Jaspreet Singh

Hector Jaime Oropesa

aasta Haukland

Jayden

Alokym ya Bassa

Joseph Greer

Catalina Olmos

George Balaskas

Ojasw Upadhyay

Taylor Robinson

Carly Hylton

Daniel Mariani

The terrifyingly prophetic novel of a post-literate future.Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books.The classic dystopian novel of a post-literate future, Fahrenheit 451 stands alongside Orwell’s 1984 and Huxley’s Brave New World as a prophetic account of Western civilization’s enslavement by the media, drugs and conformity.Bradbury’s powerful and poetic prose combines with uncanny insight into the potential of technology to create a novel which, decades on from first publication, still has the power to dazzle and shock.--back cover

"It took me a long time and most of the world to learn what I know about love and fate and the choices we make, but the heart of it came to me in an instant, while I was chained to a wall and being tortured."So begins this epic, mesmerizing first novel set in the underworld of contemporary Bombay. Shantaram is narrated by Lin, an escaped convict with a false passport who flees maximum security prison in Australia for the teeming streets of a city where he can disappear.Accompanied by his guide and faithful friend, Prabaker, the two enter Bombay's hidden society of beggars and gangsters, prostitutes and holy men, soldiers and actors, and Indians and exiles from other countries, who seek in this remarkable place what they cannot find elsewhere.As a hunted man without a home, family, or identity, Lin searches for love and meaning while running a clinic in one of the city's poorest slums, and serving his apprenticeship in the dark arts of the Bombay mafia. The search leads him to war, prison torture, murder, and a series of enigmatic and bloody betrayals. The keys to unlock the mysteries and intrigues that bind Lin are held by two people. The first is Khader Khan: mafia godfather, criminal-philosopher-saint, and mentor to Lin in the underworld of the Golden City. The second is Karla: elusive, dangerous, and beautiful, whose passions are driven by secrets that torment her and yet give her a terrible power.Burning slums and five-star hotels, romantic love and prison agonies, criminal wars and Bollywood films, spiritual gurus and mujaheddin guerrillas – this huge novel has the world of human experience in its reach, and a passionate love for India at its heart. Based on the life of the author, it is by any measure the debut of an extraordinary voice in literature.

An alternative cover for this ISBN can be found hereOne day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.

When an unidentified “monster” threatens international shipping, French oceanographer Pierre Aronnax and his unflappable assistant Conseil join an expedition organized by the US Navy to hunt down and destroy the menace. After months of fruitless searching, they finally grapple with their quarry, but Aronnax, Conseil, and the brash Canadian harpooner Ned Land are thrown overboard in the attack, only to find that the “monster” is actually a futuristic submarine, the Nautilus, commanded by a shadowy, mystical, preternaturally imposing man who calls himself Captain Nemo. Thus begins a journey of 20,000 leagues—nearly 50,000 miles—that will take Captain Nemo, his crew, and these three adventurers on a journey of discovery through undersea forests, coral graveyards, miles-deep trenches, and even the sunken ruins of Atlantis. Jules Verne’s novel of undersea exploration has been captivating readers ever since its first publication in 1870, and Frederick Paul Walter’s reader-friendly, scientifically meticulous translation of this visionary science fiction classic is complete and unabridged down to the smallest substantive detail.

