Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

A lone astronaut must save the earth from disaster in this incredible new science-based thriller from the #1 New York Times bestselling author of The Martian.Ryland Grace is the sole survivor on a desperate, last-chance mission--and if he fails, humanity and the earth itself will perish.Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it.All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.His crewmates dead, his memories fuzzily returning, he realizes that an impossible task now confronts him. Alone on this tiny ship that's been cobbled together by every government and space agency on the planet and hurled into the depths of space, it's up to him to conquer an extinction-level threat to our species.And thanks to an unexpected ally, he just might have a chance.Part scientific mystery, part dazzling interstellar journey, Project Hail Mary is a tale of discovery, speculation, and survival to rival The Martian--while taking us to places it never dreamed of going.

Alice's Adventures in Wonderland is a work of children's literature by the English mathematician and author, the Reverend Charles Lutwidge Dodgson, written under the pseudonym Lewis Carroll. It tells the story of a girl named Alice who falls down a rabbit-hole into a fantasy realm populated by grotesque figures like talking playing cards and anthropomorphic creatures. The Wonderland described in the tale plays with logic in ways that have made the story of lasting popularity with adults as well as children. It is considered to be one of the most characteristic examples of the genre of literary nonsense.

From the Booker Prize-winning author of The Remains of the Day and When We Were Orphans, comes an unforgettable edge-of-your-seat mystery that is at once heartbreakingly tender and morally courageous about what it means to be human.Hailsham seems like a pleasant English boarding school, far from the influences of the city. Its students are well tended and supported, trained in art and literature, and become just the sort of people the world wants them to be. But, curiously, they are taught nothing of the outside world and are allowed little contact with it.Within the grounds of Hailsham, Kathy grows from schoolgirl to young woman, but it’s only when she and her friends Ruth and Tommy leave the safe grounds of the school (as they always knew they would) that they realize the full truth of what Hailsham is.Never Let Me Go breaks through the boundaries of the literary novel. It is a gripping mystery, a beautiful love story, and also a scathing critique of human arrogance and a moral examination of how we treat the vulnerable and different in our society. In exploring the themes of memory and the impact of the past, Ishiguro takes on the idea of a possible future to create his most moving and powerful book to date.

Vin, the street urchin who has grown into the most powerful Mistborn in the land, and Elend Venture, the idealistic young nobleman who loves her, must build a healthy new society in the ashes of an empire. Three separate armies attack. As the siege tightens, an ancient legend seems to offer a glimmer of hope. But even if it really exists, no one knows where to find the Well of Ascension or what manner of power it bestows.

