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An acclaimed bestseller and international sensation, Patrick Suskind's classic novel provokes a terrifying examination of what happens when one man's indulgence in his greatest passion—his sense of smell—leads to murder.In the slums of eighteenth-century France, the infant Jean-Baptiste Grenouille is born with one sublime gift—an absolute sense of smell. As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille's genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and fresh-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the "ultimate perfume"—the scent of a beautiful young virgin. Told with dazzling narrative brilliance, Perfume is a hauntingly powerful tale of murder and sensual depravity.

Winner of the 1961 Hugo Award for Best Novel and widely considered one of the most accomplished, powerful, and enduring classics of modern speculative fiction, Walter M. Miller, Jr.'s A Canticle for Leibowitz is a true landmark of twentieth-century literature—a chilling and still provocative look at a post-apocalyptic future.In a nightmarish ruined world slowly awakening to the light after sleeping in darkness, the infant rediscoveries of science are secretly nourished by cloistered monks dedicated to the study and preservation of the relics and writings of the blessed Saint Isaac Leibowitz. From here the story spans centuries of ignorance, violence, and barbarism, viewing through a sharp, satirical eye the relentless progression of a human race damned by its inherent humanness to recelebrate its grand foibles and repeat its grievous mistakes. Seriously funny, stunning, and tragic, eternally fresh, imaginative, and altogether remarkable, A Canticle for Leibowitz retains its ability to enthrall and amaze. It is now, as it always has been, a masterpiece.

From Nobel Prize–winning author José Saramago, a magnificent, mesmerizing parable of lossA city is hit by an epidemic of "white blindness" that spares no one. Authorities confine the blind to an empty mental hospital, but there the criminal element holds everyone captive, stealing food rations and assaulting women. There is one eyewitness to this nightmare who guides her charges—among them a boy with no mother, a girl with dark glasses, a dog of tears—through the barren streets, and their procession becomes as uncanny as the surroundings are harrowing. As Blindness reclaims the age-old story of a plague, it evokes the vivid and trembling horrors of the twentieth century, leaving readers with a powerful vision of the human spirit that's bound both by weakness and exhilarating strength.

Patty and Walter Berglund were the new pioneers of old St. Paul—the gentrifiers, the hands-on parents, the avant-garde of the Whole Foods generation. Patty was the ideal sort of neighbor, who could tell you where to recycle your batteries and how to get the local cops to actually do their job. She was an enviably perfect mother and the wife of Walter's dreams. Together with Walter—environmental lawyer, commuter cyclist, total family man—she was doing her small part to build a better world.But now, in the new millennium, the Berglunds have become a mystery. Why has their teenage son moved in with the aggressively Republican family next door? Why has Walter taken a job working with Big Coal? What exactly is Richard Katz—outré rocker and Walter's college best friend and rival—still doing in the picture? Most of all, what has happened to Patty? Why has the bright star of Barrier Street become "a very different kind of neighbor," an implacable Fury coming unhinged before the street's attentive eyes?In his first novel since The Corrections, Jonathan Franzen has given us an epic of contemporary love and marriage. Freedom comically and tragically captures the temptations and burdens of liberty: the thrills of teenage lust, the shaken compromises of middle age, the wages of suburban sprawl, the heavy weight of empire. In charting the mistakes and joys of Freedom's characters as they struggle to learn how to live in an ever more confusing world, Franzen has produced an indelible and deeply moving portrait of our time.(jacket)

Lucas Corso is a book detective, a middle-aged mercenary hired to hunt down rare editions for wealthy and unscrupulous clients. When a well-known bibliophile is found dead, leaving behind part of the original manuscript of Alexandre Dumas's The Three Musketeers, Corso is brought in to authenticate the fragment. He is soon drawn into a swirling plot involving devil worship, occult practices, and swashbuckling derring-do among a cast of characters bearing a suspicious resemblance to those of Dumas's masterpiece. Aided by a mysterious beauty named for a Conan Doyle heroine, Corso travels from Madrid to Toledo to Paris on the killer's trail in this twisty intellectual romp through the book world

