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A Tale of Two Cities is Charles Dickens’s great historical novel, set against the violent upheaval of the French Revolution. The most famous and perhaps the most popular of his works, it compresses an event of immense complexity to the scale of a family history, with a cast of characters that includes a bloodthirsty ogress and an antihero as believably flawed as any in modern fiction. Though the least typical of the author’s novels, A Tale of Two Cities still underscores many of his enduring themes—imprisonment, injustice, social anarchy, resurrection, and the renunciation that fosters renewal.

Tally is about to turn sixteen, and she can't wait. In just a few weeks she'll have the operation that will turn her from a repellent ugly into a stunning pretty. And as a pretty, she'll be catapulted into a high-tech paradise where her only job is to have fun.But Tally's new friend Shay isn't sure she wants to become a pretty. When Shay runs away, Tally learns about a whole new side of the pretty world-- and it isn't very pretty. The authorities offer Tally a choice: find her friend and turn her in, or never turn pretty at all. Tally's choice will change her world forever...

A few years after rebel Tally Youngblood takes down the Specials regime, a cultural renaissance sweeps the world. “Tech-heads” flaunt their latest gadgets, “kickers” spread gossip and trends, and “surge monkeys” are hooked on extreme plastic surgery. Popularity rules, and everyone craves fame.Fifteen-year-old Aya Fuse is no exception. But Aya’s face rank is so low, she’s a total nobody. An extra. Her only chance at stardom is to kick a wild and unexpected story.Then she stumbles upon a big secret. Aya knows she is on the cusp of celebrity. But the information she is about to disclose will change both her fate…and that of the brave new world

"Special Circumstances": The words have sent chills down Tally's spine since her days as a repellent, rebellious ugly. Back then Specials were a sinister rumor -- frighteningly beautiful, dangerously strong, breathtakingly fast. Ordinary pretties might live their whole lives without meeting a Special. But Tally's never been ordinary.And now she's been turned into one of them: a superamped fighting machine, engineered to keep the uglies down and the pretties stupid.The strength, the speed, and the clarity and focus of her thinking feel better than anything Tally can remember. Most of the time. One tiny corner of her heart still remembers something more.Still, it's easy to tune that out -- until Tally's offered a chance to stamp out the rebels of the New Smoke permanently. It all comes down to one last choice: listen to that tiny, faint heartbeat, or carry out the mission she's programmed to complete. Either way, Tally's world will never be the same.

Gorgeous. Popular. Perfect.Perfectly wrong.Tally has finally become pretty. Now her looks are beyond perfect, her clothes are awesome, her boyfriend is totally hot, and she's completely popular. It's everything she's ever wanted.But beneath all the fun -- the nonstop parties, the high-tech luxury, the total freedom -- is a nagging sense that something's wrong. Something important. Then a message from Tally's ugly past arrives. Reading it, Tally remembers what's wrong with pretty life, and the fun stops cold.Now she has to choose between fighting to forget what she knows and fighting for her life -- because the authorities don't intend to let anyone with this information survive.

Cold Mountain is a novel about a soldier’s perilous journey back to his beloved near the Civil War's end. At once a love story &amp; a harrowing account of one man’s long walk home, Cold Mountain introduces a new talent in American literature.Based on local history &amp; family stories passed down by Frazier’s great-great-grandfather, Cold Mountain is the tale of a wounded Confederate soldier, Inman, who walks away from the ravages of the war &amp; back home to his prewar sweetheart, Ada. His odyssey thru the devastated landscape of the soon-to-be-defeated South interweaves with Ada’s struggle to revive her father’s farm, with the help of an intrepid young drifter named Ruby. As their long-separated lives begin to converge at the close of the war, Inman &amp; Ada confront the vastly transformed world they’ve been delivered.Frazier reveals insight into human relations with the land &amp; the dangers of solitude. He also shares with the great 19th century novelists a keen observation of a society undergoing change. Cold Mountain recreates a world gone by that speaks to our time.

