Vastralaya

Evan Shively (Perseus271)

Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

An acclaimed bestseller and international sensation, Patrick Suskind's classic novel provokes a terrifying examination of what happens when one man's indulgence in his greatest passion—his sense of smell—leads to murder.In the slums of eighteenth-century France, the infant Jean-Baptiste Grenouille is born with one sublime gift—an absolute sense of smell. As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille's genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and fresh-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the "ultimate perfume"—the scent of a beautiful young virgin. Told with dazzling narrative brilliance, Perfume is a hauntingly powerful tale of murder and sensual depravity.

The Outsiders is about two weeks in the life of a 14-year-old boy. The novel tells the story of Ponyboy Curtis and his struggles with right and wrong in a society in which he believes that he is an outsider. According to Ponyboy, there are two kinds of people in the world: greasers and socs. A soc (short for "social") has money, can get away with just about anything, and has an attitude longer than a limousine. A greaser, on the other hand, always lives on the outside and needs to watch his back. Ponyboy is a greaser, and he's always been proud of it, even willing to rumble against a gang of socs for the sake of his fellow greasers--until one terrible night when his friend Johnny kills a soc. The murder gets under Ponyboy's skin, causing his bifurcated world to crumble and teaching him that pain feels the same whether a soc or a greaser.Librarian note: This record is for one of the three editions published with different covers and with ISBN 0-140-38572-X / 978-0-14-038572-4. The records are for the 1988 cover (this record), the 1995 cover, and the 2008 cover which is also the current in-print cover.

If this book had been written today I think it would have been a massive bestseller among the non-crime/non-romance crowd (since it's the story of a boy whose mother is too ill to care for him or his siblings, and there's no murder whatsoever and only extremely clumsy "childhood romance" touches). It's an absolutely awesome book that also exists as an (in my memory of it) awesome movie. I don't, however, recall the movie being so sad. The book is tragicomical, with (fortunately!) a rather heavy emphasis on the tragedy. The movie I remember as mostly funny and strange... O_o If you like good books this is a must-read. It takes some time to get into, but it's worth it.

No play in the modern theatre has so captured the imagination and heart of the American public as Tennessee Williams's The Glass Menagerie. As Williams's first popular success, it launched the brilliant, if somewhat controversial, career, of our pre-eminent lyric playwright. Since its premiere in Chicago in 1944, with the legendary Laurette Taylor in the role of Amanda, Menagaerie has been the bravura piece for great actresses from Jessica Tandy to Joanne Woodward, and is studied and performed in classrooms and theatres around the world. The Glass Menagerie (in the reading text the author preferred) is now available only in its New Directions Paperbook edition. A new introduction by the editor of The Tennessee Williams Annual Review, Robert Bray, reappraises the play more than half a century after it won the New York Drama Critics Circle Award. This edition of The Glass Menagerie also includes Williams's essay on the impact of sudden fame on a struggling writer, "The Catastrophe of Success," as well as a short section of Williams's own "Production Notes." (back cover)

The quintessential novel of the Lost Generation, The Sun Also Rises is one of Ernest Hemingway's masterpieces, and a classic example of his spare but powerful writing style. A poignant look at the disillusionment and angst of the post-World War I generation, the novel introduces two of Hemingway's most unforgettable characters: Jake Barnes and Lady Brett Ashley. The story follows the flamboyant Brett and the hapless Jake as they journey from the wild nightlife of 1920s Paris to the brutal bullfighting rings of Spain with a motley group of expatriates. It is an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions. First published in 1926, The Sun Also Rises helped to establish Hemingway as one of the greatest writers of the twentieth century.

The Pulitzer Prize-winning epic of the Great Depression, a book that galvanized—and sometimes outraged—millions of readers.First published in 1939, Steinbeck’s Pulitzer Prize-winning epic of the Great Depression chronicles the Dust Bowl migration of the 1930s and tells the story of one Oklahoma farm family, the Joads—driven from their homestead and forced to travel west to the promised land of California. Out of their trials and their repeated collisions against the hard realities of an America divided into Haves and Have-Nots evolves a drama that is intensely human yet majestic in its scale and moral vision, elemental yet plainspoken, tragic but ultimately stirring in its human dignity. A portrait of the conflict between the powerful and the powerless, of one man’s fierce reaction to injustice, and of one woman’s stoical strength, the novel captures the horrors of the Great Depression and probes into the very nature of equality and justice in America. At once a naturalistic epic, captivity narrative, road novel, and transcendental gospel, Steinbeck’s powerful landmark novel is perhaps the most American of American Classics.