Jose Saramago is atheist. This should be enough warning for everyone that desires to read the book. It is very explicit and so religion it’s exposed at its weakest and God as a character is revealed. I come from a Roman-Catholic background but I still wanted to read it, ever since the Gnostic gospel where Jesus childhood is revealed and he changes from a mischief bad behave kid to the Jesus from the new testament I wanted to see Saramago’s take on it. Saramago is such a master of words that he makes every bit of faith look totally illogical. It does not take long for us to find out that Saramago is extremely sharp at finding all contradictions on roman-catholic religion. In the novel God seems to be the greediest of all gods, the vainer, the more detach from his people. Detached even from his son as he appeared to him in different shapes, only in the meeting at the lake did he appear to him as a man. God does not command, he orders, he tricks his own son into following his plan to the end. Ultimately Jesus’s betrayal was his last act of martyrdom.The devil is given the name of Pastor. This has caused some confusion for English readers. When I was reading the book with some Jesuits this person contacted them just to let them know (as a good Christian I assume) how blasphemous was to name the devil pastor. It took me 30 minutes to explain that person that Pastor does not means priest, but rather it comes from the Latin word “pastor” meaning shepherd. Now did he use the word shepherd on purpose? Yes, what is the devil but a shepherd of men leading them to hell, just as Jesus is a fisherman of men. In the book Pastor is the most humanitarian, the more repented, so repented that when asked to be forgiven a clear distinction between right and wrong has to be made so God decides not to forgive him because what is a good God without evil? Saramago decides there cannot be one without the other.The characters in the book are fascinating; my Jesuits friends and I laughed and enjoy this book. There were no doubts in our head by the end of the book. We did not feel like it shook our religion or affected the way we perceived God. This book was after all under fiction so everyone that is easily offended stay away from this book and stop complaining about blasphemy and crying around like little kids. Saramago is a Nobel price winner and foremost a grown man that is entitled to his own opinions. This one of his finest, if not the best, of his book in my opinion, a must read. 

Horacio Oliveira is an Argentinian writer who lives in Paris with his mistress, La Maga, surrounded by a loose-knit circle of bohemian friends who call themselves "the Club." A child's death and La Maga's disappearance put an end to his life of empty pleasures and intellectual acrobatics, and prompt Oliveira to return to Buenos Aires, where he works by turns as a salesman, a keeper of a circus cat which can truly count, and an attendant in an insane asylum. Hopscotch is the dazzling, freewheeling account of Oliveira's astonishing adventures.The book is highly influenced by Henry Miller’s reckless and relentless search for truth in post-decadent Paris and Daisetz Teitaro Suzuki’s modal teachings on Zen Buddhism.Cortázar's employment of interior monologue, punning, slang, and his use of different languages is reminiscent of Modernist writers like Joyce, although his main influences were Surrealism and the French New Novel, as well as the "riffing" aesthetic of jazz and New Wave Cinema.In 1966, Gregory Rabassa won the first National Book Award to recognize the work of a translator, for his English-language edition of Hopscotch. Julio Cortázar was so pleased with Rabassa's translation of Hopscotch that he recommended the translator to Gabriel García Márquez when García Márquez was looking for someone to translate his novel One Hundred Years of Solitude into English. "Rabassa's One Hundred Years of Solitude improved the original," according to García Márquez.

Nobel Prize-winner Jose Saramago's brilliant new novel poses the question what happens when the grim reaper decides there will be no more death? On the first day of the new year, no one dies. This, of course, causes consternation among politicians, religious leaders, morticians, and doctors. Among the general public, on the other hand, there is initially mass celebration. Flags are hung out on balconies; people dance in the streets. They have achieved the great goal of humanity: eternal life. Then reality hits home—families are left to care for the permanently dying; life-insurance policies become meaningless; and funeral parlors are reduced to arranging burials for pet dogs, cats, hamsters, and parrots. Death sits in her chilly apartment, where she lives alone with scythe and filing cabinets and contemplates her experiment: What if no one ever died again? What if she, death with a small "d," became human and were to fall in love?

