Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Suffused with rich satire, chaotic brilliance, verbal turbulence and wild humor, The Crying of Lot 49 opens as Oedipa Maas discovers that she has been made executrix of a former lover's estate. The performance of her duties sets her on a strange trail of detection, in which bizarre characters crowd in to help or confuse her. But gradually, death, drugs, madness and marriage combine to leave Oedipa in isolation on the threshold of revelation, awaiting the Crying of Lot 49.

Toru, a quiet and preternaturally serious young college student in Tokyo, is devoted to Naoko, a beautiful and introspective young woman, but their mutual passion is marked by the tragic death of their best friend years before. Toru begins to adapt to campus life and the loneliness and isolation he faces there, but Naoko finds the pressures and responsibilities of life unbearable. As she retreats further into her own world, Toru finds himself reaching out to others and drawn to a fiercely independent and sexually liberated young woman.A magnificent blending of the music, the mood, and the ethos that was the sixties with the story of one college student's romantic coming of age, Norwegian Wood brilliantly recaptures a young man's first, hopeless, and heroic love.

* The Hitchhiker's Guide to the Galaxy* The Restaurant at the End of the Universe* Life, the Universe and Everything* So Long, and Thanks for all the Fish* Mostly HarmlessSuppose a good friend calmly told you over a round of drinks that the world was about to end? And suppose your friend went on to confess that he wasn't from around here at all, but rather from a small planet near Betelgeuse? And what if the world really did come to an end, but instead of being blown away, you found yourself hitching a ride on a spaceship with your buddy as a travelling companion?It happens to Arthur Dent.An ordinary guy from a small town in England, Arthur is one lucky sonofagun: his alien friend, Ford Prefect, is in fact a roving researcher for the universally bestselling Hitchhiker's Guide to the Galaxy ... and expert at seeing the cosmos on 30 Altairian dollars a day. Ford lives by the Guide's seminal bit of advice: Don't Panic. Which comes in handy when their first ride--on the very same vessel that demolished Earth to make way for a hyperspacial freeway--ends disastrously (they are booted out of an airlock). with 30 seconds of air in their lungs and the odd of being picked up by another ship 2^276,709 to 1 against, the pair are scooped up by the only ship in the universe powered by the Infinite Improbability Drive.But this (and the idea that Bogart movies and McDonald's hamburgers now exist only in his mind) is just the beginning of the weird things Arthur will have to get used to. For, on his travels, he'll encounter Zaphod Beeblebrox, the two-headed, three-armed ex-President of the Galaxy; Trillian, a sexy spacecadet he once tried to pick up at a cocktail party, now Zaphod's girlfriend; Marvin, a chronically depressed robot; and Slartibartfast, the award-winning engineer who built the Earth and travels in a spaceship disguised as a bistro.Arthur's crazed wanderings will take him from the restaurant at the end of the Universe (where the main dish of the day introduces itself and the floor show is doomsday), to the planet Krikkit (locked in Slo-Time to punish its inhabitants for trying to end the Universe), to Earth (huh? wait! wasn't it destroyed?!) to the very offices of The Hitchhiker's Guide itself as he and his friends quest for the answer to the Question of Life, the Universe and Everything ... and search for a really good cup of tea.Ready or not, Arthur Dent is in for one hell of a ride!

Do lobsters feel pain? Did Franz Kafka have a funny bone? What is John Updike's deal, anyway? And what happens when adult video starlets meet their fans in person? David Foster Wallace answers these questions and more in essays that are also enthralling narrative adventures. Whether covering the three-ring circus of a vicious presidential race, plunging into the wars between dictionary writers, or confronting the World's Largest Lobster Cooker at the annual Maine Lobster Festival, Wallace projects a quality of thought that is uniquely his and a voice as powerful and distinct as any in American letters.Contains: "Big Red Son," "Certainly the End of Something or Other, One Would Sort of Have to Think," "Some Remarks on Kafka's Funniness from Which Probably Not Enough Has Been Removed," "Authority and American Usage," "The View from Mrs. Thompson's," "How Tracy Austin Broke My Heart," "Up, Simba," "Consider the Lobster," "Joseph Frank's Dostoevsky" and "Host."

Set in the far future amidst a sprawling feudal interstellar empire where planetary dynasties are controlled by noble houses that owe an allegiance to the imperial House Corrino, Dune tells the story of young Paul Atreides (the heir apparent to Duke Leto Atreides and heir of House Atreides) as he and his family accept control of the desert planet Arrakis, the only source of the 'spice' melange, the most important and valuable substance in the cosmos. The story explores the complex, multi-layered interactions of politics, religion, ecology, technology, and human emotion as the forces of the empire confront each other for control of Arrakis.Published in 1965, it won the Hugo Award in 1966 and the inaugural Nebula Award for Best Novel. Dune is frequently cited as the world's best-selling sf novel.

A classic science fiction novel by one of the greatest writers of the genre, set in a future world where one man's dreams control the fate of humanity. In a future world racked by violence and environmental catastrophes, George Orr wakes up one day to discover that his dreams have the ability to alter reality. He seeks help from Dr. William Haber, a psychiatrist who immediately grasps the power George wields. Soon George must preserve reality itself as Dr. Haber becomes adept at manipulating George's dreams for his own purposes. The Lathe of Heaven is an eerily prescient novel from award-winning author Ursula K. Le Guin that masterfully addresses the dangers of power and humanity's self-destructiveness, questioning the nature of reality itself. It is a classic of the science fiction genre.

