Jaspreet Singh

Hector Jaime Oropesa

aasta Haukland

Jayden

Alokym ya Bassa

Joseph Greer

Catalina Olmos

George Balaskas

Ojasw Upadhyay

Taylor Robinson

Carly Hylton

Daniel Mariani

First published in 1967 and re-issued in 1983, I Have No Mouth and I Must Scream contains seven stories with copyrights ranging from 1958 through 1967. This edition contains the original introduction by Theodore Sturgeon and the original foreword by Harlan Ellison, along with a brief update comment by Ellison that was added in the 1983 edition. Among Ellison's more famous stories, two consistently noted as among his very best ever are the title story and the volume's concluding one, Pretty Maggie Moneyeyes.Since Ellison himself strongly resists categorization of his work, we won't call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are sui generis. They could only have been written by Harlan Ellison and they are incomparably original.CONTENT"I Have No Mouth &amp; I Must Scream""Big Sam Was My Friend""Eyes of Dust""World of the Myth""Lonelyache""Delusion for Dragonslayer""Pretty Maggie Moneyeyes"

Rather than go into the plot details I'd rather touch on the larger metaphors of the book in this review. Although the basic plot is chilling enough on its own (A man kidnaps a beautiful and intelligent young girl) the parts that truly disturbed me had to do more with what I believe Fowles was saying about modern culture and the rise of the middle class. Though this book is decidedly "British" in many ways, I think the issues he raises are applicable to any society where a large middle class is created in a relatively short amount of time. For me, this book is asking whether financial stability really leads to morality and more fulfilling lives (as in Major Barbara) or if perhaps we actually lose our souls once our bellies are fed.As some have mentioned in other reviews, Miranda is the stereotypical posh young artist. Born rich, it's easy for her to dismiss the complaints of the lower classes while at the same time hurling scorn at the society that produced her. I've met many people like Miranda (especially during my Masters at Columbia School of the Arts where trust fund babies were the norm, I went to school with a Pulitzer heiress for goodness sake) and usually found them boring and shallow, quick to namedrop an artist or recite tired rhetoric. But as her story progressed I began to like her more and more; Miranda is extremely self-aware, and I sensed that given time, she would grow out of her naivety and become a truly amazing woman. She is only 20 after all, barely an adult, and for all her idealistic pretension she is trying to evolve and grow (something that's can't be said for many of my Columbia peers). That's where the butterfly metaphor becomes even more apt; it's not just that she's a butterfly that Frederick has collected, it's what a butterfly represents: metamorphoses. It's almost as if Frederick has trapped her right when she was about to break out of her cocoon, halting her true beauty right before she was about to spread her wings. Which brings me to Frederick as a stand-in for middle-class mediocrity. Reading this book, I was often reminded of the idea that the opposite of love is not hate, but indifference. Frederick is indifferent to everything: art, war, sex, etc. The only thing he seems to respond to is a fleeting type of beauty, and all he wants to do with that beauty is possess it. Not love it, not understand it, just possess it. His need to possess is similar to the middle classes need to buy buy buy with no thought as to why it’s important to own the largest house, drive the nicest car or watch the most expensive television. As we’ve seen with the rise of divorce, prescription drugs, therapy, suicides and the general malaise of the populace during the latter half of the 20th century these things rarely produce happiness, if anything they produce more anxiety as credit debt rises while wages fall. What Fowles seems to be asking is “what are we doing with all this money and success, are we living more stable fulfilling lives, or are we turning into something just as bad or worse than the elite we despise?” Frederick’s winning the lottery should have been an opportunity for him to live the life he wanted free of economic worries, not a chance to commit evil. Similarly, the rise of the middle class in America and the UK should have been a renaissance of ideas once our bellies were fed. In many ways it was (the civil rights and feminist movements come to mind), but in others, like the rise of reality television, celebrity culture and punditry news, our success has just made us comfortable and indifferent to human suffering. We go on collecting pop music, techno gadgets, houses, cars, spouses, designer clothes, with no question or investigation as to why. With the internet we have the opportunity to learn about anything and everything, for the first time in history the entire history of the world is available at our fingertips. Why then does misinformation and stupidity seem to be on the rise rather then the reverse? Why then are we becoming less literate rather than more? Why when given the world, we’re choosing the slum instead? I agree with Miranda when she says art collectors are the worst offenders. The idea that art is merely an investment (just like the idea that a house is merely an investment rather than a home you share your life in) is abhorrent to me. I could never stand to look at an ugly painting in my home just because it was worth money, nor could I ever live with myself if I hoarded Picassos or Bacons or Kirchners purely for my own benefit. Because the true lover of beauty (and not all beauty is beautiful as Bacon proves) wants to share that beauty with the world. They want everyone to see, hear, taste, feel, and enjoy that beauty so that others lives may be enriched as well. They want everyone to feel as passionately as they do about what they love, but more importantly they just want others to feel. (the example of the American soldier in the book comes to mind) Anyone, regardless of class, money, status etc., is capable of living passionately and truthfully. Frederick is a perfect example of someone who chooses not to, or worse, just doesn’t really care either way. 

Osamu Dazai's No Longer Human, this leading postwar Japanese writer's second novel, tells the poignant and fascinating story of a young man who is caught between the breakup of the traditions of a northern Japanese aristocratic family and the impact of Western ideas. In consequence, he feels himself "disqualified from being human" (a literal translation of the Japanese title).Donald Keene, who translated this and Dazai's first novel, The Setting Sun, has said of the author's work: "His world … suggests Chekhov or possibly postwar France, … but there is a Japanese sensibility in the choice and presentation of the material. A Dazai novel is at once immediately intelligible in Western terms and quite unlike any Western book." His writing is in some ways reminiscent of Rimbaud, while he himself has often been called a forerunner of Yukio Mishima.Cover painting by Noe Nojechowiz, from the collection of John and Barbara Duncan; design by Gertrude Huston

The day after they moved in, Coraline went exploring....In Coraline's family's new flat are twenty-one windows and fourteen doors. Thirteen of the doors open and close. The fourteenth is locked, and on the other side is only a brick wall, until the day Coraline unlocks the door to find a passage to another flat in another house just like her own. Only it's different. At first, things seem marvelous in the other flat. The food is better. The toy box is filled with wind-up angels that flutter around the bedroom, books whose pictures writhe and crawl and shimmer, little dinosaur skulls that chatter their teeth. But there's another mother, and another father, and they want Coraline to stay with them and be their little girl. They want to change her and never let her go. Other children are trapped there as well, lost souls behind the mirrors. Coraline is their only hope of rescue. She will have to fight with all her wits and all the tools she can find if she is to save the lost children, her ordinary life, and herself. Critically acclaimed and award-winning author Neil Gaiman will delight readers with his first novel for all ages.

