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Harini Sen

Vastralaya

Evan Shively (Perseus271)

”The hunger of a dragon is slow to wake, but hard to sate.”\
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The Folio Society edition is superbly illustrated by David Lupton.The boy is born on the island of Gont in the archipelago of Earthsea. This is a world infused with magic. Not everyone can control this magic, but those who know the right words and have a wizard soul can learn to utilize the power of the Earth to manipulate objects and events. The boy’s name is Duny; I can tell you that name because the name has no power over him. His true name is something he can only reveal to those he trusts absolutely beyond question.I know his true name, but fair reader, I’m not sure yet that I can share it with you. His aunt knows a few things, a handful of words, that can be used to bind things or call animals to her. Duny is particularly adept at calling falcons and other birds of prey. His agile mind soon surpasses what his aunt can teach him. He burns to know more. He is assigned to a mage, Ogion, who tries to teach him about the balance of magic with the Earth. There is always a cost for using magic. Understanding the levy for sorcery is the difference between being just impulsively talented and being wise about what you know. ”You must not change one thing, one pebble, one grain of sand, until you know what good and evil will follow on that act. The world is in balance, in Equilibrium. A wizard’s power of Changing and of Summoning can shake the balance of the world. It is dangerous, that power. It is most perilous. It must follow knowledge, and serve need. To light a candle is to cast a shadow….”If the flap of a butterfly wing in the Amazon can cause a hurricane in Florida, imagine what a wizard can do with power over the weather. It is kind of funny, but there is this one scene where wizards on different islands use spells to keep the clouds from raining on them. This storm bounces between them like a boiling stew pot. Now, a wizard like Ogion finds shelter under a tree and waits for the rain to stop. To Sparrowhawk, this type of restraint is ridiculous. If you have the power, why not use it? Duny is Sparrowhawk, and you might think that is his real name, but just because you’ve read a few paragraphs of this review doesn’t mean you’ve endeared yourself to me enough to tell you his real name. Sparrowhawk will suffice for now. Sparrowhawk becomes impatient with the restrained magic that Ogion teaches, so he is sent to magic school on the Island of Roke. There was a magic school in literature before Hogwarts? Indeed there was. The first time he goes to the dining hall to eat, there is only one table. The table, in a very Hogwarts’ fashion, expands to fit as many people who enter to eat. Sparrowhawk is soon recognized as one of the most gifted students. Spells and the names of things flow into his mind like lava, changing the landscape of his brain into something completely different. He becomes powerful.He becomes arrogant.He becomes vengeful on those who don’t appreciate his power. In a moment of hubris, he summons a dead woman from the distant past and, in the process, opens a rift that nearly kills him. It does kill the old mage who helps him close it. Something came through. Sparrowhawk is burned in mind, body, and spirit. He is guilty of a death. The shame and self-condemnation weigh heavily on him. He may become the great wizard he was intended to be, but the road will be much longer now. The shadow from another world that pursues him becomes the devil on his heels for the rest of the novel. This chase from island to island reminded me of Frankenstein and his pursuit of his monster to the North Pole. The interesting thing about this novel is that Ursula K. Le Guin’s publisher came to her and asked her to write a book for older kids. Young Adult wasn’t even a term yet in the late 1960s. She wasn’t sure she wanted to write such a book, but she was nagged by the idea of where do great wizards come from? We normally meet them when they are old sages in the vein of a Merlin or a Gandalf. She wanted G__ erhhh Sparrowhawk to be seen as more human, more fallible than how most wizards had been presented before. I liked the emphasis she puts on the importance of words in this novel and the power and magic that resides in knowing the names of things. I had trepidations about reading this book. I was reassured that I was in the capable hands of a writer I’ve enjoyed before. I have a bit of a knee jerk reaction to the term Young Adult because I’m not a Young Adult. I’m an old fuddy duddy who has a hard time watching commercials on TV geared towards youth. I certainly wince at the idea of spending hours trapped in a book intended for a younger audience. I’m somewhat alarmed at the number of ADULTS who read nothing but Young Adult. The evolution of a reader is for that person to move from picture books, then ride the escalator to Young Adult, and eventually find the elevator that will take them onwards and upwards to adult literature. I’m still pondering this. Is it an extended childhood? Why would someone always want to read about children or teenagers? Am I generationally challenged on this issue? I am happy that people are reading, and ultimately it is better that they read anything rather than nothing at all, but I do think that the more you read there should be some evolution in what you choose to read. I’m such an eclectic reader that it is difficult for me to understood people being so genre specific with their reading choices. Young Adult now dominates the publishing world. Writers are being encouraged to make changes to their novels so they can be marketed as YA. If I weren’t worried about this trend it would be fascinating. \
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There are dragon battles, alluring women who try to seduce G_d to their own uses. There are friendships made and lost; there are painful realizations, and there is growth and acceptance of our own limitations. Most importantly, there is a wizard as wise and as powerful as Gandolf or Merlin, who emerges like a Phoenix from the flames of his own childish conceit. His name is Ged, but you must only whisper it, or better yet refer to him as Sparrowhawk, and keep in the locked box at the center of your heart who he really is. ”He hunted, he followed, and fear ran before him.”If you wish to see more of my most recent book and movie reviews, visit http://www.jeffreykeeten.comI also have a Facebook blogger page at:https://www.facebook.com/JeffreyKeeten