This is a book I wrote. Because I wrote it, I had to figure out what to put on the back cover to explain what it is. I tried to write a long, third-person summary that would imply how great the book is and also sound vaguely authoritative--like maybe someone who isn’t me wrote it--but I soon discovered that I’m not sneaky enough to pull it off convincingly. So I decided to just make a list of things that are in the book:PicturesWordsStories about things that happened to meStories about things that happened to other people because of meEight billion dollars*Stories about dogsThe secret to eternal happiness**These are lies. Perhaps I have underestimated my sneakiness!

Sensational, dramatic, packed with rich excitement and filled with the sweep and violence of human passions, LES MISERABLES is not only superb adventure but a powerful social document. The story of how the convict Jean-Valjean struggled to escape his past and reaffirm his humanity, in a world brutalized by poverty and ignorance, became the gospel of the poor and the oppressed.

Told with deadpan humour and bitter irony, Kurt Vonnegut's cult tale of global destruction preys on our deepest fears of witnessing Armageddon and, worse still, surviving it ...Dr Felix Hoenikker, one of the founding 'fathers' of the atomic bomb, has left a deadly legacy to the world. For he's the inventor of 'ice-nine', a lethal chemical capable of freezing the entire planet. The search for its whereabouts leads to Hoenikker's three ecentric children, to a crazed dictator in the Caribbean, to madness. Felix Hoenikker's Death Wish comes true when his last, fatal gift to humankind brings about the end, that for all of us, is nigh...

Dark Horse presents new editions of the entire Hellboy line with new covers, beginning with Seed of Destruction, the basis of director Guillermo del Toro's blockbuster films. Hellboy is one of the most celebrated comics series in recent years. The ultimate artists' artist and a great storyteller whose work is in turns haunting, hilarious, and spellbinding. Mike Mignola has won numerous awards in the comics industry and beyond. When strangeness threatens to engulf the world, a strange man will come to save it. Sent to investigate a mystery with supernatural overtones, Hellboy discovers the secrets of his own origins, and his link to the Nazi occultists who promised Hitler a final solution in the form of a demonic avatar." ... Hellboy is a brilliant example of how to elevate the comic of the future to a higher literary level while achieving a higher pitch of excitement." --Robert Bloch, from his introduction

First published in French as a serial in 1909, The Phantom of the Opera is a riveting story that revolves around the young, Swedish Christine Daaé. Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

Meiko Inoue is a recent college grad working as an office lady in a job she hates. Her boyfriend Naruo is permanently crashing at her apartment because his job as a freelance illustrator doesn't pay enough for rent. And her parents in the country keep sending her boxes of veggies that just rot in her fridge. Straddling the line between her years as a student and the rest of her life, Meiko struggles with the feeling that she's just not cut out to be a part of the real world.

I haven't actually been a huge booster of the works of Osamu Tezuka. Beyond a hard-won affection for his \
  Buddha\
, I haven't come to take much enjoyment from the other books of his I've sampled. Phoenix, Adolf, Blackjack. They just haven't won me over. I think I may be too far divorced from the period of his innovation to view the works as fresh. They are so deeply products of their times that they appear quaint and stilted—to me at least (I've spoken before of my trouble with attempting to escape my biases). As the comics form has evolved and storytelling grown into using a more mature set of tools, I find myself unable to appreciate Tezuka as story. As artifact, sure. As an archaeological window into the development of the form, yes. But I do not find myself able to dive into his stories for the sake of those stories—I've always got to have an ulterior motive, usually one associated with academic appreciation.Because of this, giving Pluto a chance was a hard sell for me. I didn't know enough about Astroboy to be a fan or otherwise. I couldn't even be ambivalent. I was strictly apathetic. I had so little interest in the character or in a reimagining of one of his more famous episodes that even the promise of Naoki Urasawa's stellar storytelling chops wouldn't lure me out. It wasn't until I was bored at the library one day and happened to find the first volume on a shelf that the scales tipped.And now I wish that Urasawa would adapt all of Tezuka's works.As is spoken of near ad infinitum, one of science fiction's greatest conceits is the ability, through its speculative technologies, to engage the mind in such a way that contemporary issues are seen in new light. 1984 could prompt its audience to reevaluate the pervasive role of the government in shackling liberty for the sake of security. Gattaca could help alert its audience to the value of the natural individual in the face of the future's promise of a better genetics. The Time Machine could prompt its audience to remember to value literature in the face of emerging mass entertainment options. And Invasion of the Body Snatchers could alert its audience to the insidious creep of subtle ideological evolutions, whether in the face of communist utopianism or crass commercialism.It's a common enough use of the genre that one might even consider it boring to talk about. After all, it's been done over and again. What Urasawa does with Pluto, however, is of another level and to a-whole-nother magnitude. Rather than simply engage the mind through conceptual challenges, he affects the heart. And by working upon the seat of the emotional mind, he draws out a kind of empathy for non-humans who straddle the cole between personhood and non-personhood.Pluto is foremost the story of the murders of several robotic AIs. These artificial intelligences struggle with balancing their self-awareness with the shackles of their programming. In a way, Urasawa may even be trying to tackle, in some remedial way, questions of liberty vs determinism—something all those with any interest in metaphysics must come up against at one point or another. From another angle, these robots' lives spell out the same conflict that MT Anderson homes in on in his wonderful Astonishing Life of Octavian Nothing: the question of liberty and property; how can those who rally behind freedom, democracy, and liberty keep sentient beings as property.1Where Urasawa excels so ably is in making his robotic characters so human, so other-than-human, and so worthy of compassion in either case. There are moments for several of these robots (whose narrative destiny, set in stone fifty years ago by Tezuka himself, is to be destroyed) at which the average reader may very well need to take a moment to regain composure. We are never not aware of these characters' non-human status and the fact that they are creations of man, but all the same they become valuable recipients of our cares and well-wishes.And it is through that marvelous narrative inducement toward empathy that Urasawa sells his point home. He requires the reader to consider the what-ifs of his scenario. Ignoring plausibility for a moment, he not only raises the question of artificial personhood but also gives the reader a reason to care about that question. Adam Hines attempted something similar in Duncan the Wonder Dog, by actually giving personhood to animals; but as much as I laud Duncan as probably the pre-eminent work of comics fiction, I believe Urasawa pulls this particular thing off much more adeptly.2 It's difficult to balance the humanity and inhumanity of these characters in a way that makes them both comfortable and alien, but Urasawa succeeds. Pluto, against odds, is neither too heady nor too treacle nor even too plot-driven. And for a book structured as a detective thriller, that's some achievement.The story Urasawa is adapting (Tezuka's "The Greatest Robot on Earth") features the seven most advanced robots in the world falling one by one to a new challenger, a mighty robot named Pluto. Rather than push Atom (adapted from Astroboy) to the narrative center, Urasawa tells much of the story through Gesicht, a Europol detective robot and one of the seven most powerful AIs on earth. (Urasawa, to lesser degree, moves the narrative around between the remainder of the other six robots.) Gesicht is investigating this string of robot-related murders. As the number of murders mounts, Gesicht draws closer and closer to discovering Pluto's identity—all while trying to reign in an apparent fault in his robotic memory.Pluto is only eight volumes long and is therefore much more tightly plotted than either Monster (18 vols.) or 20th Century Boys (22 vols. and a short sequel). It's a good read and gives the reader opportunity to think about a number of fascinating subjects, all while carrying on a murder mystery/thriller. For a series that (at its most basic and dumbed down) is a book about a series of robot fights, Urasawa wisely shows very little actual robot-on-robot combat. He knows what's interesting and fighting robots is not quite that. Pluto is an investigation of emergent technologies, an investigation of the toll of contemporary international policies, and an investigation of the nature of the soul.Notes1. "These robots' lives spell out the same conflict that MT Anderson homes in on in his wonderful Astonishing Life of Octavian Nothing: the question of liberty and property; how can those who rally behind freedom, democracy, and liberty keep sentient beings as property."In one sense the question may be offensive, since with black people there is no question to their sentience and full personhood—while the question is still up in the air as regards the artificial intelligence. Still, within the scope of Anderson's work (taking place during the American revolutionary escapades), the same question is very much at stake for the people alive in that particular historical pericope.2. "As I laud Duncan as probably the pre-eminent work of comics fiction, I believe Urasawa pulls this off much more adeptly." Much of this is probably directly owed to the fact that we can much more easily imagine machines with self-aware intelligence and the capacity to communicate than we can mere animals._____________________[Review courtesy of Good Ok Bad]