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  Bloody relevant to read!\
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  BEFORE DRACULA, THERE WAS...\
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  But to die as lovers may - to die together, so that they may live together.\
This is a very important book in historic sense, in the genre of vampire reading, due that it was published 25 years before than Dracula. Also, it presented lesbian situations, easily one of the first open mentions of the topic in literature.So, it was a pioneer book in two subjects: Vampires and Lesbian literature.Some may wonder how it was possible to publish a book with lesbian issues in 1872.Joseph Sheridan Le Fanú was ingenious in that, since when he was asked about, he just replied that it wasn't a homosexual situation since Carmilla was a vampire and due that, it was a creature without sexual genre.Sneaky devil this Le Fanu!Of course, that was a trick by the author but it worked since the book didn't have any trouble to be published in those times when there was a extremely close-minded attitude.And certainly the importance of the book to the eventual sucess of Bram Stoker's novel was fundamental.Without Carmilla there weren't Dracula and due that maybe there weren't a vampire sub-genre in the horror books that now it's one of the strongest subjects in modern paranormal literature.\
  BRITISH GOTHIC\
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  Nevertheless, life and death are mysterious states, and we know little of the resources of either.\
Le Fanú also was the father of the Gothic horror of Britain establishing the style of how that kind of literature would be written even on these days.Maybe the only trouble with Carmilla to be read by current readers is its form of mystery that it's impossible that anybody would pick nowadays this particular novel to read without the previous knowledge that Carmilla is a vampire, and due that, the reader felt like reading a mystery where one already knows the answer to the mystery.The clues to the real nature of Carmilla are elegant and stylish but too evident for any reader familiar with vampire-related similar books, movies, TV series, etc...It's clear that Carmilla started all and the reality is that anybody else copied FROM it, but sadly, in many case, readers find the book way after of being already too familiar with the general world of vampires, diminishing the shock that the book could ever do.However, it's still an important book in literature history.

My name is Mary Katherine Blackwood. I am eighteen years old, and I live with my sister Constance. I have often thought that with any luck at all I could have been born a werewolf, because the two middle fingers on both my hands are the same length, but I have had to be content with what I had. I dislike washing myself, and dogs, and noise, I like my sister Constance, and Richard Plantagenet, and Amanita phalloides, the death-cap mushroom. Everyone else in my family is dead...

From Nobel Prize–winning author José Saramago, a magnificent, mesmerizing parable of lossA city is hit by an epidemic of "white blindness" that spares no one. Authorities confine the blind to an empty mental hospital, but there the criminal element holds everyone captive, stealing food rations and assaulting women. There is one eyewitness to this nightmare who guides her charges—among them a boy with no mother, a girl with dark glasses, a dog of tears—through the barren streets, and their procession becomes as uncanny as the surroundings are harrowing. As Blindness reclaims the age-old story of a plague, it evokes the vivid and trembling horrors of the twentieth century, leaving readers with a powerful vision of the human spirit that's bound both by weakness and exhilarating strength.

In what is widely hailed as the best of his many novels, Charles Bukowski details the long, lonely years of his own hardscrabble youth in the raw voice of alter ego Henry Chinaski. From a harrowingly cheerless childhood in Germany through acne-riddled high school years and his adolescent discoveries of alcohol, women, and the Los Angeles Public Library's collection of D. H. Lawrence, "Ham on Rye" offers a crude, brutal, and savagely funny portrait of an outcast's coming-of-age during the desperate days of the Great Depression.

A gripping tale of human unrelieved horror, of survival and resilience, and of the ways in which humankind confronts death, The Plague is at once a masterfully crafted novel, eloquently understated and epic in scope, and a parable of ageless moral resonance, profoundly relevant to our times. In Oran, a coastal town in North Africa, the plague begins as a series of portents, unheeded by the people. It gradually becomes an omnipresent reality, obliterating all traces of the past and driving its victims to almost unearthly extremes of suffering, madness, and compassion.

Alternate cover edition of ISBN 0553213695 / 9780553213690"As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect. He was laying on his hard, as it were armor-plated, back and when he lifted his head a little he could see his domelike brown belly divided into stiff arched segments on top of which the bed quilt could hardly keep in position and was about to slide off completely. His numerous legs, which were pitifully thin compared to the rest of his bulk, waved helplessly before his eyes." With it's startling, bizarre, yet surprisingly funny first opening, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetle-like insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction. As W.H. Auden wrote, "Kafka is important to us because his predicament is the predicament of modern man."