'In what may be Dickens's best novel, humble, orphaned Pip is apprenticed to the dirty work of the forge but dares to dream of becoming a gentleman — and one day, under sudden and enigmatic circumstances, he finds himself in possession of "great expectations." In this gripping tale of crime and guilt, revenge and reward, the compelling characters include Magwitch, the fearful and fearsome convict; Estella, whose beauty is excelled only by her haughtiness; and the embittered Miss Havisham, an eccentric jilted bride

Alternate cover for this ISBN can be found here"A green hunting cap squeezed the top of the fleshy balloon of a head. The green earflaps, full of large ears and uncut hair and the fine bristles that grew in the ears themselves, stuck out on either side like turn signals indicating two directions at once. Full, pursed lips protruded beneath the bushy black moustache and, at their corners, sank into little folds filled with disapproval and potato chip crumbs."Meet Ignatius J. Reilly, the hero of John Kennedy Toole's tragicomic tale, A Confederacy of Dunces. This 30-year-old medievalist lives at home with his mother in New Orleans, pens his magnum opus on Big Chief writing pads he keeps hidden under his bed, and relays to anyone who will listen the traumatic experience he once had on a Greyhound Scenicruiser bound for Baton Rouge. ("Speeding along in that bus was like hurtling into the abyss.") But Ignatius's quiet life of tyrannizing his mother and writing his endless comparative history screeches to a halt when he is almost arrested by the overeager Patrolman Mancuso--who mistakes him for a vagrant--and then involved in a car accident with his tipsy mother behind the wheel. One thing leads to another, and before he knows it, Ignatius is out pounding the pavement in search of a job.Over the next several hundred pages, our hero stumbles from one adventure to the next. His stint as a hotdog vendor is less than successful, and he soon turns his employers at the Levy Pants Company on their heads. Ignatius's path through the working world is populated by marvelous secondary characters: the stripper Darlene and her talented cockatoo; the septuagenarian secretary Miss Trixie, whose desperate attempts to retire are constantly, comically thwarted; gay blade Dorian Greene; sinister Miss Lee, proprietor of the Night of Joy nightclub; and Myrna Minkoff, the girl Ignatius loves to hate. The many subplots that weave through A Confederacy of Dunces are as complicated as anything you'll find in a Dickens novel, and just as beautifully tied together in the end. But it is Ignatius--selfish, domineering, and deluded, tragic and comic and larger than life--who carries the story. He is a modern-day Quixote beset by giants of the modern age. His fragility cracks the shell of comic bluster, revealing a deep streak of melancholy beneath the antic humor. John Kennedy Toole committed suicide in 1969 and never saw the publication of his novel. Ignatius Reilly is what he left behind, a fitting memorial to a talented and tormented life.

A funny, often poignant tale of boy meets girl with a twist: what if one of them couldn't stop slipping in and out of time? Highly original and imaginative, this debut novel raises questions about life, love, and the effects of time on relationships.Audrey Niffenegger’s innovative debut, The Time Traveler’s Wife, is the story of Clare, a beautiful art student, and Henry, an adventuresome librarian, who have known each other since Clare was six and Henry was thirty-six, and were married when Clare was twenty-three and Henry thirty-one. Impossible but true, because Henry is one of the first people diagnosed with Chrono-Displacement Disorder: periodically his genetic clock resets and he finds himself misplaced in time, pulled to moments of emotional gravity in his life, past and future. His disappearances are spontaneous, his experiences unpredictable, alternately harrowing and amusing. The Time Traveler’s Wife depicts the effects of time travel on Henry and Clare’s marriage and their passionate love for each other as the story unfolds from both points of view. Clare and Henry attempt to live normal lives, pursuing familiar goals—steady jobs, good friends, children of their own. All of this is threatened by something they can neither prevent nor control, making their story intensely moving and entirely unforgettable.

I say this all of the time, but reading old school fantasy books is like reading with a friend. And they remind me of when I was young. I don't know why. Maybe because I'm old school. Happy Reading! Mel ❤️

The Dragon Reborn—the leader long prophesied who will save the world, but in the saving destroy it; the savior who will run mad and kill all those dearest to him—is on the run from his destiny.Able to touch the One Power, but unable to control it, and with no one to teach him how—for no man has done it in three thousand years—Rand al'Thor knows only that he must face the Dark One. But how?Winter has stopped the war—almost—yet men are dying, calling out for the Dragon. But where is he?Perrin Aybara is in pursuit with Moiraine Sedai, her Warder Lan, and Loial the Ogier. Bedeviled by dreams, Perrin is grappling with another deadly problem—how is he to escape the loss of his own humanity?Egwene, Elayne and Nynaeve are approaching Tar Valon, where Mat will be healed—if he lives until they arrive. But who will tell the Amyrlin their news—that the Black Ajah, long thought only a hideous rumor, is all too real? They cannot know that in Tar Valon far worse awaits...Ahead, for all of them, in the Heart of the Stone, lies the next great test of the Dragon reborn....

