Boba

Enes Buğra 

Jim Thomas

andres santamaría

Dad Is ar

Murat Dadaş

Marcus Hopson

Michael Walsh

ANDY

vision

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  What would you change if you could go back in time?\
In a small back alley in Tokyo, there is a café which has been serving carefully brewed coffee for more than one hundred years. But this coffee shop offers its customers a unique experience: the chance to travel back in time.In Before the Coffee Gets Cold, we meet four visitors, each of whom is hoping to make use of the café’s time-travelling offer, in order to: confront the man who left them, receive a letter from their husband whose memory has been taken by early onset Alzheimer's, to see their sister one last time, and to meet the daughter they never got the chance to know.But the journey into the past does not come without risks: customers must sit in a particular seat, they cannot leave the café, and finally, they must return to the present before the coffee gets cold . . .Toshikazu Kawaguchi’s beautiful, moving story explores the age-old question: what would you change if you could travel back in time? More importantly, who would you want to meet, maybe for one last time?

Sylvia Plath's shocking, realistic, and intensely emotional novel about a woman falling into the grip of insanity. Esther Greenwood is brilliant, beautiful, enormously talented, and successful, but slowly going under—maybe for the last time. In her acclaimed and enduring masterwork, Sylvia Plath brilliantly draws the reader into Esther's breakdown with such intensity that her insanity becomes palpably real, even rational—as accessible an experience as going to the movies. A deep penetration into the darkest and most harrowing corners of the human psyche, The Bell Jar is an extraordinary accomplishment and a haunting American classic.

A shocking, hilarious and strangely tender novel about a young woman’s experiment in narcotic hibernation, aided and abetted by one of the worst psychiatrists in the annals of literature. Our narrator has many of the advantages of life, on the surface. Young, thin, pretty, a recent Columbia graduate, she lives in an apartment on the Upper East Side of Manhattan paid for, like everything else, by her inheritance. But there is a vacuum at the heart of things, and it isn’t just the loss of her parents in college, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her alleged best friend. It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?This story of a year spent under the influence of a truly mad combination of drugs, designed to heal us from our alienation from this world, shows us how reasonable, even necessary, that alienation sometimes is. Blackly funny, both merciless and compassionate – dangling its legs over the ledge of 9/11 – this novel is a showcase for the gifts of one of America’s major young writers working at the height of her powers.

A prizewinning, thrillingly subversive debut novel about a woman in Japan who avoids harassment at work by perpetuating, for nine months and beyond, the lie that she's pregnantWhen thirty-four-year-old Ms. Shibata gets a new job in Tokyo to escape sexual harassment at her old one, she finds that, as the only woman at her new workplace--a company that manufactures cardboard tubes--she is expected to do all the menial tasks. One day she announces that she can't clear away her colleagues' dirty cups--because she's pregnant and the smell nauseates her. The only thing is . . . Ms. Shibata is not pregnant.Pregnant Ms. Shibata doesn't have to serve coffee to anyone. Pregnant Ms. Shibata isn't forced to work overtime. Pregnant Ms. Shibata rests, watches TV, takes long baths, and even joins an aerobics class for expectant mothers. But pregnant Ms. Shibata also has a nine-month ruse to keep up. Helped along by towel-stuffed shirts and a diary app on which she can log every stage of her "pregnancy," she feels prepared to play the game for the long haul. Before long, though, the hoax becomes all-absorbing, and the boundary between her lie and her life begins to dissolve.A surreal and wryly humorous cultural critique, Diary of a Void is bound to become a landmark in feminist world literature.