This is not a review. This is a story, a story about a man who opened the first pages of Mistborn: The Final Empire.Back in August 2016, there was a man who lived in emptiness. He was probably clinically depressed, but he would never know; he didn’t get himself checked. His heart didn’t ache, his smile was freely given, but he was never happy; he felt empty every day. Damages were added when he realized his hobbies didn’t interest him that much anymore, which resulted in reluctant social interaction with his friends. His insomnia was so acute that he couldn’t sleep without alcohol so he drowned in it every night. These symptoms were most likely the aftermath of cumulative mental damage afflicted by those closest to him. His best friend spread lies about him, his closest cousin stole tons of money from him, and then he lost his job and his then girlfriend dumped him. He was alone. He told himself, this can’t be it. There’s always a way to come back stronger. He decided to do something new; he decided to fully immerse himself in reading novels. There were countless choices out there and he didn’t know what to choose first, but on the 1st of September 2016, he dived into the mist and hope was born.He was completely addicted. By the end of the trilogy, reading fiction, especially fantasy, became a drug for him. Amazed by the five-year struggle, the characters in the book became incredibly real to him and he lived through every single event with them. He knew that the end of this trilogy was the beginning of what he hoped would be an everlasting adventure. He knew that he had become deeply entrenched by the power of words.This is not a review; this is a story. A story about a renewed man who closed the last page on The Hero of Ages as a different person from the one who first picked up the book. A story about me, rising out of the mist a better man. \
  \
    “I am, unfortunately, the Hero of Ages.”\
  \
Picture: The Hero of Ages by breath-artI’ve read and reviewed more than 200 novels within the past two and a half years. I won’t lie; during that journey, I’ve read series that I think are better than this trilogy. However, when it comes to a matter of importance, this trilogy stands at the utmost top and there will never exist another that could change that situation for me. Finishing this trilogy watered the flower of hope in my garden. I found a lot of friends who have the same hobby as me, I found a new job, I found a new girlfriend who loves to read and understand my passions; I’m not empty anymore.Some readers will consider Brandon Sanderson a weak author who doesn’t deserve his success. Some will consider his books or characters to be poorly written. Some will envy Sanderson because he’s more successful than their favorite authors. All of these are views they have every right to hold; after all, we’re all entitled to our opinions. For me, he’s none of these things. Sometimes I wonder if I would have become the man I am today if I had picked a different series to start my literary adventure. Maybe I wouldn’t have fallen in love with fantasy novels so deeply; maybe all the blessings I mentioned before would not have aligned with my stars. However, that’s a question I can’t answer.I know that I haven’t talked about this concluding installment and what made the book superb. But thinking about it, when a book has managed to change the core of my lifestyle, I doubt I need to fully explain what made this trilogy amazing. Like I said, I won’t claim this trilogy is the best series out there, because it’s not. It’s one of my favorites but I’ve encountered plenty that are definitely better. However, nothing can change the fact that the Mistborn trilogy will always be the most important novels in my life. It sparked my love for reading fantasy novels; it’s an alpha in my endless journey to find omega. I haven’t met Sanderson and I don’t know if I ever will; he most likely won’t ever read these words and that’s okay. A reader and author are connected most of the time by a monetary relationship. I pay to read their story, and they need money to keep on making stories; I’m content with doing that. It’s time for me to put an end to this portion of my story; more adventure awaits. Brandon Sanderson, here are my closing sentences for you:No matter what anyone else says about you, your works are responsible for changing my life for the better. For that, no words will ever be enough to express my gratitude.This is not a review; this is a story. A story about me, and I’d like to thank Brandon Sanderson for sparking my love for reading novels. \
  \
    “You are, fortunately, my hero of ages.” - Petrik\
  \
Picture: Mistborn trilogy by Marc Simonetti\
  Series Review:\
Mistborn: The Final Empire: \
  \
    5/5 stars\
  \
The Well of Ascension: \
  \
    5/5 stars\
  \
The Hero of Ages: \
  5/5 stars\
Mistborn trilogy: \
  15/15 stars\
You can order the book from: Book Depository (Free shipping)You can find this and the rest of my reviews at Novel Notions