The seals of Shayol Ghul are weak now, and the Dark One reaches out. The Shadow is rising to cover humankind.In Tar Valon, Min sees portents of hideous doom. Will the White Tower itself be broken?In the Two Rivers, the Whitecloaks ride in pursuit of a man with golden eyes, and in pursuit of the Dragon Reborn.In Cantorin, among the Sea Folk, High Lady Suroth plans the return of the Seanchan armies to the mainland.In the Stone of Tear, the Lord Dragon considers his next move. It will be something no one expects, not the Black Ajah, not Tairen nobles, not Aes Sedai, not Egwene or Elayne or Nynaeve.Against the Shadow rising stands the Dragon Reborn.....

The first series that showed it was possible to do an uninspired rewrite of Tolkien and make a mint was Shannara. After that the doors were flung wide, and the next to profit off the scheme was was Robert Jordan. Of course, I'm not suggesting it's bad to take inspiration from older authors--all authors do this, as Virgil did from Homer, and Milton from Virgil, and Byron from Milton. Tolkien himself drew on the Norse Eddas, Welsh myths, English fairy tales, and Blake's myth-making.But when a skilled author takes inspiration, they expand and change what came before, combining many influences to produce their own unique voice and vision. Jordan didn't have the knowledge of language, history, or culture to truly copy Tolkien's style, nor was he able to add a unique spin.The Eye of The World is a more accessible version of Tolkien, but Tolkien is already a simplified version of the Norse Sagas, meaning that Jordan felt a need to dumb-down the accessible, which doesn't leave his book with much personality.Jordan also takes influence from the Sword &amp; Sorcery tradition, particularly R.E. Howard (Jordan even wrote and published some of his own Conan stories). However, unlike other authors of rollicking adventure Fantasy, like Leiber or Charles Saunders, Jordan kept Tolkien's plodding length. It is difficult to comprehend how an author could take such a simple, familiar story and stretch it out over so many pages.The hero is an orphan who looks different, he gets his father's magic sword, he goes on a quest with an old, wily mentor, gets attacked by evil (dark-skinned) mongoloids from the mysterious East, meets the princess by accident, becomes embroiled in an ancient prophecy, discovers a magic 'force' which controls fate (and the plot), &amp;c., &amp;c. Stop me if you've heard this one before. Like a lot of modern fantasy, the plot and characters are nothing new. If you've seen Star Wars, then you know it by heart. Every fantasy fan has read this same story again and again from countless authors--some, apparently on purpose. Of course, when this old story is told well, with slick pacing and vivid characters, we can forgive the cliches, or even enjoy them freshly, recognizing their universal appeal. But when an author is simply trotting out an old, tired story and doing nothing to make it shine anew, then the only appeal it can lay claim to is bland nostalgia.There's no reason for this sort of repetition: a new book should be more than just fanfic of an older, financially successful book. There are countless different influences out there, long before Tolkien or Howard ever touched pen to paper (many of which can be found in the link at the end of this review), so it's disappointing to see authors continually rehashing the same tedious cliches completely unchanged half a century later.Jordan's long-winded style can't even boast the wealth of meticulous details with which Tolkien filled his pages (often to the detriment of his story). It's clear that Jordan's trying to build a one of those massively detailed worlds so prevalent in pop fantasy, but it's not an interesting, original world--it's just another generic, pseudo-Medieval Europe without any of the genuinely interesting bits that made that time period unique. It's just modern characters with modern psychology swinging around magic swords in a Disneyland version of history.It might not be so bad if the lengthy asides were actually interesting, in and of themselves. If each little piece was amusing in its own right, we might forgive. If they gave us some odd bit of defamiliarization that caused us to look at our own, modern world in a new way, that would be something. Instead, we get dry, lengthy explanations of extraneous facts that we had no reason to be curious about in the first place.Some readers have pointed out that these facts show up in later books of the series, which is probably true, but then, what are they doing in this book? If Mary doesn't appear until book three, it is not useful or interesting to stop in the middle of book one and tell us she has blonde hair. Facts should not be evenly distributed throughout a series, they should be placed in close proximity to scenes that relate to them. That way they make sense to the reader and we have a reason to care about them. That's the difference between foreshadowing and a word search puzzle.If an author has to stop the story every few paragraphs to explain what's going on, then his writing is simply not working. The world should be revealed to us through characters, through their interactions, through small details of verisimilitude that are lovely or interesting on their own, and through