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Where the Sidewalk Ends turns forty! Celebrate with this anniversary edition that features an eye-catching commemorative red sticker. This classic poetry collection, which is both outrageously funny and profound, has been the most beloved of Shel Silverstein's poetry books for generations.Where the sidewalk ends, Shel Silverstein's world begins. There you'll meet a boy who turns into a TV set and a girl who eats a whale. The Unicorn and the Bloath live there, and so does Sarah Cynthia Sylvia Stout who will not take the garbage out. It is a place where you wash your shadow and plant diamond gardens, a place where shoes fly, sisters are auctioned off, and crocodiles go to the dentist.Shel Silverstein's masterful collection of poems and drawings is one of Parent &amp; Child magazine's 100 Greatest Books for Kids. School Library Journal said, "Silverstein has an excellent sense of rhythm and rhyme and a good ear for alliteration and assonance that make these poems a pleasure to read aloud."Shel Silverstein's incomparable career as a children's book author and illustrator began with Lafcadio, the Lion Who Shot Back. In 1964, Shel's creativity continued to flourish as four more books were published in the same year—Don't Bump the Glump!, A Giraffe and a Half, Who Wants a Cheap Rhinoceros?, and the beloved classic The Giving Tree. Later he continued to build his remarkable body of work with Where the Sidewalk Ends, A Light in the Attic, Falling Up, Every Thing On It, The Missing Piece, The Missing Piece Meets the Big O, and Runny Babbit.

Before there was a “cop on every corner” in New York, there were some of the most interesting characters frolicking around, bounding up and down the streets as if they were players in a real-life version of a very fucked up Wonderland. Pimps and prostitutes and transvestites and junkies and businessmen and children and you-name-it all blended together and somehow figured out a way to live a somewhat harmonious existence in this concrete jungle. This was the land of Jim Carrol. And it was in this land that Carrol wrote THE BASKETBALL DIARIES. It was within this surreal playground that a fourteen year old basketball phenom decided to record his thoughts as his life slowly unraveled because of heroin. The diaries start in the fall of ’63. JFK is not yet dead. Nuclear holocaust is on everyone’s minds. But to Jim Carrol the only pressing matter is basketball and girls. As a white kid, Carrol is an unusual basketball standout in New York City. He is rated as one of the top twenty prep players in the nation…the world is his oyster. Then, Carrol experiences his first big party. Girls and drugs abound. His life has entered into a phase were the inhabitants of Sodom might be jealous. It is also during this time that Carrol finds his voice. The entries during this time are slowly built upon, giving the reader a unique insight into the vast array of New York City. However, it also during this time that I have to question the veracity of some of Carrol’s adventures. I’m not going to say they never happened. But, I will be skeptical of how they happened. You see, to me, a diary is only the rebirth of previous memories. Sometimes these memories are shrouded in the fog of time; sometimes these memories have been tinkered with and are no longer a memory of what happened as they are a memory of what has been reconstructed. Regardless, Carrol’s memories of this time evoke a sense of innocence that is about to be corrupted in a manner that can never be uncorrupted. As the diary progresses, Carrol begins to flirt more and more with H. Never buying at first, only using when others around him supply the deadly euphoric, Carrol begins a dance that starts off as a waltz but turns into a frenetic assemblage of hands and feet that no choreographer could put any semblance to. As the diary moves from year to year, Carrol’s decline becomes obvious as his basketball status slowly loses its luster. Folks know he has game, but they never know exactly what game is going to show up at any given time. Besides the decline of his basketball prowess, Carrol notes, often in a sideway glance, what is happening in his beloved New York. It is within these segments that Carrol shines. As Carrol recounts how his relationship with his father is tenuous at best, the reader is given a sneak peak into the psyche of a child that only wants approval of the man he knows will never accept him. And as Carrol lets his hair grow long, and begins to travel with less-than-desirables, a war rages in a small country named Vietnam. To Carrol, this war is never a prominent fixture in his life, but to New Yorkers, who were constantly living in fear that the Russians would use this war as a way to attack the US, fear permeates through the streets. Kids, especially kids with long hair, are looked upon with disdain. War protestors were looked upon as if they were spies or insurgents. Sadly, during this time, Carrol was fighting this war; he just didn’t know that his battles came in the form of H and basketball and family. When the diaries conclude, some three-and-a-half years later, Carrol is a shell of the person he could have become. But he is also so much more of what the man he is about to become. Let me explain. As his H problem increased, his basketball abilities decreased to a point where he was no longer looked upon in awe. But, also, as his H addiction increased, his will to adequately convey his journey through thoughts and images and words increased, too. Carroll remarks about this strange change, describing it as though he needs to write just as much as he needs to find where his next score is coming from. THE BASKETBALL DIARIES takes Carrol from Harlem to Manhattan to Riker’s Island and everywhere in between. This is so much more than a story about being a junky or a disenchanted street kid from New York; this is a story about loss and real-life, about hope and the everlasting truth that hope is sometimes only found in the minds of those that are still crazy enough to believe in it; it is about finding the apparition of happiness within a world of phantoms. Woefully, it is about knowing that life is not all about happy endings. And as I sit here and type this review, I am still contemplating the last sentence of his diary. What does it mean? Was it his last confession? Did he know that his life was only going to get darker and decide that the reader was no longer invited on his journey? It was written in the summer of ’66 after Carrol had lost almost everything. “I just want to be pure…” he says. What an incredibly haunting admission. All I can say is: Don’t we all? HIGHLY RECOMMENDED