I can't remember being this violently conflicted about a book in quite some time. There are some areas where it's just so well done, with the author absolutely nailing it, and then others where I found myself grinding my teeth in frustration. I'm going to abandon my usual practice of writing short, pithy reviews and just drunkenly ramble on a few things here. (Still no spoilers, though.) That OK with y'all?Language. About two and a half chapters into this book, I found myself asking, "Why does this feel like a kids' fantasy book?" It wasn't the subject material or the plot, both of which are much more sophisticated than Harry Potter and his ilk. While I would feel perfectly comfortable having a 12-year old read this PG13-violent and utterly asexual book, I don't feel as though it's necessarily written for tweens. Finally it occurred to me: it's the language. This book is one of the most simply written books I've ever read, using only the most basic vocabulary. That isn't a bad thing, as I'd rather read something direct and simple than something flowery and overwritten, but Sanderson's language is so simple here that it's almost as if he's drawing with the Crayola 16-set when other authors have the big 64. (One notable exception: having apparently become recently enamored of the word, he uses maladroitly at least three times. Maybe he was jamming some Weezer while he wrote.) I haven't read any of his other works (yet; Mistborn #2 is on deck), but I have to assume this simplicity is by conscious choice, and it's an interesting choice at that. I'm just not sure yet how I feel about it.One language choice that I am sure how I feel about is Sanderson's decision to have his characters speak good old American English. The narration is similarly plainspoken, with a fair amount of American slang thrown in, rather than the twee, faux-Elizabethan style of a lot of fantasy authors. I like the approach. One of the most time-honored fantasy tropes is having all the characters thee and thou each other, with a few ne'er did yon stars of Yomama glimmer so resplendently, my suzerain for good measure. And I can handle that stuff, having been weaned on Tolkien and everything that came after, but I found Sanderson's decision to move away from that convention refreshing. I interpreted it as Sanderson saying, "The unspoken assumption here is that this book has been translated from whatever languages they speak on this made-up world, so why translate it to anything other than what is most understandable and comfortable for you to read? To couch this story in funky language is to insult your imagination by implying that you need that in order to realize you're reading a fantasy novel."Setting and Plot. The setting is a typical high fantasy world - feudal-style nobility and peasantry; shadowy, powerful priesthood; mysterious evil lord, etc. - with some odd, almost steampunk flourishes thrown in. There are wristwatches. Men's formal wear is described as something more like Victorian coat and tails than medieval garb. Magic in this world is fueled by elemental and alloyed metals, which are described rather exactly, using percentages. It's a unique and interesting blend.The basic plot is about as stock as it gets. If you're familiar with the Star Wars films, the Harry Potter or Percy Jackson books, Eragon, the Dragonriders of Pern trilogy, Dune, Ender's Game, or any one of about a million other works, please play Mad Libs with me:Dear [kid with weird name], I know you are only a [farmer / orphan / urchin / child of a minor noble], and this will be hard for you to accept, but you [have Great Powers / are the Chosen One / insert name of funky power here]. You are the only one who can [save the world / save the universe / defeat the Empire / restore order to the Force / kill the Big Boss]. Luckily, even though you just learned your destiny fifteen minutes ago, you will make up for lost time by quickly becoming better than anyone in the history of ever at [Quidditch / dragon riding / sandworm riding / Allomancy]. Any questions?Needless to say, the book's plot could have been a ticket to Hack City, but it really isn't. Vin's growth and development are handled well.Exposition. This is a fantasy book for the video game generation. By that, I mean that the book follows the general path of a first person RPG:1) Introduction to the world and the main characters2) A few early levels whose only apparent purpose is to teach the player how to use the buttons3) Quests of increasing difficulty, with progressive reveals of the Big Plot4) Fight with the Main Boss, including the inevitable twist5) Denouement and teaser for the next installment.Not that that's a bad thing! But I was really surprised at the way Allomancy (the main "magic" in this world) was laid out. In the two towering fantasy/sci-fi works of the 20th century, The Lord of the Rings and Dune, the supernatural elements of the story operated behind a sort of curtain or screen. The One Ring in LotR and the spice Melange in Dune both held great, mysterious powers, but the specific effects and extent of those powers were seen only in fits and flashes, and never understood completely by the characters or the reader. In contrast, fairly early in this book, Kelsier takes Vin on a practice run where he explains how her powers work and what their advantages and limitations are, using plain language and real-world physics, and lets her fly and mess around and just generally exult in her magic. It left me, the reader, as well as Vin the character, feeling that even if we didn't understand this magic perfectly right now, we might at some point in the future, which was a very different feel.OK, after enough rambling about things I feel ambivalently about, let's wrap up with one big win and one big fail:WIN: Brandon Sanderson can write the hell out of an action scene. (And since the final quarter of this book is pretty much all action, playing directly into Sanderson's strengths, it kicks all kinds of ass.) The fights in this book are gut-wrenching without being overly gory, and the chases and sneaks are heart-stopping as well. Perfect combination of pace and detail. Amazing. Possibly the best I've ever read from an author in this genre, and if he's able to do that so effortlessly, so early in his career, it gives me hope that he can fix...FAIL: ...the dialogue. In spite of being favorably disposed due to the use of informal American English, I eventually found the dialogue here really clunky. Everyone is too wordy. Everyone says one sentence too many. Over and over again, I found myself going, "Real people don't talk like this" and especially, "Real people who are supposed to be close friends don't talk anything like this to each other." Seriously, think of how you talk to your best friends in private, then compare it to this book. In addition, there was always that odd feeling of unneeded exposition, as if the characters were talking half to each other and half to the reader. It was unfortunate, especially in contrast to how slick and fast-moving and just plain awesome a lot of the other writing was.All in all, this was a fun, kinetic read...with a few holes in it. It builds, it explodes, and the ending is really good. If half-stars were allowed, this would have been a 3 1/2. Good stuff.Also, here are my (spoiler-free, suitable as previews) reviews of the second and third books in the series, if you enjoyed this one!