「苛められ暴力を受け、なぜ僕はそれに従うことしかできないのか」頬を濡らすあてのない涙。14歳の苛めを正面から描き、生の意味を問う、哀しくも美しい物語。

Keiko Furukura had always been considered a strange child, and her parents always worried how she would get on in the real world, so when she takes on a job in a convenience store while at university, they are delighted for her. For her part, in the convenience store she finds a predictable world mandated by the store manual, which dictates how the workers should act and what they should say, and she copies her coworkers' style of dress and speech patterns so she can play the part of a normal person. However, eighteen years later, at age 36, she is still in the same job, has never had a boyfriend, and has only few friends. She feels comfortable in her life but is aware that she is not living up to society's expectations and causing her family to worry about her. When a similarly alienated but cynical and bitter young man comes to work in the store, he will upset Keiko's contented stasis—but will it be for the better?Sayaka Murata brilliantly captures the atmosphere of the familiar convenience store that is so much part of life in Japan. With some laugh-out-loud moments prompted by the disconnect between Keiko's thoughts and those of the people around her, she provides a sharp look at Japanese society and the pressure to conform, as well as penetrating insights into the female mind. Convenience Store Woman is a fresh, charming portrait of an unforgettable heroine that recalls Banana Yoshimoto, Han Kang, and Amelie.

Eight year-old orphan Beth Harmon is quiet, sullen, and by all appearances unremarkable. That is until she plays her first game of chess. Her senses grow sharper, her thinking clearer, and for the first time in her life she feels herself fully in control. By the age of sixteen, she's competing for the U.S. Open championship. But as she hones her skills on the professional circuit, the stakes get higher, her isolation grows more frightening, and the thought of escape becomes all the more tempting. Engaging and fast-paced, The Queen's Gambit speeds to a conclusion as elegant and satisfying as a mate in four.

The shocking thing about the girls was how nearly normal they seemed when their mother let them out for the one and only date of their lives. Twenty years on, their enigmatic personalities are embalmed in the memories of the boys who worshipped them and who now recall their shared adolescence: the brassiere draped over a crucifix belonging to the promiscuous Lux; the sisters' breathtaking appearance on the night of the dance; and the sultry, sleepy street across which they watched a family disintegrate and fragile lives disappear.

In acclaimed director Edgar Wright's psychological thriller, Eloise, an aspiring fashion designer, is mysteriously able to enter the 1960s where she encounters a dazzling wannabe singer, Sandie. But the glamour is not all it appears to be and the dreams of the past start to crack and splinter into something far darker.

Halley lives with her six year old daughter Moonee in a budget motel along one of the commercial strips catering to the Walt Disney World tourist clientele outside Orlando, Florida. Halley, who survives largely on welfare, has little respect for people, especially those who cross her, it an attitude that she has passed down to Moonee, who curses and gives the finger like her mother. Although the motel's policy is not to allow long term rentals, Bobby, the motel manager, has made arrangements for people like Halley to live there while not undermining the policy as he realizes that many such tenants have no place to go otherwise. Halley, Moonee and Moonee's friends, who live in the motel or others like it along the strip and who she often drags into her disruptive pranks, are often the bane of Bobby's existence, but while dealing with whatever problem arises, Bobby has a soft spot especially for the children and thus, by association, their parents, as he knows that Moonee and others like her are just children acting like a children under whatever guidance they have, Moonee who has less guidance than most. Although there are some lines which he will not tolerate to be crossed, Bobby lets most of the disruptive things that they do go, largely as long as it does not affect the bread and butter of the motel, namely the tourist trade. The summer in this collective is presented, when Moonee and her friends, such as Scooty, are out of school and are left largely to their own devices while self-absorbed Halley does whatever she wants, often just staying in the room watching TV. Halley is supposed to look after Scooty, the son of Halley's friend Ashley, they who live in the unit immediately underneath Halley and Moonee's, while Ashley is at work at a local diner. In turn, Ashley pilfers cooked meals from the diner to feed Halley, Moonee and Scooty. Over the course of the summer, Halley systematically begins to alienate one by one the people who are her unofficial support by responding with that disrespect to anything she feels is against her. As such, Halley begins to take more and more extreme measures to maintain the life she leads with Moonee.

