Vastralaya

Evan Shively (Perseus271)

Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

A burned out businessman finds peace in an unexpected place.

On a wild and rain-swept late-November evening, somewhere at an empty stretch of road outside Ohio's merry Denton, blissfully-affianced, prudish, boringly-innocent young pair Brad Majors (Barry Bostwick) and Janet Weiss (Susan Sarandon) find themselves stranded on their way to visit an ex-tutor. Instead, the couple will inadvertently unearth the cross-dressing Dr. Frank-N-Furter's (Tim Curry's) spooky lair of inexhaustible oddities, just in time to partake in the out-of-this-world mad scientist's proud unveiling of his latest, delightfully extravagant, most daring creation: the ultimate male and the perfect sex symbol: the flaxen-haired Rocky Horror (Peter Hinwood). But, little by little, as the effervescent transgressive force gobbles up whole the unsuspecting visitors of the night, Brad and Janet slowly begin to embrace the potent fascinations of seduction, while an idolized Rocky roams free in the mansion. Who can interrupt man's union with the absolute pleasure?

The 1950s. Manhattan lavatory attendant, Tom Ripley, borrows a Princeton jacket to play piano at a garden party. When the wealthy father of a recent Princeton grad chats Tom up, Tom pretends to know the son and is soon offered $1,000 to go to Italy to convince Dickie Greenleaf to return home. In Italy, Tom attaches himself to Dickie and to Marge, Dickie's cultured fiancée, pretending to love jazz and harboring homoerotic hopes as he soaks in luxury. Besides lying, Tom's talents include impressions and forgery, so when the handsome and confident Dickie tires of Tom, dismissing him as a bore, Tom goes to extreme lengths to make Greenleaf's privileges his own.

After one of her frequent visits to Tiffany's--New York City's dazzling jewellery store--and the maximum security Sing-Sing prison for mobster Sally Tomato's weekly "weather report", Holly Golightly, Manhattan's elegant socialite, finds herself infatuated with her charming new neighbour, Paul Varjak. Stuck in a persistent creative rut, Paul, too, lets himself drawn into Holly's superficial world, of course, not because he likes the idea that he reminds her of her brother, but because, little by little, he succumbs to Holly's beguiling allure. Even though they don't openly admit it, the two reluctant lovers have a past that they struggle to keep at bay; nevertheless, are their well-hidden secrets powerful enough to keep them apart? After all, Paul and Holly are meant for each other. Will an early-morning breakfast at Tiffany's be the prelude to a breezy young love?

New York, 1959. Max Bialystock was once the king of Broadway, but now all his shows close on opening night. Things turn around when he's visited by the neurotic accountant Leo Bloom, who proposes a scheme tailor-made for producers who can only make flops: raise far more money than you need, then make sure the show is despised. No one will be interested in it, so you can pocket the surplus. To this end, they produce a musical called Springtime for Hitler written by escaped Nazi Franz Liebken. Then they get the insanely flamboyant Roger De Bris to direct. Finally, they hire as a lead actress the loopy Swedish bombshell Ulla (whose last name has over 15 syllables). As opening night draws near, what can go wrong? Well, there's no accounting for taste...

County Durham, during the endless, violent 1984 strike against the Margaret Thatcher closure of British coal mines. Widower Jackie Elliot (Gary Lewis) and his firstborn, fellow miner Tony (Jamie Draven), take a dim view of eleven-year-old second son Billy's (Jamie Bell's) poor record in boxing class, which worsens when they discover he sneakily transferred to the neighboring, otherwise girls-only-attended ballet class. Only one schoolmate, closet-gay Michael Caffrey (Stuart Wells), encourages Billy's desire, aroused by the teacher, Mrs. Wilkinson (Dame Julie Walters), who judged him talented enough for private lessons, to train and try out for the world-renowned Royal Ballet audition. Only the prospect of a fancy career unimagined in the pauper quarter may twist pa and big brother's opposition to indispensable support.

Two male English school chums find themselves falling in love at Cambridge. To regain his place in society, Clive gives up his forbidden love, Maurice (pronounced "Morris") and marries. While staying with Clive and his shallow wife, Anne, Maurice finally discovers romance in the arms of Alec, the gamekeeper. Written from personal pain, it's E.M. Forster's story of coming to terms with sexuality in the Edwardian age.