[Penguin Readers Level 4]Winston Smith lives in a society where the government controls people every second of the day. He fights this world with love. But it's dangerous: love for another person can be punished by death - and Big Brother is always watching.Orwell's classic story shows that there is no freedom unless ideas and beliefs can be questioned. This is as true today as when it was written, more than fifty years ago.

शेरलॉक होम्स आणि सर आर्थर कॉनन डायल यात अभेदच आहे. होम्सचे असामान्य प्रज्ञाशील व्यक्तिमत्त्व, आपल्या तर्काच्या आधारे अत्यंत जटिल व गुंतागुंतीच्या रहस्याचा-गुन्ह्याचा बुद्धिगम्य आणि नेमका वेध घेते. अचूक निरीक्षण शक्ती, मोठ्या गंभीरतेने व अतिशय हळूवारपणे उलगडत जाणारे रहस्य वाचकांच्या मनाचा विलक्षण कब्जा घेते. कन्सल्टिंग डिटेक्टिव्ह म्हणून शेरलॉक होम्सचे नाव आज रहस्थकथांच्या जगतात अजरामर आहे. वाचकांच्या मनावरील या रहस्यकथांची मोहिनी अद्यापही मावळलेली नाही.

Matilda is a little girl who is far too good to be true. At age five-and-a-half she's knocking off double-digit multiplication problems and blitz-reading Dickens. Even more remarkably, her classmates love her even though she's a super-nerd and the teacher's pet. But everything is not perfect in Matilda's world. For starters she has two of the most idiotic, self-centered parents who ever lived. Then there's the large, busty nightmare of a school principal, Miss ("The") Trunchbull, a former hammer-throwing champion who flings children at will and is approximately as sympathetic as a bulldozer. Fortunately for Matilda, she has the inner resources to deal with such annoyances: astonishing intelligence, saintly patience, and an innate predilection for revenge.She warms up with some practical jokes aimed at her hapless parents, but the true test comes when she rallies in defense of her teacher, the sweet Miss Honey, against the diabolical Trunchbull. There is never any doubt that Matilda will carry the day. Even so, this wonderful story is far from predictable. Roald Dahl, while keeping the plot moving imaginatively, also has an unerring ear for emotional truth. The reader cares about Matilda because in addition to all her other gifts, she has real feelings.

Ranked among the classic novels of the English language and the inspiration for several unforgettable movies, this early work of H. G. Wells was greeted in 1896 by howls of protest from reviewers, who found it horrifying and blasphemous. They wanted to know more about the wondrous possibilities of science shown in his first book, The Time Machine, not its potential for misuse and terror. In The Island of Dr. Moreau, a shipwrecked gentleman named Edward Prendick, stranded on a Pacific island lorded over by the notorious Dr. Moreau, confronts dark secrets, strange creatures, and a reason to run for his life.While this riveting tale was intended to be a commentary on evolution, divine creation, and the tension between human nature and culture, modern readers familiar with genetic engineering will marvel at Wells’s prediction of the ethical issues raised by producing “smarter” human beings or bringing back extinct species. These levels of interpretation add a richness to Prendick’s adventures on Dr. Moreau’s island of lost souls without distracting from what is still a rip-roaring good read.

