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First, there were ten—a curious assortment of strangers summoned as weekend guests to a little private island off the coast of Devon. Their host, an eccentric millionaire unknown to all of them, is nowhere to be found. All that the guests have in common is a wicked past they're unwilling to reveal—and a secret that will seal their fate. For each has been marked for murder. A famous nursery rhyme is framed and hung in every room of the mansion:"Ten little boys went out to dine; One choked his little self and then there were nine. Nine little boys sat up very late; One overslept himself and then there were eight. Eight little boys traveling in Devon; One said he'd stay there then there were seven. Seven little boys chopping up sticks; One chopped himself in half and then there were six. Six little boys playing with a hive; A bumblebee stung one and then there were five. Five little boys going in for law; One got in Chancery and then there were four. Four little boys going out to sea; A red herring swallowed one and then there were three. Three little boys walking in the zoo; A big bear hugged one and then there were two. Two little boys sitting in the sun; One got frizzled up and then there was one. One little boy left all alone; He went out and hanged himself and then there were none."When they realize that murders are occurring as described in the rhyme, terror mounts. One by one they fall prey. Before the weekend is out, there will be none. Who has choreographed this dastardly scheme? And who will be left to tell the tale? Only the dead are above suspicion.

“It took courage to do what Spalding did—courage to make theatre so naked and unadorned, to expose himself in this way and fight the demons in public. In doing so, he entered our hearts—my heart—because he made his struggle my struggle. His life became my life.”—Eric Bogosian“Virtuosic. A master writer, reporter, comic and playwright. Spalding Gray is a sit-down monologist with the soul of a stand-up comedian. A contemporary Gulliver, he travels the globe in search of experience and finds the ridiculous.”—The New York TimesIn 2004, we mourned the loss of one of America’s true theatrical innovators. Spalding Gray took his own life by jumping from the Staten Island ferry into the waters of New York Harbor, finally succumbing to the impossible notion that he could in fact swim to Cambodia. At a memorial gathering for family, friends and fans at Lincoln Center in New York, his widow expressed the need to honor Gray’s legacy as an artist and writer for his children, as well as for future generations of fans and readers. Originally published in 1985, Swimming to Cambodia is reissued here 20 years later in a new edition as a tribute to Gray’s singular artistry.Writer, actor and performer, Spalding Gray is the author of Sex and Death to the Age 14; Monster in a Box; It’s a Slippery Slope; Gray’s Anatomy and Morning, Noon and Night, among other works. His appearance in The Killing Fields was the inspiration for his Swimming to Cambodia, which was also filmed by Jonathan Demme.

In her most revealing and powerful book yet, the beloved activist, speaker, and author of the bestselling sensations Love Warrior and Carry On, Warrior explores the joy and peace we discover when we stop striving to meet the expectations of the world, and start trusting the voice deep within us. This is how you find yourself.There is a voice of longing inside every woman. We strive so mightily to be good: good mothers, daughters, partners, employees, citizens, and friends. We believe all this striving will make us feel alive. Instead, it leaves us feeling weary, stuck, overwhelmed, and underwhelmed. We look at our lives, relationships, and world, and wonder: Wasn’t it all supposed to be more beautiful than this? We quickly silence that question, telling ourselves to be grateful. We hide our simmering discontent—even from ourselves. Until we reach our boiling point.Four years ago, Glennon Doyle—bestselling Oprah-endorsed author, renowned activist and humanitarian, wife and mother of three—was speaking at a conference when a woman entered the room. Glennon looked at her and fell instantly in love. Three words flooded her mind: There She Is. At first, Glennon assumed these words came to her from on high. Soon she realized that they came to her from within.Glennon was finally hearing her own voice—the voice that had been silenced by decades of cultural conditioning, numbing addictions, and institutional allegiances. This was the voice of the girl Glennon had been before the world told her who to be. She vowed to never again abandon herself. She decided to build a life of her own—one based on her individual desire, intuition, and imagination. She would reclaim her true, untamed self.Soulful and uproarious, forceful and tender, Untamed is both a memoir and a galvanizing wake-up call. It offers a piercing, electrifying examination of the restrictive expectations women are issued from birth; shows how hustling to meet those expectations leaves women feeling dissatisfied and lost; and reveals that when we quit abandoning ourselves and instead abandon the world’s expectations of us, we become women who can finally look at ourselves and recognize: There She Is.Untamed shows us how to be brave. As Glennon insists: The braver we are, the luckier we get.