That The Illustrated Man has remained in print since being published in 1951 is fair testimony to the universal appeal of Ray Bradbury's work. Only his second collection (the first was Dark Carnival, later reworked into The October Country), it is a marvelous, if mostly dark, quilt of science fiction, fantasy, and horror. In an ingenious framework to open and close the book, Bradbury presents himself as a nameless narrator who meets the Illustrated Man--a wanderer whose entire body is a living canvas of exotic tattoos. What's even more remarkable, and increasingly disturbing, is that the illustrations are themselves magically alive, and each proceeds to unfold its own story, such as "The Veldt," wherein rowdy children take a game of virtual reality way over the edge. Or "Kaleidoscope," a heartbreaking portrait of stranded astronauts about to reenter our atmosphere--without the benefit of a spaceship. Or "Zero Hour," in which invading aliens have discovered a most logical ally--our own children. Even though most were written in the 1940s and 1950s, these 18 classic stories will be just as chillingly effective 50 years from now. --Stanley WiaterContents:· Prologue: The Illustrated Man · ss * · The Veldt [“The World the Children Made”] · ss The Saturday Evening Post Sep 23 ’50 · Kaleidoscope · ss Thrilling Wonder Stories Oct ’49 · The Other Foot · ss New Story Magazine Mar ’51 · The Highway [as by Leonard Spalding] · ss Copy Spr ’50 · The Man · ss Thrilling Wonder Stories Feb ’49 · The Long Rain [“Death-by-Rain”] · ss Planet Stories Sum ’50 · The Rocket Man · ss Maclean’s Mar 1 ’51 · The Fire Balloons [“‘In This Sign...’”] · ss Imagination Apr ’51 · The Last Night of the World · ss Esquire Feb ’51 · The Exiles [“The Mad Wizards of Mars”] · ss Maclean’s Sep 15 ’49; F&amp;SF Win ’50 · No Particular Night or Morning · ss * · The Fox and the Forest [“To the Future”] · ss Colliers May 13 ’50 · The Visitor · ss Startling Stories Nov ’48 · The Concrete Mixer · ss Thrilling Wonder Stories Apr ’49 · Marionettes, Inc. [Marionettes, Inc.] · ss Startling Stories Mar ’49 · The City [“Purpose”] · ss Startling Stories Jul ’50 · Zero Hour · ss Planet Stories Fll ’47 · The Rocket [“Outcast of the Stars”] · ss Super Science Stories Mar ’50 · Epilogue · aw *

Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him...

Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last - inexorably - into evil.

Sıcak ülkelerinden, Stockholm'un kar altındaki caddelerine ve buz tutmuş göllerine savrulan siyasi mülteciler. Yaşamı paramparça olmuş Sami'nin, bir Kuzey hastanesinde önüne çıkan yaşlı bakan. Bir cinayet planı ve Sami'nin yaşamını etkileyen bir kedi. Çevresindekileri kendisine âşık eden şilili bir genç kız; yakıcı öfke nöbetlerine kapılan güzel Clara. Bir uzay istasyonu kadar garip ve uzak buldukları iklimde kıvranan, acı çeken, kıskanan, cinsellikle avunmaya çalışan ve öç alma hayalleri kuran insanların romanı. Sami, Clara, Juan Perez, Rıza, Garcia, Adil ve Yoriko´nun hikâyesi, uzun süre etkisinden kurtulamayacağınız bir derinlik ve elinizden bırakmayı olanaksız kılacak, soluk kesen bir kurguyla anlatılıyor.

The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices-but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep. J.D. Salinger's classic novel of teenage angst and rebellion was first published in 1951. The novel was included on Time's 2005 list of the 100 best English-language novels written since 1923. It was named by Modern Library and its readers as one of the 100 best English-language novels of the 20th century. It has been frequently challenged in the court for its liberal use of profanity and portrayal of sexuality and in the 1950's and 60's it was the novel that every teenage boy wants to read.

Faulkner's classic short story was first published in 1930 in The Forum, his first story to be published in a national magazine. At the time it didn't bring him much commercial success, nor did his now famous novels, The Sound and the Fury (1929), and As I Lay Dying (1930). That success would come later in his career with two Pulitzer Prize winning novels, A Fable (1954), and The Reivers (1962), along with the Nobel Prize for Literature in 1949.A Rose for Emily is the tragic story of Miss Emily Grierson, who is Faulkner's symbol for the dying, decaying traditions and prejudices of the old South. It's a dark tale of parental domination, societal isolation, and mental illness. With a surprising and shocking ending, it's William Faulkner at his best.4.5 stars

Written in his distinctively dazzling manner, Oscar Wilde’s story of a fashionable young man who sells his soul for eternal youth and beauty is the author’s most popular work. The tale of Dorian Gray’s moral disintegration caused a scandal when it ﬁrst appeared in 1890, but though Wilde was attacked for the novel’s corrupting inﬂuence, he responded that there is, in fact, “a terrible moral in Dorian Gray.” Just a few years later, the book and the aesthetic/moral dilemma it presented became issues in the trials occasioned by Wilde’s homosexual liaisons, which resulted in his imprisonment. Of Dorian Gray’s relationship to autobiography, Wilde noted in a letter, “Basil Hallward is what I think I am: Lord Henry what the world thinks me: Dorian what I would like to be—in other ages, perhaps.

Scottish-born American naturalist and author (1838-1914)

George Orwell's timeless and timely allegorical novel—a scathing satire on a downtrodden society’s blind march towards totalitarianism.“All animals are equal, but some animals are more equal than others.”A farm is taken over by its overworked, mistreated animals. With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned—a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.  When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell’s masterpiece have a meaning and message still ferociously fresh.