The three laws of Robotics:1) A robot may not injure a human being or, through inaction, allow a human being to come to harm.2) A robot must obey orders given to it by human beings except where such orders would conflict with the First Law.3) A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.With these three, simple directives, Isaac Asimov changed our perception of robots forever when he formulated the laws governing their behavior. In I, Robot, Asimov chronicles the development of the robot through a series of interlinked stories: from its primitive origins in the present to its ultimate perfection in the not-so-distant future--a future in which humanity itself may be rendered obsolete.Here are stories of robots gone mad, of mind-read robots, and robots with a sense of humor. Of robot politicians, and robots who secretly run the world--all told with the dramatic blend of science fact and science fiction that has become Asimov's trademark.

What an odd fantasy! No swords, no sorcery, no elves, no thieves, no imaginary beasts, no multiple planes of existence . . . nothing but a cavernous castle peopled by eccentrics with Dickensian names (Sepulchrave, Prunesquallor, Swelter, Flay) whose lives are determined by centuries--perhaps millenia--of complex rituals. Although the people themselves seem to be British, the enormous burden of tradition under which they labor seems Asiatic in its detailed intensity, and it is instructive to learn that Peake spent his formative years in China, not far from the Imperial City.This is superior fantasy, but like The Worm Ouroboros it is not immediately accessible. Peak was a painter, and as a writer he exercises his painterly imagination by creating scenes--particularly his major ones, like the death-duel of Flay and Swelter--as if each moment were a tableau, part of a series of individual canvases. The reader is then faced with the duty of internalizing each of these stationary images, combining them into a progression, and then animating them--sort of like ruffling the pages of a cartoonist's flip book--in order to release the cinematic power of the scene. For someone like myself who possesses a third-rate visual imagination, this requires re-reading certain passages more than a couple of times.I must admit, though, that Peake's approach has a certain cumulative power. It serves to preserve these odd, angular characters of his like flies in amber, trapped forever in their traditions like individual frames in an epic film, circumscribed by the labyrinthine spaces of the monstrous castle that is Gormenghast.

Countless writers and artists have spoken for a generation, but no one has done it quite like Chuck Klosterman. With an exhaustive knowledge of popular culture and an almost effortless ability to spin brilliant prose out of unlikely subject matter, Klosterman attacks the entire spectrum of postmodern America: reality TV, Internet porn, Pamela Anderson, literary Jesus freaks, and the real difference between apples and oranges (of which there is none). And don't even get him started on his love life and the whole Harry-Met-Sally situation. Whether deconstructing Saved by the Bell episodes or the artistic legacy of Billy Joel, the symbolic importance of The Empire Strikes Back or the Celtics/Lakers rivalry, Chuck will make you think, he'll make you laugh, and he'll drive you insane -- usually all at once. Sex, Drugs, and Cocoa Puffs is ostensibly about art, entertainment, infotainment, sports, politics, and kittens, but -- really -- it's about us. All of us. As Klosterman realizes late at night, in the moment before he falls asleep, "In and of itself, nothing really matters. What matters is that nothing is ever 'in and of itself.'" Read to believe.

