Cronenberg's films, Beard's sweeping, comprehensive work has established the benchmark for the study of one of Canada's best-known filmmakers.

Gnostics have always sought to “know” rather than to accept dogma and doctrine, often to their peril. This inquiry into Gnosticism examines the character, history, and beliefs of a brave and vigorous spiritual quest that originated in the ancient Near East and continues into the present day.Lawrence Durrell writes, “This is a strange and original essay, more a work of literature than of scholarship, though its documentation is impeccable. It is as convincing a reconstruction of the way the Gnostics lived and thought as D.H. Lawrence’s intuitive recreation of the vanished Etruscans.”“A remarkable book for both knowledge and the understanding of Gnostic texts, so abstruse at first sight, and for the poetical interpretation of the Gnostic movement across history. Lacarriere is particularly well informed about the various currents and undercurrents of Gnosticism, and their perennial importance for the religious and the mystic mind.” — Marguerite YourcenarJacques Lacrarriere (1925-2005) was a French writer who studied philosophy and classic literature and was known for his work as a critic, journalist, and essayist. In 1991, he received le Grand Prix de l'Academie francaise (The Great Prize of the French Academy).

Essential library reference guide to the deviant performance artists and musicians of the industrial culture movement. Features Survival Research Laboratories, Throbbing Gristle, Cabaret Voltaire, SPK, Non, Monte Cazazza, Johanna Went, Sordide Sentimental, R&amp;N, and Z'ev. Some topics discussed: new brain research, forbidden medical texts &amp; films, creative crime and interesting criminals, modern warfare and weaponry, neglected gore films and their directors, psychotic lyrics in past pop songs, art brut. 10 interviews, essays, quotations, chronologies, bibliographies, discographies, filmographies, sources, and index.

I met Greil Marcus one weekday afternoon when I was supposed to be at work; I was leafing through sale books in the basement of Politics and Prose here in DC and he was at a table surrounded by copies of his newest book on Dylan getting ready to give a reading. I said "hi" and picked up a copy without asking and flipped through it and told him Love and Theft might be the best record of Dylan's career. Marcus didn't seem to be particularly interested in talking with me, so I put his book back down right in front of him and my greasy thumb left a big print on the shiny cover near Dylan's face that Marcus seemed to take note of with displeasure. True story.

Obsessed with the idea of overcoming the obstacle of death and determined to vindicate himself by backing up his theory, the ambitious medical student, Herbert West, arrives in New England, after the horrific incident at the Institute of Medicine in Switzerland. Before long, Herbert will pick up where he left off--at first, experimenting with dead feline tissue, and then, with fresh human cadavers--talking his sceptic roommate, Dan Cain, into joining his audacious project. Inevitably, as the two young scientists burrow deeper and deeper into uncharted territories, the campus will start brimming with West's reanimated corpses, catching the eye of his arch-nemesis, Dr Hill, who yearns to take credit for this astounding discovery. The dead will rise again, even with a bit of help; however, can the young re-animator harness the power of his phosphorescent green reagent?

A mother and her two sons move to a small coast town in California. The town is plagued by bikers and some mysterious deaths. The younger boy makes friends with two other boys who claim to be vampire hunters while the older boy is drawn into the gang of bikers by a beautiful girl. The older boy starts sleeping days and staying out all night while the younger boy starts getting into trouble because of his friends' obsession.

1987 film by Joel Schumacher, Richard Donner

Helen Lyle is a student who decides to write a thesis about local legends and myths. She visits a part of the town, where she learns about the legend of the Candyman, a one-armed man who appears when you say his name five times, in front of a mirror. Of course, Helen doesn't believe all this stuff, but the people of the area are really afraid. When she ignores their warnings and begins her investigation in the places that he is rumored to appear, a series of horrible murders begins. Could the legend be true?

McMurphy has a criminal past and has once again gotten himself into trouble and is sentenced by the court. To escape labor duties in prison, McMurphy pleads insanity and is sent to a ward for the mentally unstable. Once here, McMurphy both endures and stands witness to the abuse and degradation of the oppressive Nurse Ratched, who gains superiority and power through the flaws of the other inmates. McMurphy and the other inmates band together to make a rebellious stance against the atrocious Nurse.

