Elena Rainn

Zach P

Kyrsten Iris

Fede Bonino

_ eshago@uw.edu

Watashi Wa Jigabudesu

Karl Halmos-Westram

lonely loser

Ljsly Bernard

Miguel Barreto Carrillo

Leonel González

Tim M

A young Dutch geologist, Alfred Issendorf, is determined to win fame for making a great discovery. To this end he joins a small geological expedition to the far north of Norway where he hopes to be the first to identify craters made by meteorites in the landscape.It is a harsh and deserted environment, way beyond civilisation, which brings out all the faultlines in the group of young men and in Alfred's character. The tribulations mount: Alfred is unable to procure crucial aerial photographs, he falls on rocks, is soaked in a river, and is beset by mosquitoes and insomnia; the tent leaks appallingly. He is not a natural athlete, feeling incapable and superfluous to the group's needs. Alfred becomes desperate and paranoid, suspecting the others are leagued in conspiracy against him.Haunted by the ghost of his scientist father, unable to escape the looming influence of his mother, and anxious to complete the thesis that will make his name, Alfred's preoccupations multiply in this wilderness. As, piece by piece, his equipment is lost or ruined and his thinking becomes ever more disjointed, he moves towards the final act of vanity which will trigger a catastrophe.Sleep No More is a classic of post-war European literature; a gripping tale of a man at the limits of physical and mental endurance beyond the end of the civilised world.

Alles moest geheim blijven. Simon loog tegen familie en vrienden. Hij kon niemand vertellen waar en hoe hij Lizzie Rosenfeld had ontmoet.’Simon Prins, student Nederlands, raakt gefascineerd door de wereld van de Amsterdamse prostitutie. Hij wil de wetten en geheimen doorgronden van dit ‘schaduwbestaan’. Tot het onvermijdelijke gebeurt: hij raakt verliefd op een van de werkende meisjes.

Warenar of Ware-nar is een blijspel in vijf bedrijven van Pieter Corneliszoon Hooft en Samuel Coster. Zij schreven het in 1617 als een bewerking van Aulularia door de Romeinse schrijver Plautus. Een nerveuze vrek tracht angstvallig een geërfde pot met gouden munten voor diefstal te behoeden. Door zijn geveinsde armoede vermoedt niemand zijn rijkdom. Totdat zijn paniekerigheid en grenzeloze achterdocht hem fataal worden.

Leuk verhaal en onderwerp, maar het einde gaat wel heel snel in vergelijking met de eerste 50 pagina's. Wel genieten hoe Hermans schrijft:"De dochter van de koster zat op een zondagochtend in de kerk naar hem te kijken. Hij keek terug. Zij lachte. Hij vond haar voor het eerst van zijn leven aardig. Hieruit kwam een verloving voort."Als het allemaal zo snel en makkelijk ging...Of deze mooie zinsspeling:"Ik kan met die gedacht niet leven en ermee sterven kan ik ook niet. Toch stierf hij de volgende dag." Heerlijk Hermans, to the point.

William Faulkner (1897-1962) remains the pre- eminent literary chronicler of the American South and a giant of American arts and letters. Creatively obsessed with problems of race, identity, power, politics, and family dynamics, he wrote novels, stories, and lectures that continue to shape our understanding of the region's promises and problems. His experiments and inventions in form and style have influenced generations of writers.Originally published in 1974 as a two-volume edition and extensively updated and condensed in a 1991 reissue, Joseph Blotner's Faulkner: A Biography remains the quintessential resource on the Nobel laureate's life and work. The Chicago Tribune said, "This is an overwhelming book, indispensable for anyone interested in the life and works of our greatest contemporary novelist." That invaluable 1991 edition is now back in print.Blotner, a friend and one-time colleague of Faulkner's, brings a vivid, personalized tone to the biography, as well as a sense of masterful, comprehensive scholarship. Using letters, inter-views, reminiscences, critical work, and other primary sources, Blotner creates a detailed and nuanced portrait of Faulkner from his birth to his death. The revision of the original 1974 biography incorporates commentary on the plethora of Faulkner criticism, family memoirs, and posthumously published works that appeared in the wake of the first version. It also examines collections of letters and other materials that only came to light after the original publication.Featuring a detailed chronology of Faulkner's life and a genealogical chart of his family, Faulkner is authoritative and essential both for literary scholars and for anyone wanting to know about the life of one of the nation's foremost authors. Blotner's masterpiece is the template for all biographical work on the acclaimed writer.Joseph Blotner, Charlottesville, Virginia, is professor emeritus of English at University of Michigan and the author of several books, including Robert Penn Warren: A Biography, The Modern American Political Novel, and The Fiction of J. D. Salinger. His work has appeared in the New York Times Book Review, Yale Review, American Literature, and else-where.