I don’t know what to do with these stars anymore. I give stars to books and then I think, ‘god, you give five stars to everything, people will think you are terribly undiscriminating’ – so then I give four stars or even three stars to some books. Then I look back and it turns out that that I’ve given four stars to Of Human Bondage and honestly, how could I possibly have thought it was a good idea to give that book less than five stars? It is the absurdity of human conventions that has us doing such things.Now, that is what is called a segue, from the Italian ‘seguire’ – to follow. For the last thirty years I have studiously avoided reading this book. I have done that because for the last thirty years I have known exactly what this book is about and there just didn’t seem any point in reading it. In high school friends (one of them even became my ex-wife) told me it was a great book about a man condemned to die because he was an outsider. Later I was told that this book was a story about something much like the Azaria Chamberlain case. A case where someone does not react in a way that is considered to be ‘socially appropriate’ and is therefore condemned.But after 30 years of avoiding reading this book I have finally relented and read it. At first I didn’t think I was going to enjoy it. It didn’t really get off to the raciest of starts and the character's voice – it is told in first person – was a bit dull. He is a man who lives entirely in the present, how terribly Buddhist of him – although, really there doesn’t seem to be all that much to him.My opinion of the book began to change at his mother’s funeral. I particularly liked the man who kept falling behind in the march to the cemetery and would take short cuts. Okay, so it is black humour, but Camus was more or less French – so black humour is more or less obligatory.I really hadn’t expected this book to be nearly so funny as it turned out. I’d always been told it was a ponderous philosophical text – and so, to be honest, I was expecting to be bored out of my skull. I wasn’t in the least bit bored.A constant theme in my life at present is that I read ‘classics’ expecting them to be about something and they end up being about something completely different. And given I’ve called this a ‘constant’ theme then you might think I would be less than surprised when a read a new ‘classic’ and it turns out to be completely different to my expectations. I’m a little more upset about this one than some of the others, as I’ve been told about this one before, repeatedly, and by people I’d have taken as ‘reputable sources’ – although, frankly, how well one should trust one’s ex-wife in such matters is moot.I had gotten the distinct impression from all of my previous discussions about this book that the guy ends up dead. In fact, this is not the case – he ends up at the point in his life where he has no idea if he will be freed or not. The Priest who comes to him at the end is actually quite certain that he will be freed. Let’s face it, he is only guilty of having murdered an Arab, and as we have daily evidence, Westerners can murder Arabs with complete impunity. The main point of the book to me is when he realises he is no longer ‘free’. He needs this explained to him – because life up until then had been about ‘getting used to things’ and one can 'get used to just about anything'. But the prison guard helpfully informs him that he is being ‘punished’ and the manifestation of that punishment is the removal of his ‘freedom’. Interestingly, he didn’t notice the difference between his past ‘free’ life and his current ‘unfree’ one. The most interesting part of the book to me was the very end, the conversation with the priest. The religious often make the mistake of thinking that Atheists are one thing – I’ve no idea how they ever came to make this mistake, but make it they do. Given that there are thousands upon thousands of different shades of Christians – from Jesuit Catholics to Anti-Disney Episcopalians – it should be fairly obvious that something like Atheism (without any ‘organised’ church or even system of beliefs) could not be in anyway ‘homogeneous’.I am definitely not the same kind of Atheist as Camus. To Camus there is no truth, the world is essentially absurd and all that exists is the relative truth an individual places on events and ideas. This makes the conversation with the priest fascinatingly interesting. To the priest the prisoner who is facing death is – by necessity – someone who is interested in God. You can play around with ideas like the non-existence of God when it doesn’t seem to matter (life is long and blasphemy can seem fun) – but surely when confronted with the stark truth of the human condition any man would turn away from their disbelief and see the shining light.Not this little black duck. Now, if I was in that cell I would have argued with the priest too – but I would not have argued in the same way that Meursault argues. No, I do not believe in God, but I do believe in truth, and so Camus’ arguments are barred to me.Meursault essentially says, “Look, I’m bored, I’m totally uninterested in the rubbish you are talking – now go away”. Now, this is a reasonable response. What is very interesting is that the priest cannot accept this as an answer. The world is not allowed to have such a person in it – if such a person really did exist then it would be a fundamental challenge to the core beliefs of the priest. So, he has to assume Meursault is either lying to him or is trying to taunt him. But it is much worse – he is absolutely sincere, he is not interested in this ‘truth’.I don’t know that the world is completely meaningless, it is conventional rather than meaningless. That those conventions are arbitrary (decided by the culture we grew up in) doesn’t make them meaningless, it makes them conventional. I don’t think I would like to live in a world where people go up and kill Arabs pretty much at random and with impunity, but then again, we have already established this is precisely the world I do live in. My point is that it would be better if we did adhere to some sort of moral principles and that these should be better principles than ‘he should be killed because he didn’t cry at his mum’s funeral’. Camus is seeking to say that all of our ‘moral principles’ in the end come to be as meaningless as that – we judge on the basis of what we see from the framework of our own limited experience. And look, yes, there is much to this – but this ends up being too easy.The thing I like most about Existentialism, though it isn’t really as evident in this book as it is in the actual philosophy – although this is something that Meursault is supposed to have grown to understand (sorry, just one more sub-clause) even though this wasn’t something I noticed at all while reading the book, was the notion of responsibility. I didn’t think in the end Meursault was all that much more ‘responsible’ for his actions than he had been at the start. But I do think that ‘responsibility’ is a key concept in morality and one that seems increasingly to be ignored.Better by far that we feel responsible for too much in our lives than too little – better by far that we take responsibility for the actions of our governments (say) than to call these governments ‘them’. I’m not advocating believing in The Secret - but that if one must err, better to err on the side of believing you have too much responsibility for how your life has turned out, rather than too little.So, what can I say? I enjoyed this much more than I expected – but I’m still glad I waited before reading it, I really don’t think I would have gotten nearly as much out of it at 15 as I did now.

Among Shakespeare's plays, "Hamlet" is considered by many his masterpiece. Among actors, the role of Hamlet, Prince of Denmark, is considered the jewel in the crown of a triumphant theatrical career. Now Kenneth Branagh plays the leading role and co-directs a brillant ensemble performance. Three generations of legendary leading actors, many of whom first assembled for the Oscar-winning film "Henry V", gather here to perform the rarely heard complete version of the play. This clear, subtly nuanced, stunning dramatization, presented by The Renaissance Theatre Company in association with "Bbc" Broadcasting, features such luminaries as Sir John Gielgud, Derek Jacobi, Emma Thompson and Christopher Ravenscroft. It combines a full cast with stirring music and sound effects to bring this magnificent Shakespearen classic vividly to life. Revealing new riches with each listening, this production of "Hamlet" is an invaluable aid for students, teachers and all true lovers of Shakespeare - a recording to be treasured for decades to come.

Death Is Not an Escape. Dead by Daylight is an upcoming multiplayer (4vs1) horror game where one player takes on the role of the savage Killer, and the other fo...

A woman is interviewed seven times by the police. Search the video database and explore hundreds of authentic clips to discover her story in this groundbreaking...