George Orwell's timeless and timely allegorical novel—a scathing satire on a downtrodden society’s blind march towards totalitarianism.“All animals are equal, but some animals are more equal than others.”A farm is taken over by its overworked, mistreated animals. With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned—a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.  When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell’s masterpiece have a meaning and message still ferociously fresh.

Broad humor and bitter irony collide in this fictional autobiography of Rabo Karabekian, who, at age seventy-one, wants to be left alone on his Long Island estate with the secret he has locked inside his potato barn. But then a voluptuous young widow badgers Rabo into telling his life story—and Vonnegut in turn tells us the plain, heart-hammering truth about man’s careless fancy to create or destroy what he loves.

"Never before, in the entire history of the American theater, has so much of the truth of black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959.Indeed Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America--and changed American theater forever.  The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun.""The events of every passing year add resonance to A Raisin in the Sun," said The New York Times.  "It is as if history is conspiring to make the play a classic."  This Modern Library edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff.

Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable. Offred can remember the years before, when she lived and made love with her husband, Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now . . . Funny, unexpected, horrifying, and altogether convincing, The Handmaid's Tale is at once scathing satire, dire warning, and tour de force.

The Color Purple is a classic. With over a million copies sold in the UK alone, it is hailed as one of the all-time 'greats' of literature, inspiring generations of readers.Set in the deep American South between the wars, it is the tale of Celie, a young black girl born into poverty and segregation. Raped repeatedly by the man she calls 'father', she has two children taken away from her, is separated from her beloved sister Nettie and is trapped into an ugly marriage. But then she meets the glamorous Shug Avery, singer and magic-maker - a woman who has taken charge of her own destiny. Gradually, Celie discovers the power and joy of her own spirit, freeing her from her past and reuniting her with those she loves.

A searing, postapocalyptic novel destined to become Cormac McCarthy’s masterpiece.A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other.The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, “each the other’s world entire,” are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.(front flap)