Welcome to the hilarious, strange, elegiac, outrageous world of David Sedaris. In Naked, Sedaris turns the mania for memoir on its proverbial ear, mining the exceedingly rich terrain of his life, his family, and his unique worldview—a sensibility at once take-no-prisoners sharp and deeply charitable. A tart-tongued mother does dead-on imitations of her young son's nervous tics, to the great amusement of his teachers; a stint of Kerouackian wandering is undertaken (of course!) with a quadriplegic companion; a family gathers for a wedding in the face of imminent death. Through it all is Sedaris's unmistakable voice, without doubt one of the freshest in American writing.

In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child—not powerful, like her father, nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power—the power of witchcraft, which can transform rivals into monsters and menace the gods themselves.Threatened, Zeus banishes her to a deserted island, where she hones her occult craft, tames wild beasts and crosses paths with many of the most famous figures in all of mythology, including the Minotaur, Daedalus and his doomed son Icarus, the murderous Medea, and, of course, wily Odysseus.But there is danger, too, for a woman who stands alone, and Circe unwittingly draws the wrath of both men and gods, ultimately finding herself pitted against one of the most terrifying and vengeful of the Olympians. To protect what she loves most, Circe must summon all her strength and choose, once and for all, whether she belongs with the gods she is born from, or the mortals she has come to love.

On November 15, 1959, in the small town of Holcomb, Kansas, four members of the Clutter family were savagely murdered by blasts from a shotgun held a few inches from their faces. There was no apparent motive for the crime, and there were almost no clues. As Truman Capote reconstructs the murder and the investigation that led to the capture, trial, and execution of the killers, he generates both mesmerizing suspense and astonishing empathy. At the center of his study are the amoral young killers Perry Smith and Dick Hickcock, who, vividly drawn by Capote, are shown to be reprehensible yet entirely and frighteningly human. In Cold Blood is a seminal work of modern prose, a remarkable synthesis of journalistic skill and powerfully evocative narrative.

Margaret Atwood is acknowledged as one of the foremost writers of our time. In Moral Disorder she has created a series of interconnected stories that trace the course of a life and also the lives intertwined with it--those of parents, of siblings, of children, of friends, of enemies, of teachers, and even of animals. As in a photograph album, time is measured in sharp, clearly observed moments. The '30s, the '40s, the '50s, the '60s, the '70s, the '80s, the '90s, and the present --all are here. The settings vary: large cities, suburbs, farms, northern forests. The first story, "The Bad News," is set in the present, as a couple no longer young situate themselves in a larger world no longer safe. The narrative then switches time as the central character moves through childhood and adolescence in "The Art of Cooking and Serving," "The Headless Horseman," and "My Last Duchess." We follow her into young adulthood in "The Other Place" and then through a complex relationship, traced in four of the stories: "Monopoly," "Moral Disorder," "White Horse," and "The Entities." The last two stories, "The Labrador Fiasco" and "The Boys at the Lab," deal with the heartbreaking old age of parents but circle back again to childhood, to complete the cycle. By turns funny, lyrical, incisive, tragic, earthy, shocking, and deeply personal, Moral Disorder displays Atwood's celebrated storytelling gifts and unmistakable style to their best advantage. As the New York Times has said: "The reader has the sense that Atwood has complete access to her people's emotional histories, complete understanding of their hearts and imaginations."

Just after midnight, a snowdrift stops the Orient Express in its tracks. The luxurious train is surprisingly full for the time of the year, but by the morning it is one passenger fewer. An American tycoon lies dead in his compartment, stabbed a dozen times, his door locked from the inside.Isolated and with a killer in their midst, detective Hercule Poirot must identify the murderer—in case he or she decides to strike again.

In these tales of loss and pleasure, lovers and family, a woman learns to conduct an affair, a child of divorce dances with her mother, and a woman with a terminal illness contemplates her exit. Filled with the sharp humor, emotional acuity, and joyful language Moore has become famous for, these nine glittering tales marked the introduction of an extravagantly gifted writer.