Brilliant and engagingly written, Why Nations Fail answers the question that has stumped the experts for centuries: Why are some nations rich and others poor, divided by wealth and poverty, health and sickness, food and famine? Is it culture, the weather, geography? Perhaps ignorance of what the right policies are? Simply, no. None of these factors is either definitive or destiny. Otherwise, how to explain why Botswana has become one of the fastest growing countries in the world, while other African nations, such as Zimbabwe, the Congo, and Sierra Leone, are mired in poverty and violence? Daron Acemoglu and James Robinson conclusively show that it is man-made political and economic institutions that underlie economic success (or lack of it). Korea, to take just one of their fascinating examples, is a remarkably homogeneous nation, yet the people of North Korea are among the poorest on earth while their brothers and sisters in South Korea are among the richest. The south forged a society that created incentives, rewarded innovation, and allowed everyone to participate in economic opportunities. The economic success thus spurred was sustained because the government became accountable and responsive to citizens and the great mass of people. Sadly, the people of the north have endured decades of famine, political repression, and very different economic institutions—with no end in sight. The differences between the Koreas is due to the politics that created these completely different institutional trajectories. Based on fifteen years of original research Acemoglu and Robinson marshall extraordinary historical evidence from the Roman Empire, the Mayan city-states, medieval Venice, the Soviet Union, Latin America, England, Europe, the United States, and Africa to build a new theory of political economy with great relevance for the big questions of today, including:    - China has built an authoritarian growth machine. Will it continue to grow at such high speed and overwhelm the West?    - Are America’s best days behind it? Are we moving from a virtuous circle in which efforts by elites to aggrandize power are resisted to a vicious one that enriches and empowers a small minority?    - What is the most effective way to help move billions of people from the rut of poverty to prosperity? More philanthropy from the wealthy nations of the West? Or learning the hard-won lessons of Acemoglu and Robinson’s breakthrough ideas on the interplay between inclusive political and economic institutions? Why Nations Fail will change the way you look at—and understand—the world.

What are the grand dynamics that drive the accumulation and distribution of capital? Questions about the long-term evolution of inequality, the concentration of wealth, and the prospects for economic growth lie at the heart of political economy. But satisfactory answers have been hard to find for lack of adequate data and clear guiding theories. In Capital in the Twenty-First Century, Thomas Piketty analyzes a unique collection of data from twenty countries, ranging as far back as the eighteenth century, to uncover key economic and social patterns. His findings will transform debate and set the agenda for the next generation of thought about wealth and inequality.Piketty shows that modern economic growth and the diffusion of knowledge have allowed us to avoid inequalities on the apocalyptic scale predicted by Karl Marx. But we have not modified the deep structures of capital and inequality as much as we thought in the optimistic decades following World War II. The main driver of inequality—the tendency of returns on capital to exceed the rate of economic growth—today threatens to generate extreme inequalities that stir discontent and undermine democratic values. But economic trends are not acts of God. Political action has curbed dangerous inequalities in the past, Piketty says, and may do so again.A work of extraordinary ambition, originality, and rigor, Capital in the Twenty-First Century reorients our understanding of economic history and confronts us with sobering lessons for today.