Let’s face it….\
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Jonathan Swift was a snarky, snarky bitch. Gulliver’s Travels is like a giant  pimp slap across the human race face and I am so glad I finally read this in a non-school, non-structured environment because I had a whole lot more fun with it this time around. Swift’s wit, insight and delivery are often, though not always, remarkable and he crams more well thought out jabs and toe-steppings in this slim 250 page novel than I would have thought possible in a work twice this long.   This is certainly a classic that I believe people should read and experience for themselves outside of any required scholarly endeavors because I think that many of the ills, injustices and idiocies that Swift addresses in this novel are still, unfortunately, very relevant today. While Swift is short on resolutions or ideas for improvement (one of my disappointments) he does a marvelous job of exposing the problems that he perceived as existing within the 18th Century world, most particularly England, and opening the door for a more expansive, popular discussion on these issues.Kudos for that, Mr Swift.  From a plot perspective, Gulliver’s Travels is a series of adventures by Lemuel Gulliver to various undiscovered, fictional worlds that act as a backdrop for Swift, through his main character/mouthpiece, to scathe, rebuke, poke fun at and/or question all manner of political, religious  and social institutions, philosophies and groups. Everything from blind adherence to political ideologies or religious dogma, to ideological intolerance, to arbitrary social divisions and even the non-practical aspects of the rampant scientific explorations so in vogue at the time. Few groups were spared from Swift's caustic lens and many of his attacks are vehement bordering on brutal. Good. That is how such a work should be IMHO.  Overall, I thought this was very worthwhile and many of Swift’s commentaries were piercing,  brilliant and exceptionally well done. Some of my personal favorites include:  ** Parodying the massive waste of energy and resources expended in political infighting in Great Britain between the Whigs and Tories by having the two Lilliputian political parties separated solely by the aesthetic choice between wearing high heels and low heels. I can only imagine how this parody played out among the MP of England at the time.  ** Making light of the tremendous importance placed on seemingly trivial differences in religious doctrine that often lead to the most acrimonious wars and civil strife by explaining that the genesis of a long and bloody war between rival factions of Lilliputians stems from a disagreement over where to crack eggs. One group break their eggs on the small end (Small Endians) and the other break their eggs on the large end (Big Endians). What I found most clever about this attack was the use of an ambiguous reference in each side's “holy book” that states, “all true believers break their eggs at the convenient end.” That is just about perfect satire Mr. Swift. ** A biting jab at traditions and customs that people cling to long after there is no practical reason to do so is eloquently made when Gulliver describes the Lilliputians custom of burying their dead head first. \
   They bury their dead with their heads directly downwards, because they hold an opinion that in eleven thousand moons they are all to rise again, in which period the earth (which they conceive to be flat) will turn upside down, and by this means they shall, at their resurrection, be found ready standing on their feet. The learned among them confess the absurdity of this doctrine, but the practice still continues, in compliance to the vulgar. \
 When Swift is on his game, he is very, very effective.** A wonderful anti-war statement is made through the horror and disgust with which the King of the giant Brobdingnagians (their size depicted as representing moral superiority) reacts to Gulliver’s description of gunpowder and his offer to teach the Brobdingnagians the formula for producing it: \
   I told him of ‘an invention, discovered between three and four hundred years ago, to make a certain powder…[t]hat a proper quantity of this powder…would drive a ball of iron or lead, with such violence and speed, as nothing was able to sustain its force. That the largest balls thus discharged, would not only destroy whole ranks of an army at once, but batter the strongest walls to the ground, sink down ships, with a thousand men in each, to the bottom of the sea, and when linked together by a chain, would cut through masts and rigging, divide hundreds of bodies in the middle, and lay all waste before them. That we often put this powder into large hollow balls of iron, and discharged them by an engine into some city we were besieging, which would rip up the pavements, tear the houses to pieces, burst and throw splinters on every side, dashing out the brains of all who came near…...The king was struck with horror at the description I had given of those terrible engines, and the proposal I had made. ‘He was amazed, how so impotent and groveling an insect as I…could entertain such inhuman ideas, and in so familiar a manner, as to appear wholly unmoved at all the scenes of blood and desolation which I had painted as the common effects of those destructive machines; whereof,’ he said, ‘some evil genius, enemy to mankind, must have been the first contriver.’ As for himself, he protested, that although few things delighted him so much as new discoveries in art or in nature, yet he would rather lose half his kingdom, than be privy to such a secret; which he commanded me, as I valued any life, never to mention any more.\