The full inside story of the breathtaking rise and shocking collapse of a multibillion-dollar startup, by the prize-winning journalist who first broke the story and pursued it to the end in the face of pressure and threats from the CEO and her lawyers.In 2014, Theranos founder and CEO Elizabeth Holmes was widely seen as the female Steve Jobs: a brilliant Stanford dropout whose startup "unicorn" promised to revolutionize the medical industry with a machine that would make blood tests significantly faster and easier. Backed by investors such as Larry Ellison and Tim Draper, Theranos sold shares in a fundraising round that valued the company at $9 billion, putting Holmes's worth at an estimated $4.7 billion. There was just one problem: The technology didn't work.For years, Holmes had been misleading investors, FDA officials, and her own employees. When Carreyrou, working at The Wall Street Journal, got a tip from a former Theranos employee and started asking questions, both Carreyrou and the Journal were threatened with lawsuits. Undaunted, the newspaper ran the first of dozens of Theranos articles in late 2015. By early 2017, the company's value was zero and Holmes faced potential legal action from the government and her investors. Here is the riveting story of the biggest corporate fraud since Enron, a disturbing cautionary tale set amid the bold promises and gold-rush frenzy of Silicon Valley.

This was the first book of short stories I have ever read that felt like a novel at some points. The characters are interesting and the dialog seems real and the characters you come to know are people you want to know about. Marley and Elenor are the main ones and their stories only coincide for a moment, but the rest of everyone seems like they could all be living in the same building. Because this is a book about New York with "New York" in the title, there is something understood going in and that is one of the reasons this feels novelesque even though some of the short stories/chapters are about far off topics told from varying perspectives. Many of the stories seem to connect anyway but the story about Bruce Springsteen is one that I couldn't comprehend. It's a quick read and this book will probably rise to prominence again.

Loosely based on The Reluctant Debutante (1958) starring Sandra Dee, this family-friendly comedy features popular Nickelodeon teen star Amanda Bynes in her first feature-starring performance after her debut in Big Fat Liar (2002). She plays teenager Daphne Reynolds, who lives in New York City with her musician mother, Libby Reynolds (Kelly Preston). After she turns seventeen, Daphne is undecided about her future, so she takes off by herself to London in search of her father. She immediately meets cute musician Ian Wallace (Oliver James) before sneaking in to her father's estate to surprise him. He turns out to be Lord Henry Dashwood (Colin Firth), a fabulously wealthy aristocrat who doesn't even know that she exists. He had met her mother in Morocco and the two were married in a tribal ceremony. Upon their return to England, she left him and went back to the U.S. without ever revealing that she was pregnant. The uptight Henry is already flustered by his campaign for election, advised by doting aide Alistair Payne (Jonathan Pryce). His no-nonsense fiancée, Glynnis Payne (Anna Chancellor), and her bratty daughter, Clarissa Payne (Christina Cole), are threatened by Daphne's presence, thinking that she will hurt Henry's political aspirations by causing a scandal. However, family matriarch, Jocelyn Dashwood (Dame Eileen Atkins), takes a liking to her and she soon finds herself trying to liven things up at several stuffy aristocratic parties. Meanwhile, the evil Glynnis and Clarissa conspire against her by trying to sabotage her appearance, leading up to the conclusion at Daphne's coming-out party.

Kate (Brittany Snow) is the new girl in school. She catches John Tucker (Jesse Metcalfe) dating three different girls at once: Carrie - the smart girl, Heather - the cheerleader, and Beth - the activist slut; none of them are aware that they are not the only girl in John's heart. Kate, having been raised by a single mother, has seen the pain caused by playboys like John Tucker, and she won't stand idly by. Together with the three jilted ex-girlfriends, they hatch a plan to teach John a lesson. Things rarely go as planned, especially when Kate starts to think that she might be falling for John herself.

In a small Minnesota town, the annual beauty pageant is being covered by a TV crew. Former winner Gladys Leeman wants to make sure her daughter follows in her footsteps. Explosions, falling lights, and trailer fires prove that. As the Leemans are the richest family in town the police are pretty relaxed about it all. Despite everything, main rival (but nice) Amber Atkins won't be stopped. There could well be more death and disappointment to come.

