Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

April, 1984. Winston Smith, thinks a thought, starts a diary, and falls in love. But Big Brother is watching him, and the door to Room 101 can swing open in the blink of an eye. Its ideas have become our ideas, and Orwell’s fiction is often said to be our reality. The definitive book of the 20th century is re-examined in a radical new adaptation exploring why Orwell’s vision of the future is as relevant as ever."This is a staging that reconsiders a classic with such steely power that it chills brain, blood and bone." - The Times"[A] pitilessly brilliant retelling." - Guardian"This risk-taking adaptation of George Orwell's masterpiece is doubleplusgood." - Telegraph"A theatrical tour de force that has the destructive power of an earthquake." - The Stage"Skilfully brought to life.... This is a very neat theatrical telling of the classic dystopian parable which is more a study of internal tension and tiny acts of defiance as it is a political drama... a work of extraordinary quality and intensity." - IndependentEric Arthur Blair (25 June 1903 – 21 January 1950), better known by his pen name George Orwell, was an English novelist and journalist, whose most famous works include the novella Animal Farm, and the classic dystopia 1984.Duncan Macmillan is an award-winning writer and director. Plays include: Lungs (Paines Plough/Sheffield Crucible and Studio Theatre Washington D.C.), Platform (Old Vic Tunnels), Monster (Royal Exchange/Manchester International Festival), The Most Humane Way to Kill A Lobster (Theatre 503), I Wish To Apologise For My Part In The Apocalypse, So Say All of Us and Family Tree (all BBC Radio 4).Robert Icke was artistic director of the Arden Theatre Company in Stockton-on-Tees from 2003–7 and of the Swan Theatre Company in Cambridge from 2005–8, where he was awarded the Susie Gautier-Smith Prize for his contribution to theatre.