 Sorry for the long quote, but I thought that was a particularly moving passage. ** My personal favorite (purely from an enjoyment standpoint) is the depiction of the scientifically adept and common-senseless Laputans  who exemplify Swift’s serious gripe against scientific research that doesn’t have a practical and foreseeable benefit to society. \
  The first man I saw was of a meagre aspect, with sooty hands and face…[H]e has been eight years upon a project for extracting sunbeams out of cucumbers, which were to be put in phials hermetically sealed, and let out to warm the air in raw inclement summers. He told me, he did not doubt, that, in eight years more, he should be able to supply the governor’s gardens with sunshine, at a reasonable rate….\
 Gulliver’s exploration of the scientific academy of Laputa was my favorite part of the novel and I thought Swift’s satiric chops were at there sharpest in relaying the societal dysfunction of the Laputans.  Now I must drop some ice in the bath water. As much as there was to enjoy in this work, I was not as blown away by it as I would have liked to have been. For one thing, I thought that Swift’s prose was merely serviceable and I didn’t find much in the way of eloquence in his delivery. It was missing the ear-pleasing lyrical quality that I have come to expect when reading classic literature. The writing wasn’t bad by any means but it wasn’t as enjoyable or memorable as I had hoped. This may be an unfair critique given that this book’s legacy lies with its content, but the lack of beautiful prose kept me from being able to enjoy the interludes and non-meaty passages of the work.    Also, some of Swift’s critiques fell a bit flat and didn't resonate with me as much as those mentioned above. For instance, the recasting of famous historical figures like Alexander, Hannibal and Caesar as being more subject to the moral frailties of the human animal than the established texts would have us believe. Swift uses this as the springboard to discuss the less than wholesome practices of securing political power today and that is a good thing. I just found the use of the legends of antiquity unnecessary and not particularly effective. That’s probably a personal bias of mine as I have always found those figures fascinating to read about.    Here's my biggest problem. One of the principal arguments that Swift makes in his novel is that balance and moderation are the keys to success both individually and as a people. Extremes of behavior and belief are the seeds from which disastrous consequences are born, according to Swift. That’s easy to say and it has an attractive ring to it, but I wish Swift had done a little more with it. This walkmy right into my biggest complaint about the story…the ending. I thought that the ambiguity of Gulliver’s condition at the end of the novel was a bit of a cop out. It appears as though the reader is left to determine whether Gulliver was (1) a man disgusted with humanity as a result of his exposure to the morally righteous and logically rational Houyhnhnm or (2) a man whose ill-conceived and intemperate worship of, and infatuation with the Houyhnhnm made him just another unbalanced yahoo whose loss of perspective and left him deranged.   Part of the answer of this would stem from determining whether Swift was holding up the Houyhnhnms as a model to follow or whether their own passionless adherence to logic was itself a subject of parody. However, as with the end, I think Swift was less than certain of his position (or of the position he wanted to state) and thus left too much ambiguity to the reader. Now I understand that often these kinds of soft endings are perfect as they allow the reader to interpret the work for themselves. However, here where Swift has been bludgeoning the reader with his opinions throughout the entire work, to suddenly punt and not clearly express a case for his protagonist seems to be a miss. That said, I am the first to acknowledge that it is anywhere from a distinct possibility to a metaphysical certainty that the “miss” here is on my part, but that was how I saw it. I wanted Swift to wrap up and summarize the effect of the journey on Gulliver and provide a statement about what should be drawn from his experience so that a better road could be paved for using his travels to address the problems on which it shined its light.   3.0 to 3.5 stars. Still…HIGHLY RECOMMENDED!!