1999 American beauty pageant mockumentary film directed by Michael Patrick Jann

Sara wants to be a ballerina, but her dreams are cut short by the sudden death of her mother. She moves in with her father, who she has not seen for a long time. He lives on the other side of town, in a predominantly Black neighborhood. She gets transferred to a new school where she is one of the few White students there. She becomes friends with Chenille, and later, falls in love with Chenille's brother, Derek.

Based on the novel written by Stephen Chbosky, this is about 15-year-old Charlie (Logan Lerman), an endearing and naive outsider, coping with first love (Emma Watson), the suicide of his best friend, and his own mental illness while struggling to find a group of people with whom he belongs. The introvert freshman is taken under the wings of two seniors, Sam and Patrick, who welcome him to the real world.

Christina Ricci stars as Lizzie, a prize-winning student heading off to Harvard where she intends to study journalism and launch a career as a rock music critic. However, Elizabeth's fractured family situation including an errant father (Nicholas Campbell) and a neurotic, bitterly hypercritical mother (Jessica Lange) has led to a struggle with depression. When her all-night, drug-fueled writing binges and emotional instability alienate her roommate and best friend, Ruby (Michelle Williams), as well as both her first (Jonathan Rhys-Meyers) and second (Jason Biggs) boyfriends, Lizzie seeks psychiatric counseling from Dr. Diana Sterling (Anne Heche), who prescribes the wonder drug Prozac. Despite success as a writer that includes a gig writing for Rolling Stone and some mellowing out thanks to her medication, Lizzie begins to feel that the pills are running her life and faces some tough choices about her future.

Jessica Spencer is the hottest, most popular girl in high school. Jessica, her best friend April, and a couple of other hot girls Lulu and Keecia visit the mall to hang out and do some shopping. They enter a new age store, where they check out a pair of ancient earrings. Unbeknownst to Jessica, these are magical ones set in ancient Abyssinia. A princess known as Princess Nawa is disgusted by the groom of her arranged marriage and switches bodies with a slave girl by means of an enchanted set of earrings. Since the earrings are not for sale, Jessica steals them. But the next morning she gets a big dose of reality when she wakes up in the body of a 30-something lowlife male, Clive, a career criminal. Clive finds himself in Jessica's body. Now it's up to Jessica (in Clive's body) to find a way to get her body back, while Clive (in Jessica's body) takes advantage of his new body to set in motion a crime spree to put the blame on Jessica!

Undercover F.B.I. Agent Gracie Hart shows no signs of having any femininity in her demeanor or appearance. Generally a bright and capable Agent, she is in trouble at work when she makes an error in judgment in a case which results in a near disaster. As such, one of her by-the-books colleagues, Eric Matthews, who has never shown any inclination of thinking outside the box, is assigned to lead the high profile case of a terrorist coined The Citizen instead of her, while she is facing possible disciplinary action. Gracie pieces together the evidence to determine that The Citizen's next target will be the Miss United States beauty pageant. The pageant represents everything that Gracie abhors. Despite Gracie's mannish demeanor, Eric, with no other undercover female Agent remotely fitting the demographic, assigns her to go undercover as a pageant contestant to see if she can flush out The Citizen, who is perhaps one of the other contestants. Although the pageant administration, led by former winner Cathy Morningside and long time host Stan Fields, provide the F.B.I. with access to the pageant, Cathy in particular is less than thrilled to have a non-credible Gracie posing as a contestant, which she feels will ruin the pageant. The F.B.I. enlist the assistance of former pageant contestant coach Victor Melling, who is facing his own disgrace associated with the pageant, to do the nearly impossible task of transforming Gracie, not only into a woman, but a credible beauty pageant contestant. As Gracie proceeds in the transformation, she gets to know the other contestants, not only as potential criminals, but also as real people. She also discovers that another sinister element is present at the pageant. She will do whatever it takes to quash that element and protect her new friends, namely the other innocent contestants. But now displaying some femininity, Gracie begins to have more womanly feelings, and in turn, attracts the attention of men, one in particular about whom she is happy.