Army interrogator Nicholas Finch is hot on the trail for why sixteen of the world's worst serial killers are all from the same small town, but his path to answers is lettered with deadly intentions. There are dark forces that don't want the secrets of Buckaroo and it's murderous past to be revealed. And the Nailbiter himself has to deal with being thrown in the spotlight again!Guest-stars Marvel and Ultimate Comics writer Brian Michael Bendis!Collecting: Nail biter 6-10

In 1986, James Cameron's Aliens brought to theaters the horrors of a new kind of war against a terrifying enemy. Two years later, Dark Horse Comics released a direct follow-up to the events in the film. Years before any talk of a film sequel, the comics series took fandom by storm, selling hundreds of thousands of copies.Though the story was subsequently rendered noncanonical by the film Alien 3, the stunningly detailed art by Mark A. Nelson and the seminal script by Mark Verheiden (who went on to write The Mask, Timecop, Battlestar Galactica, Daredevil, and many other films and television shows) continued to grip readers' imaginations for years afterward. For the thirtieth anniversary of Aliens, Dark Horse is releasing an oversized hardcover edition of the unabridged and unadulterated series, in its original stark black and white!

UNA NOVELA GRÁFICA DE UNA BELLEZA DESLUMBRANTE A LA ALTURA DE LOS GRANDES CLÁSICOS DE LA LITERATURA INGLESAUna herencia. Una mansión en ruinas. Dos hermanas enfrentadas.1850, condado de Nottinghamshire. La lectura del testamento de Lady Sutherland reserva a sus nietas una desagradable sorpresa. Divididas por la decisión tomada por su abuela antes de morir, las jóvenes herederas tratarán de reconducir su vida con desigual fortuna.La ilustradora italiana Barbara Baldi nos ofrece en Mala Estrella su primer trabajo como autora completa. Un conmovedor relato sobre una aristócrata caída en desgracia en el que cada viñeta parece inundada por la luz de las pinturas de Vermeer.

Powerhouse creative team Jeff Lemire and Dustin Nguyen launch an all new series in Ascender! Set 10 years after the conclusion of Descender's storyline, here magic has taken the place of machinery and the rules are very different indeed... Mila, the daughter of Andy and Effie from Descender, spends her days exploring the lonely wilds of the planet Sampson and trying to stay out of the clutches of the evil disciples of the all powerful vampire witch known only as Mother. But like her parents, Mila doesn't like to play by the rules and when a certain robot pal of her dad's shows up, nothing will ever be the same! With all the scope and heart of the sci-fi classic, Descender, Lemire and Nguyen reunite to take readers on an unforgettable fantasy quest! Collects Ascender #1-5.

Reincarnation is real, and two soldiers who have been part of a war that has raged for centuries wake up in new bodies, each on a quest to find the other.Mali and Tessa remember now: they remember their roles as soldiers in a war without end, battling each other throughout centuries, reincarnating only to fight one another again. But now that they’re finally together, they’ve decided to break this cycle for good by choosing love over war. Unfortunately, factions on all sides of the conflict are at odds with their choice—including Tessa’s parents. Critically-acclaimed writer Christopher Sebela (Dead Letters, High Crimes) and artist Claire Roe (Batgirl and the Birds of Prey) delve back into the darkly complex world where all lines have been blurred: between love and hate, war and peace.

Jin-joo est une mauvaise fille. Elle fume, découche, nargue ses professeurs et cause du souci à ses parents. Son père, un petit patron, n'a que ses poings pour exprimer sa peur de la voir mal tourner. Alors il la passe à tabac, régulièrement. La Corée subit la crise économique de la fin des années 1990 et la violence demeure la forme la plus simple et naturelle du contact humain. Au collège, les professeurs cognent les élèves et les anciennes rossent les nouvelles. Dans l'indifférence générale, on meurt sous les coups d'un père ou d'un petit copain. L'adolescente trouve un peu de chaleur humaine auprès de Jung-ae, fille d'un petit voyou encore plus paumée qu'elle. Une fugue improvisée les mène jusqu'au quartier des bars à hôtesses. Là, tout a le goût de la liberté, de l'interdit et de la fête. Pourtant, leur destin est en train de se jouer tragiquement... Le ton âpre et désespéré d'Ancco évoque le Céline de Mort à crédit. Vivre, c'est expier. Un instant de bonheur, d'insouciance, se paie comptant. Les hommes mènent des existences lourdes, tristes et solitaires, qui se révèlent vides de sens. "Dès qu'on met le nez dehors, constate Jin-joo, c'est plein de choses incompréhensibles."