George Orwell's timeless and timely allegorical novel—a scathing satire on a downtrodden society’s blind march towards totalitarianism.“All animals are equal, but some animals are more equal than others.”A farm is taken over by its overworked, mistreated animals. With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned—a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.  When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell’s masterpiece have a meaning and message still ferociously fresh.

Brave New World is a dystopian novel by English author Aldous Huxley, written in 1931 and published in 1932. Largely set in a futuristic World State, inhabited by genetically modified citizens and an intelligence-based social hierarchy, the novel anticipates huge scientific advancements in reproductive technology, sleep-learning, psychological manipulation and classical conditioning that are combined to make a dystopian society which is challenged by only a single individual: the story's protagonist.

100,000 years ago, at least six human species inhabited the earth. Today there is just one. Us. Homo sapiens. How did our species succeed in the battle for dominance? Why did our foraging ancestors come together to create cities and kingdoms? How did we come to believe in gods, nations and human rights; to trust money, books and laws; and to be enslaved by bureaucracy, timetables and consumerism? And what will our world be like in the millennia to come? In Sapiens, Dr Yuval Noah Harari spans the whole of human history, from the very first humans to walk the earth to the radical – and sometimes devastating – breakthroughs of the Cognitive, Agricultural and Scientific Revolutions. Drawing on insights from biology, anthropology, paleontology and economics, he explores how the currents of history have shaped our human societies, the animals and plants around us, and even our personalities. Have we become happier as history has unfolded? Can we ever free our behaviour from the heritage of our ancestors? And what, if anything, can we do to influence the course of the centuries to come? Bold, wide-ranging and provocative, Sapiens challenges everything we thought we knew about being human: our thoughts, our actions, our power ... and our future.

Kafka on the Shore, a tour de force of metaphysical reality, is powered by two remarkable characters: a teenage boy, Kafka Tamura, who runs away from home either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister; and an aging simpleton called Nakata, who never recovered from a wartime affliction and now is drawn toward Kafka for reasons that, like the most basic activities of daily life, he cannot fathom. Their odyssey, as mysterious to them as it is to us, is enriched throughout by vivid accomplices and mesmerizing events. Cats and people carry on conversations, a ghostlike pimp employs a Hegel-quoting prostitute, a forest harbors soldiers apparently unaged since World War II, and rainstorms of fish (and worse) fall from the sky. There is a brutal murder, with the identity of both victim and perpetrator a riddle—yet this, along with everything else, is eventually answered, just as the entwined destinies of Kafka and Nakata are gradually revealed, with one escaping his fate entirely and the other given a fresh start on his own.

Jitterbug Perfume is an epic, which is to say, it begins in the forests of ancient Bohemia and doesn't conclude until nine o'clock tonight [Paris time]. It is a saga, as well. A saga must have a hero, and the hero of this one is a janitor with a missing bottle. The bottle is blue, very, very old, and embossed with the image of a goat-horned god. If the liquid in the bottle is actually is the secret essence of the universe, as some folks seem to think, it had better be discovered soon because it is leaking and there is only a drop or two left.

Before the Storm is a new three part standalone story adventure set three years before the events of the first game. This time play as Chloe Pr...

Players use dance moves to traverse vast environments filled with platforming challenges in an introspective story that is revealed through powerful metaphor an...

How Far Will You Go To Save Someone You Love? Experience a gripping psychological thriller filled with innumerable twists and turns, where choices and actions c...

Immerse yourself in Little Nightmares, a dark whimsical tale that will confront you with your childhood fears. Help Six escape The Maw – a vast, mysterious ve...

Life is Strange is a hand drawn work of art and every action enacts a butterfly effect - but with the power to rewind time, what would you change? And would it...

Live the life of Jodie Holmes, a young woman who possesses supernatural powers through her psychic link to a mysterious invisible entity. Experience the most st...

When 8 friends become trapped on a remote mountain getaway gone wrong, things quickly turn sinister and they start to suspect they aren’t alone. Gripped by fe...

A young inventor obsessively attempts to engineer the perfect romantic weekend and record every happy moment between him and his girlfriend, Lana. When his idea is thwarted by the unexpected arrival of his partner's aggressive ex-boyfriend, the technical wiz invents a time-travelling device to return to the exact moment the incident occurred to prevent it from happening. As a result, the three characters become trapped in an infinite metaphysical time loop.

1000 feet below the ocean, navy divers discover an object half-a-mile long. A crack team of scientists are deployed to the site in Deepsea Habitats. What they find boggles the mind as they discover a perfect metal sphere. What is the secret behind the sphere? Will they survive the mysterious 'manifestations'? Who or what is creating these? They may never live to find out.