I don’t know what to do with these stars anymore. I give stars to books and then I think, ‘god, you give five stars to everything, people will think you are terribly undiscriminating’ – so then I give four stars or even three stars to some books. Then I look back and it turns out that that I’ve given four stars to Of Human Bondage and honestly, how could I possibly have thought it was a good idea to give that book less than five stars? It is the absurdity of human conventions that has us doing such things.Now, that is what is called a segue, from the Italian ‘seguire’ – to follow. For the last thirty years I have studiously avoided reading this book. I have done that because for the last thirty years I have known exactly what this book is about and there just didn’t seem any point in reading it. In high school friends (one of them even became my ex-wife) told me it was a great book about a man condemned to die because he was an outsider. Later I was told that this book was a story about something much like the Azaria Chamberlain case. A case where someone does not react in a way that is considered to be ‘socially appropriate’ and is therefore condemned.But after 30 years of avoiding reading this book I have finally relented and read it. At first I didn’t think I was going to enjoy it. It didn’t really get off to the raciest of starts and the character's voice – it is told in first person – was a bit dull. He is a man who lives entirely in the present, how terribly Buddhist of him – although, really there doesn’t seem to be all that much to him.My opinion of the book began to change at his mother’s funeral. I particularly liked the man who kept falling behind in the march to the cemetery and would take short cuts. Okay, so it is black humour, but Camus was more or less French – so black humour is more or less obligatory.I really hadn’t expected this book to be nearly so funny as it turned out. I’d always been told it was a ponderous philosophical text – and so, to be honest, I was expecting to be bored out of my skull. I wasn’t in the least bit bored.A constant theme in my life at present is that I read ‘classics’ expecting them to be about something and they end up being about something completely different. And given I’ve called this a ‘constant’ theme then you might think I would be less than surprised when a read a new ‘classic’ and it turns out to be completely different to my expectations. I’m a little more upset about this one than some of the others, as I’ve been told about this one before, repeatedly, and by people I’d have taken as ‘reputable sources’ – although, frankly, how well one should trust one’s ex-wife in such matters is moot.I had gotten the distinct impression from all of my previous discussions about this book that the guy ends up dead. In fact, this is not the case – he ends up at the point in his life where he has no idea if he will be freed or not. The Priest who comes to him at the end is actually quite certain that he will be freed. Let’s face it, he is only guilty of having murdered an Arab, and as we have daily evidence, Westerners can murder Arabs with complete impunity. The main point of the book to me is when he realises he is no longer ‘free’. He needs this explained to him – because life up until then had been about ‘getting used to things’ and one can 'get used to just about anything'. But the prison guard helpfully informs him that he is being ‘punished’ and the manifestation of that punishment is the removal of his ‘freedom’. Interestingly, he didn’t notice the difference between his past ‘free’ life and his current ‘unfree’ one. The most interesting part of the book to me was the very end, the conversation with the priest. The religious often make the mistake of thinking that Atheists are one thing – I’ve no idea how they ever came to make this mistake, but make it they do. Given that there are thousands upon thousands of different shades of Christians – from Jesuit Catholics to Anti-Disney Episcopalians – it should be fairly obvious that something like Atheism (without any ‘organised’ church or even system of beliefs) could not be in anyway ‘homogeneous’.I am definitely not the same kind of Atheist as Camus. To Camus there is no truth, the world is essentially absurd and all that exists is the relative truth an individual places on events and ideas. This makes the conversation with the priest fascinatingly interesting. To the priest the prisoner who is facing death is – by necessity – someone who is interested in God. You can play around with ideas like the non-existence of God when it doesn’t seem to matter (life is long and blasphemy can seem fun) – but surely when confronted with the stark truth of the human condition any man would turn away from their disbelief and see the shining light.Not this little black duck. Now, if I was in that cell I would have argued with the priest too – but I would not have argued in the same way that Meursault argues. No, I do not believe in God, but I do believe in truth, and so Camus’ arguments are barred to me.Meursault essentially says, “Look, I’m bored, I’m totally uninterested in the rubbish you are talking – now go away”. Now, this is a reasonable response. What is very interesting is that the priest cannot accept this as an answer. The world is not allowed to have such a person in it – if such a person really did exist then it would be a fundamental challenge to the core beliefs of the priest. So, he has to assume Meursault is either lying to him or is trying to taunt him. But it is much worse – he is absolutely sincere, he is not interested in this ‘truth’.I don’t know that the world is completely meaningless, it is conventional rather than meaningless. That those conventions are arbitrary (decided by the culture we grew up in) doesn’t make them meaningless, it makes them conventional. I don’t think I would like to live in a world where people go up and kill Arabs pretty much at random and with impunity, but then again, we have already established this is precisely the world I do live in. My point is that it would be better if we did adhere to some sort of moral principles and that these should be better principles than ‘he should be killed because he didn’t cry at his mum’s funeral’. Camus is seeking to say that all of our ‘moral principles’ in the end come to be as meaningless as that – we judge on the basis of what we see from the framework of our own limited experience. And look, yes, there is much to this – but this ends up being too easy.The thing I like most about Existentialism, though it isn’t really as evident in this book as it is in the actual philosophy – although this is something that Meursault is supposed to have grown to understand (sorry, just one more sub-clause) even though this wasn’t something I noticed at all while reading the book, was the notion of responsibility. I didn’t think in the end Meursault was all that much more ‘responsible’ for his actions than he had been at the start. But I do think that ‘responsibility’ is a key concept in morality and one that seems increasingly to be ignored.Better by far that we feel responsible for too much in our lives than too little – better by far that we take responsibility for the actions of our governments (say) than to call these governments ‘them’. I’m not advocating believing in The Secret - but that if one must err, better to err on the side of believing you have too much responsibility for how your life has turned out, rather than too little.So, what can I say? I enjoyed this much more than I expected – but I’m still glad I waited before reading it, I really don’t think I would have gotten nearly as much out of it at 15 as I did now.

100,000 years ago, at least six human species inhabited the earth. Today there is just one. Us. Homo sapiens. How did our species succeed in the battle for dominance? Why did our foraging ancestors come together to create cities and kingdoms? How did we come to believe in gods, nations and human rights; to trust money, books and laws; and to be enslaved by bureaucracy, timetables and consumerism? And what will our world be like in the millennia to come? In Sapiens, Dr Yuval Noah Harari spans the whole of human history, from the very first humans to walk the earth to the radical – and sometimes devastating – breakthroughs of the Cognitive, Agricultural and Scientific Revolutions. Drawing on insights from biology, anthropology, paleontology and economics, he explores how the currents of history have shaped our human societies, the animals and plants around us, and even our personalities. Have we become happier as history has unfolded? Can we ever free our behaviour from the heritage of our ancestors? And what, if anything, can we do to influence the course of the centuries to come? Bold, wide-ranging and provocative, Sapiens challenges everything we thought we knew about being human: our thoughts, our actions, our power ... and our future.