An American graphic novel first! The complete 1300 page epic from start to finish in one deluxe trade paperback.Three modern cartoon cousins get lost in a pre-technological valley, spending a year there making new friends and out-running dangerous enemies. After being run out of Boneville, the three Bone cousins, Fone Bone, Phoney Bone and Smiley Bone are separated and lost in a vast uncharted desert. One by one they find their way into a deep forested valley filled with wonderful and terrifying creatures. It will be the longest -- but funniest -- year of their lives.

Once again World Fantasy Award-winner Barry Hughart blends folklore and fantasy to create a work of enchantment set in an ancient China that never was…but should have been. Master Li and Number Ten Ox—heroes of Bridge of Birds and The Story of the Stone—return to solve the mystery of how and why respected mandarins are being mysteriously murdered. Unbelievably, the only suspects appear to be mythical demons…

In the valley of Sorrows, a monk is brutally murdered for a worthless manuscript, and the abbot of the humble monastery calls upon Master Li and Number Ten Ox to investigate the seemingly senseless killing. The most likely suspect is the infamous Laughing Prince, founder of the valley, whose murderous frenzies have made him a legend. But even Master Li must concede that the prince has a pretty good alibi: he's been dead for more than seven hundred years.Undaunted, Master Li and Number Ten Ox begin their search for the Laughing Prince. Together they roam a mystical countryside populated by demons, ghosts, murderers, and mad kings to the very gates of heaven itself -- and what they find there is even stranger still.

Harlan Ellison's masterwork of myth and terror as he seduces all innocence on a mind-freezing odyssey into the darkest reaches of mortal terror and the most dazzling heights of Olympian hell in his finest collection.Deathbird Stories is a collection of 19 of Harlan Ellison's best stories, including Edgar and Hugo winners, originally published between 1960 and 1974. The collection contains some of Ellison's best stories from earlier collections and is judged by some to be his most consistently high quality collection of short fiction. The theme of the collection can be loosely defined as God, or Gods. Sometimes they're dead or dying, some of them are as brand-new as today's technology. Unlike some of Ellison's collections, the introductory notes to each story can be as short as a phrase and rarely run more than a sentence or two. One story took a Locus Poll Award, the two final ones both garnered Hugo Awards and Locus Poll awards, and the final one also received a Jupiter Award from the Instructors of Science Fiction in Higher Education (discontinued in 1979). When the collection was published in Britain, it won the 1979 British Science Fiction Award for Short Fiction.His stories will rivet you to the floor and change your heartbeat...as unforgettable a chamber of horror, fantasy and reality as you'll ever experience.-Gallery "Brutally and flamboyantly shocking, frequently brilliant, and always irresistibly mesmerizing."-Richmond Times-Dispatch

"Another world is colliding with this one," said the toad. "All the monsters are coming back.""Why?" said Tiffany."There's no one to stop them."There was silence for a moment.Then Tiffany said, "There's me."Armed only with a frying pan and her common sense, Tiffany Aching, a young witch-to-be, is all that stands between the monsters of Fairyland and the warm, green Chalk country that is her home. Forced into Fairyland to seek her kidnapped brother, Tiffany allies herself with the Chalk's local Nac Mac Feegle - aka the Wee Free Men - a clan of sheep-stealing, sword-wielding, six-inch-high blue men who are as fierce as they are funny. Together they battle through an eerie and ever-shifting landscape, fighting brutal flying fairies, dream-spinning dromes, and grimhounds - black dogs with eyes of fire and teeth of razors - before ultimately confronting the Queen of the Elves, absolute ruler of a world in which reality intertwines with nightmare. And in the final showdown, Tiffany must face her cruel power alone...In a riveting narrative that is equal parts suspense and humor, Carnegie Medalist Terry Pratchett returns to his internationally popular Discworld with a breathtaking tale certain to leave fans, new and old, enthralled.

Sent to a boarding school in Ancelstierre as a young child, Sabriel has had little experience with the random power of Free Magic or the Dead who refuse to stay dead in the Old Kingdom. But during her final semester, her father, the Abhorsen, goes missing, and Sabriel knows she must enter the Old Kingdom to find him. With Sabriel, the first installment in the Abhorsen series, Garth Nix exploded onto the fantasy scene as a rising star, in a novel that takes readers to a world where the line between the living and the dead isn't always clear—and sometimes disappears altogether.