Three brothers who rule their own trailer park kingdom must face off against the sheriff of a neighboring town who wants their territory.From The New York Times bestselling writer Matt Kindt (Mind MGMT) and artist Tyler Jenkins (Peter Panzerfaust) comes the critically acclaimed rural mystery series chronicling the tragic lives of the Grass Kings, three brothers and rulers of a self-sufficient trailer park kingdom - a fiefdom of the hopeless and lost seeking a promised land. The grass kingdom is run by eldest brother Robert, who has been grief-stricken since losing his daughter years ago. When a mysterious young woman flees to their community in search of safety, Robert takes her in. As her true identity comes to light, Robert must decide if his chance at atonement is worth risking the entire Kingdom.

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  In this powerful and brutal short story, Leskov demonstrates the enduring truth of the Shakespearean archetype joltingly displaced to the heartland of Russia. Chastened and stifled by her marriage of convenience to a man twice her age, the young Katerina Lvovna goes yawning about the house, missing the barefoot freedom of her childhood, until she meets the feckless steward Sergei Filipych. Sergei proceeds to seduce Katerina, as he has done half the women in the town, not realizing that her passion, once freed, will attach to him so fiercely that Katerina will do anything to keep hold of him. Journalist and prose writer Nikolai Leskov is known for his powerful characterizations and the quintessentially Russian atmosphere of his stories.\


Middle schooler, Maude, and several friends, have been sent to Ruminations: Malibu, a rehabilitation clinic for pantherism. Simply put, they are all suspected of turning into Big Cats when they get their periods and Ruminations promises to cure them through hormone therapy and hiking. The length of stay? 28 days. Outside the clinic, a series of strange events causes rising tensions between the patriarchy and pro-feline forces.Collects MAN-EATERS #9-12Includes the inspirational and informative guide, "Pantherism: Roar like you mean it!"Plus never-before-published extra content. 

In a secluded castle, at the beginning of a winter that is predicted to last for three years, Lars is battling illness and boredom. He passes the time with his siblings and his giant cat, Nemo, as secrets are revealed and tensions within the family begin to simmer... Tillie Walden's classic debut graphic novel returns in this special edition that includes the new prequel story, 'Lars &amp; Nemo'.

Megg the witch, Mogg the cat, their friend Owl, and Werewolf Jones struggle unsuccessfully with their depression, drug use, sexuality, poverty, lack of ambition, and their complex feelings about each other. It’s a laff riot! Megg and Mogg decide to take a trip to Amsterdam for some quality couple time, although the trip gets off to a rocky start when they forget their antidepressants. They need Owl to come and help them save their relationship. But why does he have a suitcase full of glass dildos? And what will they do when they realize that the housesitting Werewolf Jones has turned their apartment into a “f#@k zone”? Megg &amp;amp; Mogg in Amsterdam collects all of Simon Hanselmann’s contributions to Vice.com, the Ignatz Award-nominated short story “St. Owl’s Bay,” and other surprises that will add additional color and background for fans of Megahex.

John Muir wrote many wonderful books about his travels, but one story—about his long walk from San Francisco to Yosemite—is one book he did not author himself. In April 1868, a very young John Muir stepped off a boat in San Francisco and inquired about the quickest way out of town. “But where do you want to go?” was the response, to which Muir replied, “Anywhere that is wild.” Using Muir’s personal correspondence and published articles, Peter and Donna Thomas have reconstructed the real story of Muir’s literal ramblings over California hills and through dales, with lofty Sierra Nevada peaks, Englishmen, and bears mixed in for good measure. The trip is illustrated by charming cut-paper illustrations that take their inspiration from Muir's love of nature. John Muir’s story-telling is so compelling that even 150 years later, seeing the world through his eyes makes us want to head out into the wild.

In 1930s Italy, a carefree Jewish waiter named Guido starts a fairy tale life by courting and marrying a lovely woman from a nearby city. Guido and his wife have a son and live happily together until the occupation of Italy by German forces. In an attempt to hold his family together and help his son survive the horrors of a Jewish Concentration Camp, Guido imagines that the Holocaust is a game and that the grand prize for winning is a tank.