In the summer of 1975 in a neighborhood in Boston, three kids- Dave Boyle and his two friends, Jimmy Markum and Sean Devine- are playing on the sidewalk when Dave gets abducted by two men and endures days of sexual abuse. Eventually Dave escapes, but is traumatized throughout adulthood. Jimmy is an ex-con and a father of three, whose daughter Katie is found dead, and Dave becomes the number one suspect. Sean is a homicide detective investigating Katie's murder, and finds himself faced with past and present demons as more is uncovered about Katie's murder. Learning Katie had a boyfriend, ballistics later connect a gun belonging to his father to the murder, setting her boyfriend as the suspect. Will Sean find out who killed Katie? Will Jimmy make it through the investigation? And will Dave ever admit what really happened when he was abducted?

2003 American drama film directed by Clint Eastwood

We meet Bernie Tiede (1958- ), a chubby undertaker, who takes pride in his work. He's a Gospel-singing tenor. In a series of interviews with townspeople, mixed with flashbacks, we follow Bernie: he arrives in Carthage, Texas (pop. 7,000), where old ladies adore him; he befriends a wealthy, mean-spirited widow named Marjorie Nugent; they become companions in both daily routines and expensive vacations. Among those interviewed, only her stockbroker and Danny Buck, the local district attorney, are unsympathetic toward the sunny, sometimes saccharine Bernie. Marjorie changes from sour and alone to happy with Bernie; then she gets possessive. What will sweet Bernie do?

In the dystopian world of 2027 London, humans have been incapable of reproducing for 18 year for an unknown reason, meaning the imminent extinction of the species. Britain is the one remaining civilized society on the planet, which has resulted in people wanting to migrate there, so it has become a police state to handle the immigrants, who are placed into refugee camps. Lowly government bureaucrat Theo Faron, once an activist, is approached by the Fishes, deemed a terrorist group, led by his ex-wife Julian Taylor, whom he hasn't seen in almost 20 years, since their marriage disintegrated after their infant son Dylan's death during the 2008 flu pandemic. Although the Fishes did use terrorist means in their on-going revolution against the state in the fight for immigrant rights, Julian vows that they now garner support solely by speaking to the people, and she wants Theo to use his connections to get transit papers for a young immigrant woman named Kee who needs to get to the coast. Although initially reluctant to do it because of the difficulty, Theo is able to grant Julian this favor, however with the change that he now needs to accompany Kee on her journey. As Theo and Kee progress on that journey, Theo learns more and more about what's going on, including the reason that Kee needs to get to the coast, the fact that no one in the group knows if their end destination even exists, and that his and Kee's lives are in greater danger than he believed when they started the journey. But Theo's sole mission becomes to help Kee at any cost for the survival of the species.

After escaping death by the skin of his teeth while on the hunt for the elusive madman, Dr Hannibal Lecter, the now-retired and emotionally scarred FBI agent, Will Graham, finds himself back in action. Reluctantly, as yet another monstrous serial killer known as "The Tooth Fairy" terrorises Baltimore, Graham turns to Lecter, the evil mastermind who's been under lock and key for three long years, to lend a hand in this challenging and time-sensitive case. But, to delve deep into the demented mind of a killer, one must first face his inner demons, and Will already knows that his insane imprisoned assistant is a gifted manipulator. Can Graham find the horrifying Red Dragon in time before another family suffers?

This movie charts the rise and fall of Yuri Orlov, from his early days in the early 1980s in Little Odessa, selling guns to mobsters in his local neighborhood, through to his ascension through the decade of excess and indulgence into the early 1990s, where he forms a business partnership with an African warlord and his psychotic son. This movie also charts his relationship through the years with his younger brother, his marriage to a famous model, his relentless pursuit by a determined INTERPOL Agent and his inner demons that sway between his drive for success and the immorality of what he does.

In 1930s Italy, a carefree Jewish waiter named Guido starts a fairy tale life by courting and marrying a lovely woman from a nearby city. Guido and his wife have a son and live happily together until the occupation of Italy by German forces. In an attempt to hold his family together and help his son survive the horrors of a Jewish Concentration Camp, Guido imagines that the Holocaust is a game and that the grand prize for winning is a tank.