A moving, vividly rendered novel from the late author of The Basketball Diaries.   When poet, musician, and diarist Jim Carroll died in September 2009, he was putting the finishing touches on a potent work of fiction. The Petting Zoo tells the story of Billy Wolfram, an enigmatic thirty- eight-year-old artist who has become a hot star in the late-1980s New York art scene. As the novel opens, Billy, after viewing a show of Velázquez paintings, is so humbled and awed by their spiritual power that he suffers an emotional breakdown and withdraws to his Chelsea loft. In seclusion, Billy searches for the divine spark in his own work and life. Carroll's novel moves back and forth in time to present emblematic moments from Billy's life (his Irish Catholic upbringing, his teenage escapades, his evolution as an artist and meteoric rise to fame) and sharply etched portraits of the characters who mattered most to him, including his childhood friend Denny MacAbee, now a famous rock musician; his mentor, the unforgettable art dealer Max Bernbaum; and one extraordinary black bird. Marked by Carroll's sharp wit, hallucinatory imagery, and street-smart style, The Petting Zoo is a frank, haunting examination of one artist's personal and professional struggles.

A fiercely vivid collection of stories about troubled California teenagers and misfits--violent and harrowing, from the astonishingly talented actor and artist James Franco.Palo Alto is the debut of a surprising and powerful new literary voice. Written with an immediate sense of place--claustrophobic and ominous--James Franco's collection traces the lives of an extended group of teenagers as they experiment with vices of all kinds, struggle with their families and one another, and succumb to self-destructive, often heartless nihilism. In "Lockheed" a young woman's summer--spent working a dull internship--is suddenly upended by a spectacular incident of violence at a house party.  In "American History" a high school freshman attempts to impress a girl during a classroom skit with a realistic portrayal of a slave owner—only to have his feigned bigotry avenged. In "I Could Kill Someone," a lonely teenager buys a gun with the aim of killing his high school tormentor, but begins to wonder about his bully's own inner life. These linked stories, stark, vivid, and disturbing, are a compelling portrait of lives on the rough fringes of youth.

"I walk around the school hallways and look at the people. I look at the teachers and wonder why they're here. Not in a mean way. In a curious way. It's like looking at all the students and wondering who's had their heart broken that day...or wondering who did the heart breaking and wondering why."Charlie is a freshman. And while he's not the biggest geek in the school, he is by no means popular. Shy, introspective, intelligent beyond his years yet socially awkward, he is a wallflower, caught between trying to live his life and trying to run from it. Charlie is attempting to navigate his way through uncharted territory: the world of first dates and mixed tapes, family dramas and new friends; the world of sex, drugs, and The Rocky Horror Picture Show, when all one requires is that perfect song on that perfect drive to feel infinite. But Charlie can't stay on the sideline forever. Standing on the fringes of life offers a unique perspective. But there comes a time to see what it looks like from the dance floor.The Perks of Being a Wallflower is a deeply affecting coming-of-age story that will spirit you back to those wild and poignant roller-coaster days known as growing up.