Based on Robert Kirkman's comic book series, The Walking Dead brings to life a world devastated by an undead apocalypse and the horrifying choices you're forced...

The Wolf Among Us is a 5-episode series from the creators of The Walking Dead. Based on Fables (DC Comics/Vertigo), an award-winning comic book series, it is an...

Fran Bow is a creepy adventure game that tells the story of Fran, a young girl struggling with a mental disorder and an unfair destiny....

Little Misfortune is an interactive story, focused on exploration and characters, both sweet and dark, where your choices have consequences. Starring Misfortune...

A bold new era of the award-winning Life is Strange begins, with an all-new playable lead character and a thrilling mystery to solve! Alex Chen has long suppre...

Life is Strange is a hand drawn work of art and every action enacts a butterfly effect - but with the power to rewind time, what would you change? And would it...

Before the Storm is a new three part standalone story adventure set three years before the events of the first game. This time play as Chloe Pr...

'My voice, can you hear it? This sign, can you read it? I'll wait forever if you'll just come to me.' Her words - To where do they lead? Be the first in t...

In the desolate mountains of Colorado, horrors await inside Mount Massive Asylum. An abandoned home for the mentally ill, recently re-opened by the “research...

Outlast 2 is the sequel to the acclaimed survival horror game Outlast. Set in the same universe as the first game, but with different characters and a different...

Fear and isolation seep through the walls of an abandoned southern farmhouse. "7" marks a new beginning for survival horror with the Isolated View of the viscer...

As many highschools, Leafmore High is no longer the highschool it used to be. Its walls are mouldering, its books are outdated, its teachers have lost their fai...

Resident Evil favorites Leon S. Kennedy and Chris Redfield are joined by new characters such as Jake Muller to face a world-wide bioterrorist threat, as the act...

Players assume the role of James, who receives a cryptic letter from his wife (who has been dead for 3 years) beckoning him to meet her in Silent Hill, a place...

Set in a future-world vision of Tokyo where the police have been privatized and bitter self-mutilation is so casual that advertising is often specially geared to the "cutter" demographic, this is the story of samurai-sword-wielding Ruka and her mission to avenge her father's assassination. Ruka is a cop from a squad whose mission is to destroy homicidal mutant humans known as "engineers" possessing the ability to transform any injury to a weapon in and of itself.

Momoko Ryugasaki is the daughter of a smalltime gangster that forges Versace brand and a lowlife woman. Momoko is smitten by the Rococo period and dresses in a Lolita style, with frilly dresses and embroidery bonnet. She is raised by her father since her mother divorced him to marry her gynecologist, and he has taught her how to perfectly embroider. When Mr. Ryugasaki includes the Universal Studios brand in his products, he is forced to move to the rural Shimotsuma with Momoko to live in the house of her grandmother. Momoko decides to sell her collection of forged Versace and Universal Studios to make money to buy her expensive clothing. The rebel "yanki" Ichigo Shirayuri visits Momoko to buy clothes and soon they begin the most unlikely friendship.

In Tokyo, the twelve year-old girl Mitsuko accidentally sees her parents having sex in their bedroom and her dysfunctional and pervert father Ozawa Gozo, who is the principal of her school, forces her to see her mother Sayuri having intercourse with him hidden inside a cello case. Then Osawa rapes Mitsuko and forces her mother to see the incestuous intercourse with their daughter. Osawa lives with Mitsuko and Sayuri and has sex with them, and Sayuri is jealous of her own daughter. The dysfunctional family is affected first by a murder and then by an attempt of suicide. But the bizarre story is actually a novel written by the disabled writer Taeko that uses a wheelchair to move. When her publisher visits her with his new hire Yuji, he gets close to her and helps Taeko to find the truth about her past. But in the end, which one is the dream?

In Spain, the former Nazi doctor Klaus tries to commit suicide jumping off the roof of his manor. However, he survives with the entire body paralyzed and dependent on an iron lung with glass sides. His wife Griselda decides to hire a nurse since she does not bear the situation. Klaus asks Griselda to hire Angelo, a mysterious teenager that appears in their house. Angelo befriends Klaus' daughter Rena and sooner it is shown that Klaus was a pedophile that loved to feel the fear of death in young boys before abusing and killing them. Further, Angelo is a disturbed and totally insane victim of his experiments that intends to follow the insanities described in Klaus' diary and incorporate his personality.

In New York, the former NYPD detective Ben Carson is hired to work as night watch of the remains of the Mayflower Department Store that was partially destroyed by fire many years ago. Ben became alcoholic and was retired from the police force after killing a man in a shooting. His marriage was also destroyed and now he is living in the apartment of his younger sister Angie. However he has not been drinking for three months and sees the employment as a chance to rebuild his life. When he goes to the rounds in his first night, he finds that the mirrors are impeccably clean and his colleague explains that the former night watch was obsessed with the mirrors. After a couple of nights, Ben sees weird images in the mirrors, but due to the lack of credibility of his past, his ex-wife Amy believes he has hallucinations as a side effect of his medication. When Angie is found brutally murdered in her bathtub, Ben discovers that there is an evil force in the mirror that is chasing him and jeopardizing his family.

College friends Paul, Karen, Bert, Marcy and Jeff rent an isolated cabin in the woods to spend a week together. When they arrive, a man contaminated with a weird disease asks them for help, but they panic and burn the man, who falls into the water reservoir and dies. The whole group, except Karen, makes a pact to drink only beer the rest of the week without knowing where the dead body is. When Karen drinks tap water and gets the disease, the group begins their journey to hell.

In order to avoid a ghostly figure in the road, high school senior Brent Mitchell wraps his car around a tree, killing his father. Constantly confronted by his mother's emotional collapse after the accident, Brent escapes into a marijuana fueled world of loud metal music to block the pain and guilt. Dejected and out of sorts, he has a shot at happiness with his girlfriend Holly, a grounded, caring girl with drop dead good looks, a dream date for the high school prom. But his plans are thwarted by a disturbing series of events that take place under a mirrored disco ball, involving pink satin, glitter, syringes, nails, power drills and a secret admirer. Brent has become the prom king at a macabre, sadistic event where he is the entertainment.