After his death sometime in his 43rd year, suburbanite Lester Burnham tells of the last few weeks of his life, during which he had no idea of his imminent passing. He is a husband to real estate agent Carolyn Burnham and father to high school student Jane Burnham. Although Lester and Carolyn once loved each other, they now merely tolerate each other. Typical wallflower Jane also hates both her parents; the three suffer individually in silence in their home life. Jane tries to steer clear of both her parents. Carolyn, relatively new to the real estate business, wants to create the persona of success to further her career, aspiring to the professional life of Buddy Kane, the king of the real estate business in their neighborhood. Lester merely walks mindlessly through life, including at his job in advertising. His company is downsizing, and he, like all the other employees, has to justify his position to the newly hired efficiency expert to keep his job. Things change for Lester when he falls in love at first sight with Jane's more experienced classmate, Angela Hayes. Both Janie and Angela can see Lester's sexual infatuation with Angela, who courts such attention from any man as a sign that she is model material, she having once appeared in Seventeen and is a career to which she aspires. Lester's infatuation with Angela gives him a reenergized view on life, where he openly doesn't care anymore what anyone thinks about what he does, anyone except Angela. This infatuation coincides with the Fittses moving in next door: homophobic disciplinarian US Marine Colonel Frank Fitts who rules the house with a military fist (that fist being both figurative and literal), his semi-comatose wife Barbara Fitts, and their bright and quietly subversive 18-year-old son Ricky Fitts, who openly abides by his father's rules while behind the scenes lives by his own quite different perspective. Much like Lester's infatuation, Ricky immediately becomes infatuated with Jane; he considers girls like Angela as ordinary. The entry of Angela and the Fittses into the Burnhams' lives ultimately leads to each of the players confronting what is truly in his or her heart.

It's the last day of school at a high school in a small town in Texas in 1976. The upperclassmen are hazing the incoming freshmen, and everyone is trying to get stoned, drunk, or laid, even the football players that signed a pledge not to.

The real story behind the world of sales. This is a realistic portrayal of what it is to try making a life in high pressure sales with all its highs and lows; promises of fortunes and deliveries of dross. Red-leads and dead-leads are to blame for life's outcomes. Living with "Objection, Rebuttal, Close".

Jacob Singer is trying to make sense of his fractured life and memories. Plagued by hallucinations, flashbacks, and conspiracies, he struggles down a path to enlightenment from these manic strains. With nothing but support from friends and loved ones will he be able to push through the haze of his PTSD.

Six different people, each from a very different walk of life, awaken to find themselves inside a giant cube with thousands of possible rooms. Each has a skill that becomes clear when they must band together to get out: a cop, a math whiz, a building designer, a doctor, an escape master, and a disabled man. Each plays a part in their thrilling quest to find answers as to why they've been imprisoned.

Following a truck hijack in New York, five criminals are arrested and brought together for questioning. As none of them are guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser Söze is felt. It becomes clear that each one of them has wronged Söze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser Söze?

It is the year 2029. Technology has advanced so far that cyborgs are commonplace. In addition, human brains can connect to the internet directly. Major Motoko Kusanagi is an officer in Section 9, an elite, secretive police division that deals with special operations, including counter terrorism and cyber crime. She is currently on the trail of the Puppet Master, a cyber criminal who hacks into the brains of cyborgs in order to obtain information and to commit other crimes.

An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby slaughterhouses. Describes the fate of the animals and that of the workers in graphic detail.

Alex, a psychopathic mechanic, rapes a woman in the park. Later, a debauched couple pull into his shop needing car repair. They invite Alex and his mentally challenged buddy to join them at a decadent suburban party. Once there, Alex amuses himself by raping the guests and tormenting them in various ways.

On a wild and rain-swept late-November evening, somewhere at an empty stretch of road outside Ohio's merry Denton, blissfully-affianced, prudish, boringly-innocent young pair Brad Majors (Barry Bostwick) and Janet Weiss (Susan Sarandon) find themselves stranded on their way to visit an ex-tutor. Instead, the couple will inadvertently unearth the cross-dressing Dr. Frank-N-Furter's (Tim Curry's) spooky lair of inexhaustible oddities, just in time to partake in the out-of-this-world mad scientist's proud unveiling of his latest, delightfully extravagant, most daring creation: the ultimate male and the perfect sex symbol: the flaxen-haired Rocky Horror (Peter Hinwood). But, little by little, as the effervescent transgressive force gobbles up whole the unsuspecting visitors of the night, Brad and Janet slowly begin to embrace the potent fascinations of seduction, while an idolized Rocky roams free in the mansion. Who can interrupt man's union with the absolute pleasure?