A moving, funny, triumphant novel that exalts the quiet victories of the inconspicuous among us.We are in the center of Paris, in an elegant apartment building inhabited by bourgeois families. Renée, the concierge, is witness to the lavish but vacuous lives of her numerous employers. Outwardly she conforms to every stereotype of the concierge: fat, cantankerous, addicted to television. Yet, unbeknownst to her employers, Renée is a cultured autodidact who adores art, philosophy, music, and Japanese culture. With humor and intelligence she scrutinizes the lives of the building's tenants, who for their part are barely aware of her existence. Then there's Paloma, a twelve-year-old genius. She is the daughter of a tedious parliamentarian, a talented and startlingly lucid child who has decided to end her life on the sixteenth of June, her thirteenth birthday. Until then she will continue behaving as everyone expects her to behave: a mediocre pre-teen high on adolescent subculture, a good but not an outstanding student, an obedient if obstinate daughter. Paloma and Renée hide both their true talents and their finest qualities from a world they suspect cannot or will not appreciate them. They discover their kindred souls when a wealthy Japanese man named Ozu arrives in the building. Only he is able to gain Paloma's trust and to see through Renée's timeworn disguise to the secret that haunts her. This is a moving, funny, triumphant novel that exalts the quiet victories of the inconspicuous among us.

Sherman McCoy, the central figure of Tom Wolfe's first novel, is a young investment banker with a fourteen-room apartment in Manhattan. When he is involved in a freak accident in the Bronx, prosecutors, politicians, the press, the police, the clergy, and assorted hustlers high and low close in on him, licking their chops and giving us a gargantuan helping of the human comedy of New York in the last years of the twentieth century, a city boiling over with racial and ethnic hostilities and burning with the itch to Grab It Now. Wolfe's gallery ranges from Wall Street, where people in their thirties feel like small-fry if they're not yet making a million per, to the real streets, where the aim is lower but the itch is just as virulent.We see this feverish landscape through the eyes of McCoy's wife and his mistress; the young prosecutor for whom the McCoy case would be the answer to a prayer; the ne'er-do-well British journalist who needs such a case to save his career in America; the street-wise Irish lawyer who becomes McCoy's only ally; and Reverend Bacon of Harlem, a master manipulator of public opinion. Above all, we see what happens when the criminal justice system-gorged with "the chow," as the Bronx prosecutor calls the borough's usual black and Latin felons-considers the prospect of being banded a prime cut like Sherman McCoy of Park Avenue.The Bonfire of the Vanities is a novel, but it is based on the same sort of detailed on-scene reporting as Wolfe's great nonfiction bestsellers, The Right Stuff, Radical Chic &amp; Mau-Mauing the Flak Catchers, and The Electric Kool-Aid Acid Test. And it is every bit as eye-opening in its achievements. It is a big, panoramic story of the metropolis-the kind of fiction strangely absent from our literature in the second half of this century-that reinforces Tom Wolfe's reputation as the foremost chronicler of the way we live in America.