Having escaped her abusive ex-husband Goss, recently released from state prison, Agnes, a lonely waitress with a tragic past moves into a sleazy, rundown motel. Her lesbian co-worker R.C. introduces her to Peter, a peculiar, paranoiac drifter and they begin a tentative romance. However, things aren't always as they appear and Agnes is about to experience a claustrophobic nightmare reality as the bugs begin to arrive...

Centered on a post-apocalyptic society where food is scarce and used as currency. In an apartment building with a delicatessen on the ground floor. The owner of the eatery also owns the apartment building and is in need of a new maintenance man since the prior one "mysteriously" disappeared. A former clown applies for the job and the butcher's intent is to have him work for as little as possible. The clown and butcher's daughter fall in love and she tries to foil her father's plans by contacting the "troglodytes", a grain eating sub-group of society who live entirely underground.

1991 film by Jean-Pierre Jeunet, Marc Caro

After the birth of his baby daughter Cynthia, a Parisian horse butcher soon finds himself abandoned, responsible to raise and care for his newborn girl, completely on his own. Moreover, as his little girl grows into an adolescent, nothing much seems to change in the butcher's life, who day in, day out, experiences the same numbing and tedious repetition, up until Cynthia's first signs of puberty. Under those circumstances and after a dreadful incident coupled with an ungovernable paroxysm of violence, the butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

Resonating with vibrant memories and silent echoes of a shared life, the old house is somehow connected to "C", a sensitive composer who is hesitant of leaving it, while his loving wife "M", on the other hand, is keen on moving out, having an indecipherable but grim premonition of danger. Sadly, disaster soon strikes, and C's untethered spectre which detaches from the lifeless body, rises from the mortician's table, and in a swift decision, decides to linger in this dimension to faithfully follow the grieving M back to the old house. As silent as a shadow and as invisible as the air, C's unappeasable phantom observes M's denial and depression gradually turn to acceptance and even hope, as time unravels, moving forward through the decades. In this earth, man struggles to leave his legacy behind. Is this the way to immortality?

Since birth, a big fat lie defines the well-organised but humdrum life of the kind-hearted insurance salesman and ambitious explorer, Truman Burbank. Utterly unaware of the thousands of cleverly hidden cameras watching his every move, for nearly three decades, Truman's entire existence pivots around the will and the wild imagination of the ruthlessly manipulative television producer, Christof--the all-powerful TV-God of an extreme 24/7 reality show: The Truman Show. As a result, Truman's picturesque neighbourhood with the manicured lawns and the uncannily perfect residents is nothing but an elaborate state-of-the-art set, and the only truth he knows is what the worldwide television network and its deep financial interests dictate. Do lab rats know they are forever imprisoned?

Oskar, a bullied 12-year old, dreams of revenge. He falls in love with Eli, a peculiar girl. She can't stand the sun or food and to come into a room she needs to be invited. Eli gives Oskar the strength to hit back but when he realizes that Eli needs to drink other people's blood to live he's faced with a choice. How much can love forgive? Set in the Stockholm suburb of Blackeberg in 1982.

2008 Swedish horror romance film directed by Tomas Alfredson

Sam and Jonathan, a pair of hapless novelty salesmen, take us on a kaleidoscopic tour of the human condition, unfolding in absurdist episodes: a sing-along at a 1940s beer hall, a randy flamenco teacher, a thirsty King Charles XII of Sweden en route to battle, and more slices of reality and fantasy.

Rock star Pink Floyd is a tortured soul. Because of his childhood, he has always tried to make meaningful emotional connections to other living creatures. That childhood includes not having a male role model with his father having been killed in the war, his overprotective mother smothering him, and an oppressive school system quashing his natural creativity. Being a rock star, he is often wanted more because of what he is than who he is. The most recent failure in that true connection to someone or something else is his marriage, when on tour, he discovers that his wife back home is cheating on him. His response is to go in the opposite direction, by building a figurative wall around him to isolate himself from the rest of the world, but not before showing graphically his feelings on different gut levels. The question becomes if he or anyone else can do anything to tear down the wall in a meaningful way.

1982 British live-action/animated musical drama film

Billy is released after five years in prison. In the next moment, he kidnaps teenage student Layla and visits his parents with her, pretending she is his girlfriend and they will soon marry (and forcing her to say the same).

Lucas is a Kindergarten teacher who takes great care of his students. Unfortunately for him, young Klara has a run-away imagination and concocts a lie about her teacher. Before Lucas is even able to understand the consequences, he has become the outcast of the town. The hunt is on to prove his innocence before it's taken from him for good.

Based on actual events. Brandon Teena is the popular new guy in a tiny Nebraska town. He hangs out with the guys, drinking, cussing, and bumper surfing, and he charms the young women, who've never met a more sensitive and considerate young man. Life is good for Brandon, now that he's one of the guys and dating hometown beauty Lana; however, he's forgotten to mention one important detail. It's not that he's wanted in another town for GTA and other assorted crimes, but that Brandon Teena was actually born a woman named Teena Brandon. When his best friends make this discovery, Brandon's life is ripped apart.

Pauline Parker and Juliet Hulme met in school during the 1950s. Instant best friends, they proceeded to spend every minute possible together, often writing about a fantasy land of their own invention. More and more estranged from their respective families, the two girls realise that they are extremely different from most other people, and agree to take any steps necessary to ensure that they are not seperated. The two families are increasingly concerned about the girls' friendship in a strictly moralistic era.

Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: she must return to her tiny hometown to cover the murders of two preteen girls. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful 13 year old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victms - a bit too strongly. Dogged by her own demons, she must unravel the psychological puzzle of her own past if she wants to get the story - and survive this homecoming.

The body of a young girl (Laura Palmer) is washed up on a beach near the small Washington state town of Twin Peaks. FBI Special Agent Dale Cooper is called in to investigate her strange demise only to uncover a web of mystery that ultimately leads him deep into the heart of the surrounding woodland and his very own soul.