Incarcerated and charged with murder, David Aames Jr. is telling the story of how he got to where he is to McCabe, the police psychologist. That story includes: being the 51% shareholder of a major publishing firm, which he inherited from his long deceased parents; the firm's board, appointed by David Aames Sr., being the 49% shareholders who would probably like to see him gone as they see him as being too irresponsible and immature to run the company; his best bro friendship with author, Brian Shelby; his "friends with benefits" relationship with Julie Gianni, who saw their relationship in a slightly different light; his budding romance with Sofia Serrano, who Brian brought to David's party as his own date and who Brian saw as his own possible life mate; and being in an accident which disfigured his face and killed the person who caused the accident. But as the story proceeds, David isn't sure what is real and what is a dream/nightmare as many facets of the story are incompatible to be all real. The mysterious man in the restaurant may be able to shed some light on David's confusion.

In the dystopian world of 2027 London, humans have been incapable of reproducing for 18 year for an unknown reason, meaning the imminent extinction of the species. Britain is the one remaining civilized society on the planet, which has resulted in people wanting to migrate there, so it has become a police state to handle the immigrants, who are placed into refugee camps. Lowly government bureaucrat Theo Faron, once an activist, is approached by the Fishes, deemed a terrorist group, led by his ex-wife Julian Taylor, whom he hasn't seen in almost 20 years, since their marriage disintegrated after their infant son Dylan's death during the 2008 flu pandemic. Although the Fishes did use terrorist means in their on-going revolution against the state in the fight for immigrant rights, Julian vows that they now garner support solely by speaking to the people, and she wants Theo to use his connections to get transit papers for a young immigrant woman named Kee who needs to get to the coast. Although initially reluctant to do it because of the difficulty, Theo is able to grant Julian this favor, however with the change that he now needs to accompany Kee on her journey. As Theo and Kee progress on that journey, Theo learns more and more about what's going on, including the reason that Kee needs to get to the coast, the fact that no one in the group knows if their end destination even exists, and that his and Kee's lives are in greater danger than he believed when they started the journey. But Theo's sole mission becomes to help Kee at any cost for the survival of the species.

Dr. Will Caster (Johnny Depp) is the foremost researcher in the field of Artificial Intelligence, working to create a sentient machine that combines the collective intelligence of everything ever known with the full range of human emotions. His highly controversial experiments have made him famous, but they have also made him the prime target of anti-technology extremists who will do whatever it takes to stop him. However, in their attempt to destroy Will, they inadvertently become the catalyst for him to succeed-to be a participant in his own transcendence. For his wife Evelyn (Rebecca Hall) and best friend Max Waters (Paul Bettany), both fellow researchers, the question is not if they can...but if they should. Their worst fears are realized as Will's thirst for knowledge evolves into a seemingly omnipresent quest for power, to what end is unknown. The only thing that is becoming terrifyingly clear is there may be no way to stop him.

Six different people, each from a very different walk of life, awaken to find themselves inside a giant cube with thousands of possible rooms. Each has a skill that becomes clear when they must band together to get out: a cop, a math whiz, a building designer, a doctor, an escape master, and a disabled man. Each plays a part in their thrilling quest to find answers as to why they've been imprisoned.

On the night of an astronomical anomaly, eight friends at a dinner party experience a troubling chain of reality bending events.

14,000 year-old "Man from Earth" John Oldman is now comfortably hiding in plain sight as a college professor in Northern California. But his existence comes crashing down when four students discover his deepest secret, putting his life in grave danger and potentially shaking mankind to its very soul.

In a not so distant future, where overpopulation and famine have forced governments to undertake a drastic One-Child Policy, seven identical sisters (all of them portrayed by Noomi Rapace) live a hide-and-seek existence pursued by the Child Allocation Bureau. The Bureau, directed by the fierce Nicolette Cayman (Glenn Close), enforces a strict family-planning agenda that the sisters outwit by taking turns assuming the identity of one person: Karen Settman. Taught by their grandfather (Willem Dafoe) who raised and named them - Monday, Tuesday, Wednesday, Thursday, Friday, Saturday and Sunday - each can go outside once a week as their common identity, but are only free to be themselves in the prison of their own apartment. That is until, one day, Monday does not come home.