scenes designed specifically to illustrate a point without losing focus and falling into lengthy digressions.But Jordan's characters are dull and shallow, his dialogue bland, and his plot (though it possesses many parts) lacks twists or turns. We are given an unending parade of new characters and lengthy asides, which masterfully suck all the drive, purpose, and life from an otherwise simplistic story. At half this length, the book would have been merely another two-star fantasy rehash. At a third the length, it might have started to show some pep--but Jordan had to stretch out his all-to-familiar story to doorstop proportions.In Tolkien, the first hundred pages takes place in quaint Hobbiton. This prelude prepares us for the rest of the book, allowing us to understand the strange world and characters and setting a mood. When the action takes us away, we find we have formed a certain attachment to the bucolic charm of Hobbiton (sickly-sweet as it may be). Finally, when we do depart, the world we meet is much grander in comparison. In Eye of the World, you spend the first hundred and fifty pages in a drab farming community, so that when the characters finally leave, it will seem like something is happening. This is only an illusion.Some of Jordan's fans have pointed to the 'Wheel of Time' aspect as his unique contribution to the genre--mixing Eastern philosophy and the idea of eternal recurrence in with his mock-feudal world, but it's the same thing that E.R. Eddison was doing in the 1920s, and which Michael Moorcock has been exploring and expanding on since the sixties. As such, I don't see it as some new twist that Jordan has added to fantasy, but as another bland rehash of an interesting idea some other author had decades before.Also, like most fantasy authors, Jordan seems to have a problem writing female characters. They are either whiny and snotty, or emasculating ice queens. They all speak in the exact same voice--and the joke in the writing community is that anyone who has met his wife know exactly where every one of his female characters comes from. I couldn't count on both hands the fantasy authors who seem to think 'strong woman' means 'insufferable, unapologetic shrew'. Then again, it isn't as if his male characters aren't any more interesting or fleshed-out, even if they do get a more flattering depiction.I've also been led to understand that later on in the series, we get a magical band of lipstick lesbians who 'go straight' when they grow up (and meet 'real men', like our heroes), plus a bunch of sex-fetish weirdness about punishment by naked public spanking. But I suppose that if Jordan resembles other genre writers in terms of plot, length, setting, and character, he might as well go all the way and throw in some of his own unprocessed sexual hangups.And as the series goes on, the many problems with pacing, plotting, and unfocused asides only grow worse. If Jordan can't keep everything straight in his opening book, how will he possibly deal when the story starts branching out (as stories inevitably do)? It is hardly surprising that such a tenuous grasp will inevitably slip away--as it has for so many other authors in pop fantasy, from Martin to Goodkind, who start off intending to write a trilogy and end up with ten books, each of which takes five years to write, and none of which even manage to finish the plot started in book I.So, take the plot of Star Wars, add the long-windedness of Tolkien, the piecemeal structure of Howard, the cosmology of Moorcock, add in a pinch of awkward sexual hangups, and you have yet another crap pop fantasy, ready to sell a million copies to folks who want nothing more than to read the same story over and over as written by a succession of chubby, bearded, awkward dudes. I'm sure a violent, breast-baring miniseries is already in preproduction.UPDATE: one might point to the endless repetition in modern literature as a sure sign that there is no God, no grand plan, and no purpose to the universe. A benevolent power would surely spare us the pain of such unending mediocrity.However, if there were some deity, and he had a sense of humor, then he would allow the uncreative authors to publish, to gain fame, win awards, and rake in the cash, until their series piled self-indulgently to the length of a minor encyclopedia. Then our clownish deity would let the author announce that he is finally approaching The End (for real this time!), only to perish on the cusp. Since this is precisely what happened to Jordan, I will have to keep an eye out for other signs of this humorous demiurge, possibly in the form of leper-curing banana peels and hagiographic fright wigs.My Fantasy Book Suggestions

The Wheel of Time is a series of high fantasy novels by American author Robert Jordan, with Brandon Sanderson as a co-author for the final three novels. Originally planned as a six-book series at its debut in 1990, The Wheel of Time came to span 14 volumes, in addition to a prequel novel and two companion books. Jordan died in 2007 while working on what was planned to be the final volume in the series. He prepared extensive notes which enabled fellow fantasy author Brandon Sanderson to complete the final book, which grew into three volumes: The Gathering Storm (2009), Towers of Midnight (2010), and A Memory of Light (2013).