In 1934 Paris, trained coloratura soprano Victoria Grant (Dame Julie Andrews), a native Brit, can't get a job as a singer and is having trouble making ends meet. She doesn't even have enough money for the basics of food and shelter. Gay cabaret singer Carole "Toddy" Todd (Robert Preston) may befall the same fate as Victoria, as he was just fired from his singing gig at a second-rate club named "Chez Lui". To solve their problems, Toddy comes up with what he considers to be an inspired idea: with Toddy as her manager, Victoria, pretending to be a man, get a job singing as a female impersonator. If they pull this scheme off, Toddy vows Victoria, as her male alter ego, will be the toast of Paris and as such be extremely wealthy. That alter ego they decide is Polish Count Victor Grazinski, Toddy's ex-lover who was disowned by his family when they found out he was gay. The Count auditions for the city's leading agent, Andre Cassell (John Rhys-Davies), who, impressed, gets him a gig performing in the city's best nightclub. In the audience on the successful opening night is Chicago, Illinois nightclub owner and "businessman" King Marchand (James Garner), a macho male who falls in the love with the woman he sees on-stage, which doesn't sit well with his current girlfriend, Norma Cassady (Leslie Ann Warren). King is shocked to learn that that woman is a man named Count Grazinski. While King tries to reconcile his romantic feelings for "Victoria" (in truth, King doesn't truly believe the Count is a man), his business associates won't tolerate his change in sexual orientation. Although feeling emancipated being treated as a man, Victoria, as herself, in turn, falls in love with King. To pursue something with him as a woman would mean giving up this lucrative career. But the career may also come to an end in a jail term if the authorities find out that Victoria and Toddy have committed fraud in this impersonation.

Southern Californian Bree Osbourne, formerly Stanley Chupak, has finally received the news for which she has been waiting: she has been approved for male-to-female sexual reassignment surgery. But before Margaret, her therapist, will allow her to go through with the surgery scheduled in a week's time, Bree has to deal with an unresolved problem from her past. Bree gets a telephone call from a seventeen year old man named Toby Wilkins, who is looking for Stanley, his biological father. Toby is in a New York jail, having been supporting himself by petty crime and hustling. Stanley/Bree knew nothing about Toby before the telephone call. Toby apparently is all alone in the world, with his mother having committed suicide and being estranged from his stepfather in Tennessee. Masquerading as a Christian social worker, Bree, not telling him either of her true identity or her transgender status, bails Toby out of jail and tells him she will take him to Los Angeles, where Toby has aspirations of becoming a porn actor and reconnecting with his biological father. As Bree and Toby take their trans-American journey which includes some interesting encounters along the way, Bree has to decide what is best for Toby while having the foremost goal of making it back to Los Angeles for the scheduled surgery.

Two drag-queens (Anthony/Mitzi and Adam/Felicia) and a transgender woman contract to perform a drag show at a resort in Alice Springs, a resort town in the remote Australian desert. They head west from Sydney aboard their lavender bus, Priscilla. En route, it is discovered that the woman they've contracted with is Anthony's wife. Their bus breaks down, and is repaired by Bob, who travels on with them.

Muriel finds life in Porpoise Spit, Australia dull and spends her days alone in her room listening to ABBA and dreaming of her wedding day. A slight problem is she never had a date. Then she steals some money to go on a tropical vacation, meets a wacky friend, changes her name to Mariel, and turns her world upside down.

Their acquaintance began on the warm summer of 1963, when cowboys, Ennis Del Mar and Jack Twist, ended up on the sheep farm of Joe Aguirre in Brokeback Mountain, Wyoming while looking for work. Under unexpected circumstances, little by little, the two men developed an intimate relationship that turned into a profound but secret bond, right under the nose of their families. However, love, and its many faces, is eternal. Who can stop love, life's ultimate truth?