Astronomer Dr. Ellie Arroway has long been interested in contact to faraway lands, a love fostered in her childhood by her father, Ted Arroway (David Morse), who died when she was nine-years-old, leaving her orphaned. Her current work in monitoring for extraterrestrial life is based on that love and is in part an homage to her father. Ever since funding from the National Science Foundation (N.S.F.) was pulled on her work, which is referred to some, including her N.S.F. superior David Drumlin (Tom Skerritt), as more science fiction than science, Ellie, with a few of her rogue scientist colleagues, have looked for funding from where ever they could get it to continue their work. When Ellie and her colleagues hear chatter originating from the vicinity of the star Vega, Ellie feels vindicated. But that vindication is short lived when others, including politicians, the military, religious leaders, and other scientists, such as Drumlin, try to take over her work. When the messages received from space are decoded, the project takes on a whole new dimension, which strengthens for Ellie the quest for the truth. Thrown into the mix are the unknown person who has up until now funded most of Ellie's work and what his motivations are, and Palmer Joss (Matthew McConaughey), a renowned author and theologian, who despite their fundamental differences in outlook, is mutually attracted to Ellie, that attraction based in part on intellect and their common goal of wanting to know the truth.

The spaceship, Starship Avalon, in its 120-year voyage to a distant colony planet known as the "Homestead Colony" and transporting 5,258 people has a malfunction in one of its sleep chambers. As a result one hibernation pod opens prematurely and the one person that awakes, Jim Preston (Chris Pratt) is stranded on the spaceship, still 90 years from his destination.

On the day that Hurricane Katrina hits New Orleans, elderly Daisy Williams (nee Fuller) is on her deathbed in a New Orleans hospital. At her side is her adult daughter, Caroline. Daisy asks Caroline to read to her aloud the diary of Daisy's lifelong friend, Benjamin Button. Benjamin's diary recounts his entire extraordinary life, the primary unusual aspect of which was his aging backwards, being diagnosed with several aging diseases at birth and thus given little chance of survival, but who does survive and gets younger with time. Abandoned by his biological father, Thomas Button, after Benjamin's biological mother died in childbirth, Benjamin was raised by Queenie, a black woman and caregiver at a seniors home. Daisy's grandmother was a resident at that home, which is where she first met Benjamin. Although separated through the years, Daisy and Benjamin remain in contact throughout their lives, reconnecting in their forties when in age they finally match up. Some of the revelations in Benjamin's diary are difficult for Caroline to read, especially as it relates to the time past this reconnection between Benjamin and Daisy, when Daisy gets older and Benjamin grows younger into his childhood years.

McMurphy has a criminal past and has once again gotten himself into trouble and is sentenced by the court. To escape labor duties in prison, McMurphy pleads insanity and is sent to a ward for the mentally unstable. Once here, McMurphy both endures and stands witness to the abuse and degradation of the oppressive Nurse Ratched, who gains superiority and power through the flaws of the other inmates. McMurphy and the other inmates band together to make a rebellious stance against the atrocious Nurse.

After his death sometime in his 43rd year, suburbanite Lester Burnham tells of the last few weeks of his life, during which he had no idea of his imminent passing. He is a husband to real estate agent Carolyn Burnham and father to high school student Jane Burnham. Although Lester and Carolyn once loved each other, they now merely tolerate each other. Typical wallflower Jane also hates both her parents; the three suffer individually in silence in their home life. Jane tries to steer clear of both her parents. Carolyn, relatively new to the real estate business, wants to create the persona of success to further her career, aspiring to the professional life of Buddy Kane, the king of the real estate business in their neighborhood. Lester merely walks mindlessly through life, including at his job in advertising. His company is downsizing, and he, like all the other employees, has to justify his position to the newly hired efficiency expert to keep his job. Things change for Lester when he falls in love at first sight with Jane's more experienced classmate, Angela Hayes. Both Janie and Angela can see Lester's sexual infatuation with Angela, who courts such attention from any man as a sign that she is model material, she having once appeared in Seventeen and is a career to which she aspires. Lester's infatuation with Angela gives him a reenergized view on life, where he openly doesn't care anymore what anyone thinks about what he does, anyone except Angela. This infatuation coincides with the Fittses moving in next door: homophobic disciplinarian US Marine Colonel Frank Fitts who rules the house with a military fist (that fist being both figurative and literal), his semi-comatose wife Barbara Fitts, and their bright and quietly subversive 18-year-old son Ricky Fitts, who openly abides by his father's rules while behind the scenes lives by his own quite different perspective. Much like Lester's infatuation, Ricky immediately becomes infatuated with Jane; he considers girls like Angela as ordinary. The entry of Angela and the Fittses into the Burnhams' lives ultimately leads to each of the players confronting what is truly in his or her heart.