Before. Miles “Pudge” Halter is done with his safe life at home. His whole life has been one big non-event, and his obsession with famous last words has only made him crave “the Great Perhaps” even more (Francois Rabelais, poet). He heads off to the sometimes crazy and anything-but-boring world of Culver Creek Boarding School, and his life becomes the opposite of safe. Because down the hall is Alaska Young. The gorgeous, clever, funny, sexy, self-destructive, screwed up, and utterly fascinating Alaska Young. She is an event unto herself. She pulls Pudge into her world, launches him into the Great Perhaps, and steals his heart. Then. . . . After. Nothing is ever the same.

Who is the real Margo?Quentin Jacobsen has spent a lifetime loving the magnificently adventurous Margo Roth Spiegelman from afar. So when she cracks open a window and climbs into his life—dressed like a ninja and summoning him for an ingenious campaign of revenge—he follows. After their all-nighter ends, and a new day breaks, Q arrives at school to discover that Margo, always an enigma, has now become a mystery. But Q soon learns that there are clues—and they're for him. Urged down a disconnected path, the closer he gets, the less Q sees the girl he thought he knew...

It started when she was served a soft drink laced with LSD in a dangerous party game. Within months, she was hooked, trapped in a downward spiral that took her from her comfortable home and loving family to the mean streets of an unforgiving city. It was a journey that would rob her of her innocence, her youth -- and ultimately her life.\
  Read her diary. Enter her world. You will never forget her.\


Will Grayson meets Will Grayson. One cold night, in a most unlikely corner of Chicago, two strangers are about to cross paths. From that moment on, their world will collide and lives intertwine.It's not that far from Evanston to Naperville, but Chicago suburbanites Will Grayson and Will Grayson might as well live on different planets. When fate delivers them both to the same surprising crossroads, the Will Graysons find their lives overlapping and hurtling in new and unexpected directions. With a push from friends new and old - including the massive, and massively fabulous, Tiny Cooper, offensive lineman and musical theater auteur extraordinaire - Will and Will begin building toward respective romantic turns-of-heart and the epic production of history's most awesome high school musical.

You can’t stop the future. You can’t rewind the past.The only way to learn the secret . . . is to press play.Clay Jensen returns home from school to find a strange package with his name on it lying on his porch. Inside he discovers several cassette tapes recorded by Hannah Baker–his classmate and crush–who committed suicide two weeks earlier. Hannah’s voice tells him that there are thirteen reasons why she decided to end her life. Clay is one of them. If he listens, he’ll find out why. Clay spends the night crisscrossing his town with Hannah as his guide. He becomes a firsthand witness to Hannah’s pain, and as he follows Hannah’s recorded words throughout his town, what he discovers changes his life forever.

Ambitious New York City teenager Craig Gilner is determined to succeed at life - which means getting into the right high school to get into the right job. But once Craig aces his way into Manhattan's Executive Pre-Professional High School, the pressure becomes unbearable. He stops eating and sleeping until, one night, he nearly kills himself.Craig's suicidal episode gets him checked into a mental hospital, where his new neighbors include a transsexual sex addict, a girl who has scarred her own face with scissors, and the self-elected President Armelio. There, Craig is finally able to confront the sources of his anxiety.Ned Vizzini, who himself spent time in a psychiatric hospital, has created a remarkably moving tale about the sometimes unexpected road to happiness.

The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices-but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep. J.D. Salinger's classic novel of teenage angst and rebellion was first published in 1951. The novel was included on Time's 2005 list of the 100 best English-language novels written since 1923. It was named by Modern Library and its readers as one of the 100 best English-language novels of the 20th century. It has been frequently challenged in the court for its liberal use of profanity and portrayal of sexuality and in the 1950's and 60's it was the novel that every teenage boy wants to read.

Every day a different body. Every day a different life. Every day in love with the same girl.There’s never any warning about where it will be or who it will be. A has made peace with that, even established guidelines by which to live: Never get too attached. Avoid being noticed. Do not interfere.It’s all fine until the morning that A wakes up in the body of Justin and meets Justin’s girlfriend, Rhiannon. From that moment, the rules by which A has been living no longer apply. Because finally A has found someone A wants to be with—day in, day out, day after day.