”The dumpkeeper had spawned nine daughters and named them out of an old medical dictionary gleaned from the rubbish he picked. Uretha, Cerebella, Hernia Sue.They moved like cats and like cats in heat attracted surrounding swains to their midden until the old man used to go out at night and fire a shotgun at random just to clear the air. He couldn’t tell which was the oldest or what age and he didn’t know whether they should go out with boys or not. Like cats they sensed his lack of resolution. They were coming and going all hours in all manner of degenerate cars, a dissolute carousel of rotting sedans and ni**erized convertibles with bluedot taillamps and chrome horns and foxtails and giant dice or dashboard demons of spurious fur. All patched up out of parts and lowslung and bumping over the ruts. Filled with old lanky country boys with long cocks and big feet.”\
  \
You could say that those country boys and those daughters of the dumpkeeper are uneducated, disenfranchised, white trash, but don’t put them too far down the rungs of the evolutionary ladder because you still need room for Lester. If you were to compose a ballad of Lester Ballard it would not be one of heroism, of self-sacrifice, or of kindness. It would be a song of the grotesque, of darkness, and of the human mind degraded to the point of madness. If Lester were an animal. He would be a dog with rabies. You’d put him down because he wouldn’t be safe walking around with normal people. The sheriff, after yet another issue with Lester, gives him a warning that, of course, didn’t make even the slightest impression on Lester. ”Mr. Ballard, he said. You are either going to have to find some other way to live or some other place in the world to do it in.”What the sheriff should have done, if he’d had any inkling of what was to come, was to gunnysack Lester, and throw him in a deep river. He could have tried driving him across the state line and leaving him to be someone else’s problem, but Lester is just that kind of bad penny that always turns up again. \
  \
2013 movie poster for Child of GodIt all begins when Lester’s ancestral home is put up on the auction blocks. Now it ain’t much. There is maybe some good timber on it, and getting bids is not easy, but land will always sell. Cormac McCarthy doesn’t really say, but usually when land gets sold at auction there is a back tax issue. Lester doesn’t seem like the type that would ever think paying taxes was in his best interest. What this does is make Lester into a wandering bundle of mischief. He steals. He spies. He plots vengeance. Not that anyone in the county seems to have any prospects to achieve prosperity (anything above the poverty line), but Lester falls into that category of negative digits. His attempts at wooing women, let me see your titties, are met with disdain and rejection. Even the dumpkeeper’s daughters, who will hump just about anything, would crush him under the heel of a calloused foot rather than give him a whiff of the pleasure of feminine kindness. Lester is an annoyance, but comical, inspiring the shaking of matronly heads, and laughs between men over a bottle of shine. If truth be known they think he is a troubled, but relatively harmless dumbass. It’s not like he’d have ever thought of it on his own. It just fell into his lap. He comes across a jalopy running in the woods with the radio on. A boy and a girl with clothing disarrayed are in the backseat dead. The girl...well...she is still warm and unlike other girls she ain’t saying no. Yeah he did it. Lester had such a good time he brought her back to an abandoned house he’d been using for shelter. He’d been lonely of course.”Alone in the empty shell of a house the squatter watched through the moteblown glass a rimshard of bonecolored moon come cradling up over the black balsams on the ridge, ink trees a facile hand had sketched against the paler dark of winter heavens.”Well the girl wasn’t much for conversation, but if he brought her close to the fire and warmed her up she could almost feel alive. ”He took off all her clothes and looked at her, inspecting her body carefully, as if he would see how she was made. He went outside and looked in through the window at her lying naked before the fire. When he came back in he unbuckled his trousers and stepped out of them and laid next to her. He pulled the blanket over them.”Just as Lester is settling into his new domestic arrangement tragedy strikes. He builds the fire too big and the whole house catches on fire. He saves his beloved rifle, the bears he won at the carnaval, and his bedding, but his new plaything, kept in the attic so she would refreeze, was lost. Except for the fickleness of fate Lester might have remained a happily contented necrophiliac for the rest of the winter. Now summer would have brought on different issues. The smell of decay might have even put a damper on Lester’s lustful stirrings. Homeless and womanless Lester decides to try and fix both those problems. As women disappear and the law is powerless, for lack of evidence, to do anything about Lester’s predilections, the White Caps decide to take matters into their own hands. In Indiana back in 1873 farmers started forming this secret society that would violently inflict justice on people who seemed to be beyond the law. As this movement spread South the organization took on some racial overtones and started disguising themselves similarly to the KKK. Merchants who were buying up too much land and black men who had thoughts of becoming land owners were targeted in a time when poor white farmers felt they were losing everything. They were farmers not law enforcement officers. Lester escapes. ”He’d long been wearing the underclothes of his female victims but now he took to appearing in their outerwear as well. A gothic doll in illfit clothes, its carmine mouth floating detached and bright in the white landscape.”Lester starts out being strange, just a bit different. Not different in an Einstein pondering the universe kind of way. More like two brain cells drifting around in his head that collide once in a while creating a spark kind of guy. Once he has been banished from any center hold in the community he becomes feral, a man caught in a permanent state of flight or fight. He becomes dangerous and unhinged. The grotesque becomes as normal to him as white picket fences are to the rest of us. \
  \
Cormac McCarthyCormac McCarthy will always expose you to a form of human being that will make you uncomfortable. You will twitch in your seat. You will check the doors and windows one more time before going to bed. You will start to make a more indepth analysis of your crazy cousin Larry. You will reluctantly come away with a broader understanding of the spectrum of people making up humanity. You will question your own sanity and wonder if it is possible for you to ever be as crazy as Lester Ballard. Would Lester have been able to stay a hair’s breadth away from insanity if he’d had one normal friend? Just one person who could give him a bead to follow. A person who could say ‘that ain’t right Lester’ at a critical moment. I do ponder questions like that late at night when I wonder if I could be stable enough and patient enough to keep someone else sane. I would probably be too practical to put myself in the path of a psychopath. We just hope the madness doesn’t find us. I also have read and reviewed Suttree by Cormac McCarthyIf you wish to see more of my most recent book and movie reviews, visit http://www.jeffreykeeten.comI also have a Facebook blogger page at: https://www.facebook.com/JeffreyKeeten

This is my third Cormac McCarthy book. First one was The Road, which is without a doubt one of the best books I ever read, it had a great impact on me. Second was No country for old men, after seeing the movie and discovering this story was also written by McCarthy I felt the need to read the story too to fully grasp its meanings. McCarthy writes dark, incredible, fascinating stories, Outer Dark is no exception. I find his writing and style very powerful, very expressive, beautiful, clear sentences, language and descriptions and the stories are so fascinating and always food for thought, I am a big fan of Cormac McCarthy now. This book leaves you thinking... what does this all mean, and it stays in your mind. I'm sure I will want to keep rereading his books. This man is a great writer. So glad I discovered his talents last year with The Road. Next McCarthy book is on my list to read, but after a break and some other books. This book has to sink in first and first I need some lighter reads before starting the next one. However, looking forward to it already.