This epic work of the imagination has captured the hearts of millions of readers worldwide since it was first published more than a decade ago. Its special story within a story is an irresistible invitation for readers to become part of the book itself. And now this modern classic and bibliophile's dream is available in hardcover again.The story begins with a lonely boy named Bastian and the strange book that draws him into the beautiful but doomed world of Fantastica. Only a human can save this enchanted place by giving its ruler, the Childlike Empress, a new name. But the journey to her tower leads through lands of dragons, giants, monsters, and magic and once Bastian begins his quest, he may never return. As he is drawn deeper into Fantastica, he must find the courage to face unspeakable foes and the mysteries of his own heart. Readers, too, can travel to the wondrous, unforgettable world of Fantastica if they will just turn the page...--front flap

José Saramago is a master at pacing. Readers unfamiliar with the work of this Portuguese Nobel Prize winner would do well to begin with The Cave, a novel of ideas, shaded with suspense. Spare and pensive, The Cave follows the fortunes of an aging potter, Cipriano Algor, beginning with his weekly delivery of plates to the Center, a high-walled, windowless shopping complex, residential community, and nerve center that dominates the region. What sells at the Center will sell everywhere else, and what the Center rejects can barely be given away in the surrounding towns and villages. The news for Cipriano that morning isn't good. Half of his regular pottery shipment is rejected, and he is told that the consumers now prefer plastic tableware. Over the next week, he and his grown daughter Marta grieve for their lost craft, but they gradually open their eyes to the strange bounty of their new condition: a stray dog adopts them, and a lovely widow enters Cipriano's life. When they are invited to live at the Center, it seems ungracious to refuse, but there are some strange developments under the complex, and a troubling increase in security, and Cipriano changes all their fates by deciding to investigate. In Saramago's able hands, what might have become a dry social allegory is a delicately elaborated story of individualism and unexpected love. --Regina Marler

Librarian's note: An alternate cover edition can be found hereIn 1937 Ernest Hemingway traveled to Spain to cover the civil war there for the North American Newspaper Alliance. Three years later he completed the greatest novel to emerge from "the good fight", For Whom the Bell Tolls. The story of Robert Jordan, a young American in the International Brigades attached to an antifascist guerilla unit in the mountains of Spain, it tells of loyalty and courage, love and defeat, and the tragic death of an ideal. In his portrayal of Jordan's love for the beautiful Maria and his superb account of El Sordo's last stand, in his brilliant travesty of La Pasionaria and his unwillingness to believe in blind faith, Hemingway surpasses his achievement in The Sun Also Rises and A Farewell to Arms to create a work at once rare and beautiful, strong and brutal, compassionate, moving and wise. "If the function of a writer is to reveal reality," Maxwell Perkins wrote to Hemingway after reading the manuscript, "no one ever so completely performed it." Greater in power, broader in scope, and more intensely emotional than any of the author's previous works, it stands as one of the best war novels of all time.

XIV century. The city of Barcelona is at its moment of greatest prosperity; has grown towards the Ribera, the humble neighborhood of fishermen, whose inhabitants decide to build, with the money of some and the effort of others, the largest Maria cathedral ever known.A construction that moves parallel to the hazardous story of Arnau, son of a peasant serf, who flees from the abuses of his feudal lord and takes refuge in Barcelona, ​​where he becomes a citizen and, with it, a free man.While his best friend and adopted brother Joan studies to become a priest, young Arnau becomes a member of the guild of the stone-workers, soldier and moneychanger. A strenuous life which leads him from the misery of the fugitive to nobility and wealth. But with this privileged position he also gets the envy of his peers, who devise a sordid plot that puts his life in the hands of the Inquisition. He finds himself face-to-face with his own brother. Will he lose his life just as his beloved Cathedral of the Sea is finally completed?

The Time In Between is a word-of-mouth phenomenon that catapulted María Dueñas, a debut author, to the top of Spain's bestseller lists.This sweeping novel, which combines the storytelling power of The Shadow of the Wind with the irresistible romance of Casablanca, moves at an unstoppable pace. Suddenly left abandoned and penniless in Morocco by her lover, Sira Quiroga forges a new identity. Against all odds she becomes the most sought-after couture designer for the socialite wives of German Nazi officers. But she is soon embroiled in a dangerous political conspiracy as she passes information to the British Secret Service through a code stitched into the hems of her dresses.