American drama television series from 1990–1991

N.H.K ni yôkoso! (Welcome to the N.H.K) revolves around the life of Tatsuhiro Satou, a 22 year old hikikomori who hasn't got a job and feels that the world around him is all a "conspiracy" controlled by the "N.H.K". He comes across a girl called Misaki Nakahara who is willing to change Satou's condition from being a socially awkward introvert into a more confident person.

Seemingly unconnected citizens of Tokyo are targeted for bludgeoning by a boy with a golden baseball bat. As detectives try to link the victims, they discover that following the assaults, the victims' lives have improved in some way.

In a man-made underground society, descendants of a banished generation vie for control of the crumbling city of Lux. Ichise, an orphan turned prize fighter, loses a leg and an arm to satisfy an enraged fight promoter. On the brink of death he is taken in by a young woman doctor and used as a guinea pig for the next evolution of Texhnolyze. With his new limbs, Ichise is taken under the wing of Oonishi, a powerful leader of Organ, an organization with some hold on Lux. As Ichise is drawn deeper into a war for territorial control of the city, he learns of his possible future from the young girl prophet Ran, who guides him from the shadows in his darkest times. With the explosion of the warfare, Ichise must uncover the truth about Lux and fight for his survival as he realizes his destiny.

Takao worships the class beauty, Nanako, from afar. When he is alone in the classroom one day after school, he notices her bag of gym clothes on the floor. He can't resist picking it up. He plans to return it, but the next day, all the girls are commiserating with Nanako that some pervert has stolen her gym clothes. Worse than that, their classmate Sawa quietly lets him know that she saw him take the clothes and will tell Nanako if he doesn't make a contract with her to do whatever she asks of him and then their strange relationship begins.

After an intelligent yet cynical high school student begins to cleanse the world from evil with the help of a magical notebook that can kill anyone whose name is written on it, international authorities call upon a mysterious detective known as "L" to thwart his efforts.

Dr. Kenzo Tenma, a young but extremely talented neurosurgeon, lives his life working in a hospital in Germany. He is respected by his superiors for his incredible surgical skills, envied by his peers and he is engaged to the daughter of the hospital director. But one day his bright future changes when a little boy is brought in with a serious head injury, along with his twin sister, the aftermath of a family massacre. He is faced with a huge dilemma when his superior orders him to abort the boy's surgery and operate on the mayor instead, who was brought in much later. He decides that "all life is equal" and goes against his superiors to save the boy's life (who arrived first), which ultimately results in the mayor's death. The boy survives, leaving Tenma's career in ruins, his engagement to his fiancé broken. His downward spiral begins when one night, while he is out cold in a drunken stupor, the twins vanish from the hospital and Tenma's superiors - along with the hospital director - are found dead. Tenma, having no alibi and the only one with motive, is the prime murder suspect. He goes into hiding and vows to find the twins and prove his innocence. Little did he know, that this is only the beginning of a terrifying journey through countries, buried secrets and the dark depths of the human psyche...

Emma, a famous and successful French horror writer, is forced to return to her hometown after the woman who haunted her dreams fifteen years ago begins to re-appear. The work she writes is apparently a work of fiction, but how much is fact?

A sleuthing, supernaturally infused mystery charting Wednesday Addams' years as a student at Nevermore Academy. Wednesday's attempts to master her emerging psychic ability, thwart a monstrous killing spree that has terrorized the local town, and solve the supernatural mystery that embroiled her parents 25 years ago - all while navigating her new and very tangled relationships at Nevermore.

American horror comedy television series directed by Tim Burton.

A wizard attempting to capture Death to bargain for eternal life traps her younger brother Dream instead. Fearful for his safety, the wizard kept him imprisoned in a glass bottle for decades. After his escape, Dream, also known as Morpheus, goes on a quest for his lost objects of power.

Netflix's future television adaptation of Neil Gaiman's "The Sandman"

Anchor Bay has amassed some of the greatest horror film writers and directors to bring to you the anthology series, "Masters of Horror". For the first time, the foremost names in the horror film genre have joined forces for the series consisting of thirteen one-hour films each season.

Guillermo del Toro's Netflix horror anthology series "Cabinet of Curiosities" (originally titled "Guillermo del Toro Presents 10 After Midnight") has added F. Murray Abraham, Ben Barnes, Elpidia Carrillo, Essie Davis, Hannah Galway, Crispin Glover, Demetrius Grosse, David Hewlett, Andrew Lincoln, Tim Blake Nelson, Luke Roberts, Sebastian Roché, Glynn Turman and Peter Weller to its cast. The prolific Academy-Award-winning Mexican filmmaker behind "Pan's Labyrinth," "Hellboy," "The Shape of Water" and "Pacific Rim" will executive produce, co-showrun and direct the series - described as a curation of eight unprecedented and genre-defining sinister narratives meant to challenge traditional notions of horror, ranging from the macabre to magical, gothic to grotesque or classically creepy. Two of the eight tales are original works by del Toro.

Physical and psychological horrors affect a decomposing family, workers and residents of an insane asylum, a coven of witches, a cast of circus freaks, the employees and guests at a struggling hotel, a family who moved into a mysterious farmhouse, the members of a small suburb in Michigan, the surviving members of the Apocalypse and the counselors of a creepy summer camp in this haunting anthology series, focusing on the themes of infidelity, sanity, oppression, discrimination, addiction and exploitation.

American anthology horror television series

Explores a group of siblings who, as children, grew up in what would go on to become the most famous haunted house in the country. Now adults, and forced back together in the face of tragedy, the family must finally confront the ghosts of their past, some of which still lurk in their minds while others may actually be stalking the shadows of Hill House.

The tale of a small, isolated island community whose existing divisions are amplified by the return of a disgraced young man and the arrival of a charismatic priest. When Father Paul's appearance on Crockett Island coincides with unexplained and seemingly miraculous events, a renewed religious fervor takes hold of the community - but do these miracles come at a price?

An anthology series of stand-alone episodes delving into horror myths, legends, and lore.