Told in Kvothe's own voice, this is the tale of the magically gifted young man who grows to be the most notorious wizard his world has ever seen. The intimate narrative of his childhood in a troupe of traveling players, his years spent as a near-feral orphan in a crime-ridden city, his daringly brazen yet successful bid to enter a legendary school of magic, and his life as a fugitive after the murder of a king form a gripping coming-of-age story unrivaled in recent literature. A high-action story written with a poet's hand, The Name of the Wind is a masterpiece that will transport readers into the body and mind of a wizard.

On November 15, 1959, in the small town of Holcomb, Kansas, four members of the Clutter family were savagely murdered by blasts from a shotgun held a few inches from their faces. There was no apparent motive for the crime, and there were almost no clues. As Truman Capote reconstructs the murder and the investigation that led to the capture, trial, and execution of the killers, he generates both mesmerizing suspense and astonishing empathy. At the center of his study are the amoral young killers Perry Smith and Dick Hickcock, who, vividly drawn by Capote, are shown to be reprehensible yet entirely and frighteningly human. In Cold Blood is a seminal work of modern prose, a remarkable synthesis of journalistic skill and powerfully evocative narrative.

In Othello, Shakespeare creates a powerful drama of a marriage that begins with fascination (between the exotic Moor Othello and the Venetian lady Desdemona), with elopement, and with intense mutual devotion and that ends precipitately with jealous rage and violent deaths. He sets this story in the romantic world of the Mediterranean, moving the action from Venice to the island of Cyprus and giving it an even more exotic coloring with stories of Othello's African past. Shakespeare builds so many differences into his hero and heroine—differences of race, of age, of cultural background—that one should not, perhaps, be surprised that the marriage ends disastrously. But most people who see or read the play feel that the love that the play presents between Othello and Desdemona is so strong that it would have overcome all these differences were it not for the words and actions of Othello's standard-bearer, Iago, who hates Othello and sets out to destroy him by destroying his love for Desdemona. As Othello succumbs to Iago's insinuations that Desdemona is unfaithful, fascination—which dominates the early acts of the play—turns to horror, especially for the audience. We are confronted by spectacles of a generous and trusting Othello in the grip of Iago's schemes; of an innocent Desdemona, who has given herself up entirely to her love for Othello only to be subjected to his horrifying verbal and physical assaults, the outcome of Othello's mistaken convictions about her faithlessness.

Sing to me of the man, Muse, the man of twists and turnsdriven time and again off course, once he had plunderedthe hallowed heights of Troy.So begins Robert Fagles' magnificent translation of the Odyssey.If the Iliad is the world's greatest war epic, then the Odyssey is literature's grandest evocation of everyman's journey though life. Odysseus' reliance on his wit and wiliness for survival in his encounters with divine and natural forces, during his ten-year voyage home to Ithaca after the Trojan War, is at once a timeless human story and an individual test of moral endurance. In the myths and legends that are retold here, Fagles has captured the energy and poetry of Homer's original in a bold, contemporary idiom, and given us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery.Renowned classicist Bernard Knox's superb Introduction and textual commentary provide new insights and background information for the general reader and scholar alike, intensifying the strength of Fagles' translation.This is an Odyssey to delight both the classicist and the public at large, and to captivate a new generation of Homer's students.--Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, presents us with Homer's best-loved and most accessible poem in a stunning new modern-verse translation.