Following a truck hijack in New York, five criminals are arrested and brought together for questioning. As none of them are guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser Söze is felt. It becomes clear that each one of them has wronged Söze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser Söze?

Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the streets of Britain..

PREDESTINATION chronicles the life of a Temporal Agent sent on an intricate series of time-travel journeys designed to ensure the continuation of his law enforcement career for all eternity. Now, on his final assignment, the Agent must pursue the one criminal that has eluded him throughout time.

2014 film directed by Michael and Peter Spierig

Blondie, The Good (Clint Eastwood), is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes, The Bad (Lee Van Cleef), is a hitman who always commits to a task and sees it through--as long as he's paid to do so. And Tuco, The Ugly (Eli Wallach), is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership making money off of Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor, Bill Carson (Antonio Casale), that he and a few other men have buried a stash of gold in a cemetery. Unfortunately, Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows they know where the gold is; now he needs them to lead him to it. Now The Good, the Bad, and the Ugly must all battle it out to get their hands on $200,000.00 worth of gold.

Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.

German DJ, musician and music label owner

A non-linear crime series that is centered around an interrogation of people who might be involved in a decades-old murder case.

Memphis, Tennessee, 1972. Mac Conway and his friend Arthur have just returned home after serving in Vietnam. They reconnect with their families and try to find jobs. However, work is hard to come by for Vietnam vets. Conway gets contacted by a man known simply as The Broker. He recruits hitmen for assignments and believes that Conway would be ideal for this sort of work. Conway is reluctant, but is drawn in once he discovers that Arthur has already accepted a similar offer from The Broker. The Broker gives Conway a code name - Quarry.

Follows Catherine Jensen, a recently promoted homicide detective who enlists the help of Thomas Schaeffer, a forensic psychologist, to track down serial killers and relentlessly seeks the truth behind the disappearance of her brother.

Haplin, Minnesota "Happy Town" is approaching five years of peace after being riddled for years by unsolved kidnappings. But, in the wake of this small town's first crime in five years, some dark truths are being revealed about some familiar faces. They say every town has its secrets... that doesn't even begin to describe Happy Town.

1934, America. The Dustbowl. A fugitive named Ben Hawkins finds refuge within a traveling carnival comprised of a tarot card reader and her catatonic/telekinetic mother, a blind mentalist, a bearded lady, and conjoined twins, amongst others. The carnival is owned by the mysterious and unseen Management, who has designs on the young Hawkins, for the boy is concealing an untapped gift: he can heal the lame and raise the dead--at a price. Ben also finds himself disturbed by cryptic and prophetic dreams, which he shares with a Methodist preacher in California, Brother Justin Crowe. Brother Justin, convinced by his dreams he is following God's will, has begun to practice his own extraordinary talents, although the preacher's plans increasingly lead to disturbing and tragic consequences. In this "last great age of magic," Ben Hawkins and Justin Crowe are moving toward a great conflict between Good and Evil, although it not yet clear on which sides these men will stand.

Good intentions. Erratic bosses. Mounting paranoia. Unforeseen consequences spiraling out of control. Heidi (Julia Roberts) works at Homecoming, a facility helping soldiers transition to civilian life. Years later she has started a new life, when the Department of Defense questions why she left Homecoming. Heidi realizes there's a whole other story behind the one she's been telling herself.

psychological thriller web television series

A private espionage operative battles over the preservation of democracy in a world at odds with misinformation, behavioral manipulation, the surveillance state, and the interests that control these extraordinary powers.

A Philadelphia couple is in mourning after an unspeakable tragedy creates a rift in their marriage and opens the door for a mysterious force to enter their home.

