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In 1865, English author CHARLES LUTWIDGE DODGSON (1832-1898), aka Lewis Carroll, wrote a fantastical adventure story for the young daughters of a friend. The adventures of Alice-named for one of the little girls to whom the book was dedicated-who journeys down a rabbit hole and into a whimsical underworld realm instantly struck a chord with the British public, and then with readers around the world. In 1872, in reaction to the universal acclaim *Alice's Adventures in Wonderland* received, Dodgson published this sequel. Nothing is quite what it seems once Alice journeys through the looking-glass, and Dodgson's wit is infectious as he explores concepts of mirror imagery, time running backward, and strategies of chess-all wrapped up in the exploits of a spirited young girl who parries with the Red Queen, Tweedledee and Tweedledum, and other unlikely characters. In many ways, this sequel has had an even greater impact on today's pop culture than the first book.

A loosely formed autobiography by Andy Warhol, told with his trademark blend of irony and detachment In The Philosophy of Andy Warhol—which, with the subtitle "(From A to B and Back Again)," is less a memoir than a collection of riffs and reflections—he talks about love, sex, food, beauty, fame, work, money, and success; about New York, America, and his childhood in McKeesport, Pennsylvania; about his good times and bad in New York, the explosion of his career in the sixties, and his life among celebrities.

Manuel Puig’s masterful and ironic “detective novel” concerns the abduction of a woman, an impending murder, and the dim memories of a thousand old glamour queens—Garbo, Dietrich, Veronica Lake, Rita Hayworth—all combining to make a powerful portrait of two decidedly unglamorous lives: Gladys Hebe D’Onofrio, a lonely 35-year-old sculptor, tormented by her fantasies and perpetually in search of the ideal lover; and Leo Druscovich, an outwardly confident and successful art critic, deeply troubled by a terrible guilt that surfaces in his repeated sexual failures. Taking on, exchanging, and growing into the roles of victim and criminal, their lives presented through a variety of different kinds of “evidence”—lists, scribbled notes, transcripts, one-sided interrogations—these two lost souls gradually find themselves entirely dependent on one another . . . and heading towards precisely the sort of violent ending a detective novel demands.

Persepolis is an autobiographical series of bandes dessinées by Marjane Satrapi that depict her childhood up to her early adult years in Iran and Austria during and after the Islamic Revolution. The title Persepolis is a reference to the ancient capital of the Persian Empire. Originally published in French, the graphic memoir has been translated to many other languages, including English, Spanish, Catalan, Romanian, Portuguese, Italian, Greek, Swedish, Finnish, Georgian, Kazakh, Dutch, and Chinese. As of 2018, it has sold more than 2 million copies worldwide. Persepolis was written in 2000 and Persepolis 2 was written in 2004.

Captured by a giant! The BFG is no ordinary bone-crunching giant. He is far too nice and jumbly. It's lucky for Sophie that he is. Had she been carried off in the middle of the night by the Bloodbottler, the Fleshlumpeater, the Bonecruncher, or any of the other giants-rather than the BFG-she would have soon become breakfast. When Sophie hears that they are flush-bunking off in England to swollomp a few nice little chiddlers, she decides she must stop them once and for all. And the BFG is going to help her!

Scott Pilgrim is a series of graphic novels by Canadian author and comic book artist Bryan Lee O'Malley. The series is about Scott Pilgrim, a slacker and part-time musician who lives in Toronto, Ontario, and plays bass ‍in a band. He falls in love with American delivery girl Ramona Flowers, but must defeat her seven evil exes in order to date her in peace.

Like a Velvet Glove... collects all 10 chapters of the serialized story Eightball. As Clay Loudermilk attempts to unravel the mysteries behind a snuff film, he finds himself involved with an increasingly bizarre cast of characters, including a pair of sadistic cops who carve a strange symbol into the heel of Clay's foot; a horny over-the-hill suburban woman whose sexual encounter with a mysterious water creature produced a grotesquely misshapen, but no less horny, mutant daughter; a dog with no orifices whatsoever (it has to be fed by injection); two ominous victims of extremely bad hair implants; a charismatic Manson-like cult leader who plans to kidnap a famous advice columnist and many more! This edition has a brand new cover, new title and end pages — plus: Clowes being the perfectionist that he is, there are tweaked and re-drawn panels that really make this a transcendent piece of storytelling art!