There are some terrible reviews of SH5 floating around Goodreads, but one particularly awful sentiment is that Slaughterhouse-Five isn't anti-war.This is usually based on the following quote. "It had to be done," Rumfoord told Billy, speaking of the destruction of Dresden."I know," said Billy."That's war.""I know. I'm not complaining""It must have been hell on the ground.""It was," said Billy Pilgrim."Pity the men who had to do it.""I do.""You must have had mixed feelings, there on the ground.""It was all right," said Billy. "Everything is all right, and everybody has to do exactly what he does. I learned that on Tralfamadore."For context, Mr. Rumfoord is an old military historian described as "hateful and cruel" who wants to see weaklings like Billy exterminated.On Tralfamadore, Billy was introduced to the revelation that all things happen exactly as they do, and that they will always happen that way, and that they will never happen any other way. Meaning, time is all at once. The aliens, incidentally, admit to destroying the universe in a comical accident fated far into the future, and they're very sorry, but so it goes. &lt;- passive acceptanceThe entire story up to this point has been about Billy, buffeted like a powerless pathetic leaf in a storm, pushed this way and that by forces entirely outside his tiny purview. He lays catatonically in a hospital bed after the plane crash and the death of his wife, and all the time traveling back and forth from Dresden where toddlers and families and old grannies and anti-war civilians were burned alive in a carefully organized inferno (so it goes), and Billy is about ready to agree to absolutely anything. It can't be prevented. It can't be helped.You're powerless, after a while. What hope have we, or anyone caught in the middle of a war, or even the poor soldiers who are nothing but pawns and children (hence the children's crusade), to influence these gigantic, global events? Therefore, Billy agrees with the hateful, the cruel Mr. Rumfoord, who is revising his military history of WWII, having previously forgotten to mention the Dresden bombing. Women and children, not evaporated instantly, but melted slowly by chemicals and liquid flame, their leftovers, according to Billy, lying in the street like blackened logs, or in piles of families who died together in their little homes. Incidentally, how can anything be pro-war or anti-war? Because being anti-war is a bit like being anti-conflict, anti-death, and anti-suffering. Is there a book that's pro these things? Is there a book that touches on the subject of war and is not against it?We don't support wars, though we are sometimes forced to accept them. Anyone who thinks that the bombing of Dresden was necessary is delusional.It's like saying, "yo, look how they bombed these innocents - that shit was wrong! Let's go bomb some innocents, too."That's the sad truth of it.

Brave New World is a dystopian novel by English author Aldous Huxley, written in 1931 and published in 1932. Largely set in a futuristic World State, inhabited by genetically modified citizens and an intelligence-based social hierarchy, the novel anticipates huge scientific advancements in reproductive technology, sleep-learning, psychological manipulation and classical conditioning that are combined to make a dystopian society which is challenged by only a single individual: the story's protagonist.