Against the backdrop of aged has-been rock star Billy Mack's (Bill Nighy's) Christmas themed comeback cover of "Love Is All Around", which he knows is crap and makes no bones about it, much to his manager Joe's (Gregor Fisher's) chagrin as he promotes the record, several interrelated stories about romantic love and the obstacles to happiness through love for Londoners are presented in the five weeks preceding Christmas. Daniel's (Liam Neeson's) wife has just died, leaving him to take care of his adolescent stepson Sam (Thomas Brodie-Sangster) by himself. Daniel is uncertain how to deal with Sam and his problems without his wife present, especially in light of a potential budding romance within their household. Juliet (Keira Knightley) and Peter (Chiwetel Ejiofor) have just gotten married. They believe that Peter's best friend and best man Mark (Andrew Lincoln) hates Juliet, but won't say so to his or her face. Others looking at the situation from the outside believe Mark is jealous of Juliet, as he is in love with Peter. Jamie (Colin Firth), a writer, is taking a writing retreat by himself in rural France following catching his latest girlfriend (Sienna Guillory) in an indiscretion. Jamie ends up spending much time in France with Aurelia (Lúcia Moniz), the Portuguese woman hired as the housekeeper. The question becomes not only if they can communicate their day-to-day needs with each other as she speaks no English, he speaks no Portuguese, and neither speaks French very well, but communicate what seems to be their increasing mutual attraction to each other. Sarah (Laura Linney) has been in love with her co-worker Karl (Rodrigo Santoro) for the two years they have worked together, this attraction about which everyone in their workplace knows. Sarah has to decide if she can be forward enough to express this love directly to Karl, especially in light of what has been her personal priority of dealing with a family issue. Harry (Alan Rickman) and Karen (Dame Emma Thompson) have been in a stable long term marriage. His new assistant Mia (Heike Makatsch) drops hints to him that she would like them to be romantically involved. Harry has to decide whether to fall to the temptation, especially considering being married to a perceptive wife. Single and relatively young David (Hugh Grant) is the newly elected Prime Minister. At 10 Downing Street, he is attracted to one of the new household servants, Natalie (Martine McCutcheon), but isn't sure what to do about it seeing as to their respective positions, the probable public scrutiny, and an incident involving the visiting U.S. President (Billy Bob Thornton). Socially unaware Colin Frissell (Kris Marshall) believes that the lack of romantic love in his life is all the fault of standoffish British women. As such, he decides to take decisive albeit somewhat unusual geographic action. And John (Martin Freeman) and Judy (Joanna Page) are movie body doubles. They can communicate with each other straightforwardly while they are simulating sex filming a movie, but they may not be able to translate the feelings behind that simulation in real-life to each other.

Forced to give up his dreams of art school, Zach spends his days working a dead-end job and helping his needy sister care for her son. In his free time he surfs, draws and hangs out with his best friend, Gabe, who lives on the wealthy side of town. When Gabe's older brother, Shaun, returns home, he is drawn to Zach's selflessness and talent. Zach falls in love with Shaun while struggling to reconcile his own desires with the needs of his family.

An out-of-work singer, Victoria Grant (Dame Julie Andrews), meets a just-fired, flamboyant gay man in a diner in 1920's Paris. He convinces her to pretend to be a man who is a female impersonator in order to get a job. The act is a hit in a local nightclub, but things get complicated when a gangster and nightclub owner from Chicago, Illinois, King Marchand (Michael Nouri) falls in-love with "her".

Cambridge University student Brian Roberts arrives in Berlin in 1931 to complete his German studies. Without much money, he plans on making a living teaching English while living in an inexpensive rooming house, where he befriends another of the tenants, American Sally Bowles. She is outwardly a flamboyant, perpetually happy person who works as a singer at the decadent Kit Kat Klub, a cabaret styled venue. Sally's outward façade is matched by that of the Klub, overseen by the omnipresent Master of Ceremonies. Sally draws Brian into her world, and initially wants him to be one of her many lovers, until she learns that he is a homosexual, albeit a celibate one. Among their other friends are his students, the poor Fritz Wendel, who wants to be a gigolo to live a comfortable life, and the straight-laced and beautiful Natalia Landauer, a Jewish heiress. Fritz initially sees Natalia as his money ticket, but eventually falls for her. However Natalia is suspect of his motives and cannot overcome their religious differences. Also into Sally and Brian's life comes the wealthy Baron Maximilian von Heune, who has the same outlook on life as Sally, but who has the money to support it. Max is willing to lavish his new friends with gifts and his favors. Around them all is the Nazi uprising, to which they seem to pay little attention or care. But they ultimately learn that life in all its good and particularly bad continues to happen to them and around them.

In 1984 20 year old closet gay Joe hesitantly arrives in London from Bromley for his first Gay Pride march and is taken under the collective wing of a group of gay men and Lesbian Steph, who meet at flamboyant Jonathan and his Welsh partner Gethin's Soho bookshop. Not only are gays being threatened by Thatcher but the miners are on strike in response to her pit closures and Northern Irish activist Mark Ashton believes gays and miners should show solidarity. Almost by accident a mini-bus full of gays find themselves in the Welsh village of Onllwyn in the Dulais valley and through their sincere fund raising and Jonathan's nifty disco moves persuade most of the community that they are on the same side. When a bigot tries to sabotage the partnership with a tabloid smear Mark turns it back on her with a hugely successful benefit concert to which most of the villagers, now thoroughly in tune with their gay friends, turn up. The miners are defeated and return to work but at the Pride march the following year a vast contingent of miners show up to repay their comrades with their show of support.

Set in the 1980s, this series dramatizes the personal computing boom through the eyes of a visionary, an engineer and a prodigy whose innovations directly confront the corporate behemoths of the time. Their personal and professional partnership will be challenged by greed and ego while charting the changing culture in Texas' Silicon Prairie.