This is the story of how one angry, naked, sneezing albino managed to terrorize the English countryside. To be quite honest, I expected a bit more from the people who fended off the Nazis for years. But Wells seemed to think his fellow countrymen would be a bit too inept to toss a sheet over this shivering bastard and punch him in the throat. Instead?This:Attention:1) There may be spoilers for this 100+ year old book in the review.2) Only comment if you have a WORKING sense of humor.3) Seriously. Read # 2 again before you correct my review.When I first started reading, I assumed that The Invisible Man would be about a guy who was slowly driven mad by this unusual condition.Nope.He was a world class douchebag long before embarking on his experiment to become see-through. Although, if I had to point out one major difference between his beginning vs. his end? Well, I'm guessing his dick &amp; balls hadn't permanently retreated into his body before he became the World's Meanest Nudist. Really, dude? Really? Winter is not kind to naked folks. As every Mad Scientist will tell you, you've got to plan ahead. Mother Nature will not bend to your nefarious whims! Turn on the Weather Channel next time, moron.So, Griffin (that's the Invisible Man's name) discovers a magic not magic formula that allows his molecules to have fewer surfaces for light to refract off, and if he combines that with electrocuting not electrocuting himself with some sort of a radio wave contraption, he will become invisible.Pseudo-science, FTW! He tested it out on a cat, and it sorta worked. Except for the cat's eyes. Don't worry, though. The cat is fine! Kidding it's totally dead.One thing I found interesting was that until his body absorbed food, it remained visible. Which led me to spend quite a bit of my afternoon thinking about whether or not you could see his poop moving through his intestines. And if it did remain visible, that meant his Kryptonite could quite literally be cheese! Think about it, people. You could track him if he's constipated!Ha! I'll bet those assholes at MENSA are totally rethinking that rejection letter now.Yeah, so all they had to do was get a big cauldron (or Fry-Daddy) bubbling with oil, and then cook up a shit ton of mozzarella sticks. If placed strategically around the village, they could have had Griffin backed up and praying for prunes in no time. Between the groaning and visibly distended intestines, it would have been Problem Solved within two days. BOOM!Ok, so Wells does his dead-level best to make invisibility seem like a curse, but the reality was this was an AWESOME power. He's fucking invisible!The only reason Griffin wasn't immediately the richest man in the kingdom was due to his a-hole personality. All he had to do was tell people about his amazing discovery! Instead, he shoots himself in the dick trying to keep it a secret. Sure, the people in that first hillbilly town might not have been receptive. At least, not at first, anyway...Witchcraft! Kill it with fire, Cletus!But show up at a Science Fair (or wherever smart people hang out), and he would have been carried off on his peers' weak &amp; nerdy shoulders!I mean, his buddy Kemp was thoroughly impressed...until he started voluntarily boasting about his somewhat ill-thought-out crimes, and revealing his idiotic plans for world domination. Which, by the way, was the least well-planned villain plot...ever...in the history of badly planned villain plots! Terror? A reign of \
  terror\
? That's it?! What's the endgame, Griffin?Give me all your money! Or Terror!Make me king of the world! Or Terror!WTF, man? I think you're overestimating yourself a bit there...Sure, it's a bit spooky that you can't be seen, but, eventually, even the stupidest of villagers will band together &amp; figure out that you can be taken down by a dog with a good nose...or cheese!Which is pretty much what happens.Except for the part about cheese. If only they had consulted someone with my level of genius intellect, poor Adye would still be alive. Tsk.He stupidly tries to implement his Reign of Terror, and manages to get a few good shots in, but eventually becomes the recipient of the ass beating of a lifetime.Moral of the story: Even if you're a genius, don't be a dick.You will inevitably freeze your balls off, catch a nasty cold, and end up bludgeoned to death by people with half your intellect. Because all us stupid people know how to wield sticks, goddammit!Buddy Read  with Jeff, Delee, Evgeny, Tadiana, Stepheny, Will (be gentle it's his first time), Dan (he found a free copy!), Dan 2.0  (if he can remember his password), Alissa, Christopher, Steve, Jess, Licha, MIRIAM (because she can't quit us!), Jenna, (latecomer) Auntie J, Ginger &amp; Carmen (cutting it a little close there, Carmen!). Honorary Buddy-Reader: Karly *The Vampire Ninja &amp; Lumi...Lumin...Sparkly Monster*We gotta do this again, guys!

Writing in France in the nineteenth century, Jules Verne captured his era's fascination with adventure and exploration in a series of novels he referred to as his Voyages extraordinaries. This book collects six of Verne's best-known novels that extrapolate developing technology and scientific inquisitiveness into rousing adventures.Five weeks in a balloon --Journey to the center of the earth --From the earth to the moon --Round the moon --Twenty thousand leagues under the sea --Around the world in eighty days.