When Jack Kerouac’s On the Road first appeared in 1957, readers instantly felt the beat of a new literary rhythm. A fictionalised account of his own journeys across America with his friend Neal Cassady, Kerouac’s beatnik odyssey captured the soul of a generation and changed the landscape of American fiction for ever.Influenced by Jack London and Thomas Wolfe, Kerouac always wanted to be a writer, but his true voice only emerged when he wrote about his own experiences in On the Road. Leaving a broken marriage behind him, Sal Paradise (Kerouac) joins Dean Moriarty (Cassady), a tearaway and former reform school boy, on a series of journeys that takes them from New York to San Francisco, then south to Mexico. Hitching rides and boarding buses, they enter a world of hobos and drifters, fruit-pickers and migrant families, small towns and wide horizons. Adrift from conventional society, they experience America in the raw: a place where living is hard, but ‘life is holy and every moment is precious’.With its smoky, jazz-filled atmosphere and its restless, yearning spirit of adventure, On the Road left its mark on the culture of the late 20th century, influencing countless books, films and songs. Kerouac’s prose is remarkable both for its colloquial swing and for the pure lyricism inspired by the American landscape – ‘the backroads, the black-tar roads that curve among the mournful rivers like Susquehanna, Monongahela, old Potomac and Monocacy’. This Folio Society edition is illustrated with evocative photographs of Kerouac and the landscapes of 1950s America. Now acknowledged as a modern classic, On the Road remains a thrilling and poignant story of the road less travelled.

Librarian's Note: An alternate cover edition can be found hereIn April, 1992, a young man from a well-to-do family hitchhiked to Alaska and walked alone into the wilderness north of Mt. McKinley. His name was Christopher Johnson McCandless. He had given $25,000 in savings to charity, abandoned his car and most of his possessions, burned all the cash in his wallet, and invented a new life for himself. Four months later, a party of moose hunters found his decomposed body. How McCandless came to die is the unforgettable story of Into the Wild.Immediately after graduating from college in 1991, McCandless had roamed through the West and Southwest on a vision quest like those made by his heroes Jack London and John Muir. In the Mojave Desert he abandoned his car, stripped it of its license plates, and burned all of his cash. He would give himself a new name, Alexander Supertramp, and, unencumbered by money and belongings, he would be free to wallow in the raw, unfiltered experiences that nature presented. Craving a blank spot on the map, McCandless simply threw away the maps. Leaving behind his desperate parents and sister, he vanished into the wild.

After his death sometime in his 43rd year, suburbanite Lester Burnham tells of the last few weeks of his life, during which he had no idea of his imminent passing. He is a husband to real estate agent Carolyn Burnham and father to high school student Jane Burnham. Although Lester and Carolyn once loved each other, they now merely tolerate each other. Typical wallflower Jane also hates both her parents; the three suffer individually in silence in their home life. Jane tries to steer clear of both her parents. Carolyn, relatively new to the real estate business, wants to create the persona of success to further her career, aspiring to the professional life of Buddy Kane, the king of the real estate business in their neighborhood. Lester merely walks mindlessly through life, including at his job in advertising. His company is downsizing, and he, like all the other employees, has to justify his position to the newly hired efficiency expert to keep his job. Things change for Lester when he falls in love at first sight with Jane's more experienced classmate, Angela Hayes. Both Janie and Angela can see Lester's sexual infatuation with Angela, who courts such attention from any man as a sign that she is model material, she having once appeared in Seventeen and is a career to which she aspires. Lester's infatuation with Angela gives him a reenergized view on life, where he openly doesn't care anymore what anyone thinks about what he does, anyone except Angela. This infatuation coincides with the Fittses moving in next door: homophobic disciplinarian US Marine Colonel Frank Fitts who rules the house with a military fist (that fist being both figurative and literal), his semi-comatose wife Barbara Fitts, and their bright and quietly subversive 18-year-old son Ricky Fitts, who openly abides by his father's rules while behind the scenes lives by his own quite different perspective. Much like Lester's infatuation, Ricky immediately becomes infatuated with Jane; he considers girls like Angela as ordinary. The entry of Angela and the Fittses into the Burnhams' lives ultimately leads to each of the players confronting what is truly in his or her heart.