The Roy family is known for controlling the biggest media and entertainment company in the world. However, their world changes when their father steps down from the company.

Eve is a bored, whip-smart security services operative whose desk-bound job doesn't fulfill her fantasies of being a spy. Villanelle is a talented killer, who clings to the luxuries her violent job affords her. These two fierce women, equally obsessed with each other, will go head to head in an epic game of cat and mouse, toppling the typical spy-action thriller.

In April 1986, a huge explosion erupted at the Chernobyl nuclear power station in northern Ukraine. This series follows the stories of the men and women, who tried to contain the disaster, as well as those who gave their lives preventing a subsequent and worse one.

2019 miniseries about the Chernobyl disaster

THE PLOT AGAINST AMERICA, a limited series based on the acclaimed Philip Roth novel of the same name, imagines an alternate American history during World War II, told through the eyes of a working-class Jewish family in New Jersey as they endure the political rise of Charles Lindbergh, an aviator-hero and xenophobic populist, who captures the presidency and turns the nation toward fascism. Created by frequent collaborators David Simon and Ed Burns (HBO's "The Wire" and "Generation Kill"), the six-part limited series THE PLOT AGAINST AMERICA debuts MONDAY, MARCH 16 (9:00-10:00 p.m. ET/PT), exclusively on HBO.

Among the eccentrics and cult personalities in the stranger-than-fiction world of big cat owners, few stand out more than Joe Exotic, a mulleted, gun-toting polygamist and country western singer who presides over an Oklahoma roadside zoo. Charismatic but misguided, Joe and an unbelievable cast of characters including drug kingpins, conmen, and cult leaders all share a passion for big cats and the status and attention their dangerous menageries garner. But things take a dark turn when Carole Baskin, an animal activist and owner of a big cat sanctuary, threatens to put them out of business, stoking a rivalry that eventually leads to Joe's arrest for a murder-for-hire plot, and reveals a twisted tale where the only thing more dangerous than a big cat is its owner.

2020 American true crime documentary miniseries

This audacious drama follows an ordinary Manchester family and catapults them through the next 15 years. As the Britain of this imaginary drama is rocked by political, economic and technological advances, the family experiences everything hoped for in the future, and everything that is feared.

In an alternative 1969, the world, and especially the United States, watch in shock as the Soviet Union successfully manages to land men on the Moon before the USA does. With that defeat, NASA is presented with a renewed challenge in the space race that they never expected to face. Now, the cold war rivalry takes on a new intensity and grander ambition to reach far further than ever dreamed and with more diverse resources than ever before.

A dramatization of the life of LGBTQ+ trailblazer, voracious learner, and cryptic diarist

"Socially awkward high school student Otis may not have much experience in the lovemaking department, but he gets good guidance on the topic in his personal sex ed course -- living with mom Jean, who is a sex therapist. Being surrounded by manuals, videos and tediously open conversations about sex, Otis has become a reluctant expert on the subject. When his classmates learn about his home life, Otis decides to use his insider knowledge to improve his status at school, so he teams with whip-smart bad girl Maeve to set up an underground sex therapy clinic to deal with their classmates' problems. But through his analysis of teenage sexuality, Otis realizes that he may need some therapy of his own.

The series centers on 17-year-old Joshua "J" Cody, who moves in with his freewheeling relatives in their Southern California beach town after his mother dies of a heroin overdose. Headed by boot-tough matriarch Janine "Smurf" Cody and her right-hand Baz, who runs the business and calls the shots, the clan also consists of Pope, the oldest and most dangerous of the Cody boys; Craig, the tough and fearless middle son; and Deran, the troubled, suspicious "baby" of the family.

Alvey and Lisa are struggling to keep their gym, Navy Street, afloat. Their best hope is Alvey's son Nate, an up and coming fighter. Jay, Alvey's other son, is on the outs with his father. When Lisa's ex and former MMA champ, Ryan, shows up, complications arise. Nate has secrets of his own which may hold him back.

Two FBI agents, fighting the departmental stigma of backroom boys - those who try to complicate the status quo of simple Means, Motive, Opportunity (MMO) of crime-solving with academics - work to develop an innovative investigative field incorporating psychology, anthropology and sociology as a method to reveal the motive. They acknowledge classic crime-solving - MMO - as no longer sufficient because criminality is becoming more complicated as Motive graduates from need and greed to inexplicable and irrational reasons. They theorize applying deeper psychological evaluation will posit new questions. Simply, asking Why will lead to the Who. This series focuses on the development by two men, two agents, of a new criminal field and does so through story lines of visiting the sociopathic mind.

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