The war for survival of the planet Lusitania will be fought in the hearts of a child named Gloriously Bright.On Lusitania, Ender found a world where humans and pequininos and the Hive Queen could all live together; where three very different intelligent species could find common ground at last. Or so he thought.Lusitania also harbors the descolada, a virus that kills all humans it infects, but which the pequininos require in order to become adults. The Starways Congress so fears the effects of the descolada, should it escape from Lusitania, that they have ordered the destruction of the entire planet, and all who live there. The Fleet is on its way, and a second xenocide seems inevitable.

Children of the Mind (1996) is the fourth novel of Orson Scott Card's popular Ender's Game series of science fiction novels that focus on the character Ender Wiggin. This book was originally the second half of Xenocide, before it was split into two novels.At the start of Children of the Mind, Jane, the evolved computer intelligence, is using her newly discovered abilities to take the races of buggers, humans and pequeninos outside the universe and back instantaneously. She uses these powers to move them to distant habitable planets for colonization. She is losing her memory and concentration as the vast computer network connected to the ansible is being shut down. If she is to survive, she must find a way to transfer her aiúa (or soul) to a human body.

Fire Emblem is a fantasy tactical role-playing game franchise developed by Intelligent Systems and published by Nintendo. First produced and published for the Famicom in 1990, the series currently consists of sixteen core entries and four spinoffs. Gameplay revolves around the tactical movement of characters across grid-based environments, while incorporating a story and characters similar to traditional role-playing video games.A notable aspect of gameplay is the permanent death of characters in battle, removing them from the rest of the game when they are defeated. In newer games, from Fire Emblem: New Mystery of the Emblem onwards, players get to choose between Classic Mode, in which fallen characters remain dead, or Casual Mode, in which fallen characters are revived for the next battle. The series title refers to the "Fire Emblem", a recurring element in the series that is usually portrayed as a royal weapon or shield representing the power of war and dragons. The development of the first game began as a dōjin project by Shouzou Kaga and three other developers. Its success prompted the development of further games in the series. Kaga headed the development of each entry until the release of Thracia 776, when he left Intelligent Systems and founded his game studio to develop Tear Ring Saga.

Bananagrams is a word game invented by Abraham Nathanson and Rena Nathanson of Cranston, Rhode Island, wherein lettered tiles are used to spell words.Nathanson conceived and developed the idea for the game with the help of his family. The name is derived from the founding family's claim that it's the "anagram game that will drive you bananas!" Beginning as a family innovation, Bananagrams was made available to the public in January 2006 at the London Toy Fair. The game is similar to the older Scrabble variant Take Two.Gameplay involves arranging one's tiles into a grid of connected words faster than one's opponents. The object of the game is to be the first to complete a word grid after the pool of tiles has been exhausted. The tiles come in a fabric banana-shaped package.

Master strategy in the medieval world! In the classic board game Carcassonne, the medieval countryside thrives as you and your opponents place tiles and complet...

Dixit, is a French card game created by Jean-Louis Roubira, illustrated by Marie Cardouat, and published by Libellud. Using a deck of cards illustrated with dreamlike images, players select cards that match a title suggested by the designated storyteller player, and attempt to guess which card the storyteller selected. The game was introduced in 2008. Dixit won the 2010 Spiel des Jahres award.

The delicate balance of the Triforce has been disrupted, and Hyrule Kingdom is once again being torn apart by a dark power, this time lead by Sorceress Cia. Now...