On the day that Hurricane Katrina hits New Orleans, elderly Daisy Williams (nee Fuller) is on her deathbed in a New Orleans hospital. At her side is her adult daughter, Caroline. Daisy asks Caroline to read to her aloud the diary of Daisy's lifelong friend, Benjamin Button. Benjamin's diary recounts his entire extraordinary life, the primary unusual aspect of which was his aging backwards, being diagnosed with several aging diseases at birth and thus given little chance of survival, but who does survive and gets younger with time. Abandoned by his biological father, Thomas Button, after Benjamin's biological mother died in childbirth, Benjamin was raised by Queenie, a black woman and caregiver at a seniors home. Daisy's grandmother was a resident at that home, which is where she first met Benjamin. Although separated through the years, Daisy and Benjamin remain in contact throughout their lives, reconnecting in their forties when in age they finally match up. Some of the revelations in Benjamin's diary are difficult for Caroline to read, especially as it relates to the time past this reconnection between Benjamin and Daisy, when Daisy gets older and Benjamin grows younger into his childhood years.

Two best friends in a small Scottish town in the summer of '94 who head out for one last night together before life takes them in different directions. Going to an illegal rave, the boys journey into an underworld of anarchy, freedom and collision with the law as they share a night that they will never forget.

Linguistics professor Louise Banks leads an elite team of investigators when gigantic spaceships touchdown in 12 locations around the world. As nations teeter on the verge of global war, Banks and her crew must race against time to find a way to communicate with the extraterrestrial visitors. Hoping to unravel the mystery, she takes a chance that could threaten her life and quite possibly all of mankind.

Jumanji, one of the most unique--and dangerous--board games ever, falls into the hands of the curious teen, Alan Parrish, in 1969. Mysterious and magical, the game strands the unsuspecting boy in the lush, savage forests of a mythical realm. Nearly three decades later, the game releases him before the awed eyes of the young orphaned siblings, Judy and Peter Shepherd. Now, the wild and incessant beat of the jungle's tribal drums is calling for the now-adult Alan and the other hesitant players, as the one who rolls the dice must never leave undone what the roll has started. Has anyone ever escaped from the game and Jumanji's formidable foes?

Following the death of his employer and mentor, Bumpy Johnson, Frank Lucas establishes himself as the number one importer of heroin in the Harlem district of Manhattan. He does so by buying heroin directly from the source in South East Asia and he comes up with a unique way of importing the drugs into the United States. As a result, his product is superior to what is currently available on the street and his prices are lower. His alliance with the New York Mafia ensures his position. It is also the story of a dedicated and honest policeman, Richie Roberts, who heads up a joint narcotics task force with the Federal government. Based on a true story.

Following a truck hijack in New York, five criminals are arrested and brought together for questioning. As none of them are guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser Söze is felt. It becomes clear that each one of them has wronged Söze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser Söze?

Grey's a stay-at-home mechanic, whose wife is Asha. One day, Grey asks Asha to help him return a car to his client. Whilst Grey and Asha's self-driving car malfunctions, it crashes. Grey watches helplessly as Asha bleeds to death next to him. Grey returns home - a widowed quadriplegic, under the care of his mother. His wife's death and the inability of police to identify their attackers cause him to sink into a depression. After a suicide attempt, he's offered to have high tech chip implanted - enabling him to walk. Though initially hesitant, he's persuaded to have the surgery.

Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Colombian drug dealers goes bad. He also brings a new level of violence to Miami. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down.

Fletcher Reede, a fast talking attorney, habitual liar, and divorced father is an incredibly successful lawyer who has built his career by lying. He has a habit of giving precedence to his job and always breaking promises to be with his young son Max, but Fletcher lets Max down once too often, for missing his own son's birthday party. But until then at 8:15 Max has decided to make an honest man out of him as he wishes for one whole day his dad couldn't tell a lie. When the wish comes true all Fletcher can do is tell the truth and cannot tell one lie. Uh-oh for Fletcher Reede.