I don’t know what to do with these stars anymore. I give stars to books and then I think, ‘god, you give five stars to everything, people will think you are terribly undiscriminating’ – so then I give four stars or even three stars to some books. Then I look back and it turns out that that I’ve given four stars to Of Human Bondage and honestly, how could I possibly have thought it was a good idea to give that book less than five stars? It is the absurdity of human conventions that has us doing such things.Now, that is what is called a segue, from the Italian ‘seguire’ – to follow. For the last thirty years I have studiously avoided reading this book. I have done that because for the last thirty years I have known exactly what this book is about and there just didn’t seem any point in reading it. In high school friends (one of them even became my ex-wife) told me it was a great book about a man condemned to die because he was an outsider. Later I was told that this book was a story about something much like the Azaria Chamberlain case. A case where someone does not react in a way that is considered to be ‘socially appropriate’ and is therefore condemned.But after 30 years of avoiding reading this book I have finally relented and read it. At first I didn’t think I was going to enjoy it. It didn’t really get off to the raciest of starts and the character's voice – it is told in first person – was a bit dull. He is a man who lives entirely in the present, how terribly Buddhist of him – although, really there doesn’t seem to be all that much to him.My opinion of the book began to change at his mother’s funeral. I particularly liked the man who kept falling behind in the march to the cemetery and would take short cuts. Okay, so it is black humour, but Camus was more or less French – so black humour is more or less obligatory.I really hadn’t expected this book to be nearly so funny as it turned out. I’d always been told it was a ponderous philosophical text – and so, to be honest, I was expecting to be bored out of my skull. I wasn’t in the least bit bored.A constant theme in my life at present is that I read ‘classics’ expecting them to be about something and they end up being about something completely different. And given I’ve called this a ‘constant’ theme then you might think I would be less than surprised when a read a new ‘classic’ and it turns out to be completely different to my expectations. I’m a little more upset about this one than some of the others, as I’ve been told about this one before, repeatedly, and by people I’d have taken as ‘reputable sources’ – although, frankly, how well one should trust one’s ex-wife in such matters is moot.I had gotten the distinct impression from all of my previous discussions about this book that the guy ends up dead. In fact, this is not the case – he ends up at the point in his life where he has no idea if he will be freed or not. The Priest who comes to him at the end is actually quite certain that he will be freed. Let’s face it, he is only guilty of having murdered an Arab, and as we have daily evidence, Westerners can murder Arabs with complete impunity. The main point of the book to me is when he realises he is no longer ‘free’. He needs this explained to him – because life up until then had been about ‘getting used to things’ and one can 'get used to just about anything'. But the prison guard helpfully informs him that he is being ‘punished’ and the manifestation of that punishment is the removal of his ‘freedom’. Interestingly, he didn’t notice the difference between his past ‘free’ life and his current ‘unfree’ one. The most interesting part of the book to me was the very end, the conversation with the priest. The religious often make the mistake of thinking that Atheists are one thing – I’ve no idea how they ever came to make this mistake, but make it they do. Given that there are thousands upon thousands of different shades of Christians – from Jesuit Catholics to Anti-Disney Episcopalians – it should be fairly obvious that something like Atheism (without any ‘organised’ church or even system of beliefs) could not be in anyway ‘homogeneous’.I am definitely not the same kind of Atheist as Camus. To Camus there is no truth, the world is essentially absurd and all that exists is the relative truth an individual places on events and ideas. This makes the conversation with the priest fascinatingly interesting. To the priest the prisoner who is facing death is – by necessity – someone who is interested in God. You can play around with ideas like the non-existence of God when it doesn’t seem to matter (life is long and blasphemy can seem fun) – but surely when confronted with the stark truth of the human condition any man would turn away from their disbelief and see the shining light.Not this little black duck. Now, if I was in that cell I would have argued with the priest too – but I would not have argued in the same way that Meursault argues. No, I do not believe in God, but I do believe in truth, and so Camus’ arguments are barred to me.Meursault essentially says, “Look, I’m bored, I’m totally uninterested in the rubbish you are talking – now go away”. Now, this is a reasonable response. What is very interesting is that the priest cannot accept this as an answer. The world is not allowed to have such a person in it – if such a person really did exist then it would be a fundamental challenge to the core beliefs of the priest. So, he has to assume Meursault is either lying to him or is trying to taunt him. But it is much worse – he is absolutely sincere, he is not interested in this ‘truth’.I don’t know that the world is completely meaningless, it is conventional rather than meaningless. That those conventions are arbitrary (decided by the culture we grew up in) doesn’t make them meaningless, it makes them conventional. I don’t think I would like to live in a world where people go up and kill Arabs pretty much at random and with impunity, but then again, we have already established this is precisely the world I do live in. My point is that it would be better if we did adhere to some sort of moral principles and that these should be better principles than ‘he should be killed because he didn’t cry at his mum’s funeral’. Camus is seeking to say that all of our ‘moral principles’ in the end come to be as meaningless as that – we judge on the basis of what we see from the framework of our own limited experience. And look, yes, there is much to this – but this ends up being too easy.The thing I like most about Existentialism, though it isn’t really as evident in this book as it is in the actual philosophy – although this is something that Meursault is supposed to have grown to understand (sorry, just one more sub-clause) even though this wasn’t something I noticed at all while reading the book, was the notion of responsibility. I didn’t think in the end Meursault was all that much more ‘responsible’ for his actions than he had been at the start. But I do think that ‘responsibility’ is a key concept in morality and one that seems increasingly to be ignored.Better by far that we feel responsible for too much in our lives than too little – better by far that we take responsibility for the actions of our governments (say) than to call these governments ‘them’. I’m not advocating believing in The Secret - but that if one must err, better to err on the side of believing you have too much responsibility for how your life has turned out, rather than too little.So, what can I say? I enjoyed this much more than I expected – but I’m still glad I waited before reading it, I really don’t think I would have gotten nearly as much out of it at 15 as I did now.

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You manage the Kestrel and its crew as you explore the galaxy. Strategic, real-time combat involves managing power between essential systems and choosing which...

A sci-fi colony sim driven by an intelligent AI storyteller. Inspired by Dwarf Fortress and Firefly. Generates stories by simulating psychology, ecology, gunpla...

Harry's (Daniel Radcliffe's) fourth year at Hogwarts is about to start and he is enjoying the summer vacation with his friends. They get the tickets to The Quidditch World Cup Final, but after the match is over, people dressed like Lord Voldemort's (Ralph Fiennes') "Death Eaters" set a fire to all of the visitors' tents, coupled with the appearance of Voldemort's symbol, the "Dark Mark" in the sky, which causes a frenzy across the magical community. That same year, Hogwarts is hosting "The Triwizard Tournament", a magical tournament between three well-known schools of magic : Hogwarts, Beauxbatons, and Durmstrang. The contestants have to be above the age of seventeen, and are chosen by a magical object called "The Goblet of Fire". On the night of selection, however, the Goblet spews out four names instead of the usual three, with Harry unwittingly being selected as the Fourth Champion. Since the magic cannot be reversed, Harry is forced to go with it and brave three exceedingly difficult tasks.

2005 British-American fantasy film directed by Mike Newell

After a lonely summer on Privet Drive, Harry (Daniel Radcliffe) returns to a Hogwarts full of ill-fortune. Few of students and parents believe him or Dumbledore (Sir Michael Gambon) that Voldemort (Ralph Fiennes) is really back. The ministry had decided to step in by appointing a new Defense Against the Dark Arts teacher, Professor Dolores Umbridge (Imelda Staunton), who proves to be the nastiest person Harry has ever encountered. Harry also can't help stealing glances with the beautiful Cho Chang (Katie Leung). To top it off are dreams that Harry can't explain, and a mystery behind something for which Voldemort is searching. With these many things, Harry begins one of his toughest years at Hogwarts School of Witchcraft and Wizardry.

2007 fantasy film directed by David Yates

Obsessed with the idea of overcoming the obstacle of death and determined to vindicate himself by backing up his theory, the ambitious medical student, Herbert West, arrives in New England, after the horrific incident at the Institute of Medicine in Switzerland. Before long, Herbert will pick up where he left off--at first, experimenting with dead feline tissue, and then, with fresh human cadavers--talking his sceptic roommate, Dan Cain, into joining his audacious project. Inevitably, as the two young scientists burrow deeper and deeper into uncharted territories, the campus will start brimming with West's reanimated corpses, catching the eye of his arch-nemesis, Dr Hill, who yearns to take credit for this astounding discovery. The dead will rise again, even with a bit of help; however, can the young re-animator harness the power of his phosphorescent green reagent?