A modern classic in which John le Carré expertly creates a total vision of a secret world, Tinker, Tailor, Soldier, Spy begins George Smiley's chess match of wills and wits with Karla, his Soviet counterpart. It is now beyond a doubt that a mole, implanted decades ago by Moscow Centre, has burrowed his way into the highest echelons of British Intelligence. His treachery has already blown some of its most vital operations and its best networks. It is clear that the double agent is one of its own kind. But which one? George Smiley is assigned to identify him. And once identified, the traitor must be destroyed.

McMurphy has a criminal past and has once again gotten himself into trouble and is sentenced by the court. To escape labor duties in prison, McMurphy pleads insanity and is sent to a ward for the mentally unstable. Once here, McMurphy both endures and stands witness to the abuse and degradation of the oppressive Nurse Ratched, who gains superiority and power through the flaws of the other inmates. McMurphy and the other inmates band together to make a rebellious stance against the atrocious Nurse.

After his death sometime in his 43rd year, suburbanite Lester Burnham tells of the last few weeks of his life, during which he had no idea of his imminent passing. He is a husband to real estate agent Carolyn Burnham and father to high school student Jane Burnham. Although Lester and Carolyn once loved each other, they now merely tolerate each other. Typical wallflower Jane also hates both her parents; the three suffer individually in silence in their home life. Jane tries to steer clear of both her parents. Carolyn, relatively new to the real estate business, wants to create the persona of success to further her career, aspiring to the professional life of Buddy Kane, the king of the real estate business in their neighborhood. Lester merely walks mindlessly through life, including at his job in advertising. His company is downsizing, and he, like all the other employees, has to justify his position to the newly hired efficiency expert to keep his job. Things change for Lester when he falls in love at first sight with Jane's more experienced classmate, Angela Hayes. Both Janie and Angela can see Lester's sexual infatuation with Angela, who courts such attention from any man as a sign that she is model material, she having once appeared in Seventeen and is a career to which she aspires. Lester's infatuation with Angela gives him a reenergized view on life, where he openly doesn't care anymore what anyone thinks about what he does, anyone except Angela. This infatuation coincides with the Fittses moving in next door: homophobic disciplinarian US Marine Colonel Frank Fitts who rules the house with a military fist (that fist being both figurative and literal), his semi-comatose wife Barbara Fitts, and their bright and quietly subversive 18-year-old son Ricky Fitts, who openly abides by his father's rules while behind the scenes lives by his own quite different perspective. Much like Lester's infatuation, Ricky immediately becomes infatuated with Jane; he considers girls like Angela as ordinary. The entry of Angela and the Fittses into the Burnhams' lives ultimately leads to each of the players confronting what is truly in his or her heart.

Following a truck hijack in New York, five criminals are arrested and brought together for questioning. As none of them are guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser Söze is felt. It becomes clear that each one of them has wronged Söze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser Söze?

Because his wife left him and took his son with her, screenwriter Ben Sanderson has started drinking, a lot. He's getting more and more isolated and he troubles women in bars because he wants to have sex with them. When he gets fired, he decides to leave everything behind and move to Las Vegas and drink himself to death. In Las Vegas he meets Sera, a prostitute with some problems as well who he moves in with.

Blondie, The Good (Clint Eastwood), is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes, The Bad (Lee Van Cleef), is a hitman who always commits to a task and sees it through--as long as he's paid to do so. And Tuco, The Ugly (Eli Wallach), is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership making money off of Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor, Bill Carson (Antonio Casale), that he and a few other men have buried a stash of gold in a cemetery. Unfortunately, Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows they know where the gold is; now he needs them to lead him to it. Now The Good, the Bad, and the Ugly must all battle it out to get their hands on $200,000.00 worth of gold.

Paranoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy through a back door mechanism a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff, General Buck Turgidson, and President Merkin Muffley. Only Ripper knows the code to recall the B-52 bombers and he has shut down communication in and out of Burpelson as a measure to protect this attack. Ripper's executive officer, RAF Group Captain Lionel Mandrake (on exchange from Britain), who is being held at Burpelson by Ripper, believes he knows the recall codes if he can only get a message to the outside world. Meanwhile at the Pentagon War Room, key persons including Muffley, Turgidson and nuclear scientist and adviser, a former Nazi named Dr. Strangelove, are discussing measures to stop the attack or mitigate its blow-up into an all out nuclear war with the Soviets. Against Turgidson's wishes, Muffley brings Soviet Ambassador Alexi de Sadesky into the War Room, and get his boss, Soviet Premier Dimitri Kisov, on the hot line to inform him of what's going on. The Americans in the War Room are dismayed to learn that the Soviets have an as yet unannounced Doomsday Device to detonate if any of their key targets are hit. As Ripper, Mandrake and those in the War Room try and work the situation to their end goal, Major T.J. "King" Kong, one of the B-52 bomber pilots, is working on his own agenda of deploying his bomb where ever he can on enemy soil if he can't make it to his intended target.

1964 British satire film directed by Stanley Kubrick

In the final installment of the Godfather Trilogy, an aging Don Michael Corleone seeks to legitimize his crime family's interests and remove himself from the violent underworld but is kept back by the ambitions of the young. While he attempts to link the Corleone's finances with the Vatican, Michael must deal with the machinations of a hungrier gangster seeking to upset the existing Mafioso order and a young protege's love affair with his daughter.

1990 film directed by Francis Ford Coppola

The continuing saga of the Corleone crime family tells the story of a young Vito Corleone growing up in Sicily and in 1910s New York; and follows Michael Corleone in the 1950s as he attempts to expand the family business into Las Vegas, Hollywood and Cuba.

1974 film directed by Francis Ford Coppola

James Cole, a prisoner of the state in the year 2035, can earn parole if he agrees to travel back in time and thwart a devastating plague. The virus has wiped out most of the Earth's population and the remainder live underground because the air is poisonous. Returning to the year 1990, six years before the start of the plague, Cole is soon imprisoned in a psychiatric facility because his warnings sound like mad ravings. There he meets a scientist named Dr. Kathryn Railly and Jeffrey Goines, the mad son of an eminent virologist. Cole is returned by the authorities to the year 2035, and finally ends up at his intended destination in 1996. He kidnaps Dr. Railly in order to enlist her help in his quest. Cole discovers graffiti by an apparent animal rights group called the Army of the Twelve Monkeys, but as he delves into the mystery, he hears voices, loses his bearings, and doubts his own sanity. He must figure out if Goines, who seems to be a raving lunatic, holds the key to the puzzle.

Rana and Guy, a young married couple live in today's city of Beirut. A city forced into modernity and constantly transforming to a rhythm of an unstable environment. Rana suddenly quits her job and falls slowly into a state of lingering. Guy decides they need to leave their home and go on a road-trip that leads them to the mountains. The road becomes one of remembrance and nostalgia. A road that might bring them closer to themselves and ultimately to each other.

Dom Cobb is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious during the dream state, when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible, inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse: their task is not to steal an idea, but to plant one. If they succeed, it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming.

Sam Bell has a three year contract to work for Lunar Industries. For the contract's entire duration, he is the sole employee based at their lunar station. His primary job responsibility is to harvest and periodically rocket back to Earth supplies of helium-3, the current clean and abundant fuel used on Earth. There is no direct communication link available between the lunar station and Earth, so his only direct real-time interaction is with GERTY, the intelligent computer whose function is to attend to his day to day needs. With such little human contact and all of it indirect, he feels that three years is far too long to be so isolated; he knows he is beginning to hallucinate as the end of his three years approaches. All he wants is to return to Earth to be with his wife Tess and their infant daughter Eve, who was born just prior to his leaving for this job. With two weeks to go, he gets into an accident at one of the mechanical harvesters and is rendered unconscious. Injured, he awakens back at the station in the infirmary, he assumes assisted by GERTY. GERTY tells him that a rescue team named Eliza will come to the station to clean up the aftermath of the accident. After his recuperation, he takes an unauthorized trip back to the broken harvester, where he makes an unexpected discovery. Because of his find, he begins to doubt his sanity, then his true identity, then the company and GERTY's willingness to do what is best for him. Because of his resulting beliefs, his sole mission becomes how to get back to Earth on his own.

A two-segment look at the effect of the military mindset and war itself on Vietnam era Marines. The first half follows a group of recruits in boot camp under the command of the punishing Gunnery Sergeant Hartman. The second half shows one of those recruits, Joker, covering the war as a correspondent for Stars and Stripes, focusing on the Tet offensive.