American anthology television series, spin-off from American Horror Story.

After centuries of quarreling, Stefan and Damon Salvatore return to their original town of Mystic Fall, Virginia. Stefan, the selfless, brave, guilt-ridden brother, meets a high school girl named Elena Gilbert whom he instantly falls in love with, while Damon, the gorgeous, dangerous and selfish vampire, is after his brother's girl to pay him back for making him turn into a vampire in 1864.

2009 American supernatural teen drama television series

Explorer Sir Malcolm Murray, American gunslinger Ethan Chandler, scientist Victor Frankenstein and medium Vanessa Ives unite to combat supernatural threats in Victorian London.

2014 British-American horror drama television series

Dagobah

Emmeranne

The Returned opens in a small mountain community which is rocked to its core when several local people who are presumed dead suddenly re-appear at their homes. Despite having passed away some years earlier, these ghostly characters appear in human form, they have not aged, and they are completely unaware of their own fatality. Determined to reclaim their lives and start over, they slowly come to realize that they are not the only ones to have been brought back from the dead. Their return augers torment for their community when a gruesome murder attempt bears a chilling resemblance to the work of a serial killer from the past. This is a homecoming like no other.

French supernatural drama television series

An anthology series based on popular Internet Creepypastas Candle Cove, The No-End House, Butcher's Block, and The Dream Door.

The Witcher is a fantasy drama web television series created by Lauren Schmidt Hissrich for Netflix. It is based on the book series of the same name by Polish writer Andrzej Sapkowski. The Witcher follows the story of Geralt of Rivia, a solitary monster hunter, who struggles to find his place in a world where people often prove more wicked than monsters and beasts. But when destiny hurtles him toward a powerful sorceress, and a young princess with a special gift, the three must learn to navigate independently the increasingly volatile Continent.

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A young man searching for his daughter - struggling to exist in a place between reality and hell - a town hiding gruesome, dark secrets. Follow a trail of bloo...

Taking the series in a new direction, apprehension and fear immediately run high when the new main character, Henry Townshend, finds himself trapped in his own...

American McGee's Alice returns, with his own brand of creepy supernatural Victoriana....

Silent Hill 3 continues the series' trademark brand of psychological horror and terrifying gameplay. As a teenage girl named Heather, players must explore and u...

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Alternate Cover Edition ISBN: 0743273567 (ISBN13: 9780743273565)The Great Gatsby, F. Scott Fitzgerald's third book, stands as the supreme achievement of his career. This exemplary novel of the Jazz Age has been acclaimed by generations of readers. The story is of the fabulously wealthy Jay Gatsby and his new love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when The New York Times noted "gin was the national drink and sex the national obsession," it is an exquisitely crafted tale of America in the 1920s.The Great Gatsby is one of the great classics of twentieth-century literature.(back cover)

Dostoevsky’s most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In complete retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature.Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.

Sylvia Plath's shocking, realistic, and intensely emotional novel about a woman falling into the grip of insanity. Esther Greenwood is brilliant, beautiful, enormously talented, and successful, but slowly going under—maybe for the last time. In her acclaimed and enduring masterwork, Sylvia Plath brilliantly draws the reader into Esther's breakdown with such intensity that her insanity becomes palpably real, even rational—as accessible an experience as going to the movies. A deep penetration into the darkest and most harrowing corners of the human psyche, The Bell Jar is an extraordinary accomplishment and a haunting American classic.

Humbert Humbert - scholar, aesthete and romantic - has fallen completely and utterly in love with Lolita Haze, his landlady's gum-snapping, silky skinned twelve-year-old daughter. Reluctantly agreeing to marry Mrs Haze just to be close to Lolita, Humbert suffers greatly in the pursuit of romance; but when Lo herself starts looking for attention elsewhere, he will carry her off on a desperate cross-country misadventure, all in the name of Love. Hilarious, flamboyant, heart-breaking and full of ingenious word play, Lolita is an immaculate, unforgettable masterpiece of obsession, delusion and lust.

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Late one night, a beautiful and well-dressed young woman, Grace (Nicole Kidman), arrives in the mountainous old mining town of Dogville as a fugitive; following the sound of gunshots in the distance which have been heard by Tom (Paul Bettany), the self-appointed moral spokesman for the town. Persuaded by Tom, the town agree to hide Grace, and in return she freely helps the locals. However, when the Sheriff from a neighbouring town posts a Missing notice, advertising a reward for revealing her whereabouts, the townsfolk require a better deal from Grace, in return for their silence; and when the Sheriff returns some weeks later with a Wanted poster, even though the citizens know her to be innocent of the false charges against her, the town's sense of goodness takes a sinister turn and the price of Grace's freedom becomes a workload and treatment akin to that of a slave. But Grace has a deadly secret that the townsfolk will eventually encounter.

Nozomi and Lana share an apartment in Tokyo. They have both auditioned for the same role in a movie, and know that the shortlist has been cut down to just the two of them. As they wait the night before finding out who will get the role, their personality clashes erupt into an all-out battle.

The Mantle brothers are both doctors - both gynecologists - and identical twins. Mentally however, one of them is more confident than the other, and always manages to seduce the women he meets. When he's tired of his current partner, she is passed on to the other brother - without her knowing. Everything runs smoothly, until an actress visits their clinic, and the shy brother is the first to fall in love. Will they be able to 'share' her ?

Ami is a typical college girl. She's bright, friendly, popular and athletic, with nothing to set her apart from other girls her age other than the fact that she is an orphan, left to care for her younger brother after her father committed suicide after being falsely accused of murder. But while there is tragedy in their past, the siblings' future looks good, except for one thing. Ami's brother has racked up a considerable debt to another boy at school, and that boy just happens to be the heir to a clan of vicious ninja-yakuza. Ami's brother can't pay, violence breaks out and in the course of trying to avenge her brother, Ami is captured by the clan. They torture her and hack her arm right off. Ami escapes, barely alive, and is taken in by the owners of a machine shop who build her a customized, bullet-spewing arm. From that point, the quest for revenge is on in earnest.

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