After her husband Andre Delambre is crushed to death in a mechanical press, his wife recounts to his brother Francois Delambre and police Inspector Charas the events of the previous few months. They were very much in love and with their little boy, a very happy family. Andre was experimenting with teleportation - transporting objects from one point to another by breaking the object down to the atomic level and then reassembling it in a receiver a distance away. The system had some glitches - it seemed to work with inanimate object but his cat disappeared when he tried teleporting it. He thinks he's solved all of the problems with his invention and decides to try and teleport himself. When a fly enters the teleportation device with him, disaster strikes.

Bastian is a young boy who lives a dreary life being tormented by school bullies. On one such occasion he escapes into a book shop where the old proprieter reveals an ancient story-book to him, which he is warned can be dangerous. Shortly after, he "borrows" the book and begins to read it in the school attic where he is drawn into the mythical land of Fantasia, which desperately needs a hero to save it from destruction.

1984 West German epic fantasy film directed by Wolfgang Petersen

Another planet, another time. One thousand years ago, the mysterious Dark Crystal was damaged by one of the Urskeks and an age of chaos has began. The evil race of grotesque birdlike lizards, the Skeksis, gnomish dragons who rule their fantastic planet with an iron claw. Meanwhile, orphan Jen, raised in solitude by a race of the peace-loving wizards called the Mystics, embarks on a quest to find the missing shard of the Dark Crystal which gives the Skeksis their power and restore the balance of the universe.

Mrs. Brisby, a widowed mouse, lives in a cinder block with her children on the Fitzgibbon farm. She is preparing to move her family out of the field they live in as plowing time approaches, however her son Timothy has fallen ill, and moving him could prove fatal. Mrs. Brisby visits The Great Owl, a wise creature who advises her to visit a mysterious group of rats who live beneath a rose bush on the farm. Upon visiting the rats, Brisby meets Nicodemus, the wise and mystical leader of the rats, and Justin, a friendly rat who immediately becomes attached to Mrs. Brisby. While there, she learns that her late husband, Mr. Jonathon Brisby, along with the rats, was a part of a series of experiments at a place known only as N.I.M.H. (revealed earlier in the story as the National Institute of Mental Health). The experiments performed on the mice and rats there boosted their intelligence, allowing them to read without being taught and to understand things such as complex mechanics and electricity. The rats and Mr. Brisby escaped from N.I.M.H. and came to live on the Fitzgibbon farm. The rats created a home for themselves under Mrs. Fitzgibbon's rose bush, creating an elaborate habitation of beautiful chambers, elevators, and Christmas lights. However, the rats are unhappy in their dependence on the humans, who they are stealing electricity from, and have concocted a plan to leave the farm and live independently. Because of her husband's prior relationship with the rats, they agree to help Mrs. Brisby move her home out of the path of the plow. However, the evil Jenner and his unwilling accomplice Sullivan, who wish to remain beneath the rose bush, yet plot to kill Nicodemus during the move.

The body of a young girl (Laura Palmer) is washed up on a beach near the small Washington state town of Twin Peaks. FBI Special Agent Dale Cooper is called in to investigate her strange demise only to uncover a web of mystery that ultimately leads him deep into the heart of the surrounding woodland and his very own soul.

American drama television series from 1990–1991

Film critic and historian Mark Cousins uses film clips, interviews with filmmakers, and illustrative footage of locations around the world to take viewers through film and filmmaking history, from the late 19th century to today, with a particular emphasis on world cinema.

Æon Flux is a mysterious and amoral secret agent from the country of Monica. Her motives or background are left unexplained, as are those of her antagonist/love, Trevor Goodchild. On her missions, she deals swift, bloody "justice" to all that oppose her. The second season episodes of this series were unique in that Aeon died at the end of every single episode.

American science fiction animated television series

Set in the 24th century and seven to eight decades after the adventures of the original crew of the starship Enterprise, this series is the long-awaited successor to

American science fiction television series from 1987–1994

When a government-run lab accidentally lets loose a deadly virus, most of the population of the world is wiped out. Survivors begin having dreams about two figures: a mystical old woman, or a foreboding, scary man. As the story tracks various people, we begin to realize that the two figures exemplify basic forces of good and evil, and the stage is set for a final confrontation between the representatives of each.

Mini series based on the Stephen King novel of the same name

In this comprehensive cosmology series Stephen Hawking looks at the entire universe, from the Big Bang to the end of time.