I laughed out loud. While reading. In a Japanese rice bowl joint. Okay, so maybe it was more of a chortle, but it was definitely out loud. And more than just the once. Patrons quietly minding their own business while slogging through their Number Three Specials With Extra Tokyo Beef would be startled into wakefulness to see me - chopsticks in one hand, book in the other - as my grizzled maw broke forth with guffaws and irrepressible smiles.Really, Anansi Boys may be the first thing I've read from Neil Gaiman that I liked. I never got into Sandman (though I'm told I should have persevered). I never finished American Gods (though I'm told I should have persevered). I never finished 1602 (despite guessing that I should have persevered).Still, not only did I like it but I loved it. Enough that I gave my copy to someone else to read and purchased a second copy for another friend. And I'm certain they'll want to do similar things with the book.Anansi Boys is at all times funny, adventurous, and charming. And several other over-used adjectives. In fact, Anansi Boys may be the prototype from which overused adjectives should have come - before they were overused. I'm not sure that Anansi Boys is great literature and I'm not sure that it isn't. What I am certain of beyond any shadow of doubtfulness is that Anansi Boys may be the most fun I have ever had reading a novel.There may be others that I enjoyed more but my experience of this book was such that it pushed (if even momentarily) all other books from my mind. Someone on the back suggests that the book will make you love and be grateful for spiders. Critics and the things they say, huh? Well, I don't love spiders, but dang was this book good.The end.p.s. Anyone thinking of reading Blue like Jazz or Against Christianity or something by Karl Barth should definitely read this first. 'Cuz I mean what if you died after finishing the next book on your queue? It would be an all time tragedy to have wasted hours reading Donald Miller when there is something like Anansi Boys out there. Plus, it's just as spiritual.

Now available in mass market, the revised, definitive edition of the Hugo and Nebula Award-winning classic. In this second book in the saga set 3,000 years after the terrible war, Ender Wiggin is reviled by history as the Xenocide--the destroyer of the alien Buggers. Now, Ender tells the true story of the war and seeks to stop history from repeating itself. ...In the aftermath of his terrible war, Ender Wiggin disappeared, and a powerful voice arose: The Speaker for the Dead, who told the true story of the Bugger War.Now, long years later, a second alien race has been discovered, but again the aliens' ways are strange and frightening...again, humans die. And it is only the Speaker for the Dead, who is also Ender Wiggin the Xenocide, who has the courage to confront the mystery...and the truth.Speaker for the Dead, the second novel in Orson Scott Card's Ender Quintet, is the winner of the 1986 Nebula Award for Best Novel and the 1987 Hugo Award for Best Novel.

When last seen, the singularly inept wizard Rincewind had fallen off the edge of the world. Now magically, he's turned up again, and this time he's brought the Luggage.But that's not all....Once upon a time, there was an eighth son of an eighth son who was, of course, a wizard. As if that wasn't complicated enough, said wizard then had seven sons. And then he had an eighth son -- a wizard squared (that's all the math, really). Who of course, was a source of magic -- a sourcerer.

Douglas Adams changed the face of science fiction with his cosmically comic novel The Hitchhiker’s Guide to the Galaxy and its classic sequels. Sadly for his countless admirers, he hitched his own ride to the great beyond much too soon. Culled posthumously from Adams’s fleet of beloved Macintosh computers, this selection of essays, articles, anecdotes, and stories offers a fascinating and intimate portrait of the multifaceted artist and absurdist wordsmith.Join Adams on an excursion to climb Kilimanjaro…dressed in a rhino costume; peek into the private life of Genghis Khan—warrior and world-class neurotic; root for the harried author’s efforts to get a Hitchhiker movie off the ground in Hollywood; thrill to the further exploits of private eye Dirk Gently and two-headed alien Zaphod Beeblebrox. Though Douglas Adams is gone, he’s left us something very special to remember him by. Without a doubt.

From the internationally acclaimed author of Blankets , a highly anticipated new graphic novel. Sprawling across an epic landscape of deserts, harems, and modern industrial clutter, Habibi tells the tale of Dodola and Zam, refugee child slaves bound to each other by chance, by circumstance, and by the love that grows between them. We follow them as their lives unfold together and apart; as they struggle to make a place for themselves in a world (not unlike our own) fueled by fear, lust, and greed; and as they discover the extraordinary depth—and frailty—of their connection. At once contemporary and timeless, Habibi gives us a love story of astounding resonance: a parable about our relationship to the natural world, the cultural divide between the first and third worlds, the common heritage of Christianity and Islam, and, most potently, the magic of storytelling.