McMurphy has a criminal past and has once again gotten himself into trouble and is sentenced by the court. To escape labor duties in prison, McMurphy pleads insanity and is sent to a ward for the mentally unstable. Once here, McMurphy both endures and stands witness to the abuse and degradation of the oppressive Nurse Ratched, who gains superiority and power through the flaws of the other inmates. McMurphy and the other inmates band together to make a rebellious stance against the atrocious Nurse.

Alexander, a journalist and former actor and philosopher, tells his little son how worried he is about the lack of spirituality of modern mankind. In the night of his birthday, the third world war breaks out. In his despair Alexander turns himself in a prayer to God, offering him everything to have the war not happen at all.

Noriko is 27 years old and is still living with her father Somiya, a widower. Noriko just recovered from an illness she developed in the war, and now the important question pops up: when will Noriko start thinking about marriage? Everybody who is important in her life tries to talk her into it: her father, her aunt, a girlfriend. But Noriko doesn't want to get married, she seems extremely happy with her life. She wants to stay with her father to take care of him. After all, she knows best of his manners and peculiarities. But Noriko's aunt doesn't want to give up. She arranges a partner for her and thinks of a plan that will convince Noriko her father can be left alone.

On the day he gets married and hangs up his badge, Marshal Will Kane is told that a man he sent to prison years before, Frank Miller, is returning on the noon train to exact his revenge. Having initially decided to leave with his new spouse, Will decides he must go back and face Miller. However, when he seeks the help of the townspeople he has protected for so long, they turn their backs on him. It seems Kane may have to face Miller alone, as well as the rest of Miller's gang, who are waiting for him at the station.

1952 American Western film directed by Fred Zinnemann

Frederick Manion (Ben Gazzara), a lieutenant in the army, is arrested for the murder of a bartender, Barney Quill. He claims, in his defense, that the victim had raped and beaten up his wife Laura (Lee Remick). Although Laura supports her husband's story, the local paper has reported that the police surgeon can find no evidence that she has been raped. Manion is defended by Paul Biegler (James Stewart), a humble small-town lawyer and recently deposed district attorney. During the course of interviews, Biegler discovers that Manion is violently possessive and jealous, and also that his wife has a reputation for flirting with other men. Biegler realizes that the prosecution will try to make the court believe that Laura had been drunk and was picked up by the bartender and then her husband killed him and beat her up when he discovered they had been together. Manion pleads "not guilty" and Biegler, who knows that his case is weak, tries to find evidence that will save Manion.

A two-segment look at the effect of the military mindset and war itself on Vietnam era Marines. The first half follows a group of recruits in boot camp under the command of the punishing Gunnery Sergeant Hartman. The second half shows one of those recruits, Joker, covering the war as a correspondent for Stars and Stripes, focusing on the Tet offensive.

1987 war drama film directed by Stanley Kubrick

Professional photographer L.B. "Jeff" Jefferies breaks his leg while getting an action shot at an auto race. Confined to his New York apartment, he spends his time looking out of the rear window observing the neighbors. He begins to suspect that a man across the courtyard may have murdered his wife. Jeff enlists the help of his high society fashion-consultant girlfriend Lisa Fremont and his visiting nurse Stella to investigate.

Madison Avenue advertising man Roger Thornhill finds himself thrust into the world of spies when he is mistaken for a man by the name of George Kaplan. Foreign spy Philip Vandamm and his henchman Leonard try to eliminate him but when Thornhill tries to make sense of the case, he is framed for murder. Now on the run from the police, he manages to board the 20th Century Limited bound for Chicago where he meets a beautiful blond, Eve Kendall, who helps him to evade the authorities. His world is turned upside down yet again when he learns that Eve isn't the innocent bystander he thought she was. Not all is as it seems however, leading to a dramatic rescue and escape at the top of Mt. Rushmore.

In the Salinas Valley, in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother Aron for the love of their father Adam. Cal is frustrated at every turn, from his reaction to the war, to how to get ahead in business and in life, to how to relate to estranged mother.