The Kims - mother and father Chung-sook and Ki-taek, and their young adult offspring, son Ki-woo and daughter Ki-jung - are a poor family living in a shabby and cramped half basement apartment in a busy lower working class commercial district of Seoul. Without even knowing it, they, especially Mr. and Mrs. Kim, literally smell of poverty. Often as a collective, they perpetrate minor scams to get by, and even when they have jobs, they do the minimum work required. Ki-woo is the one who has dreams of getting out of poverty by one day going to university. Despite not having that university education, Ki-woo is chosen by his university student friend Min, who is leaving to go to school, to take over his tutoring job to Park Da-hye, who Min plans to date once he returns to Seoul and she herself is in university. The Parks are a wealthy family who for four years have lived in their modernistic house designed by and the former residence of famed architect Namgoong. While Mr. and Mrs. Park are all about status, Mrs. Park has a flighty, simpleminded mentality and temperament, which Min tells Ki-woo to feel comfortable in lying to her about his education to get the job. In getting the job, Ki-woo further learns that Mrs. Park is looking for an art therapist for the Parks' adolescent son, Da-song, Ki-woo quickly recommending his professional art therapist friend "Jessica", really Ki-jung who he knows can pull off the scam in being the easiest liar of the four Kims. In Ki-woo also falling for Da-hye, he begins to envision himself in that house, and thus the Kims as a collective start a plan for all the Kims, like Ki-jung using assumed names, to replace existing servants in the Parks' employ in orchestrating reasons for them to be fired. The most difficult to get rid of may be Moon-gwang, the Parks' housekeeper who literally came with the house - she Namgoong's housekeeper when he lived there - and thus knows all the little nooks and crannies of it better than the Parks themselves. The question then becomes how far the Kims can take this scam in their quest to become their version of the Parks.

Four magicians each answer a mysterious summons to an obscure address with secrets inside. A year later, they are the Four Horsemen, big time stage illusionists who climax their sold-out Las Vegas show with a bank apparently robbed for real. This puts F.B.I. Agents Dylan Rhodes and Interpol Agent Alma Dray on the case to find out how they did it. However, this mystery proves to be difficult to solve, even with the insights of professional illusion exposer Thaddeus Bradley. What follows is a bizarre investigation where nothing is what it seems to be, with illusions, dark secrets, and hidden agendas galore as all involved are reminded of a great truth in this puzzle: the closer you look, the less you see.

In exchange for his little brother's life, the reformed car thief, Randall "Memphis" Raines, has to do the impossible: in less than three days, he has to steal not one, but fifty exotic supercars for the ruthless crime lord, Ray Calitri. To stand a chance of pulling off this intricate and time-sensitive grand theft auto, once more, Memphis has to rely on his old gang--his knowledgeable mentor, Otto; the old friends, Sphinx and Donny; his reluctant ex-girlfriend, Sway, and a band of tech-savvy young thieves--however, the police are already onto them. Now, fast Lamborghinis, precious Ferraris, luxurious Porsches, and Eleanor--a rare Ford Shelby Mustang GT500--are just some of the cars in Raines' long list. Can Memphis execute the perfect car heist?

Frank (Bruce Willis) is retired, bored, and lonely living off of his government pension in a nondescript suburb in an equally nondescript house. The only joy in Frank's life is his calls to the government pension processing center when he gets to talk to his case worker, Sarah (Mary-Louis Parker). Sarah is as bored and lonely as Frank and marks her conversations with the unknown Frank and her spy novels as the only things fun in her life. When something in Frank's past forces him back into his old line of work and puts an unwitting Sarah in the middle of the intrigue, Frank and Sarah begin a journey into his past and the people with whom he used to work. Like Frank they are all "R.E.D." - Retired Extremely Dangerous.

Mike Baxter is the marketing director for an iconic outdoor sporting goods store. He loves to have adventures while he's traveling for work and, of course, he drives a pick-up truck. While Mike is king of the hill at work, he's the odd man out in a home that is dominated by women -- namely his wife, Vanessa, and their three daughters, 20- year-old Kristin, 17-year-old Mandy and 13-year-old Eve. After being a stay-at-home mom for years, Vanessa recently returned to the workplace and was quickly promoted (much to the dismay of her primarily male co-workers). As a result of Vanessa's increased work load, Mike is pulled into more hands-on parenting than ever before.

30-something dads struggle as parents because they are still children at heart.

A group of divorced friends try to get back to the single life.

After being kicked out of their houses by their wives, two friends try to share an apartment, but their ideas of housekeeping and lifestyles are as different as night and day.