Raise High the Roof Beam, Carpenters and Seymour: An Introduction is a single volume featuring two novellas by J. D. Salinger, which were previously published in The New Yorker: Raise High the Roof Beam, Carpenters (1955) and Seymour: An Introduction (1959). Little, Brown republished them in this anthology in 1963. It was the first time the novellas had appeared in book form. The book was the third best-selling novel in the United States in 1963, according to Publishers Weekly.The story was originally published in the November 19, 1955, issue of The New Yorker.Like many of the other Glass family stories, Raise High is narrated by Buddy Glass, the second of the Glass brothers. It describes Buddy's visit on Army leave (during World War II, in 1942) to attend the wedding of his brother Seymour to Muriel and tells of the aftermath when Seymour fails to show. The events set the stage for Seymour's suicide in 1948. Seymour is described through the eyes of Buddy and through those of the would-be wedding's attendants. Included is the Matron of Honor, a loud and burly woman whom Buddy meets in a car leaving the site of the wedding. The other passengers (who include the Matron of Honor's husband Robert; Muriel's father's deaf-mute uncle; and a middle-aged woman named Helen Silsburn) spend most of the car ride unaware of Buddy's family relation to the missing groom.

Twenty-five years on from "Less Than Zero", we pick up again with "Clay". In 1985, Bret Easton Ellis shocked, stunned and disturbed with "Less Than Zero", his 'extraordinarily accomplished first novel' ("New Yorker"), successfully chronicling the frightening consequences of unmitigated hedonism within the ranks of the ethically bereft youth of 80s Los Angeles. Now, twenty-five years later, Ellis returns to those same characters: to Clay and the band of infamous teenagers whose lives weave sporadically through his. But now, some years on, they face an even greater period of disaffection: their own middle age. Clay seems to have moved on - he's become a successful screenwriter - but when he returns from New York to Los Angeles, to help cast his new movie, he's soon drifting through a long-familiar circle. Blair, his former girlfriend, is now married to Trent, and their Beverly Hills parties attract excessive levels of fame and fortune, though for all that Trent is a powerful manager, his baser instincts remain: he's still a bisexual philanderer. Then there's Clay's childhood friend, Julian - who's now a recovering addict - and their old dealer, Rip - face-lifted beyond recognition and seemingly even more sinister than he was in his notorious past. Clay, too, struggles with his own demons after a meeting with a gorgeous actress determined to win a role in his movie. And with his life careening out of control, he's forced to come to terms with the deepest recesses of his character - and with his seemingly endless proclivity for betrayal.

A harrowing story of breakdowns, suicide attempts, drug therapy, and an eventual journey back to living, this poignant and often hilarious book gives voice to the high incidence of depression among America's youth. A collective cry for help from a generation who have come of age entrenched in the culture of divorce, economic instability, and AIDS, here is the intensely personal story of a young girl full of promise, whose mood swings have risen and fallen like the lines of a sad ballad.

Alice's Adventures in Wonderland (commonly Alice in Wonderland) is an 1865 English novel by Lewis Carroll. It details the story of a young girl named Alice who falls through a rabbit hole into a fantasy world of anthropomorphic creatures. It is seen as an example of the literary nonsense genre. The artist John Tenniel provided 42 wood-engraved illustrations for the book. It received positive reviews upon release and is now one of the best-known works of Victorian literature; its narrative, structure, characters and imagery have had widespread influence on popular culture and literature, especially in the fantasy genre. It is credited as helping end an era of didacticism in children's literature, inaugurating a new era in which writing for children aimed to "delight or entertain". The tale plays with logic, giving the story lasting popularity with adults as well as with children. The titular character Alice shares her given name with Alice Liddell, a girl Carroll knew.