George (Richard Burton) and Martha (Dame Elizabeth Taylor) are a middle-aged married couple, whose charged relationship is defined by vitriolic verbal battles, which underlies what seems like an emotional dependence upon each other. This verbal abuse is fueled by an excessive consumption of alcohol. George being an associate history professor in a New Carthage university where Martha's father is the President adds an extra dimension to their relationship. Late one Saturday evening after a faculty mixer, Martha invites Nick (George Segal) and Honey (Sandy Dennis), an ambitious young biology professor new to the university and his mousy wife, over for a nightcap. As the evening progresses, Nick and Honey, plied with more alcohol, get caught up in George and Martha's games of needing to hurt each other and everyone around them. The ultimate abuse comes in the form of talk of George and Martha's unseen sixteen-year-old son, whose birthday is the following day.

Mexican Narcotics officer Ramon Miguel 'Mike' Vargas has to interrupt his honeymoon on the Mexican-US border when an American building contractor is killed after someone places a bomb in his car. He's killed on the US side of the border but it's clear that the bomb was planted on the Mexican side. As a result, Vargas delays his return to Mexico City where he has been mounting a case against the Grandi family crime and narcotics syndicate. Police Captain Hank Quinlan is in charge on the US side and he soon has a suspect, a Mexican named Manolo Sanchez. Vargas is soon onto Quinlan and his Sergeant, Pete Menzies, when he catches them planting evidence to convict Sanchez. With his new American wife, Susie, safely tucked away in a hotel on the US side of the border - or so he thinks - he starts to review Quinlan's earlier cases. While concentrating on the corrupt policeman however, the Grandis have their own plans for Vargas and they start with his wife Susie.

Following his early retirement as a detective from the San Francisco Police Department, John Ferguson - Scottie to his friends - becomes obsessed with two women in succession, those obsessions which trouble his long time friend and former fiancée, Midge Wood, a designer of women's undergarments. The first is wealthy and elegant platinum blonde Madeleine Elster, the wife of his college acquaintance Gavin Elster, who hires John to follow her in Gavin's belief that she may be a danger to herself in thinking that she has recently been possessed by the spirit of Carlotta Valdes, Madeleine's great-grandmother who she knows nothing about, but who Gavin knows committed suicide in being mentally unbalanced when she was twenty-six, Madeleine's current age. The second is Judy Barton, who John spots on the street one day. Judy is a working class girl, but what makes John obsessed with her is that, despite her working class style and her brunette hair, she is the spitting image of Madeleine, into who he tries to transform Judy. The initial question that John has is if there is some connection between Madeleine and Judy. What happens between John and individually with Madeleine and Judy is affected by the reason John took that early retirement: a recent workplace incident that showed that he is acrophobic which leads to a severe case of vertigo whenever he looks down from tall heights.

With the vivid memory of his long-gone childhood friends Max, Patsy, and Cockeye etched in his mind, his ferociously loyal partners-in-crime during their rise to prominence in New York's Prohibition-era Lower East Side, the defeated, penniless, and guilt-ridden former gangster David "Noodles" Aaronson returns to Manhattan. Not knowing what to expect on his mission to shed light on his opaque past, grizzled Noodles reunites with his only living friend Fat Moe after 35 haunted years of self-exile. However, the relentless, piercing sound of culpability stands in the way of finding closure, as the inscrutable content of a well-worn leather suitcase further complicates matters. And now, against the backdrop of a torn conscience, the sad, bittersweet recollections of more than 50 years of love, death, and everything in-between become inextricably intertwined, leading to even more puzzling questions. But what are a man's options when he is left with nothing?

In 1959/1960 Rome, Marcello Rubini (Marcello Mastroianni) is a writer and journalist, the worst kind of journalist--a tabloid journalist. His job is to try to catch celebrities in compromising or embarrassing situations. He tends to get quite close to his subjects--especially when they're beautiful women. Two such subjects are local heiress Maddalena (Anouk Aimee), and Swedish superstar-actress Sylvia (Anita Ekberg), with both of whom he has affairs despite being engaged to Emma (Yvonne Furneaux), a clingy, insecure, nagging, melodramatic woman. Despite his extravagant, pleasure-filled lifestyle, he is wondering if maybe a simpler life wouldn't be better.