A Hollywood star, his would-be savior, and a nomadic group of actors roaming the scattered outposts of the Great Lakes region, risking everything for art and humanity. One snowy night a famous Hollywood actor slumps over and dies onstage during a production of King Lear. Hours later, the world as we know it begins to dissolve. Moving back and forth in time-from the actor's early days as a film star to fifteen years in the future, when a theater troupe known as the Traveling Symphony roams the wasteland of what remains this suspenseful, elegiac, spellbinding novel charts the strange twists of fate that connect five people: the actor, the man who tried to save him, the actor's first wife, his oldest friend, and a young actress with the Traveling Symphony, caught in the crosshairs of a dangerous self-proclaimed prophet.

Inspired by the true story of Michelle Carter's unprecedented "texting-suicide" case. Explores Carter's relationship with Conrad Roy III and the events that led to his death and, later, her conviction of involuntary manslaughter.

In the New Mexico desert, scientist, Vera Ivanov (Shantel VanSanten) watches in as a mysterious object falls to Earth. It explodes, and sends out a shockwave which briefly stops her heart. But Vera isn't the only one affected: she's instantly connected to 4 others, all of whom had also collapsed, only to come back to life hours later. A mysterious figure - known only as "the man" (Diogo Morgado) comes and offers Vera the chance to be reunited with her kidnapped son, if she helps him with one complicated task. Now, this group might be the only hope for preventing the impending end of civilisation... or causing it.

When children across Washington, D.C., all start talking with the same imaginary friend named Drill, who persuades them to play dangerous games, the FBI calls in child specialist Claire Bennigan - whose deaf son has been speaking to Drill, unbeknownst to her - to investigate. Meanwhile, the defense department sends Wes Lawrence to the Sahara Desert, where he encounters a strange geological phenomenon. As puzzle pieces come together, creating a frightening picture, humanity must wage a battle against unseen forces if it hopes to survive.

Andy Barber has been an assistant district attorney in his suburban Massachusetts county for more than twenty years. He is respected in his community, tenacious in the courtroom, and happy at home with his wife, Laurie, and son, Jacob. But when a shocking crime shatters their New England town, Andy is blindsided by what happens next: His fourteen-year-old son is charged with the murder of a fellow student. Every parental instinct Andy has rallies to protect his boy. Jacob insists that he is innocent, and Andy believes him. Andy must. He's his father. But as damning facts and shocking revelations surface, as a marriage threatens to crumble and the trial intensifies, as the crisis reveals how little a father knows about his son, Andy will face a trial of his own - between loyalty and justice, between truth and allegation, between a past he's tried to bury and a future he cannot conceive.

Earth is visited by an alien species that threatens humanity's existence. Events unfold in real time through the eyes of five ordinary people across the globe as they struggle to make sense of the chaos unraveling around them.

science fiction television series by Simon Kinberg and David Weil

The series centers around Franklin and Irene York, a couple who years ago discovered a chamber buried in their backyard which inexplicably leads to a strange, deserted planet. They've carefully guarded their secret ever since, but when an enigmatic young man enters their lives, the Yorks' quiet existence is quickly upended, and the mysterious chamber they thought they knew so well turns out to be much more than they could ever have imagined.

Men and women live in a giant silo underground with a lot of regulations which they think are supposed to protect them from the toxic and ruined world on the surface.

The whole European angle was very important for us, not only story wise but also the way we were going to produce it. It really had to be a European collaboration, not just cast but also crew. We felt that with the past years of Europe being on the decline, we wanted to give a counterpoint to Brexit, and to nationalism rising in different countries, to go back to that idea of Europe and Europeans working and creating together.

Set against the backdrop of China's Cultural Revolution, a secret military project sends signals into space to establish contact with aliens. An alien civilization on the brink of destruction captures the signal and plans to invade Earth. Meanwhile, on Earth, different camps start forming, planning to either welcome the superior beings and help them take over a world seen as corrupt, or to fight against the invasion. The result is a science fiction masterpiece of enormous scope and vision.

Picks up 25 years after the inhabitants of a quaint northwestern town are stunned when their homecoming queen is murdered.

Sam, a 33-year old man recovering from a recent break-up, returns to his hometown Basswood, West Virginia, for the funeral of his best friend. Understandably de...

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