It's the last day of school at a high school in a small town in Texas in 1976. The upperclassmen are hazing the incoming freshmen, and everyone is trying to get stoned, drunk, or laid, even the football players that signed a pledge not to.

The Road Within is about Vincent, a young man suffering from Tourette Syndrome. His mother dies so his estranged father, Robert, is forced to step in. However, Robert's running for political office and doesn't want his son on the campaign trail - so Robert puts Vincent in a clinic that's run by the unconventional Dr. Mia Rose. Once there, Vincent falls in love with an anorexic woman named Marie. Together, they steal Dr. Rose's car, and end up having to kidnap his OCD roommate, Alex, when he threatens to tell on them. With Robert and Dr. Rose in hot pursuit, Vincent, Marie and Alex go on a life changing road trip to deliver the ashes of his mother to the ocean.

Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the streets of Britain..

Precocious Oliver struggles with being popular in school but when a dark-haired beauty takes interest in him, he's determined to become the best boyfriend in the world. Meanwhile, his parents' already rocky relationship is threatened when his mother's ex-boyfriend moves in next door. Oliver makes some unorthodox plans to ensure that his parents stay together and that Jordana still likes him.

In this adaptation of the autobiography "The Pianist: The Extraordinary True Story of One Man's Survival in Warsaw, 1939-1945,"

From the heights of notoriety to the depths of depravity, John Forbes Nash, Jr. experienced it all. A mathematical genius, he made an astonishing discovery early in his career and stood on the brink of international acclaim. But the handsome and arrogant Nash soon found himself on a painful and harrowing journey of self-discovery. After many years of struggle, he eventually triumphed over his tragedy, and finally - late in life - received the Nobel Prize.

A man about forty years of age tells the story from when he was a teenager in upscale suburban Detroit of his and three of his friends' fascination with the mysterious and doomed Lisbon sisters. In 1974, the sisters were seventeen year old Therese, sixteen year old Mary, fifteen year old Bonnie, fourteen year old Lux, and thirteen year old Cecilia. Their fascination still remains as they try to piece together the entire story. The sisters were mysteries if only because of having a strict and overprotective upbringing by their father, who taught math at the girls' private co-ed school, and overly devout Catholic mother, who largely dictated the household rules. The story focuses primarily on two incidents and the resulting situations on the girls' lives. The first was an action by Cecilia to deal with her emotions over her life. And the second was the relationship between Lux - the sister who pushed the boundaries of the household rules most overtly in doing what most teenagers want to do - and Trip Fontaine, he who could have any girl he wanted but wanting solely Lux.

1999 American film directed by Sofia Coppola

The teenager Lane Meyer has a crush on his girlfriend Beth Truss. When Beth dumps him to stay with the successful skier Roy Stalin, Lane is depressed and decides to commit suicide. However he gives up and tries to improve his skill of skier to ski the dangerous K12 slope to impress Beth. Meanwhile his neighbor Mrs. Smith receives the exchange French student Monique Junot and her fat son Ricky Smith considers Monique his girlfriend; however, Monique has an unrequited crush on Lane that does not note her. When Lane stumbles upon Monique in a high-school party, he befriends her. The upset Lane challenges Roy in a competition on the K12 slope but then he regrets. However Monique is a great mechanic and skier, and fix Lane's Camaro and teaches him how to ski the K12 slope. What will happen to Lane?

In the Town of Derry, the local kids are disappearing one by one. In a place known as 'The Barrens', a group of seven kids are united by their horrifying and strange encounters with an evil clown and their determination to kill It.