Nine Stories (1953) is a collection of short stories by American fiction writer J. D. Salinger published in April 1953. It includes two of his most famous short stories, "A Perfect Day for Bananafish" and "For Esmé – with Love and Squalor". (Nine Stories is the U.S. title; the book is published in many other countries as For Esmé - with Love and Squalor, and Other Stories.)The stories are:"A Perfect Day for Bananafish""Uncle Wiggily in Connecticut""Just Before the War with the Eskimos""The Laughing Man""Down at the Dinghy""For Esmé – with Love and Squalor""Pretty Mouth and Green My Eyes""De Daumier-Smith's Blue Period""Teddy"

Ghost World has become a cultural and generational touchstone, and continues to enthrall and inspire readers over a decade after its original release as a graphic novel. Originally serialized in the pages of the seminal comic book Eightball throughout the mid-1990s, this quasi-autobiographical story (the name of one of the protagonists is famously an anagram of the author's name) follows the adventures of two teenage girls, Enid and Becky, two best friends facing the prospect of growing up, and more importantly, apart. Daniel Clowes is one of the most respected cartoonists of his generation, and Ghost World is his magnum opus. Adapted into a major motion picture directed by Terry Zwigoff (director of the acclaimed documentary Crumb), which was nominated for an Academy Award for Best Adapted Screenplay. This graphic novel is a must for any self-respecting comics fan's library.

The short story, Franny, takes place in an unnamed college town and tells the tale of an undergraduate who is becoming disenchanted with the selfishness and inauthenticity she perceives all around her.The novella, Zooey, is named for Zooey Glass, the second-youngest member of the Glass family. As his younger sister, Franny, suffers a spiritual and existential breakdown in her parents' Manhattan living room -- leaving Bessie, her mother, deeply concerned -- Zooey comes to her aid, offering what he thinks is brotherly love, understanding, and words of sage advice.Salinger writes of these works: "FRANNY came out in The New Yorker in 1955, and was swiftly followed, in 1957 by ZOOEY. Both stories are early, critical entries in a narrative series I'm doing about a family of settlers in twentieth-century New York, the Glasses. It is a long-term project, patently an ambiguous one, and there is a real-enough danger, I suppose that sooner or later I'll bog down, perhaps disappear entirely, in my own methods, locutions, and mannerisms. On the whole, though, I'm very hopeful. I love working on these Glass stories, I've been waiting for them most of my life, and I think I have fairly decent, monomaniacal plans to finish them with due care and all-available skill."