During a secretive business trip away, Mark learns that his wife Anna is growing restless in what he believed was their happy marriage. Upon his return home, he learns from her that she wants a divorce. They both go through a series of different emotions related to their situation, Mark's which is generally obsessive about learning why Anna, who he still loves, wants the divorce, and Anna's which is generally increasingly histrionic in getting away from Mark. Caught in the middle is their infant son Bob, who Mark uses as a gage to Anna's mental state. Anna states that her want for the divorce is not because of another man, but Mark finds out that Anna has a lover named Heinrich. In the meantime, Mark also meets Bob's teacher Helen, who looks exactly like Anna, but is her polar opposite in temperament. Starting a relationship with Helen lessens his obsession with Anna. But as Mark and Anna's encounters together reach more emotional and violent levels, Mark, with help of a private investigative firm, learns that Anna's love life is not all that it appears. Anna's true obsession has a somewhat gruesome process and nothing will stop her from reaching her end goal.

French film (dir. Andrzej Żuławski; 1981)

84 years later, a 100 year-old woman named Rose DeWitt Bukater tells the story to her granddaughter Lizzy Calvert, Brock Lovett, Lewis Bodine, Bobby Buell and Anatoly Mikailavich on the Keldysh about her life set in April 10th 1912, on a ship called Titanic when young Rose boards the departing ship with the upper-class passengers and her mother, Ruth DeWitt Bukater, and her fiancé, Caledon Hockley. Meanwhile, a drifter and artist named Jack Dawson and his best friend Fabrizio De Rossi win third-class tickets to the ship in a game. And she explains the whole story from departure until the death of Titanic on its first and last voyage April 15th, 1912 at 2:20 in the morning.

It's the last day of school at a high school in a small town in Texas in 1976. The upperclassmen are hazing the incoming freshmen, and everyone is trying to get stoned, drunk, or laid, even the football players that signed a pledge not to.

In the dystopian world of 2027 London, humans have been incapable of reproducing for 18 year for an unknown reason, meaning the imminent extinction of the species. Britain is the one remaining civilized society on the planet, which has resulted in people wanting to migrate there, so it has become a police state to handle the immigrants, who are placed into refugee camps. Lowly government bureaucrat Theo Faron, once an activist, is approached by the Fishes, deemed a terrorist group, led by his ex-wife Julian Taylor, whom he hasn't seen in almost 20 years, since their marriage disintegrated after their infant son Dylan's death during the 2008 flu pandemic. Although the Fishes did use terrorist means in their on-going revolution against the state in the fight for immigrant rights, Julian vows that they now garner support solely by speaking to the people, and she wants Theo to use his connections to get transit papers for a young immigrant woman named Kee who needs to get to the coast. Although initially reluctant to do it because of the difficulty, Theo is able to grant Julian this favor, however with the change that he now needs to accompany Kee on her journey. As Theo and Kee progress on that journey, Theo learns more and more about what's going on, including the reason that Kee needs to get to the coast, the fact that no one in the group knows if their end destination even exists, and that his and Kee's lives are in greater danger than he believed when they started the journey. But Theo's sole mission becomes to help Kee at any cost for the survival of the species.

Corky, a lesbian ex con hired to work in an apartment as a plumber, meets neighbors Caesar, who launders money for the Mafia, and his girlfriend Violet. The two women have a love affair and decide to steal $2,000,000 that Caesar has in custody before he gives them back to Mafia boss Gino Marzone. Caesar is set up by the two scheming women as a scapegoat but things start to go wrong when he reacts in an unexpected way...

Follow a week in the life of a young folk singer as he navigates the Greenwich Village folk scene of 1961. Guitar in tow, huddled against the unforgiving New York winter, he is struggling to make it as a musician against seemingly insurmountable obstacles -- some of them of his own making.

Six different people, each from a very different walk of life, awaken to find themselves inside a giant cube with thousands of possible rooms. Each has a skill that becomes clear when they must band together to get out: a cop, a math whiz, a building designer, a doctor, an escape master, and a disabled man. Each plays a part in their thrilling quest to find answers as to why they've been imprisoned.

LICORICE PIZZA is the story of Alana Kane and Gary Valentine growing up, running around and falling in love in the San Fernando Valley, 1973. Written and Directed by Paul Thomas Anderson, the film tracks the treacherous navigation of first love.

2021 film directed by Paul Thomas Anderson

It is the year 2029. Technology has advanced so far that cyborgs are commonplace. In addition, human brains can connect to the internet directly. Major Motoko Kusanagi is an officer in Section 9, an elite, secretive police division that deals with special operations, including counter terrorism and cyber crime. She is currently on the trail of the Puppet Master, a cyber criminal who hacks into the brains of cyborgs in order to obtain information and to commit other crimes.

This experimental film looks at the world and more specifically the effect man has had on the landscape and the environment. Without narration, the film shows the world in a pristine condition and untouched: blue skies, beautiful landscapes and endless vistas. The man-made world is much less appealing. Essentially a montage using a variety of film techniques to provide a visually stunning montage of images.

A movie studio is being torn down. TV interviewer Genya Tachibana has tracked down its most famous star, Chiyoko Fujiwara, who has been a recluse since she left acting some 30 years ago. Tachibana delivers a key to her, and it causes her to reflect on her career; as she's telling the story, Tachibana and his long-suffering cameraman are drawn in. The key was given to her as a teenager by a painter and revolutionary that she helped to escape the police. She becomes an actress because it will make it possible to track him down, and she spends the next several decades acting out that search in various genres and eras.