2000 comedy film directed by Donald Petrie

Teen queen Lizzie McGuire grows up a bit and hits the big screen in this comedy drama, based on the popular Disney Network series. Lizzie McGuire and her best friends Kate, Gordo, and Ethan have just graduated from middle school, and to celebrate, they're taking part in a class trip to Rome, Italy. Eager to celebrate their new maturity as high school students, Lizzie and her pals hope to live it up in one of Europe's most fabled cities, but fate has something more spectacular in store for Lizzie. Lizzie discovers that she bears a striking resemblance to Isabella, an Italian teen-pop idol famous for her duets with heart-throb Paolo -- so much so that when Paolo and Isabella have a falling out, he asks Lizzie to take Isabella's place for an upcoming concert. Lizzie, however, isn't sure she feels comfortable stepping into the spotlight, and is even less sure about the way she feels about Paolo, who makes no secret of his infatuation with her. Things don't get any simpler for Lizzie when her family gets wind of her newfound fame, and catch the next flight to Italy.

Marisa Ventura is a single mother born and bred in the boroughs of New York City, who works as a maid in a first-class Manhattan hotel. By a twist of fate and mistaken identity, Marisa meets Christopher Marshall, a handsome heir to a political dynasty, who believes that she is a guest at the hotel. Fate steps in and throws the unlikely pair together for one night. When Marisa's true identity is revealed, the two find that they are worlds apart, even though the distance separating them is just a subway ride between Manhattan and the Bronx.

Struggling with her debilitating obsession with shopping and the sudden collapse of her income source, Rebecca Bloomwood (Isla Fisher) unintentionally lands a job writing for a financial magazine after a drunken letter-mailing mix-up. Ironically writing about the consumer caution of which she has not abided, Rebecca's innovative comparisons and unconventional metaphors for economics grants her critical acclaim, public success, and the admiration of her supportive boss Luke Brandon (Hugh Dancy). But as she draws closer to her ultimate goal of writing for renowned fashion magazine Alette, she questions her true ambitions and must determine if overcoming her "shopaholic" condition will bring her real happiness.

The wide generation gap between Tess Coleman and her teenage daughter Anna is more than evident. They simply cannot understand each other's preferences. On a Thursday night they have a big argument in a Chinese restaurant. Both receive a fortune cookie each from the restaurant owner's mother which causes them to switch bodies next day. As they adjust with their new personalities, they begin to understand each other more and eventually it's the mutual self-respect that sorts the things out.

When two pre-teens named Hallie and Annie meet through their summer camp, their two lives are rattled when they realize that they are identical twins. With parents, British mother aka famous dress designer Elizabeth and American father, a wine maker named Nick, living in two different sides of the universe, the girls decide to make an identity swap in hopes of spending time with their other parent. The girls later choose to inform their guardians of the swap while at a hotel in San Francisco, which later reunites the divorced pair and sends them back into remarriage with each other.

Mia Thermopolis (Anne Hathaway) is the average teenager - sweet, a little geeky, and pretty much invisible to everyone with the exception of her mother, best friend Lilly (Heather Matarazzo) and Lilly's older brother Michael (Robert Schwartzman). Making it through high school without throwing up is a challenge in itself for Mia, so it doesn't come as welcome news when her estranged grandmother, Queen Clarisse Renaldi (Dame Julie Andrews), shows up out of the blue and calmly informs her that she is in fact the heir to the throne of a European country called Genovia. Suddenly Mia's life is thrown into complete overload. She's being taught about scarves, waves, and pears in order to become a perfect Princess, she gets a makeover and a tough looking, yet sweet bodyguard and limo driver called Joe (Hector Elizondo). Things get out of hand when the media gets a hold of the story and suddenly Mia is thrust into the spotlight in the newspapers and in school. On top of all of that, Mia has a choice to make. She must decide by Genovia's Independence Day Ball whether she longs to relinquish her claim on the throne or to become the Princess and heir to the throne her father, Philippe Renaldi (Rene Auberjonois), and grandmother want her to be.