Craig Thompson, for all the lack of works in his bibliography, is one of the best creators working in comics today. Apart from Blankets, he has only released one other major work of fiction. (His third, \
  Habibi\
, will be released this Fall.) [The cutest of meet-cutes.]There are any number of reasons that Thompson's work should be lauded. His art is gorgeous and his brushline expressive. He treats personal topics with a sense of both whimsy and honesty. He writes true experiences, even when they're fictional. And as great as all those things are, there is one idea that stands out in his work that I've yet to see another creator tackle (let alone master) as Thompson has done.His sense of the sacred and his ability to convey it in ink is breathtaking. He offers his readers these holy moments, these frozen, fluid, organic treasures. These sacramentals. Whether he intends to lead the reader into a religious experience or not, his work really is very spiritual. As spiritual as an atheistic holy experience can actually be at any rate. There may be moments in Miyazaki that approach the wonder of the sanctuaries that Thompson builds in Blankets. It's for this reason (among others) that Thompson's second book remains one of my favourites, even years after having first encountered it.The sweetly disturbing sentimental journey that was seeded years earlier in Thompson's Goodbye Chunky Rice finds pregnant fruit in his nearly-600-page opus, Blankets. Semi-autobiographically chronicling (via chrono-thematic structuring) his early life—from his establishment in faith and his discovery of love to his abandonment of that love and his subsequent abandonment of faith—Thompson plays honestly at all times with his story elements, thereby lending his tale an uncanny credibility. And while flashbacks and tangents proliferate, the overarching chiastic structure verifies the reader's intuition that Thompson knows well where he is headed and is going to take you there whether you like it or not.[Kinda want to punch this lady right in the breadbox.]Thompson's illustrated avatar acts, at all times, with striking realism and the chaos of his thoughts is entirely believable—if not exactly illustrative of the average meditative development. The Thompson that frets and plays in Blankets—we'll call him Craig— is highly introspective and acts often in the heat of his youthful emotional turmoil, rather than from a simple, sensible motivation. And though one may often wish to chastise him for such sillinesses, his youthful passion and pendular over-reactions will more than likely endear Craig to readers as they recognize more than a little of themselves in him.This book is a masterpiece of form, symbol, and structure. Tokens bend and writhe and carry narrative significance throughout. Thompson's art here is fluid and is of that less-polished variety found also in Goodbye Chunky Rice and serves well to establish the variety of moods described in his several vignettes.From the perspective of one who grew up both in a faith-community that was friendlier to the arts and in a home whose high standards weren't as strictly enforced, I found his story particularly compelling and tragic. Surrounded by hypocrisy and a weak-kneed, moralistic fundamentalism, the source of his disillusionment is not difficult to see. Perhaps Blankets' greatest quality is the empathy it exerts from the reader. I pitied and cared for Craig. I felt the same for his brother, his parents. I mourned for Raina, Craig's love interest in the book. I grew despondent for her family. More than anything, I wanted to hug each of these characters and make it all right and sensible again. [Man, how brutal to be Thompson's parents, years later to read this panel and think: "Oh crap. I did that to a child? I wanted to surprise him and all he could think about was whether he had sinned? And not even whether he was in trouble but whether he had sinned?"]And the whole while, my anger kindled toward an institutionalization of faith whose expression was not compassion, not mercy, not love. That Craig lived in a locale whose cutural acumen was bent toward a fear and persecution of that which skewed from the status quo is a horror that can be understood (while still remaining a horror). That his subculture should behave identically, built on a foundation of fear when it ought to be built on joy, peace, and love is terrifying. Thompson's work engaged in me a fury for a people and place with which I have no experience. They may not even exist as he portrayed them, but at the least, it is a challenge for me to not hate these characters who actively tear down Craig's life even from a young age. And as someone who actively tries not to hate anyone, consider this a testament to the veracity with which Thompson draws out Craig's life and circumstance.Blankets is an evocative work that should not be missed by any who would appreciate a serious, heartfelt, and magical telling of the tragedy and wonder of what it means to come of age.[review courtesy of Good Ok Bad]