Young Merlin (Colin Morgan) is a teenager, discovering and then learning to master his magical gift. Magister Gaius (Richard Wilson), King Uther Pendragon's (Anthony Head's) learned court physician to whom he's assigned as humble page, teaches him medicine, coaches his magical self-study, and warns him of Uther's strong aversion to magic. Merlin becomes squire to the noble but imprudent crown Prince, Arthur (Bradley James), whose fate is linked with Merlin.

2008 British fantasy-adventure television programme

Hosted by Morgan Freeman, Through the Wormhole will explore the deepest mysteries of existence - the questions that have puzzled mankind for eternity. What are we made of? What was there before the beginning? Are we really alone? Is there a creator? These questions have been pondered by the most exquisite minds of the human race. Now, science has evolved to the point where hard facts and evidence may be able to provide us with answers instead of philosophical theories. Through the Wormhole will bring together the brightest minds and best ideas from the very edges of science - Astrophysics, Astrobiology, Quantum Mechanics, String Theory, and more - to reveal the extraordinary truth of our Universe.

An in-depth look at the history and pop cultural significance of horror films.

The successful writer Benjamin "Ben" Mears returns to his hometown Salem's Lot, Maine, expecting to write a new novel about the Marsten House. Ben believes that the manor is an evil house that attracts evil men since the place has many tragic stories and Ben saw a ghostly creature inside the house when he was ten. Ben finds that the Marsten House has just been rented to the antique dealers Richard K. Straker and his partner Kurt Barlow that is permanently traveling. Ben meets the divorced teacher Susan Norton that is living with her parents and they have a love affair. Ben also gets close to her father Dr. Bill Norton and his former school teacher Jason Burke. When people start to die anemic, Ben believes that Straker's partner is a vampire. But how to convince his friends that he is not crazy and that is the truth?

When a controversial guru builds an utopian city in the Oregon desert, it causes a massive conflict with local ranchers. This docuseries chronicles the conflict, which leads to the first bioterror attack in the United States and a massive case of illegal wiretapping. It is a pivotal, but largely forgotten, time in American cultural history that tested the country's tolerance for the separation of church and state.

2015 American true crime documentary series directed by Laura Ricciardi and Moira Demos

This 12-chapter documentary series, created and produced by Academy Award winning writer/director Oliver Stone. People should really know and understand their shared and complicated history. They have to recall the small details and forgotten players that influenced some of the biggest events from America's past.

2012 documentary series directed, produced, and narrated by Oliver Stone

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Four hundred years in the future, set in the year 2415, Æon Flux is a mysterious assassin. Four centuries after a virus nearly annihilated the human race, leaving only five million survivors in a utopian city called Bregna. Aeon is struggling to destroy the Goodchild regime led by its namesake, Trevor Goodchild, the ruler of Bregna and a descendant of the man who found a cure for the deadly virus. As instructed by the Handler, Æon is assigned to assassinate Goodchild, but there are deeper secrets to be discovered, and conspiracies to be foiled.

Jay and Silent Bob Strike Back is a tale of adventure on the open road. When Dante and Randal (of Clerks fame) get a restraining order to keep the punchy Jay and his hetero life-mate, Silent Bob, from selling drugs in front of the Quick Stop convenience store, their lives are suddenly empty. They find new purpose when their friend, Brodie, informs them a movie is being made featuring two infamous characters based on their likenesses. After visiting one of the creators of the Bluntman and Chronic, Holden McNeil, they set out to get what fat movie cash they deserve and hopefully put an end to people slandering them on the Internet. Along the way, they learn the rules of the road from a hitchhiking George Carlin, ride with a group of gorgeous jewel thieves, and incur the wrath of a hapless wildlife marshal for liberating an orangutan named Suzanne. The quest takes them from New Jersey to Hollywood where a showdown involving the police, the jewel thieves, and the Bluntman and Chronic filmmakers will decide the fate of Suzanne, Jay, Silent Bob, and their good names.

Josh and Tiffany have been together since they were kids. ENTER Beth, a sexy blonde going to college with Josh. One night, Josh and Beth hook up and make a videotape the same day that Josh plans to mail a video to Tiffany of him talking about college life. The wrong tape gets sent, forcing Josh, along with a few pals, to go to Austin, where Tiffany is, and stop her from seeing the tape. Full of laughs, you'll be sure to enjoy Road Trip.

Recently divorced Meg Altman and her daughter Sarah have bought a new home in New York. On their tour around the mansion, they come across the panic room. A room so secure, that no one can get in. When three burglars break in, Meg makes a move to the panic room. But all her troubles don't stop there. The criminals know where she is, and what they require the most in the house is in that very room.

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