Across The Universe is a fictional love story set in the 1960s amid the turbulent years of anti-war protest, the struggle for free speech and civil rights, mind exploration and rock and roll. At once gritty, whimsical and highly theatrical, the story moves from high schools and universities in Massachusetts, Princeton and Ohio to the Lower East Side of Manhattan, the Detroit riots, Vietnam and the dockyards of Liverpool. A combination of live action and animation, the film is paired with many songs by

Tulsa, Oklahoma, 1965. Fourteen-year-old Ponyboy Curtis is the youngest of three orphaned brothers who live on the north side of town, the "wrong side" of the tracks. Sensitive Ponyboy used to have a good relationship with his oldest brother Darrel, but since Darrel became the household caregiver, he is always on Ponyboy's case. Caught in the middle is third brother Sodapop, who dropped out of school to work full time. They all belong to The Greasers, a gang of boys from the north side also from working class families, often broken. Ponyboy's main concern is that any problem they may encounter, especially in their Greaser activities, will lead to the authorities splitting up their family. He also believes Darrel would have outgrown them and become something in his life if it wasn't for his loyalty to the gang, and the need to take care of the family. The rest of the world sees the Greasers as all the same, the face being Dallas Winston, the most volatile one who has just been released from prison, despite each boy having his own specific view of life. Similarly, the world sees the Socs, the Greasers' primary rivals, as all the same, rich spoiled entitled boys with a sense of superiority from the south side of town, despite again each boy being his own person. A connection between the two gangs happens in the form of Ponyboy and Cherry Valance, which doesn't sit well with Cherry's Soc boyfriend, Bob Sheldon. As a result, an incident occurs involving the Socs, Ponyboy and fellow Greaser, sixteen-year-old Johnny Cade, an equally sensitive boy who wants a better life for himself, but seems stuck in a downward spiral with parents who don't give him the time of day. Beyond Ponyboy and Johnny's lives being threatened by that incident, the Greasers and the Socs agree to a rumble to settle things once and for all. Some of the boys realize the rumble will accomplish nothing, with the questions being if they can convince their colleagues of the same, and if not what the consequences will be.

1983 film directed by Francis Ford Coppola

A regular girl, Veronica, tries to survive the social jungle of high school by sticking with the three most popular girls at school who are all called Heather. As she meets a sociopath named JD, her life spirals into a continuous cycle of hate, unintentional murder and indifference, as she exacts revenge on her enemies, also known as her best friends.

Haunted by a persistent writer's block, the aspiring author and recovering alcoholic, Jack Torrance, drags his wife, Wendy, and his gifted son, Danny, up snow-capped Colorado's secluded Overlook Hotel after taking up a job as an off-season caretaker. As the cavernous hotel shuts down for the season, the manager gives Jack a grand tour, and the facility's chef, the ageing Mr Hallorann, has a fascinating chat with Danny about a rare psychic gift called "The Shining", making sure to warn him about the hotel's abandoned rooms, and, in particular, the off-limits Room 237. However, instead of overcoming the dismal creative rut, little by little, Jack starts losing his mind, trapped in an unforgiving environment of seemingly endless snowstorms, and a gargantuan silent prison riddled with strange occurrences and eerie visions. Now, the incessant voices inside Jack's head demand sacrifice. Is Jack capable of murder?

1994 American crime film directed by Quentin Tarantino

Wanting to learn from the best, aspiring boxer Maggie Fitzgerald (Hilary Swank) wants Frankie Dunn (Clint Eastwood) to train her. At the outset, he flatly refuses saying he has no interest in training a girl. Frankie leads a lonely existence, alienated from his only daughter and having few friends. Maggie's rough around the edges, but shows a lot of grit in the ring and he eventually relents. Maggie not only proves to be the boxer he always dreamed of having under his wing, but a friend who fills the great void he's had in his life. Maggie's career skyrockets, but an accident in the ring leads her to ask Frankie for one last favor.

In this popular African-American sitcom, Will Smith (played by

A mediocre paper company in the hands of Scranton, PA branch manager Michael Scott. This mockumentary follows the everyday lives of the manager and the employees he "manages." The crew follows the employees around 24/7 and captures their quite humorous and bizarre encounters as they will do what it takes to keep the company thriving.

In this TV series we see the "adventures" and goofs of a young schoolboy named Cory Matthews and his best friend Shawn Hunter. At school, they aren't very popular with girls, and they have enemies like Harley, Joey, and Frankie. They also get often in trouble with Mr. Feeny, the school's funny principal.