Pushing thirty, and defined by a hideous crime involving her bosom friend, Nina, emotionally scarred medical school dropout, Cassie, knows firsthand that some wounds never heal. Leading an uneventful existence, still living with her parents, waiting tables at a cheap coffee shop to earn a living, Cassie has found the perfect way to deal with the painful past. Dressed to kill, at night, Cassie frequents the local bars and nightclubs, pretending to be dead-drunk, utterly helpless and vulnerable. And, every week, lethally beautiful Cassie is on the prowl for all sorts of nocturnal predators and other wolves in sheep's clothing, who are unaware that, sometimes, the hunter can become the prey. Then, Ryan, a kindly and caring old classmate who is the bee's knees, enters the picture, and just like that, Cassie wants out. However, everybody knows that breaking bad habits is easier said than done. Could Ryan be the one?

When renowned crime novelist Harlan Thrombey (Christopher Plummer) is found dead at his estate just after his 85th birthday, the inquisitive and debonair Detective Benoit Blanc (Daniel Craig) is mysteriously enlisted to investigate. From Harlan's disfunctional family to his devoted staff, Blanc sifts through a web of red herrings and self-serving lies to uncover the truth behind Harlan's untimely death.

Shy, sensitive April is the class virgin, torn between an illicit flirtation with her soccer coach Mr. B and an unrequited crush on sweet stoner Teddy. Emily, meanwhile, offers sexual favors to every boy to cross her path - including both Teddy and his best friend Fred, a life wire without filters or boundaries. As one high school party bleeds into the next - and April and Teddy struggle to admit their mutual affection - Fred's escalating recklessness starts to spiral into chaos.

On the night of her wedding, Justine (Kirsten Dunst) is struggling to be happy even though it should be the happiest day of her life. It was an extravagant wedding paid for by her sister and brother-in-law who are trying to keep the bride and all the guests in line. Meanwhile, Melancholia, a blue planet, is hurtling towards the Earth. Claire (Charlotte Gainsbourg), Justine's sister, is struggling to maintain composure with fear of the impending disaster.

After an affair with a married man, actress Younghee decides to take some time out. She travels to the far-off, city of Hamburg. In a conversation with a friend she asks herself if her lover will follow her and whether he misses her as much as she misses him. During her long walks through wintry parks and along riverbanks, she attempts to make clear of this illicit relationship with the director.

Based on the novel written by Stephen Chbosky, this is about 15-year-old Charlie (Logan Lerman), an endearing and naive outsider, coping with first love (Emma Watson), the suicide of his best friend, and his own mental illness while struggling to find a group of people with whom he belongs. The introvert freshman is taken under the wings of two seniors, Sam and Patrick, who welcome him to the real world.

Quiet teenager Marc Hall arrives as a new student at Indian Hills High School in Agoura Hills, California. He is befriended by fame-obsessed Rebecca Ahn. While at a party at Rebecca's house, the pair check unlocked vehicles on the street, taking valuables such as cash and credit cards. When Marc mentions that one of his wealthy acquaintances is out of town, Rebecca persuades him to join her in breaking into his house. Rebecca steals a handbag, mentioning that her idol, Lindsay Lohan, has the same one. She also steals cash and the keys to a Porsche, which the pair use to flee the scene. With the cash, the two go on a shopping spree, affording themselves the luxury lifestyle they admire in magazines. Marc visits a nightclub with Rebecca and her friends Nicki Moore, Nicki's adoptive sister Sam, and Chloe Tainer, where they rub shoulders with celebrities such as Kirsten Dunst and Paris Hilton. While researching Hilton on the Internet, Marc and Rebecca realize that she will be out of town. The pair go to her house, and finding the key under the doormat, they go through Hilton's belongings, taking some jewelry. Rebecca then flaunts a stolen bracelet to Nicki, Sam, and Chloe at a party..