1987 war drama film directed by Stanley Kubrick

Television made him famous, but his biggest hits happened off-screen. This is the story of a legendary showman's double life - television producer by day, C.I.A. assassin by night. At the height of his television career, Chuck Barris (Sam Rockwell) was recruited by the C.I.A. and trained to become a covert operative. Or so Barris claimed.

In the early 1970s during the Cold War, the head of British Intelligence, Control (Sir John Hurt), resigns after an operation in Budapest, Hungary goes badly wrong. It transpires that Control believed one of four senior figures in the service was in fact a Russian Agent, a mole, and the Hungary operation was an attempt to identify which of them it was. George Smiley (Gary Oldman) had been forced into retirement by the departure of Control, but is asked by a senior government figure to investigate a story told to him by rogue Agent Ricky Tarr (Tom Hardy), that there was a mole. Smiley considers that the failure of the Hungary operation and the continuing success of Operation Witchcraft (an apparent source of significant Soviet Intelligence) confirms this, and takes up the task of finding him.

Much of the Pakistani Hussein family has settled in London, striving for the riches promised by Thatcherism. Nasser and his right hand man, Salim, have a number of small businesses and they do whatever they need to make money, even if the activities are illegal. As such, Nasser and his immediate family live more than a comfortable lifestyle, and he flaunts his riches whenever he can. Meanwhile, his brother, alcoholic Ali, once a famous journalist in Pakistan, lives in a seedy flat with his son, Omar. Ali's life in London is not as lucrative in part because of his left leaning politics, which does not mesh with the ideals of Thatcherism. To help his brother, Nasser gives Omar a job doing menial labor. But Omar, with bigger plans, talks Nasser into letting him manage Nasser's run down laundrette. Omar seizes what he sees as an opportunity to make the laundrette a success, and employs an old friend, Johnny - who has been most recently running around with a gang of white punks - to help him. Johnny and Omar have a special relationship, but one that has gone through its ups and downs, the downs fostered by anti-immigration sentiments of white England. Omar and Johnny each have to evaluate if their ideals of success are worth it at all cost.

Young nobleman Orlando is commanded by Queen Elizabeth I to stay forever young. Miraculously, he does just that. The film follows him as he moves through several centuries of British history, experiencing a variety of lives and relationships along the way, and even changing sex.

A drama set in Iran and centered on a man, Sahebjam, whose car breaks down in a remote village and enters into a conversation with Zahra, who relays to him the story about her niece, Soraya, whose marriage had a tragic ending.

American-Canadian singer-songwriter and composer

American singer and songwriter, member of Fleetwood Mac

Canadian poet and singer-songwriter (1934–2016)

British singer and songwriter (1983–2011)

The FBI teams up with a formerly-institutionalized scientist - who was performing experiments on the fringe of real science - and his son to investigate weird crimes that are seemingly part of a larger pattern, and may be connected with a global company called Massive Dynamic.

American science fiction television series

The body of a young girl (Laura Palmer) is washed up on a beach near the small Washington state town of Twin Peaks. FBI Special Agent Dale Cooper is called in to investigate her strange demise only to uncover a web of mystery that ultimately leads him deep into the heart of the surrounding woodland and his very own soul.

American drama television series from 1990–1991

Daniel Holden must put his life back together after serving 19 years on Georgia's Death Row before DNA evidence calls his conviction into question.

Set in the early/mid-1970s, the life and times of a record executive, Richie Finestra (played by Bobby Cannavale). His record company, American Century, has fallen on hard times and he is busy negotiating its sale to Polygram Records. We see how he started in the industry, the start of his company, its ups and downs, the casualties of his progress and what rock music means to him. Meanwhile, he is also an accessory to a murder.

Based in 1970s New York, this show gives a raw and gritty portayal of the prostitution business that was so publicly executed at that time. As a result of police crack-down, the characters are forced to venture towards relatively safer and more discrete forms of the same work.

In a small town where everyone knows everyone, a peculiar incident starts a chain of events that leads to the disappearance of a child, which begins to tear at the fabric of an otherwise peaceful community. Dark government agencies and seemingly malevolent supernatural forces converge on the town, while a few of the locals begin to understand that there's more going on than meets the eye.