I don’t know what to do with these stars anymore. I give stars to books and then I think, ‘god, you give five stars to everything, people will think you are terribly undiscriminating’ – so then I give four stars or even three stars to some books. Then I look back and it turns out that that I’ve given four stars to Of Human Bondage and honestly, how could I possibly have thought it was a good idea to give that book less than five stars? It is the absurdity of human conventions that has us doing such things.Now, that is what is called a segue, from the Italian ‘seguire’ – to follow. For the last thirty years I have studiously avoided reading this book. I have done that because for the last thirty years I have known exactly what this book is about and there just didn’t seem any point in reading it. In high school friends (one of them even became my ex-wife) told me it was a great book about a man condemned to die because he was an outsider. Later I was told that this book was a story about something much like the Azaria Chamberlain case. A case where someone does not react in a way that is considered to be ‘socially appropriate’ and is therefore condemned.But after 30 years of avoiding reading this book I have finally relented and read it. At first I didn’t think I was going to enjoy it. It didn’t really get off to the raciest of starts and the character's voice – it is told in first person – was a bit dull. He is a man who lives entirely in the present, how terribly Buddhist of him – although, really there doesn’t seem to be all that much to him.My opinion of the book began to change at his mother’s funeral. I particularly liked the man who kept falling behind in the march to the cemetery and would take short cuts. Okay, so it is black humour, but Camus was more or less French – so black humour is more or less obligatory.I really hadn’t expected this book to be nearly so funny as it turned out. I’d always been told it was a ponderous philosophical text – and so, to be honest, I was expecting to be bored out of my skull. I wasn’t in the least bit bored.A constant theme in my life at present is that I read ‘classics’ expecting them to be about something and they end up being about something completely different. And given I’ve called this a ‘constant’ theme then you might think I would be less than surprised when a read a new ‘classic’ and it turns out to be completely different to my expectations. I’m a little more upset about this one than some of the others, as I’ve been told about this one before, repeatedly, and by people I’d have taken as ‘reputable sources’ – although, frankly, how well one should trust one’s ex-wife in such matters is moot.I had gotten the distinct impression from all of my previous discussions about this book that the guy ends up dead. In fact, this is not the case – he ends up at the point in his life where he has no idea if he will be freed or not. The Priest who comes to him at the end is actually quite certain that he will be freed. Let’s face it, he is only guilty of having murdered an Arab, and as we have daily evidence, Westerners can murder Arabs with complete impunity. The main point of the book to me is when he realises he is no longer ‘free’. He needs this explained to him – because life up until then had been about ‘getting used to things’ and one can 'get used to just about anything'. But the prison guard helpfully informs him that he is being ‘punished’ and the manifestation of that punishment is the removal of his ‘freedom’. Interestingly, he didn’t notice the difference between his past ‘free’ life and his current ‘unfree’ one. The most interesting part of the book to me was the very end, the conversation with the priest. The religious often make the mistake of thinking that Atheists are one thing – I’ve no idea how they ever came to make this mistake, but make it they do. Given that there are thousands upon thousands of different shades of Christians – from Jesuit Catholics to Anti-Disney Episcopalians – it should be fairly obvious that something like Atheism (without any ‘organised’ church or even system of beliefs) could not be in anyway ‘homogeneous’.I am definitely not the same kind of Atheist as Camus. To Camus there is no truth, the world is essentially absurd and all that exists is the relative truth an individual places on events and ideas. This makes the conversation with the priest fascinatingly interesting. To the priest the prisoner who is facing death is – by necessity – someone who is interested in God. You can play around with ideas like the non-existence of God when it doesn’t seem to matter (life is long and blasphemy can seem fun) – but surely when confronted with the stark truth of the human condition any man would turn away from their disbelief and see the shining light.Not this little black duck. Now, if I was in that cell I would have argued with the priest too – but I would not have argued in the same way that Meursault argues. No, I do not believe in God, but I do believe in truth, and so Camus’ arguments are barred to me.Meursault essentially says, “Look, I’m bored, I’m totally uninterested in the rubbish you are talking – now go away”. Now, this is a reasonable response. What is very interesting is that the priest cannot accept this as an answer. The world is not allowed to have such a person in it – if such a person really did exist then it would be a fundamental challenge to the core beliefs of the priest. So, he has to assume Meursault is either lying to him or is trying to taunt him. But it is much worse – he is absolutely sincere, he is not interested in this ‘truth’.I don’t know that the world is completely meaningless, it is conventional rather than meaningless. That those conventions are arbitrary (decided by the culture we grew up in) doesn’t make them meaningless, it makes them conventional. I don’t think I would like to live in a world where people go up and kill Arabs pretty much at random and with impunity, but then again, we have already established this is precisely the world I do live in. My point is that it would be better if we did adhere to some sort of moral principles and that these should be better principles than ‘he should be killed because he didn’t cry at his mum’s funeral’. Camus is seeking to say that all of our ‘moral principles’ in the end come to be as meaningless as that – we judge on the basis of what we see from the framework of our own limited experience. And look, yes, there is much to this – but this ends up being too easy.The thing I like most about Existentialism, though it isn’t really as evident in this book as it is in the actual philosophy – although this is something that Meursault is supposed to have grown to understand (sorry, just one more sub-clause) even though this wasn’t something I noticed at all while reading the book, was the notion of responsibility. I didn’t think in the end Meursault was all that much more ‘responsible’ for his actions than he had been at the start. But I do think that ‘responsibility’ is a key concept in morality and one that seems increasingly to be ignored.Better by far that we feel responsible for too much in our lives than too little – better by far that we take responsibility for the actions of our governments (say) than to call these governments ‘them’. I’m not advocating believing in The Secret - but that if one must err, better to err on the side of believing you have too much responsibility for how your life has turned out, rather than too little.So, what can I say? I enjoyed this much more than I expected – but I’m still glad I waited before reading it, I really don’t think I would have gotten nearly as much out of it at 15 as I did now.

Sylvia Plath's shocking, realistic, and intensely emotional novel about a woman falling into the grip of insanity. Esther Greenwood is brilliant, beautiful, enormously talented, and successful, but slowly going under—maybe for the last time. In her acclaimed and enduring masterwork, Sylvia Plath brilliantly draws the reader into Esther's breakdown with such intensity that her insanity becomes palpably real, even rational—as accessible an experience as going to the movies. A deep penetration into the darkest and most harrowing corners of the human psyche, The Bell Jar is an extraordinary accomplishment and a haunting American classic.