Dynasty Warriors 5 (真・三國無双4, Shin Sangokumusō 4, Shin Sangokumusou 4 in Japan) is a hack and slash video game set in China and the fifth installment in the Dynasty Warriors series, developed by Omega Force and published by Koei. The game was released on the PlayStation 2 and Xbox. It is based on the Chinese novel Romance of the Three Kingdoms by Luo Guanzhong.
The gameplay of Dynasty Warriors 5 is based on previous "Dynasty Warriors" games. It is a hack-and-slash beat-'em-up 3-D action game.
The game features multiple modes. Musou Mode presents a number of chronologically consecutive battle stages revolving around one chosen character, augmented by animation and character-voiced storytelling that provides context for battles and actions. Free Mode allows a player to play default levels and those that have been completed in Musou Mode one at a time. Both Musou Mode and Free Mode allow for two-player cooperative gameplay. Challenge Mode introduces a number of specialized stages with specific challenges, including time trials. 
In extreme mode you can buy many items. The Encyclopedia feature gives a description of each officer in Dynasty Warriors 5, including every non-player character. The Options feature stores viewed pre-rendered videos and offers gameplay and presentation options to the player.

Dynasty Warriors is a weapon-based fighting video game developed by Omega Force and published by Koei. It was released in 1997 for the PlayStation for all territories. Unlike the later installments in the series which are hack and slash, Dynasty Warriors is a "one-on-one" fighting game.
Contemporary gaming journalists noted Dynasty Warriors for being a startling departure from the strategy games that Koei was known for. Upon release, it was greeted as a success in this regard by most critics. 
All combat is weapon-based, similar to the Soulcalibur series. Rather than having a single all-purpose block button, as in most fighting games, the player must parry the enemy's strikes by executing their own attack at the same height with the correct timing, leaving the enemy vulnerable to attack. The stages are in morning, noon, and dusk.

Dynasty Warriors 3 (真・三國無双2, Shin Sangokumusō 2, Shin Sangokumusou 2 in Japan) is a hack and slash video game developed by Omega Force (ω-force) and published by Koei and THQ (PAL only). It is third in the Dynasty Warriors series in North America and the second in the Shin Sangokumusou series in Japan. It is a spin-off from the video game Romance of the Three Kingdoms and based around a series of books by the same name, written by Luo Guanzhong. It contains a number of fictional and non-fictional elements from the same era in Chinese history that Romance of the Three Kingdoms is set but follows the main events of part of the story which is to unify China under the single rule of a kingdom.

Pokémon is a series of video games developed by Game Freak and published by Nintendo and The Pokémon Company under the Pokémon media franchise. It was created by Satoshi Tajiri with assistance from Ken Sugimori, the first games, Pocket Monsters Red and Green, released in 1996 in Japan for the Game Boy, later released outside of Japan as Pokémon Red and Blue. The main series of role-playing video games (RPGs), referred as the "core series" by their developers, have continued on each generation of Nintendo's handhelds. The most recently released core series game, Pokémon Legends: Arceus, was released on January 28, 2022, for the Nintendo Switch. It is a prequel to the 2006 Nintendo DS games Pokémon Diamond and Pearl.

Hide-and-seek is a popular children's game in which at least two players conceal themselves in a set environment, to be found by one or more seekers. The game is played by one chosen player counting to a predetermined number with eyes closed while the other players hide. After reaching this number, the player who is "it" calls "Ready or not, here I come!" or "Coming, ready or not!" and then attempts to locate all concealed players.

Truth or dare? is a mostly verbal party game requiring two or more players. Players are given the choice between answering a question truthfully, or performing a "dare", both of which are set by the other players. The game is particularly popular among adolescents and children, and is sometimes used as a forfeit when gambling. Truth or dare? game sessions may have a sexual connotation to them.The game has existed for centuries, with at least one variant, "questions and commands", being attested as early as 1712:A Christmas game, in which the commander bids his subjects to answer a question which is asked. If the subject refuses, or fails to satisfy the commander, he must pay a forfeit [follow a command] or have his face smutted [dirtied].

Uno is a video game based on the card game of the same name. It has been released for a number of platforms. The Xbox 360 version by Carbonated Games and Microsoft Game Studios was released on May 9, 2006, as a digital download via Xbox Live Arcade. A version for iPhone OS and iPod devices was released in 2008 by Gameloft. Gameloft released the PlayStation 3 version on October 1, 2009, and also released a version for WiiWare, Nintendo DSi via DSiWare, and PlayStation Portable. An updated version developed by Ubisoft Chengdu and published by Ubisoft was released for the PlayStation 4 and Xbox One in August 2016, the Microsoft Windows in December 2016 and for the Nintendo Switch in November 2017.