American science fiction horror Netflix series

This science-fiction Western series from Jonathan Nolan and Lisa Joy was inspired by Michael Crichton's Westworld (1973) and is set at a Wild West theme park created by Dr. Robert Ford (Sir Anthony Hopkins) with human-like androids, where guests are encouraged to indulge their fantasies and desires.

US science fiction thriller television series from 2016

In April 1986, a huge explosion erupted at the Chernobyl nuclear power station in northern Ukraine. This series follows the stories of the men and women, who tried to contain the disaster, as well as those who gave their lives preventing a subsequent and worse one.

2019 miniseries about the Chernobyl disaster

Explores a group of siblings who, as children, grew up in what would go on to become the most famous haunted house in the country. Now adults, and forced back together in the face of tragedy, the family must finally confront the ghosts of their past, some of which still lurk in their minds while others may actually be stalking the shadows of Hill House.

James Keziah Delaney returns to 1814 London after 10 years in Africa to discover that he has been left a mysterious legacy by his father. Driven to wage war on those who have wronged him, Delaney finds himself in a face-off against the East India Company, whilst playing a dangerous game between two warring nations, Britain and America.

Mary Richards moves to Minneapolis after a relationship goes bad. She finds work as an associate producer in a small television newsroom where the characters include Lou Grant, her gruff boss, Murray Slaughter the humorous writer, and Ted Baxter the Anchor Man who spends his time mispronouncing country names. Mary continues to hope for romance, but finds that her friends are more dependable.

Bob is a successful Chicago psychologist who shares secretary Carol with Dentist Jerry. Part of the show revolves around his (usually comic) dealings with his patients. The rest involves his school teacher wife Emily and others in their apartment building.

Set in fictional Fernwood, Ohio, this deliriously demented serial focused on the beleaguered heroine Mary Hartman, an average American housewife. In the first year, Mary suffered the travails of mass murder, adultery, venereal disease, homosexuality, religious cults, and UFO sightings, before she finally succumbed to a nervous breakdown on a syndicated talk show.

London, 1827. A body has washed up on the banks of the Thames. Inspector John Marlott of the River Police discovers that the body is composite of body parts from several people, sewn together. The Home Secretary tasks Marlott with solving the mystery.

Four years after the Rising, the government starts to rehabilitate the Undead for reentry into society, including teenager Kieren Walker, who returns to his small Lancashire village to face a hostile reception, as well as his own demons.

Created and written by Brit Marling and Zal Batmanglij (The East), this Netflix original delves into the inexplicable reappearance of Prairie Johnson (Marling). Having gone missing seven years ago, the previously blind Johnson returns home, now in her late 20s and with her sight restored. While many believe she is miracle, others worry that she could be dangerous.

2016 American mystery drama television series

Los Angeles, 1967. Welcome to the Summer of Love. Aquarius stars David Duchovny as Sam Hodiak, a seasoned homicide detective whose investigations dovetail with the activities of real life cult leader Charles Manson in the years before he masterminded the most notorious killings of a generation, the Tate-LaBianca murders. A small time but charismatic leader with big plans, Manson has begun to build up his "family", recruiting vulnerable young men and women to join his cause. Teaming up with a young cop who will help him infiltrate Manson's circle, Hodiak is forced to see things through the questioning eyes of someone who came of age amongst the current anti-establishment counterculture. Edgy, addictive and visually stunning, the Age of Aquarius is here.

2015 American period crime drama television series

There could hardly be an odder match, but love knows no reason. Assistant D.A. Greg Montgomery, the son of successful businessman Edward and Kitty, the queen of socialite snob-ism, falls madly in love with the utterly unconventional free spirit Dharma Finkelstein, the daughter of hippie couple Abby O'Neil and Larry Finkelstein. The in-laws never agree on anything and stir up trouble as they're shocked by each other's lifestyles. Greg's lazy, incompetent colleague Pete Cavanaugh and Dharma's odd friend Jane likewise develop improbably chemistry as they observe their friends' relationship.

Parody of television soap-operas--the show's humor relies on exaggerating soap-operas' characteristic plot implausibility and melodrama to ridiculous extremes, then adds a fair bit of the truly bizarre, including some remarkable characters.

The show follows the personal and professional lives of Dev, a 30-year-old actor who has trouble deciding what he wants to eat, much less the pathway for the rest of his life. Dev's story takes him through subjects as diverse as the plight of the elderly, the immigrant experience, and how to find the most delicious pasta for dinner.

music

movies

shows

books

people

Active tastebuds