"Bates Motel" is a contemporary prequel to the genre-defining film "Psycho," and gives a portrayal of how Norman Bates' (Freddie Highmore) psyche unravels through his teenage years. Fans discover the dark, twisted backstory of Norman Bates and how deeply intricate his relationship with his mother, Norma (Vera Farmiga), truly is.

An offbeat, laugh track-lacking sitcom about a bizarrely dysfunctional family, the center of which is Malcolm, the middle of the two brothers who still live at home. His eldest (and favorite) sibling, Francis, boards at military school because his parents believe it will reform him and keep him out of trouble. Malcolm often has a hard time coping with his family life, but he has more troubles to contend with when he starts receiving special treatment at school after being diagnosed as an intellectually advanced genius.

Watch the Irish American family the Gallaghers dealing with their alcoholic father Frank. Fiona, the eldest daughter, takes the role of the parent to her five brothers and sisters. Lip, Ian, Debbie, Carl, and Liam deal with life on the South Side of Chicago. Fiona balances her sex life and raising her siblings. Every episode is another crazy situation that one or more of the Gallagher six get into. Watch them grow and learn how to make their way in life with what little they have.

Eric Forman is a typical high school student growing up in Wisconsin in 1976 with his family and his friends. Together, they have the same kind of joys and sorrows that just about every teenager has while growing up. This show parodied many of the attitudes, events and fads of the 70s, along with those who grew up at the time.

Ross Geller, Rachel Green, Monica Geller, Joey Tribbiani, Chandler Bing, and Phoebe Buffay are six twenty-somethings living in New York City. Over the course of 10 years and seasons, these friends go through life lessons, family, love, drama, friendship, and comedy.

Ted Mosby sits down with his kids, to tell them the story of how he met their mother. The story is told through memories of his friends Marshall, Lily, Robin, and Barney Stinson. All legendary 9 seasons lead up to the moment of Ted's final encounter with "the one."

He's smart, he's good looking, and he's got a great sense of humor. He's Dexter Morgan, everyone's favorite serial killer. As a Miami forensics expert, he spends his days solving crimes, and nights committing them. But Dexter lives by a strict code of honor that is both his saving grace and lifelong burden. Torn between his deadly compulsion and his desire for true happiness, Dexter is a man in profound conflict with the world and himself. Golden Globe winner Michael C. Hall stars in the hit SHOWTIME Original Series.

Physical and psychological horrors affect a decomposing family, workers and residents of an insane asylum, a coven of witches, a cast of circus freaks, the employees and guests at a struggling hotel, a family who moved into a mysterious farmhouse, the members of a small suburb in Michigan, the surviving members of the Apocalypse and the counselors of a creepy summer camp in this haunting anthology series, focusing on the themes of infidelity, sanity, oppression, discrimination, addiction and exploitation.

American anthology horror television series

Scott McCall was just another kid in high school. Until, one night his best friend Stiles brings him to the woods, to look for a dead body, and Scott is bitten by a werewolf. Being a werewolf came with its perks- stronger, faster, new star in the lacrosse team, popularity- but also made it hard to control his anger. Scott has also fallen for the new girl in town, Allison, whose dad is trying to hunt and kill Scott. Scott now has to try and balance his out of control life, figure out how to control his new powers, try not to be killed by the alpha that bit him, and protect Allison- and keep her from finding out his big secret.

Misadventures of college freshman Steven Karp, his fellow freshman and first ever girlfriend Lizzie Exley, Steven's self-confidant sophisticated womanizing British college roommate Lloyd Haythe, Lizzie's endearing college roommate with a wild side Rachel Lindquist, Steven's chubby happy-go-lucky college roommate Ron Garner, Steven's weird college roommate Marshall Nesbitt, Lizzie's loving but obsessive ex boyfriend Eric, and Steven's sympathetic geeky dad, who's just been dumped by Steven's mom which triggered his midlife crisis.

It's the 1980s and at McKinley High, there's two different groups of teenagers, the Freaks with cool and charismatic Daniel Desario and tomboy Lindsay Weir and the Geeks with Lindsay's shy younger brother Sam, gentle Bill Haverchuck, and self-proclaimed ladies' man Neal Schweiber. The show chronicles the normal teen/adolescence problems any teenager goes through including acceptance, drugs, drinking, and bullying.

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