The triumphant return of one of comics’ greatest talents, with an engrossing story of one man’s search for love, meaning, sanity, and perfect architectural proportions. An epic story long awaited, and well worth the wait. Meet Asterios Polyp: middle-aged, meagerly successful architect and teacher, aesthete and womanizer, whose life is wholly upended when his New York City apartment goes up in flames. In a tenacious daze, he leaves the city and relocates to a small town in the American heartland. But what is this “escape” really about? As the story unfolds, moving between the present and the past, we begin to understand this confounding yet fascinating character, and how he’s gotten to where he is. And isn’t. And we meet Hana: a sweet, smart, first-generation Japanese American artist with whom he had made a blissful life. But now she’s gone. Did Asterios do something to drive her away? What has happened to her? Is she even alive? All the questions will be answered, eventually.In the meantime, we are enthralled by Mazzucchelli’s extraordinarily imagined world of brilliantly conceived eccentrics, sharply observed social mores, and deftly depicted asides on everything from design theory to the nature of human perception.Asterios Polyp is David Mazzucchelli’s masterpiece: a great American graphic novel.

David Sedaris' move to Paris from New York inspired these hilarious pieces, including the title essay, about his attempts to learn French from a sadistic teacher who declares that every day spent with you is like having a caesarean section. His family is another inspiration. You Can't Kill the Rooster is a portrait of his brother, who talks incessant hip-hop slang to his bewildered father. And no one hones a finer fury in response to such modern annoyances as restaurant meals presented in ludicrous towers of food and cashiers with six-inch fingernails.

Jonathan Safran Foer spent much of his life oscillating between enthusiastic carnivore and occasional vegetarian. Once he started a family, the moral dimensions of food became increasingly important.Faced with the prospect of being unable to explain why we eat some animals and not others, Foer set out to explore the origins of many eating traditions and the fictions involved with creating them. Traveling to the darkest corners of our dining habits, Foer raises the unspoken question behind every fish we eat, every chicken we fry, and every burger we grill.Part memoir and part investigative report, Eating Animals is a book that, in the words of the Los Angeles Times, places Jonathan Safran Foer "at the table with our greatest philosophers." 

You only think you know this story. In 1991, Jeffrey Dahmer — the most notorious serial killer since Jack the Ripper — seared himself into the American consciousness. To the public, Dahmer was a monster who committed unthinkable atrocities. To Derf Backderf, “Jeff” was a much more complex figure: a high school friend with whom he had shared classrooms, hallways, and car rides. In My Friend Dahmer, a haunting and original graphic novel, writer-artist Backderf creates a surprisingly sympathetic portrait of a disturbed young man struggling against the morbid urges emanating from the deep recesses of his psyche — a shy kid, a teenage alcoholic, and a goofball who never quite fit in with his classmates. With profound insight, what emerges is a Jeffrey Dahmer that few ever really knew, and one readers will never forget.

Ōkami (Japanese: 大神, lit. "great god" or "great spirit") is an action-adventure video game developed by Clover Studio and published by Capcom. It was released for PlayStation 2 in 2006 in Japan and North America, and in 2007 in Europe and Australia. After the closure of Clover Studio a few months after the release, a port for Wii was developed by Ready at Dawn, Tose, and Capcom, and released in 2008.Set in classical Japan, Ōkami combines Japanese mythology and folklore to tell the story of how the land was saved from darkness by the Shinto sun goddess, named Amaterasu, who took the form of a white wolf. It features a sumi-e-inspired cel-shaded visual style and the Celestial Brush, a gesture-system to perform miracles. The game was planned to use more traditional realistic rendering, but this had put a strain on the graphics processing of the PlayStation 2. Clover Studio switched to a cel-shaded style to reduce the processing, which led to the Celestial Brush concept. The gameplay is modeled on The Legend of Zelda, one of director Hideki Kamiya's favorite series. The game's name is a pun, as "ōkami" can mean either "great god" (大神) or "wolf" (狼) in Japanese.

[Metacritic's 2002 PC Game of the Year] It has been nearly fifteen years since the war between the orcs and humans ended. An uneasy peace settled over the land...

There are no points or levels, just a myriad of sights and sounds, places and activities...all ready to explore. Spend your time passing new ordinances—or goi...

Set 500 years after the original, Fable II provides gamers with an epic story and innovative real-time gameplay, including a massive amount of freedom and choic...