Southern California high school senior Carson arrives at the all-important "Cheer Camp Nationals" determined to lead her squad, the West High Sharks, to victory. But chic New Yorker Brooke and her team, the East High Jets, are equally steadfast in their pursuit of the competition's coveted "Spirit Stick." As tension mounts between the two rival squads, Carson falls for fellow cheerleader Penn, not realizing he's a Jet. When Brooke discovers the budding romance, she raises the stakes by challenging Carson to a one-on-one cheer-off. A spectacular "cheer fighting" sequence erupts into a no-holds-barred brawl and cheerleaders on both sides are suspended from the competition. With their dreams of taking home the top prize all but shattered, the leaders of both squads realize they'll have to take drastic measures to stay in the game.

Lina Cruz is a tough, sharp-witted Latina cheerleader from East L.A. who transfers to a posh, West Los Angeles high school after her widowed mother remarries a wealthy man and Lina not only finds herself a fish-out-of-her-environment at her new high school but she faces off against Avery, the snobbish and ultra-competitive all-star cheer-leading captain to qualify for a spot on her new school's cheer-leading team with the help of her new sheltered stepsister, Skylar, and her former teammates whom she calls up to help her.

Dean Sebastian wants to safeguard the perks of a college with a champion cheer-leading squad, so he instructs ruthlessly ambitious and tyrannical captain Tina, who was preparing her sycophantic buddy as successor, to mentor in stead a freshman talent, Whittier. After jumping trough hoops in every sense, she however draws the line at having to dump her buddy Monica and calls the bluff of the classical threat 'or you're out'. So they and Greg, the gay leader of the male cheerleaders on whose shoulders the antics rest literally, pull out and form a rival squad, which welcomes campus misfits and social outsiders, including inventive smart-aleck Derek, yet also enters the national championship.

A senior cheerleader is at the peak of her high school career being the captain of the cheer squad and dating the star quarterback of the football team when unexpectedly her family is forced to endure the struggles of being relocated to a somewhat ghetto area. Not being able to fit in, Brittany will have to make a choice, whether to hold on to her old life or give in to her new one?

The movie is based on the young adult book, The Sisterhood of the Traveling Pants, by Anne Brashares. As four best friends spend their first summer apart from one another, they share a magical pair of jeans. Despite being of various shapes and sizes, each one of them fits perfectly into the pants. To keep in touch they pass these pants to each other as well as the adventures they are going through while apart.

Billions is a complex drama about power politics in the world of New York high finance. Shrewd, savvy U.S. Attorney Chuck Rhoades and the brilliant, ambitious hedge fund king Bobby "Axe" Axelrod are on an explosive collision course, with each using all of his considerable smarts, power and influence to outmaneuver the other. The stakes are in the billions in this timely, provocative series.

Frank Parish is a professor from Boston, who has not seen his father since he was two. 35 years later, he is told that his father died and that he owned a restaurant in New Orleans, which is now legally Frank's. Frank goes there and was going to go back and sell the restaurant to the employees, but Miss Marie feels that the restaurant is his legacy, so she has a curse placed on him that would take effect when he returns to Boston. And when he does all sorts things happen to him, so he returns to New Orleans. He tries to make a go of it but frankly, it's a different place for him. The one bright spot is Hannah Griffin, whom Frank has the hots for but unfortunately for him, she's enganged. But when Frank meets him, he thinks that he has a shot.

This hour-long dramatic series featured life at St. Eligius Hospital, headed by Drs. Donald Westphall and Daniel Auschlander. Every year, new residents would walk down the halls of St. Eligius; learning to deal with perfectionist Cardiovascular Surgeon Mark Craig was only the beginning of the way the hospital and its interesting patients would change their lives forever.

A television series based on the popular movie of the same name. Many of the actors from the movie appear in the television series, including Dionne, Mr. Hall, Miss Giest, Amber, and Murray.

American television series based on the movie of the same name

Dr. Ji-Yoon Kim as she navigates her new role as the Chair of the English department at prestigious Pembroke University. Ji-Yoon is faced with a unique set of challenges as the first woman to chair the department, and as one of the few staff members of color at the university.