2001 Japanese anime film directed by Satoshi Kon

An ambitious young executive is sent to retrieve his company's CEO from an idyllic but mysterious "wellness center" at a remote location in the Swiss Alps. He soon suspects that the spa's miraculous treatments are not what they seem. When he begins to unravel its terrifying secrets, his sanity is tested, as he finds himself diagnosed with the same curious illness that keeps all the guests here longing for the cure.

A band straying into a secluded part of the Pacific Northwest stumbles onto a horrific act of violence. Because they are the only witnesses, they become the targets of a terrifying gang of skinheads who want to make sure all the evidence is eliminated.

A demon who seeks to create eternal night by destroying the last of the unicorns and marrying a fairy Princess is opposed by the forest boy Jack (Tom Cruise) and his elven allies in this magical fantasy. Two different versions of this movie feature soundtracks by either Tangerine Dream or Jerry Goldsmith.

New England, 1630: William and Katherine try to lead a devout Christian life, homesteading on the edge of an impassible wilderness, with five children. When their newborn son mysteriously vanishes and their crops fail, the family begins to turn on one another. 'The Witch' is a chilling portrait of a family unraveling within their own sins, leaving them prey for an inconceivable evil.

Blondie, The Good (Clint Eastwood), is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes, The Bad (Lee Van Cleef), is a hitman who always commits to a task and sees it through--as long as he's paid to do so. And Tuco, The Ugly (Eli Wallach), is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership making money off of Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor, Bill Carson (Antonio Casale), that he and a few other men have buried a stash of gold in a cemetery. Unfortunately, Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows they know where the gold is; now he needs them to lead him to it. Now The Good, the Bad, and the Ugly must all battle it out to get their hands on $200,000.00 worth of gold.

Canadian rapper, singer, songwriter and actor

American singer-songwriter and actor (born 1949)

The character-driven cartoon chronicles the nautical and often nonsensical adventures of SpongeBob, an incurably optimistic and earnest sea sponge, and his underwater friends. Dwelling a few fathoms beneath the tropical isle of Bikini Atoll in the sub-surface city of Bikini Bottom, SpongeBob lives in a two-story pineapple. Instead of taking the logical approach to everyday challenges, SpongeBob approaches life in a wayward and unconventional way. Whether searching for the ultimate spatula to perfect his burger flipping technique at the Krusty Krab or just hanging out with his best friend Patrick (an amiable starfish), SpongeBob's good intentions and overzealous approach to life usually create chaos in his underwater world.

The body of a young girl (Laura Palmer) is washed up on a beach near the small Washington state town of Twin Peaks. FBI Special Agent Dale Cooper is called in to investigate her strange demise only to uncover a web of mystery that ultimately leads him deep into the heart of the surrounding woodland and his very own soul.

American drama television series from 1990–1991

The offbeat adventures of Courage, a cowardly dog who must overcome his own fears to heroically defend his unknowing farmer owners from all kinds of dangers, paranormal events and menaces that appear around their land.

American horror animated television series

A former lawyer attends a community college when it is discovered he faked his Bachelor's degree. In an attempt to get with a student in his Spanish class, he forms a Spanish study group. To his surprise, more people attend the study group and the group of misfits form an unlikely community.

American comedy television series created by Dan Harmon

Empty classrooms, boring days. It was supposed to be a normal summer vacation just like any other. Suddenly, the school begins to drift through another dimension, and 36 boys and girls are left there, awakening to their supernatural abilities. Amidst the whirlpool of questions that come to mind one after another, survival in a supernatural world begins.

It's been 40 years since the 12 colonies of mankind have heard from their progeny, the Cylons -- robotic creatures who rose up and declared war on their masters, then disappeared. In a sudden, devastating strike, the Cylons return and lay waste to the colonies, aided by human-looking Cylon variants and an unwitting fifth columnist. The attack forces Commander William Adama to call into action his museum-piece warship, the Battlestar Galactica, and soon its company of hotshot fighter pilots is blasting away at the invaders. But their best efforts can't prevent the colonies' obliteration. Fleeing the Cylon genocide, the Galactica leads a rag-tag fleet of survivors on a lonely quest to find humanity's fabled 13th colony -- a planet known as Earth.

Ross Geller, Rachel Green, Monica Geller, Joey Tribbiani, Chandler Bing, and Phoebe Buffay are six twenty-somethings living in New York City. Over the course of 10 years and seasons, these friends go through life lessons, family, love, drama, friendship, and comedy.

The curious, adventure-seeking, fourth grade group of 10 year old boys, Stan, Kyle, Cartman, and Kenny, all join in in buffoonish adventures that sometimes evolve nothing. Sometimes something that was simple at the start, turns out to get out of control. Everything is odd in the small mountain town, South Park, and the boys always find something to do with it.

Leslie Knope, a mid-level bureaucrat in an Indiana Parks and Recreation Department, hopes to beautify her town (and boost her own career) by helping local nurse Ann Perkins turn an abandoned construction site into a community park. However, what should be a fairly simple project is stymied at every turn by oafish bureaucrats, selfish neighbors, governmental red tape, and a myriad of other challenges. Leslie's colleague Tom Haverford, who delights in exploiting his position for personal gain, is as likely to undermine her efforts as to help her, while her boss, Ron Swanson, is adamantly opposed to government in any form, even though he's a bureaucrat.

A mediocre paper company in the hands of Scranton, PA branch manager Michael Scott. This mockumentary follows the everyday lives of the manager and the employees he "manages." The crew follows the employees around 24/7 and captures their quite humorous and bizarre encounters as they will do what it takes to keep the company thriving.