Set at a small affluent liberal-arts college in New England eighties, The Rules of Attraction is a startlingly funny, kaleidoscopic novel about three students with no plans for the future—or even the present—who become entangled in a curious romantic triangle. Bret Easton Ellis trains his incisive gaze on the kids at self-consciously bohemian Camden College and treats their sexual posturings and agonies with a mixture of acrid hilarity and compassion while exposing the moral vacuum at the center of their lives. The Rules of Attraction is a poignant, hilarious take on the death of romance.

SCUM Manifesto was considered one of the most outrageous, violent and certifiably crazy tracts when it first appeared in 1968. Valerie Solanas, the woman who shot Andy Warhol, self-published this work just before her rampage against the king of Pop Art made her a household name and resulted in her confinement to a mental institution. But the Manifesto, for all its vitriol, is impossible to dismiss as just the rantings of a lesbian lunatic. In fact, the work has indisputable prescience, not only as a radical feminist analysis light-years ahead of its timepredicting artificial insemination, ATMs, a feminist uprising against under-representation in the artsbut also as a stunning testament to the rage of an abused and destitute woman.The focus of this edition is not on the nostalgic appeal of the work, but on Avital Ronell’s incisive introduction, “Deviant Payback: The Aims of Valerie Solanas.” Here is a reconsideration of Solanas’s infamous text in light of her social milieu, Derrida’s “The Ends of Man” (written in the same year), Judith Butler’s Excitable Speech, Nietzsche’s Ubermensch and notorious feminist icons from Medusa, Medea and Antigone, to Lizzie Borden, Lorenna Bobbit and Aileen Wournos, illuminating the evocative exuberance of Solanas’s dark tract.

Raymond Clevie Carver Jr. (May 25, 1938 – August 2, 1988) was an American short-story writer and poet. He contributed to the revitalization of the American short story during the 1980s.
Carver was born in Clatskanie, Oregon, a mill town on the Columbia River, and grew up in Yakima, Washington, the son of Ella Beatrice (née Casey) and Clevie Raymond Carver. His father, a sawmill worker from Arkansas, was a fisherman and heavy drinker. Carver's mother worked on and off as a waitress and a retail clerk. His brother, James Franklin Carver, was born in 1943.
Carver was educated at local schools in Yakima, Washington. In his spare time, he read mostly novels by Mickey Spillane or publications such as Sports Afield and Outdoor Life, and hunted and fished with friends and family.

After an odd new medical student arrives on campus, a dedicated local and his girlfriend become involved in bizarre experiments centering around the re-animation of dead tissue.

1985 American science fiction horror film by Stuart Gordon

A woman starts exhibiting increasingly disturbing behavior after asking her husband for a divorce. Suspicions of infidelity soon give way to something much more sinister.

French film (dir. Andrzej Żuławski; 1981)

After moving to a new town, two brothers discover that the area is a haven for vampires.

1987 film by Joel Schumacher, Richard Donner

When an open-minded Jewish librarian and his son become victims of the Holocaust, he uses a perfect mixture of will, humor, and imagination to protect his son from the dangers around their camp.

1997 Italian film directed by and starring Roberto Benigni

Soon after her divorce, a fiction writer returns to her home in small-town Minnesota, looking to rekindle a romance with her ex-boyfriend, who is now happily married and has a newborn daughter.

A sexually frustrated suburban father has a mid-life crisis after becoming infatuated with his daughter's best friend.

1999 American drama film directed by Sam Mendes

The adventures of high school and junior high students on the last day of school in May 1976.

An examination of the machinations behind the scenes at a real estate office.

1992 American drama directed by James Foley

A teenager who dies during childbirth leaves clues in her journal that could tie her child to a rape involving a violent Russian mob family.

A single mother's life is thrown into turmoil after her struggling, rarely seen younger brother returns to town.

A quiet observation of the triumphs and defeats of daily life, along with the poetry evident in its smallest details.

Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than the

2008 romantic sex comedy film directed by Kevin Smith

A sendup of all the teen movies that have accumulated in the past two decades.