Kevin Can Fk Himself follows the story of Allison McRoberts (Murphy), a woman we all grew up believing we knew: the prototypical Sitcom Wife. She's beautiful and can take a joke (though she's usually the butt of them). And she's married to a guy who must've won some sort of marriage lottery, because she looks the way she does and he's... funny. But what happens when we follow Allison out of her husband's domain? When she finally wakes up to (and revolts against) the injustices in her life? Kevin Can FK Himself breaks television convention and blends multi-camera comedy with single-camera realism to make us ask, "who and what have we been laughing at all of these years?"

A group of FBI agents who graduated from Quantico in 2009 and are reunited following the death of a mutual friend. Spanning three decades and told across three interweaving timelines, the series examines the nature of justice, humanity, and the choices we make that ultimately define our lives and our legacy.

A grifter named Ripley living in New York during the 1960s is hired by a wealthy man to begin a complex life of deceit, fraud and murder.

In 1970s Los Angeles, an earnest young feminist joins forces with a low-rent publisher to create the first erotic magazine for women.

A darkly comedic and contemporary reimagining of Greek mythology, exploring themes of gender politics, power, and life in the underworld. Zeus has a wrinkle. He's worried it might mean the end of the world and it might. Because on earth, six humans unaware of their importance or their connection to each other learn that they are component parts of an ancient prophecy. Will they discover the truth about the gods, and what they're doing to humans? And, if they do, will they be able to stop them?

Based in 1970s New York, this show gives a raw and gritty portayal of the prostitution business that was so publicly executed at that time. As a result of police crack-down, the characters are forced to venture towards relatively safer and more discrete forms of the same work.

Michelle is a Las Vegas showgirl who would like to return to her true love - dancing. After a tumultuous experience at an audition for the musical Chicago, Michelle accepts a marriage proposal from an admirer. On impulse Michelle and Hubble get married and she relocates to a small town where she learns she will be sharing a house with her mother-in-law Fanny. Little to Michelle's knowledge, Fanny owns a dance studio in the back of the property and Michelle sees all these young ballerinas striving to reach their dreams. After an unexpected tragedy, Michelle's entire world will change.

Workplace comedy about a young man who announces his love to a co-worker just before accepting another job, only to find out that his offer has been rescinded and he's stuck with his crush.

A group of friends from Harvard are facing down their forties. With interwoven and oftentimes complicated relationships with one another. "Friends from College" is a comedic exploration of old friendships, former romantic entanglements and balancing adult life with nostalgia for the past.

In 1971, Egil "Bud" Krogh was summoned to a closed-door meeting by John Ehrlichman, his mentor and key confidant of President Richard Nixon, in a secluded office in the Western White House. Krogh thought he was walking into a meeting to discuss the drug control program launched on his most recent trip to South Vietnam. Instead, he was handed a file and the responsibility for the SIU, Special Investigations Unit, later to become notorious as "The Plumbers." The unit was to investigate the leaks of top-secret government documents, particularly the Pentagon Papers, to the press. The president considered this task critical to national security. Nixon said he wanted the unit headed up by a "real son of a bitch." He got the studious, zealous, and loyal-to-a-fault Bud Krogh instead.

The complicated life of a modern-day first generation Indian American teenage girl, inspired by Mindy Kaling's own childhood.

faryn kush

Jerry Seinfeld stars in this television comedy series as himself, a comedian. The premise of this sitcom is Jerry and his friends going through everyday life, discussing various quirky situations, to which we can all relate (especially if we live in New York City). The eccentric personalities of the offbeat characters who make up Jerry's social circle contribute to the fun.

Meet the wildly dysfunctional Bluth family. This family was once at the height of real estate development in Orange County, California. But when the family business - the Bluth Company - goes bust, they're suddenly found penniless with their assets frozen. They move into their last remaining asset - the model home left over from their latest housing tract. Their luxury vehicles are replaced with a reminder of the family's former wealth: 'the stair car that accompanied their private jet'. The patriarch of the family is George Bluth - he's now in prison, and loving every minute of it. His wife Lucille and daughter Lindsay are spoiled socialites who can't handle getting kicked out of family restaurants. His son Buster is in his mid 30's and lives at home. His son George Oscar Bluth is a magician who started a group to get magicians to be taken seriously, and gets kicked out when his own tricks are revealed. Lindsay is married to a man named Tobias Funke, once a psychiatrist, who decides to become an actor. The only sane member of the family: Michael Bluth, along with his son George Michael, want nothing to do with the family business. But one bizarre circumstance after another keeps Michael and George Michael from leaving their eccentric family.