The year is 2022, and gamers have lined up on launch day for Sword Art Online, a hotly-anticipated MMORPG that lets players connect to an immersive virtual reality world with special helmets called Nerve Gear. Kirito is one such gamer who's eager to jump back into action, having spent a great deal of time as a beta tester, and quickly becomes friends with newbie warrior Klein. But soon, Sword Art Online's 10,000 players discover that not only are they unable to log out, the only way they can return to their physical bodies is by beating the 100-level tower's final boss - death in the game means death in the real world. Now, with no one else to turn to, Kirito and the other participants must survive the game as best they can.

The Harper brothers Charlie and Alan are almost opposites but form a great team. They have little in common except their dislike for their mundane, maternally cold and domineering mother, Evelyn. Alan, a compulsively neat chiropractor and control-freak, is thrown out by his manipulative wife Judith who nevertheless gets him to pay for everything and do most jobs in the house. Charlie is a freelance jingle composer and irresistible Cassanova who lives in a luxurious beach-house and rarely gets up before noon. Charlie "temporarily" allows Alan and his son Jake, a food-obsessed, lazy kid who shuttles between his parents, to move in with them after Alan's separation/divorce. The sitcom revolves around their conflicting lifestyles, raising Jake (who has the efficient, caring dad while having a ball with his fun-loving sugar uncle who teaches him boyish things), and bantering with Evelyn and various other friends and family. Other fairly regular characters include Charlie's cleaning lady Berta and his rich, self-confessed stalker neighbor Rose who often sneaks in to spy on Charlie.

Stan Smith, who works for the C.I.A. and is constantly on the alert for terrorist activity, will go to extremes to protect his beloved America from harm; as evidenced by the terror-alert color code on his fridge, and his frequent knee-jerk reaction of shooting holes in the toaster whenever the toast pops up. In addition to Stan's wife and teenage children, the Smith household has two rather unconventional members. There's Roger, the sarcastic space alien who rescued Stan from Area 51, who deeply resents the fact that he's not allowed to leave the house, and therefore, has been reduced to drinking wine and smoking cigarettes, and Klaus, a lascivious, German-speaking goldfish; the result of a C.I.A. experiment gone seriously wrong, where the C.I.A. tried to give a fish a German man's brain. Stan's son is a dorky teenager who tries to be cool. His wife has had a past life of sex and drugs.

Sick, twisted and politically incorrect, the animated series features the adventures of the Griffin family. Endearingly ignorant Peter and his stay-at-home wife Lois reside in Quahog, R.I., and have three kids. Meg, the eldest child, is a social outcast, and teenage Chris is awkward and clueless when it comes to the opposite sex. The youngest, Stewie, is a genius baby bent on killing his mother and destroying the world. The talking dog, Brian, keeps Stewie in check while sipping martinis and sorting through his own life issues.

Leonard Hofstadter and Sheldon Cooper are both brilliant physicists working at Cal Tech in Pasadena, California. They are colleagues, best friends, and roommates, although in all capacities their relationship is always tested primarily by Sheldon's regimented, deeply eccentric, and non-conventional ways. They are also friends with their Cal Tech colleagues mechanical engineer Howard Wolowitz and astrophysicist Rajesh Koothrappali. The foursome spend their time working on their individual work projects, playing video games, watching science-fiction movies, or reading comic books. As they are self-professed nerds, all have little or no luck with women. When Penny, a pretty woman and an aspiring actress from Omaha, moves into the apartment across the hall from Leonard and Sheldon's, Leonard has another aspiration in life, namely to get Penny to be his girlfriend.

In this new sketch show, Tim Robinson and guests spend each segment driving someone to the point of needing -- or desperately wanting -- to leave.

American sketch comedy web television show

This eight-part OVA (Original Video Animation, or made-for-video) series is set in the giant megalopolis of MegaTokyo in the year 2033. The story chronicles the battles of four women in power armor against an evil mega-corporation called GENOM. BGC is one of the most popular series among fans of Japanese animation ("anime"), as well as fans of the cyberpunk genre.

Meet the wildly dysfunctional Bluth family. This family was once at the height of real estate development in Orange County, California. But when the family business - the Bluth Company - goes bust, they're suddenly found penniless with their assets frozen. They move into their last remaining asset - the model home left over from their latest housing tract. Their luxury vehicles are replaced with a reminder of the family's former wealth: 'the stair car that accompanied their private jet'. The patriarch of the family is George Bluth - he's now in prison, and loving every minute of it. His wife Lucille and daughter Lindsay are spoiled socialites who can't handle getting kicked out of family restaurants. His son Buster is in his mid 30's and lives at home. His son George Oscar Bluth is a magician who started a group to get magicians to be taken seriously, and gets kicked out when his own tricks are revealed. Lindsay is married to a man named Tobias Funke, once a psychiatrist, who decides to become an actor. The only sane member of the family: Michael Bluth, along with his son George Michael, want nothing to do with the family business. But one bizarre circumstance after another keeps Michael and George Michael from leaving their eccentric family.

Two brothers lose their mother to an incurable disease. With the power of "alchemy", they use taboo knowledge to resurrect her. The process fails, and as a toll for using this type of alchemy, the older brother, Edward Elric loses his left leg while the younger brother, Alphonse Elric loses his entire body. To save his brother, Edward sacrifices his right arm and is able to affix his brother's soul to a suit of armor. With the help of a family friend, Edward receives metal limbs - "automail" - to replace his lost ones. With that, Edward vows to search for the Philosopher's Stone to return the brothers to their original bodies, even if it means becoming a "State Alchemist", one who uses his/her alchemy for the military.

When the Angels start attacking the planet Earth in the year 2015, only a handful of 14-year-old EVA pilots are able to stop them. Young Shinji Ikari suddenly finds himself forced to pilot EVA-01, a giant organic mecha, designed and constructed by NERV, that is the only thing that can stop the Angels.

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