In the bold and often-bloody Dead Space gamers step into a third-person sci-fi survival horror experience that delivers psychological thrills and gruesome actio...

Animal Crossing, known in Japan as Dōbutsu no Mori+, is a 2001 social simulation game developed and published by Nintendo for the GameCube. It is an enhanced version of the Nintendo 64 game Dōbutsu no Mori, which was only released in Japan earlier the same year, and was followed by another edition, Dōbutsu no Mori e+, in 2003.Animal Crossing is an endless and non-linear game in which a human takes up residence in a village inhabited by anthropomorphic animals. The main goal of the game is to save money in order to pay off the mortgage on the human's house. This requires collecting natural materials and selling them. The human can engage in everyday life in the village, interact with the animals, attend events, and contribute to the village's development. The game's western localization differs significantly from the original release in that Japanese holidays and cultural references are replaced with Western ones.

A retro-inspired 2D Action RPG set in the distant future. CrossCode combines 16-bit SNES-style graphics with butter-smooth physics, a fast-paced combat system,...

In the wake of a global assault, the world has fallen under the rule of LEGION, a supervillainous cabal of criminal masterminds and costumed megalomaniacs. The...

Katana ZERO is a stylish neo-noir, action-platformer featuring breakneck action and instant-death combat. Slash, dash, and manipulate time to unravel your past...

Traverse a dried-out seabed littered with the remains of a decaying civilization. Keep your unique vessel going, overcome numerous obstacles and withstand the h...

Blood Dragon is a spin-off that contains around eight hours of original content and features a single open-world island to explore, with many of Far...

A free-roaming squad based RPG. Focusing on open-ended sandbox gameplay features rather than a linear story. Be a trader, a thief, a rebel, a warlord, an adven...

Bulletstorm's array of distinct skillshots produces unprecedented levels of frantic gameplay. The skillshot system rewards players for laying waste to enemies i...

INDIVISIBLE is inspired by classics like Valkyrie Profile and Metroid, and has the unique character, world, and gameplay depth Lab Zero is known for. Meet Ajna,...

A ridiculously violent platform game about being awesome action heroes from the 80s and 90s while slaying satanic terrorists and aliens while unraveling an evil...

Shadow Warrior 2 is the evolution of Flying Wild Hog’s offbeat first-person shooter following the further misadventures of former corporate shogun Lo Wang. No...

PAYDAY 2 is a four-player co-op shooter that has you sporting the masks of the original PAYDAY gang – Dallas, Hoxton, Wolf and Chains – as they hit on Washi...

Hatred is an isometric shooter with disturbing atmosphere of mass killing, where player takes the role of a cold blood antagonist, who is full of hatred for hum...

(Also known as "Ratchet & Clank 3") The third installment of the Ratchet & Clank franchise incorporates new elements of gameplay not seen previously in the ser...

From the creators of the critically acclaimed smash hit Ratchet & Clank, Insomniac Games, comes the next installment of the most exciting sci-fi action adventur...

After an odd new medical student arrives on campus, a dedicated local and his girlfriend become involved in bizarre experiments centering around the re-animation of dead tissue.

1985 American science fiction horror film by Stuart Gordon

The Candyman, a murderous soul with a hook for a hand, is accidentally summoned to reality by a skeptic grad student researching the monster's myth.

An examination of the machinations behind the scenes at a real estate office.

1992 American drama directed by James Foley

When two kids find and play a magical board game, they release a man trapped in it for decades - and a host of dangers that can only be stopped by finishing the game.

Mourning his dead child, a haunted Vietnam War veteran attempts to uncover his past while suffering from a severe case of dissociation. To do so, he must decipher reality and life from his own dreams, delusions, and perceptions of de

An outcast New York City cop is charged with bringing down Harlem drug lord Frank Lucas, whose real life inspired this partly biographical film.

A corroded diving bell descends amidst a ruined city and the Assassin emerges from it to explore a labyrinth of bizarre landscapes inhabited by freakish denizens.

Stop-motion animation film released in 2021

In 2027, in a chaotic world in which women have become somehow infertile, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea.

Six complete strangers with widely varying personalities are involuntarily placed in an endless maze containing deadly traps.