An empty nest couple find out that their adult daughters want to move back home with them.

A working-class couple raise their genius kids in South Jersey.

Confident, working single-mom-of-one Jackie is shocked when her estranged sister Elizabeth lands on her doorstep along with her outrageously-wealthy husband Javier and his loyal assistant/driver/friend Luis: Javier's father has cut him off, the couple's money has dried up, they need a place to live, and Elizabeth can think of no better place than her family home.

Tray (Tracy Morgan) is an ex-con who is shocked to see just how much the world has changed when he is released from prison for good behavior after a 15-year stint. Returning to his newly gentrified Brooklyn neighborhood, he discovers that his former girlfriend, Shay (Tiffany Haddish), has married an affable, successful white man (Ryan Gaul) who is helping raise the twins (Taylor Mosby and Dante Hoagland) Tray never knew existed. Wanting nothing more than to connect with his kids, but having neither the money to support them nor himself, Tray falls back on the skills he learned in prison to make ends meet while treading unfamiliar territory.

2018 American comedy television series created by Jordan Peele and John Carcieri

A woman's life, seemingly perfect, is upended when her husband leaves her with $87 billion.

A young chef who returns to Chicago to run the family restaurant.

Two people who let a road rage incident burrow into their minds and slowly consume their every thought and action.

Fast-paced comedy about high-end contracts lawyer Helen Tudor-Fisk, who is forced to take a job at a shabby, suburban law firm following a humiliating marriage breakdown and a professional fall from grace.

A girl, a guy, and their friends are twenty-somethings living in Chicago.

Caryfel Salazar

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Felix David Salazar Perozo

Malcolm Rivers has been convicted as the perpetrator of several murders and is sentenced to death. An 11th-hour defense by his lawyers and psychiatrist that Malcolm is insane based on new evidence has resulted in them meeting with the prosecutors and the judge to discuss whether the verdict should be overturned. Meanwhile, on a dark night during a torrential rainstorm in the Nevada desert, a series of chain-reaction events results in several people needing to stay at an out-of-the-way motel managed by Larry. They are: ex-cop, now limo driver Ed and his client Caroline, a diva of a once-famous actress; quiet adolescent Timmy, his stepfather George, and his mother Alice, who was seriously injured when Ed accidentally ran over her as she watched George change their flat tire; prostitute Paris, who was the unwitting cause of George's flat tire; newlyweds Lou and Ginny, whose marriage is based on a lie; and Police Officer Rhodes, who was en route escorting prisoner Robert to his new institution. None can leave because of washed-out roads, all the other businesses around the motel are closed because of the storm, and all communication in and out is not functioning also because of the storm. One by one, they are murdered, the murderer leaving a calling card of a motel room key, starting with the room 10 key and working his way presumably to the room 1 key when the last person will be dead. Those still alive band somewhat together under Officer Rhodes and Ed's direction to find out which of the 11 is the murderer, and if, based on one of their theories, that they were brought to the motel by some force by the murderer as his intended targets. Whether those still alive can discover who the murderer is, discover why he has chosen to kill them, and be able to subdue him may well determine Malcolm's fate.

A convert to Islam sends the U.S. government a tape showing him in three nondescript storage rooms, each of which may contain a nuclear bomb set to detonate in less than a week. Helen Brody, an FBI agent in L.A., is tasked with finding the bombs while a CIA "consultant," known as H, interrogates the suspect who has allowed himself to be caught. The suspect, whose wife and children have left him and disappeared, seems to know exactly what the interrogation will entail. Even as H ratchets up the pressure, using torture over Brody's objection, the suspect doesn't crack. Should H do the unthinkable, and will Brody acquiesce? Is any Constitutional principle worth possible loss of life?

Three friends discover a time machine which takes pictures of the future. They begin to use it to win race bets and everything goes fine till one gets greedier than another. They begin to lose faith in each other giving a sense of backstabbing as uglier truths unfold in the photos and the situation soon gets out of control.

PREDESTINATION chronicles the life of a Temporal Agent sent on an intricate series of time-travel journeys designed to ensure the continuation of his law enforcement career for all eternity. Now, on his final assignment, the Agent must pursue the one criminal that has eluded him throughout time.

2014 film directed by Michael and Peter Spierig

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