In 2027, in a chaotic world in which women have become somehow infertile, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea.

A sole survivor tells of the twisty events leading up to a horrific gun battle on a boat, which began when five criminals met at a seemingly random police lineup.

1995 German-American neo-noir crime thriller film directed by Bryan Singer

A father and his daughter struggle to survive in deep space where they live in isolation.

Twin boys move to a new house with their mother after she has face-changing cosmetic surgery, but under the bandages is someone the boys don't recognize.

2014 film by Veronika Franz and Severin Fiala

A fast-track lawyer can't lie for 24 hours due to his son's birthday wish after he disappoints his son for the last time.

A failed Broadway singer who now works as a production manager must save opening night on his new production by wrangling his eccentric cast and crew.

Ben Sanderson, a Hollywood screenwriter who lost everything because of his alcoholism, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.

Japanese musician, comedian and former Internet personality

A young woman, destined to slay vampires, demons and other infernal creatures, deals with her life fighting evil, with the help of her friends.

1997 American supernatural drama TV series

An idiosyncratic FBI agent investigates the murder of a young woman in the even more idiosyncratic town of Twin Peaks.

American drama television series from 1990–1991

A suspended lawyer is forced to enroll in a community college with an eccentric staff and student body.

American comedy television series created by Dan Harmon

A father recounts to his children - through a series of flashbacks - the journey he and his four best friends took leading up to him meeting their mother.

A woman who moves into an apartment across the hall from two brilliant but socially awkward physicists shows them how little they know about life outside of the laboratory.

The original surreal sketch comedy showcase for the Monty Python troupe.

A new Fab Five set out to Atlanta to help some of the city's people refine their wardrobes, grooming, diet, cultural pursuits, and home décor.

When Osho, the world's most controversial guru, builds an Utopian city deep in the Oregon country, conflict with the locals escalates into a national scandal.

A look at the personal and professional lives of a group of women who perform for a wrestling organization in Los Angeles during the 1980s.

Princess Tiabeanie, 'Bean', is annoyed at her imminent arranged marriage to Prince Merkimer. Then she meets Luci, a demon, and Elfo, an elf, and things get rather exciting, and dangerous.

satirical fantasy sitcom created by Matt Groening

Teenage friends find their lives upended by the wonders and horrors of puberty.

Two girls who despise each other, due to being on opposite sides of the "popularity fence", are forced together upon learning that their parents are getting married.

A 15-year-old girl and her trials and tribulations of being a teenager and dealing with friends, guys, parents, and school.

The Adventures of Pete & Peteis an American comedy television series created by Will McRobb and Chris Viscardi for Nickelodeon. It centers around two brothers, both named Pete Wrigley, and their humorous and surreal adventures in suburbia among their equally eccentric friends, enemies, and neighbors.The Adventures of Pete & Petebegan on Nickelodeon in 1989 as minute-long shorts that aired as interstitials. Owing to the popularity of the shorts, five half-hour specials were made, followed by a regular half-hour series that ran for three seasons from 1993 to 1996. Reruns of the shorts and the shows now run on TeenNick as part of their block NickSplat on October 5, 2015. 
Jason Ankeny of AllMusic called the series "the greatest children's show ever", while IGN called it "one of the most well-written kids shows ever". The first two seasons were released on DVD in 2005; the third was planned for 2006 but was indefinitely postponed.

After her best friend is murdered, and her father is removed as county Sheriff, Veronica Mars dedicates her life to cracking the toughest mysteries in the affluent town of Neptune.

Amy Schumer switches from sketches, doing stand up, to interviewing people on the street and people of interest usually following a certain theme.

A man who's in the witness protection program creates a TV reality show about his situation. He has to wear a black ski mask all the time, but other than that he and his family try to live a "normal" life in front of the camera.

Sheila and Joel are married real estate agents in Santa Clarita, California. When Sheila dies, their lives take a dark turn.

2017 American horror-comedy web television series

Nathan Fielder uses his business degree and life experiences to help real small businesses turn a profit. But because of his unorthodox approach, Nathan's genuine efforts to do good often draw real people into an experience far beyon

The story of a depressed man who inexplicably is the only one who can see his neighbor's dog as a full grown man in a dog suit.

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