Guillotine is a card game created by Wizards of the Coast and designed by Paul Peterson. The game is set during the French Revolution, and was released on Bastille Day in 1998. The goal is to collect the heads of Nobles, accumulating points. Despite the grim topic of the game, the artwork is comical and the tone light.Guillotine won the 1998 Origins Award for Best Traditional Card Game.Game play, for two to five players, takes approximately 30 minutes. Game equipment consists of two decks of cards, "Nobles" and "Actions", and a small cardboard structure representing the guillotine itself. This is mostly symbolic, though it can serve as a convenient indicator of the direction of the "line" of face-up Noble cards played on the game table representing condemned persons waiting to be beheaded. The Nobles cards carry points values and are collected by players after execution, while Action cards allow the player to perform various acts including rearranging the order of Nobles approaching the guillotine, stealing Nobles or Action cards from other players, enhancing the point values of certain categories of Nobles (see "Noble Types" below) and so forth.

Sorry! is a 1998 video game based on the board game of the same name. It offers classic Sorry! and also a mode called Way Sorry!, where new cards are introduced, including Bully, Buddy, Punish, and Happy. The animated pawns talk, joke, and make amusing remarks during gameplay that relate with the colors' personalities. There are cutscenes as well, which show what happens afterward when a specific color wins.
Rules are identical to normal play; however there are some options for "house rules", such as being allowed to bump teammates. Both the Classic (playing cards drawn) and Strategy (playing cards from hand) games are available.In addition to normal play, the game provides an extra deck of cards called Way Sorry!, along with the standard cards. These cards are unique to this version of the game. The player can choose if they want to play with the extra cards or not. It includes the following:

Apples to Apples is a party game originally published by Out of the Box Publishing Inc., and now by Mattel. Players start with a hand of seven "red apple" cards, which feature nouns. A player is selected to be the first judge, and that judge plays a "green apple" card, which features an adjective. The round is won by playing the "red apple" card that the judge determines to be the best match for the "green apple" card. The role of the judge rotates, and the number of rounds is determined by the number of players. The game is designed for four to ten players and played for 30–75 minutes.Apples to Apples was chosen by Mensa International in 1999 as a "Mensa Select" prizewinner, an award given to five games each year. It was also named "Party Game of the Year" in the December 1999 issue of Games magazine and received the National Parenting Center's seal of approval in May 1999. The popularity of the game led to an increased interest in similar card-matching/answer-judging party games. On September 8, 2007, Out of the Box Publishing sold the rights for Apples to Apples to Mattel.

Balderdash is a board game variant of a classic parlor game known as Fictionary or "The Dictionary Game". It was created by Laura Robinson and Paul Toyne of Toronto, Ontario, Canada. The game was first released in 1984 under Canada Games. It was later picked up by a U.S company, The Games Gang, and eventually became the property of Hasbro and finally Mattel. The game has sold over 15 million copies worldwide to date. It is aimed at fans of word games, such as Scrabble.Balderdash is based on an earlier game, Fictionary, of essentially similar gameplay, varying in that obscure words are found in an unabridged dictionary instead of the definitions and meanings provided on cards. They are then read out to the unsuspecting individual.

Scattergories is a creative-thinking category-based party game originally published by Parker Brothers in 1988. Parker Brothers was purchased by Hasbro a few years later, and they published the game internationally under their Milton Bradley brand. The objective of the 2-to-6-player game is to score points by uniquely naming objects within a set of categories, given an initial letter, within a time limit. The game is based on a traditional game known as Tutti Frutti, Jeu du Baccalauréat, Stadt Land Fluss, and many other names.The game is played in sets of 3 rounds.In 1989, Milton Bradley published a "refill" pack for Scattergories. It consists of 18 cards with 144 new categories and contains 6 new answer pads.

The classic board game of all times, with gorgeous graphics, computer opponent, and intuitive interface. Backgammon is a game of luck and strategy. Beautiful ha...