It was built to kill our enemies. But now it's got its own plans.In the future, the war against aliens from the dark reaches of space has taken a critical turn. Once we approached the salamanders in peace... and they annihilated us. Now mankind has developed the ultimate killing machine, the Providence class of spaceship.With the ships' frightening speed, frightening intelligence and frightening weaponry, it's now the salamander's turn to be annihilated... in their millions.The mismatched quartet of Talia, Gilly, Jolene and Anders are the crew on one of these destroyers. But with the ship's computers designed to outperform human decision-making in practically all areas, they are virtual prisoners of the ship's AI. IT will take them to where the enemy are, it will dictate the strategy in any battle, it will direct the guns....The crew's only role is to publicize their glorious war to a skeptical Earth. Social media and video clips are THEIR weapons in an endless charm offensive. THEIR chief enemies are not the space reptiles but each other, and boredom.But then everything changes. A message comes from base: the Providence is going into the VZ, the Violet Zone, where there are no beacons and no communications with Earth. It is the heart of the enemy empire - and now the crew are left to wonder whether this is a mission of ultimate destruction or, more sinisterly, of ultimate self-destruction...

HarperCollins imprint HQ has snapped up two more thrillers by Alice Feeney in a new six-figure deal.Editorial director Manpreet Grewal acquired UK and Commonwealth rights, excluding Canada, from Jonny Geller at Curtis Brown for His &amp; Hers and one other novel. His &amp; Hers will be published in mass market paperback, ebook and audio in Spring 2020. The second book in the new contract will follow in 2021.US rights for the thrillers - Feeney's third and fourth books - have already been sold to Amy Einhorn at Flatiron in a high six-figure deal, with offers ongoing in Europe."Narrated by Anna who works at the BBC and her ex-husband, Jack, a police detective, His &amp; Hers explores what happens when their lives become entwined again after the brutal murder of a mutual friend," said HQ. "As both stories converge a secret emerges that bonds the victims of a killer who is hell bent on seeking retribution for a decades-old betrayal."Feeney’s debut, Sometimes I Lie, was a New York Times and international bestseller, selling 28,201 copies to date since its release in 2017, according to Nielsen. It has been translated into more than 20 languages, and is currently being made into a TV series by Ellen DeGeneres and Warner Brothers starring Sarah Michelle Gellar. Her second novel, I Know Who You Are, published on 16th May, has sold more than 10,000 paperbacks in ten days, according to Nielsen Bookscan.Grewal said: “Alice is a class act, and her novels are an essential addition to the psychological thriller market. Her sophisticated and twisted storytelling has caught the attention of readers all over the world and I’m thrilled to be working with Alice and Jonny on more books. His &amp; Hers is Alice’s best and most thrilling book to date and I can’t wait for everyone to read it and become as obsessed with it as I am.”Feeney, a Faber Academy graduate, added: “After almost ten years of rejections, there were times when I thought I might never have one book published, let alone four. I’m so grateful to the agents, publishers, booksellers and above all readers, who have made it possible for me to keep the best job in the world a while longer! I loved writing His &amp; Hers, I can’t wait to work with the brilliant HQ team at HarperCollins again, and I’m so thankful to everyone who made this dream come true.”

“I’ve had a most amazing time....”So begins the Time Traveller’s astonishing firsthand account of his journey 800,000 years beyond his own era—and the story that launched H.G. Wells’s successful career and earned him his reputation as the father of science fiction. With a speculative leap that still fires the imagination, Wells sends his brave explorer to face a future burdened with our greatest hopes...and our darkest fears. A pull of the Time Machine’s lever propels him to the age of a slowly dying Earth.  There he discovers two bizarre races—the ethereal Eloi and the subterranean Morlocks—who not only symbolize the duality of human nature, but offer a terrifying portrait of the men of tomorrow as well.  Published in 1895, this masterpiece of invention captivated readers on the threshold of a new century. Thanks to Wells’s expert storytelling and provocative insight, The Time Machine will continue to enthrall readers for generations to come. 

TasteDive Official

Claire Carlson

flipintheuib

The story of a mentally disabled man whose experimental quest for intelligence mirrors that of Algernon, an extraordinary lab mouse. In diary entries, Charlie tells how a brain operation increases his IQ and changes his life. As the experimental procedure takes effect, Charlie's intelligence expands until it surpasses that of the doctors who engineered his metamorphosis. The experiment seems to be a scientific breakthrough of paramount importance--until Algernon begins his sudden, unexpected deterioration. Will the same happen to Charlie?

books

Active tastebuds