Michael Westen, a seasoned U.S. spy, is suddenly "burned", i.e. discredited, without any form of procedure. He survives by doing impossible jobs for desperate people in Miami, where his mother lives. Michael is usually aided by his ex-girlfriend Fiona and trusted former FBI informer Sam.

Three's definitely a crowd for parcel post deliveryman Doug Heffernan (Kevin James), whose newly widowed father-in-law, Arthur (Jerry Stiller), has moved in with him and his wife, Carrie (Leah Remini). Doug's no longer the king of his domain -- the renovated basement that houses his beloved supersized TV set -- let alone the king of Queens, where he lives. Can they all just get along?

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Teenager Travis may live in Florida's leisurely Cougar Town, it's not easy being the son of his divorced parents: over-protective Jules and lazybones Bobby. Jules obsessively draws attention, wins sympathy and 'benignly' bosses everyone around. That includes her real estate office deputy Laurie, neighbor Ellie- who rules her devoted Cuban husband Andy Torres with iron hand- and in various modes hunky new neighbor and barman Grayson, all forming a quarrelsome gang.

Two couples and their single friend, all at different stages in their relationships, deal with the complications of dating, commitment, and marriage.

Jerri Blank is a 46-year-old "boozer, user and a loser" who tries to put her life back together again. The reformed runaway and addict returns to high school as a freshman, where she tries to fit in and act hip with girls 1/3 her age. Unfortunately, she hasn't quite shed her immoral background or acquired any ethics, and her bizarre family and frustrated schoolmates have trouble interacting with her.

Casey McCall and Dan Rydell are sports anchors and best friends. On "Sports Night," their nightly cable program, the two display their unique talent and skills in reporting up-to-the-minute sports news. When they step off-camera, office romances and sports-related hijinks ensue.

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Andrew Largeman is a semi-successful television actor who plays an intellectually disabled quarterback. His somewhat controlling and psychiatrist father has led Andrew ("Large") to believe that his mother's wheelchair-bound life was his fault. Andrew decides to lay off the drugs that his father and his doctor made him believe that he needed, and began to see life for what it is. He began to feel the pain he had longed for, and began to have a genuine relationship with a girl who had some problems of her own.

When his partner is killed by the mysterious and possibly nonexistent Jaguar Shark, Steve Zissou (Bill Murray) and his Team Zissou crew set off for an expedition to hunt down the creature. Along with his estranged wife, a beautiful journalist and a co-pilot who could possibly be Zissou's son, the crew set off for one wild expedition.

Max Fischer is a precocious 15-year-old whose reason for living is his attendance at Rushmore, a private school where he's not doing well in any of his classes, but where he's the king of extracurricular activities - from being in the beekeeping society to writing and producing plays, there's very little after school he doesn't do. His life begins to change, however, when he finds out he's on academic probation, and when he stumbles into love with Miss Cross, a pretty teacher of the elementary school at Rushmore. Added to the mix is his friendship with Herman Blume, wealthy industrialist and father to boys who attend the school, and who also finds himself attracted to Miss Cross. Max's fate becomes inextricably tied to this odd love triangle, and how he sets about resolving it is the story in the film.

This is the story of Mr. Fox (George Clooney) and his wild ways of hen heckling, turkey taking, and cider sipping, nocturnal, instinctive adventures. He has to put his wild days behind him and do what fathers do best: be responsible. He is too rebellious. He is too wild. He is going to try "just one more raid" on the three nastiest, meanest farmers that are Walter Boggis (Robin Hurlstone), Nathan Bunce (Hugo Guinness), and Franklin Bean (Sir Michael Gambon). It is a tale of crossing the line of family responsibilities and midnight adventure and the friendships and awakenings of this country life that is inhabited by Fantastic Mr. Fox and his friends.

2009 stop-motion animated film directed by Wes Anderson

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