A man about forty years of age tells the story from when he was a teenager in upscale suburban Detroit of his and three of his friends' fascination with the mysterious and doomed Lisbon sisters. In 1974, the sisters were seventeen year old Therese, sixteen year old Mary, fifteen year old Bonnie, fourteen year old Lux, and thirteen year old Cecilia. Their fascination still remains as they try to piece together the entire story. The sisters were mysteries if only because of having a strict and overprotective upbringing by their father, who taught math at the girls' private co-ed school, and overly devout Catholic mother, who largely dictated the household rules. The story focuses primarily on two incidents and the resulting situations on the girls' lives. The first was an action by Cecilia to deal with her emotions over her life. And the second was the relationship between Lux - the sister who pushed the boundaries of the household rules most overtly in doing what most teenagers want to do - and Trip Fontaine, he who could have any girl he wanted but wanting solely Lux.

1999 American film directed by Sofia Coppola

Girls are friends, girls are not friends, girls come and go, but the band plays on in this film about a high school quartet with only three days to find a stable line-up, choose songs, rehearse and climb the stage at the rock music show of their annual festival. A foreign exchange student as a singer, a sullen guitarist, a shy bassist and a tom girl are a soaking wet band in a high school auditorium.

An aging Chinese immigrant is swept up in an insane adventure, where she alone can save the world by exploring other universes connecting with the lives she could have led.

2022 film directed by Dan Kwan and Daniel Scheinert

Astrid Magnussen (Alison Lohman) is a fifteen-year-old girl, living in California. Her mother, Ingrid (Michelle Pfeiffer), is a beautiful, free-spirited poet and artist who also suffers from a borderline personality disorder (BPD). Their life, though unusual, is satisfying until one day, a man named Barry Kolker (Sir Billy Connolly) (that her mother refers to at first as "The goat man") comes into their lives, and Ingrid falls madly in love with him, only to have her heart broken, and her life ruined. For revenge, Ingrid murders Barry with the deadly poison of her favorite flower: the White Oleander. She is sent to prison for life, and Astrid has to go through foster home after foster home. Throughout nearly a decade, she experiences forbidden love, religion, near-death experiences, drugs, starvation, and how it feels to be loved. But throughout these years, she keeps in touch with her mother via letters to prison. And while Ingrid's gift is to give Astrid the power to survive, Astrid's gift is to teach her Mother about love.

At the edge of adolescence, Tracy is a smart straight-A student--if not a little naive (it seems...she smokes and she cuts to alleviate the emotional pain she suffers from having a broken home and hating her mom's boyfriend, Brady.) When she befriends Evie, the most popular and beautiful girl in school, Evie leads Tracy down a path of sex, drugs and petty crime (like stealing money from purses and from stores). As Tracy transforms herself and her identity, her world becomes a boiling, emotional cauldron fueled by new tensions between her and her mother--as well as, teachers and old friends.

Nine year-old orphan Beth Harmon is quiet, sullen, and by all appearances unremarkable. That is, until she plays her first game of chess. Her senses grow sharper, her thinking clearer, and for the first time in her life she feels herself fully in control. By the age of sixteen, she's competing for the U.S. Open championship. But as Beth hones her skills on the professional circuit, the stakes get higher, her isolation grows more frightening, and the thought of escape becomes all the more tempting. Based on the book by Walter Tevis.

Fanni Rautakoski

It's a sweltering summer before the final year of school and Billie and Laura share every secret except for Billie's biggest secret - she's crazy in love with Laura's boyfriend, Danny. When Billie's social worker mum takes in Isaac, a troubled teenager looking to get his life straight, the delicate balance of the three friends' lives is disrupted. As bushfires threaten the edge of their suburbs and they immerse themselves in the swirl of parties, possible love and the intensity of sex and desire, the world of the four teenagers is changed forever as their secrets are revealed and their lives, friendships and loves are thrown into chaos.

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