Fluxx is a card game, played with a specially designed deck published by Looney Labs. It is different from most other card games, in that the rules and the conditions for winning are altered throughout the game, via cards played by the players.Fluxx was created by Andrew Looney on July 24, 1996 as the first game for his and his wife's part-time game design company, Looney Laboratory. The original print run was for 5,000 units and was released in 1997.The game was successful and was licensed a year later to Iron Crown Enterprises (ICE) for wider distribution. ICE went bankrupt two years later and Looney Labs resumed publication and distribution. By March 2001, Labs was considering putting out another standalone deck version called Fluxx++ using card created by the Fluxx playing community with Fluxx Blanxx and Fluxx: Goals Galore, an expansion consisting of goal cards, based on its Origins 2000 5 Goal cards promo pack. Labs created Fluxx Lite, a slimmed down 56 card deck to lower the price for discount superstores, in design by March 2002.

A writer who is brutalized during her cabin retreat seeks revenge on her attackers, who left her for dead.

Ivan Locke, a dedicated family man and successful construction manager, receives a phone call on the eve of the biggest challenge of his career that sets in motion a series of events that threaten his carefully cultivated existence.

A self-diagnosed nymphomaniac recounts her erotic experiences to the man who saved her after a beating.

Affable hillbillies Tucker and Dale are on vacation at their dilapidated mountain cabin when they are mistaken for murderers by a group of preppy college students.

In the distant future, a small waste-collecting robot inadvertently embarks on a space journey that will ultimately decide the fate of mankind.

Attack the Gas Station! (Korean: 주유소 습격 사건) is a 1999 Korean crime-comedy film directed by Kim Sang-jin and written by Park Jung-woo.The film tells the story of a quartet of thugs who rob a gas station out of sheer boredom, having robbed it only a few days previously. Unable to get any money from the register, they take everyone hostage and start dispensing gas and keeping the money. The film becomes progressively more and more farcical as the characters find different ways of amusing themselves, mostly through the mixed cast of characters that come in through the gas station. However, it's only a matter of time before they start upsetting the wrong people.During the question and answer session at a screening during the 2000 Vancouver International Film Festival, director Kim Sang-jin indicated that the film inspired real-life copycats in South Korea.

The supposedly true story of a 23-year-old otaku (Japanese geek) who intervenes when a drunk man is harassing several women on a train. The otaku ultimately begins dating one of the women, and posts on a website asking for advice eve

Reon is a pretty girlfriend of a man and has a job. All is well. Except until it is not. Her boyfriend dumps her and moves on. Her boss fires her and moves on. It is cruel and unjust world. Reo is a chief executive officer and gets g

Matthia is about to move to Madrid to be with his boyfriend Eduard, so he won't have to reveal to the family of being gay. Eduard, however, is convinced that their marriage has the blessing of all family members. On the day before Ma

A family of undercover superheroes, while trying to live the quiet suburban life, are forced into action to save the world.

2004 American animated film produced by Pixar Animation Studios and directed by Brad Bird

A man challenges himself to say "yes" to everything.

An updated version of H.G Wells' seminal sci-fi classic about an alien invasion threatening the future of humanity. The catastrophic nightmare is depicted through the eyes of one American family fighting for survival.

Years after a plague kills most of humanity and transforms the rest into monsters, the sole survivor in New York City struggles valiantly to find a cure.

2007 American film directed by Francis Lawrence

A rag doll that awakens in a postapocalyptic future holds the key to humanity's salvation.

When a criminal mastermind uses a trio of orphan girls as pawns for a grand scheme, he finds their love is profoundly changing him for the better.

2010 American computer-animated 3D comedy film

An alien civilization is invaded by Astronaut Chuck Baker, who believes that the planet was uninhabited. Wanted by the military, Baker must get back to his ship before it goes into orbit without him.

2009 English-language Spanish/British animated science fiction/family comedy film directed by Jorge Blanco

A newly recruited night security guard at the Museum of Natural History discovers that an ancient curse causes the animals and exhibits on display to come to life and wreak havoc.

A local scientist is often regarded as a failure until he invents a machine that can make food fall from the sky. But little does he know, that things are about to take a turn for the worst.

2009 American computer-animated science fiction comedy film

Evil genius Megamind finally defeats his do-gooder nemesis, Metro Man, but is left without a purpose in a superhero-free world.

2010 American 3D computer-animated superhero comedy film directed by Tom McGrath

A young boy befriends a giant robot from outer space that a paranoid government agent wants to destroy.

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