1997 Canadian independent science-fiction horror film by Vincenzo Natali

Sketches include Dave starring in his own video game. Plus, Dave introduces 'The Playa Haters' Club', and Dave's take on Japanese monster movies with 'Blackzilla!'.

In a totalitarian future society, a man, whose daily work is re-writing history, tries to rebel by falling in love.

A research vessel finds a missing ship, commanded by a mysterious scientist, on the edge of a black hole.

When a debt puts a young man's life in danger, he turns to putting a hit out on his evil mother in order to collect the insurance.

Joseph, a man plagued by violence and a rage that is driving him to self-destruction, earns a chance of redemption that appears in the form of Hannah, a Christian charity shop worker.

An Ivy League professor is lured back to his Oklahoma hometown, where his twin brother, a small-time pot grower, has concocted a scheme to take down a local drug lord.

Gambler Jake Green enters into a game with potentially deadly consequences.

2005 film co-written and directed by Guy Ritchie

An aspiring model, Jesse, is new to Los Angeles. However, her beauty and youth, which generate intense fascination and jealousy within the fashion industry, may prove themselves sinister.

2016 film directed by Nicolas Winding Refn

Julian, a drug-smuggler thriving in Bangkok's criminal underworld, sees his life get even more complicated when his mother compels him to find and kill whoever is responsible for his brother's recent death.

In this never-before-seen Director's Cut, the doors of the world's imagination are thrown wide open and the boys of South Park are transported to a magical realm in their greatest odyssey ever.

Vampire Count Orlok expresses interest in a new residence and real estate agent Hutter's wife.

A suspended lawyer is forced to enroll in a community college with an eccentric staff and student body.

American comedy television series created by Dan Harmon

Berserk is a 2016 anime television series based on Kentaro Miura's manga series of the same name and an acting sequel to the Golden Age Arc film trilogy. This is the second television series adaptation of the manga after the 1997 anime of the same name, covering the Conviction arc from the manga. A second season, covering the first half of the Hawk of the Millennium Empire arc aired in 2017.

Two F.B.I. Agents, Fox Mulder the believer and Dana Scully the skeptic, investigate the strange and unexplained, while hidden forces work to impede their efforts.

American science fiction drama television series

Ordinary people find themselves in extraordinarily astounding situations, which they each try to solve in a remarkable manner.

A unique re-telling of the story of Alexander the Great; a powerful warrior King who was prophesied to conquer and destroy the world.

14-year-old Renton joins the rebel GekkoState ship, co-pilots the TypeZero with the mysterious Eureka, and unknowingly becomes part of a grand scheme.

The lives, loves, dangers and disasters in the town, Mystic Falls, Virginia. Creatures of unspeakable horror lurk beneath this town as a teenage girl is suddenly torn between two vampire brothers.

2009 American supernatural teen drama television series

Four people and their otherworldly frienemy struggle in the afterlife to define what it means to be good.

2016 American fantasy comedy television series

After a bad break-up, Jess, an offbeat young woman, moves into an apartment loft with three single men. Although they find her behavior very unusual, the men support her - most of the time.

Three different but related families face trials and tribulations in their own uniquely comedic ways.

An anthology series centering on different characters and locations, including a house with a murderous past, an insane asylum, a witch coven, a freak show circus, a haunted hotel, a possessed farmhouse, a cult, the apocalypse, and a

American anthology horror television series

The survivors of a plane crash are forced to work together in order to survive on a seemingly deserted tropical island.

A Congressman works with his equally conniving wife to exact revenge on the people who betrayed him.

American political drama television series (2013-2018)

Follows the personal and professional lives of six twenty to thirty-something-year-old friends living in Manhattan.

An animated series that follows the exploits of a super scientist and his not-so-bright grandson.

In a wacky Rhode Island town, a dysfunctional family strive to cope with everyday life as they are thrown from one crazy scenario to another.

Sheriff Deputy Rick Grimes wakes up from a coma to learn the world is in ruins and must lead a group of survivors to stay alive.

American post-apocalyptic drama television series

Follows the misadventures of four irreverent grade-schoolers in the quiet, dysfunctional town of South Park, Colorado.

A mockumentary on a group of typical office workers, where the workday consists of ego clashes, inappropriate behavior, and tedium.

A high school chemistry teacher diagnosed with inoperable lung cancer turns to manufacturing and selling methamphetamine in order to secure his family's future.

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