Ricardo Somocurcio is in love with a bad girl. He loves her as a teenager known as 'Lily' in Llama in 1950, when she arrives one summer out of the blue, claiming to be from Chile but vanishing the moment her claim is exposed as fiction. He loves her next in Paris, where she appears as the enchanting 'Comrade Arlette', an activist en route to Cuba, and becomes his lover, albeit an icy, remote one who denies having knowledge about the Lily of years gone by. Whoever the bad girl turns up as - whether it's Madame Robert Arnoux, the wife of a high-ranking UNESCO official, or Kuriko, the mistress of a sinister Japanese businessman - and however poorly she treats him, Ricardo is doomed to worship her.Gifted liar and irresistible, maddening muse - does Ricardo ever know who she really is? The answer is an unclear as what has become of Ricardo himself, a lifelong expatriate shadowed by the sense that he is only ever drifting.Mario Vargas Llosa's beguiling novel The Bad Girl, tries to differentiate between the strange bedfellows of good and bad, proving that either can turn out not what they appear to be.

In this dizzyingly rich novel of ideas, Mann uses a sanatorium in the Swiss Alps, a community devoted exclusively to sickness, as a microcosm for Europe, which in the years before 1914 was already exhibiting the first symptoms of its own terminal irrationality. The Magic Mountain is a monumental work of erudition and irony, sexual tension and intellectual ferment, a book that pulses with life in the midst of death.

La tía Tula, es, según su autor, «la historia de una joven que, rechazando novios, se queda soltera para cuidar a unos sobrinos, hijos de una hermana que se le muere. Vive con el cuñado, a quien rechaza para marido, pues no quiere manchar con el débito conyugal el recinto en que respiran aire de castidad sus hijos. Satisfecho el instinto de maternidad, ¿para qué perder su virginidad? Es virgen madre». Pero sobre este cañamazo argumental teje Unamuno una obra cargada de sentidos plurales: Tula, la protagonista, que encarna la concepción tradicional de la familia y de la mujer y que es, a al vez, víctima de ella, ejemplifica la figura del agonista unamuniano dividido en mil contradicciones. (Temas de Espana ; 108)

Haunted all her life by feelings of terror and emptiness, forty-nine-year-old Urania Cabral returns to her native Dominican Republic - and finds herself reliving the events of 1961, when the capital was still called Trujillo City and one old man terrorized a nation of three million people. Rafael Trujillo, the depraved ailing dictator whom Dominicans call the Goat, controls his inner circle with a combination of violence and blackmail. In Trujillo's gaudy palace, treachery and cowardice have become the way of life. But Trujillo's grasp is slipping away. There is a conspiracy against him, and a Machiavellian revolution already underway that will have bloody consequences of its own. In this 'masterpiece of Latin American and world literature, and one of the finest political novels ever written' ("Bookforum"), Mario Vargas Llosa recounts the end of a regime and the birth of a terrible democracy, giving voice to the historical Trujillo and the victims, both innocent and complicit, drawn into his deadly orbit.

Part spy novel, part romance, part Henry James, Your Face Tomorrow is a wholly remarkable display of the immense writing gifts of Javier Marias. With Fever and Spear, Volume One of his unfolding novel Your Face Tomorrow, he returns us to the rarified world of Oxford (the delightful setting of All Souls and Dark Back of Time), while introducing us to territory entirely new--espionage. Our hero, Jaime Deza, separated from his wife in Madrid, is a bit adrift in London until his old friend Sir Peter Wheeler retired Oxford don and semi-retired master spy recruits him for a new career in British Intelligence. Deza possesses a rare gift for seeing behind the masks people wear. He is soon observing interviews conducted by Her Majesty's secret service: variously shady international businessmen one day, would-be coup leaders the next. Seductively, this metaphysical thriller explores past, present, and future in the ever-more-perilous 21st century. This compelling and enigmatic tour de force from one of Europe's greatest writers continues with Volume Two, Dance and Dream."

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