Travis Bickle is an ex-Marine and Vietnam War veteran living in New York City. As he suffers from insomnia, he spends his time working as a taxi driver at night, watching porn movies at seedy cinemas during the day, or thinking about how the world, New York in particular, has deteriorated into a cesspool. He's a loner who has strong opinions about what is right and wrong with mankind. For him, the one bright spot in New York humanity is Betsy, a worker on the presidential nomination campaign of Senator Charles Palantine. He becomes obsessed with her. After an incident with her, he believes he has to do whatever he needs to make the world a better place in his opinion. One of his priorities is to be the savior for Iris, a twelve-year-old runaway and prostitute who he believes wants out of the profession and under the thumb of her pimp and lover Matthew.

Paranoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy through a back door mechanism a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff, General Buck Turgidson, and President Merkin Muffley. Only Ripper knows the code to recall the B-52 bombers and he has shut down communication in and out of Burpelson as a measure to protect this attack. Ripper's executive officer, RAF Group Captain Lionel Mandrake (on exchange from Britain), who is being held at Burpelson by Ripper, believes he knows the recall codes if he can only get a message to the outside world. Meanwhile at the Pentagon War Room, key persons including Muffley, Turgidson and nuclear scientist and adviser, a former Nazi named Dr. Strangelove, are discussing measures to stop the attack or mitigate its blow-up into an all out nuclear war with the Soviets. Against Turgidson's wishes, Muffley brings Soviet Ambassador Alexi de Sadesky into the War Room, and get his boss, Soviet Premier Dimitri Kisov, on the hot line to inform him of what's going on. The Americans in the War Room are dismayed to learn that the Soviets have an as yet unannounced Doomsday Device to detonate if any of their key targets are hit. As Ripper, Mandrake and those in the War Room try and work the situation to their end goal, Major T.J. "King" Kong, one of the B-52 bomber pilots, is working on his own agenda of deploying his bomb where ever he can on enemy soil if he can't make it to his intended target.

1964 British satire film directed by Stanley Kubrick

20 years after the end of WWI, in which the nation of Tomainia was on the losing side, Adenoid Hynkel has risen to power as the ruthless dictator of the country. He believes in a pure Aryan state and the decimation of the Jews. This situation is unknown to a simple Jewish Tomainian barber who has been hospitalized since a WWI battle. Upon his release the barber, who had been suffering from memory loss about the war, is shown the new persecuted life of the Jews by many living in the Jewish ghetto, including a washerwoman named Hannah with whom he begins a relationship. The barber is ultimately spared such persecution by Commander Schultz, whom he saved in that WWI battle. The lives of all Jews in Tomainia are eventually spared with a policy shift by Hynkel himself, who is doing so for ulterior motives. But those motives include a desire for world domination, starting with the invasion of neighboring Osterlich, which may be threatened by Benzino Napaloni, the dictator of neighboring Bacteria. Ultimately Schultz, who has turned traitor against Hynkel's regime, and the barber may be able to join forces to take control of the situation, using Schultz's inside knowledge of the regime's workings and the barber's uncanny resemblance to one of those in power.

Russian poet Andrei Gorchakov, accompanied by guide and translator Eugenia's traveling through Italy researching the life of an 18th-century Russian composer. In an ancient town, he meets Domenico, who years earlier had imprisoned his family to save them from the evils of the world. Seeing some truth in Domenico's act, Andrei becomes drawn to him. In a series of dreams, the poet's nostalgia, and his sense of kinship with Domenico become intertwined.

In 1938, Walter Neff, an experienced salesman of the Pacific All Risk Insurance Co., meets the seductive wife of one of his clients, Phyllis Dietrichson, and they have an affair. Phyllis proposes to kill her husband to receive the proceeds of an accident insurance policy and Walter devises a scheme to receive twice the amount based on a double indemnity clause. When Mr. Dietrichson is found dead on a train track, the police accept the determination of accidental death. However, the insurance analyst and Walter's best friend Barton Keyes does not buy the story and suspects that Phyllis has murdered her husband with the help of another man.

Prague-born author of novels and short stories written in German

French poet, essayist and art critic (1821-1867)

Irish novelist, playwright, and poet (1906-1989)

Newcastle under Lyme

Stone

Daniel Vasilaky enjoys art, music, and literature.

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