Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

This is the story of a man who said that he would stop the motor of the world and did. Was he a destroyer or the greatest of liberators?Why did he have to fight his battle, not against his enemies, but against those who needed him most, and his hardest battle against the woman he loved? What is the world’s motor — and the motive power of every man? You will know the answer to these questions when you discover the reason behind the baffling events that play havoc with the lives of the characters in this story. Tremendous in its scope, this novel presents an astounding panorama of human life — from the productive genius who becomes a worthless playboy — to the great steel industrialist who does not know that he is working for his own destruction — to the philosopher who becomes a pirate — to the composer who gives up his career on the night of his triumph — to the woman who runs a transcontinental railroad — to the lowest track worker in her Terminal tunnels. You must be prepared, when you read this novel, to check every premise at the root of your convictions.This is a mystery story, not about the murder — and rebirth — of man’s spirit. It is a philosophical revolution, told in the form of an action thriller of violent events, a ruthlessly brilliant plot structure and an irresistible suspense. Do you say this is impossible? Well, that is the first of your premises to check.

Horacio Oliveira is an Argentinian writer who lives in Paris with his mistress, La Maga, surrounded by a loose-knit circle of bohemian friends who call themselves "the Club." A child's death and La Maga's disappearance put an end to his life of empty pleasures and intellectual acrobatics, and prompt Oliveira to return to Buenos Aires, where he works by turns as a salesman, a keeper of a circus cat which can truly count, and an attendant in an insane asylum. Hopscotch is the dazzling, freewheeling account of Oliveira's astonishing adventures.The book is highly influenced by Henry Miller’s reckless and relentless search for truth in post-decadent Paris and Daisetz Teitaro Suzuki’s modal teachings on Zen Buddhism.Cortázar's employment of interior monologue, punning, slang, and his use of different languages is reminiscent of Modernist writers like Joyce, although his main influences were Surrealism and the French New Novel, as well as the "riffing" aesthetic of jazz and New Wave Cinema.In 1966, Gregory Rabassa won the first National Book Award to recognize the work of a translator, for his English-language edition of Hopscotch. Julio Cortázar was so pleased with Rabassa's translation of Hopscotch that he recommended the translator to Gabriel García Márquez when García Márquez was looking for someone to translate his novel One Hundred Years of Solitude into English. "Rabassa's One Hundred Years of Solitude improved the original," according to García Márquez.

'Venus in Furs' describes the obsessions of Severin von Kusiemski, a European nobleman who desires to be enslaved to a woman. Severin finds his ideal of voluptuous cruelty in the merciless Wanda von Dunajew. This is a passionate and powerful portrayal of one man's struggle to enlighten and instruct himself and others in the realm of desire. Published in 1870, the novel gained notoriety and a degree of immortality for its author when the word "masochism" - derived from his name - entered the vocabulary of psychiatry. This remains a classic literary statement on sexual submission and control.

The 120 Days of Sodom by Marquis de Sade relates the story of four wealthy men who enslave 24 mostly teenaged victims and sexually torture them while listening to stories told by old prostitutes. The book was written while Sade was imprisoned in the Bastille and the manuscript was lost during the storming of the Bastille. Sade wrote that he "wept tears of blood" over the manuscript's loss. Many consider this to be Sade crowning achievement.

With a title translated either as Against Nature or as Against The Grain, this wildly original fin-de-siècle novel follows its sole character, Des Esseintes, a decadent, ailing aristocrat who retreats to an isolated villa where he indulges his taste for luxury and excess. Veering between nervous excitability and debilitating ennui, he gluts his aesthetic appetites with classical literature and art, exotic jewels (with which he fatally encrusts the shell of his tortoise), rich perfumes, and a kaleidoscope of sensual experiences. The original handbook of decadence, Against Nature exploded like a grenade (in the words of Huysmans) and has enjoyed a cult readership from its publication to the present day.

The gritty, controversial story of a life devoted to art and sensuality from the Nobel Prize–winning author of Sister Carrie and An American Tragedy.   Driven to experience life beyond the small Illinois town of his youth, Eugene Witla makes his way to Chicago, where he is immediately drawn to the buzz of the city and the sexual freedom of bohemian life. At the Chicago Art Institute, he studies painting, soon making a name for himself as a gifted urban realist. Throughout his life, Witla’s commitment to his art is rivaled only by his need for erotic adventure. In love and marriage, and from Chicago to New York to the cities of Europe, Witla finds himself at odds with convention and pays a profound cost for his struggle.   First published in 1915, The “Genius”, Theodore Dreiser’s most personal and provocative novel, was declared obscene by the New York Society for the Suppression of Vice, and under threat of legal action, it was recalled from bookstores. Rereleased in 1923, it went on to establish Dreiser’s reputation as a writer ahead of his time, giving unparalleled insight into the mind of a prodigy.  This ebook has been professionally proofread to ensure accuracy and readability on all devices.  

I didn't like most of the photographs - soulless and horrible. Then I read the text which made some of them more interesting but it makes me wonder if they can't stand by themselves. Maybe I have been spoilt by looking at classic photographs or this isn't to my taste but it makes me realise how important beauty and softness is, especially if you don't have that interesting content. To be fair, with contemporary art it's not clear yet what is good, and much of it will fade away while I imagine the good stuff will endure over time. I scanned the most interesting bit of text - it kind of made my jaw drop: http://i237.photobucket.com/albums/ff...

A photobook classic, and perhaps the work for which New York photographer Nan Goldin remains best known, "The Ballad of Sexual Dependency" is a visual diary chronicling the struggle for intimacy and understanding between friends and lovers collectively described by Goldin as her "tribe." Her work describes a late 1970s/early 1980s New York now long gone, and a world that is visceral and seething with life. As Goldin writes: "Real memory, which these pictures trigger, is an invocation of the color, smell, sound, and physical presence, the density and flavor of life."

Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature.

Financial collapses—whether of the junk bond market, the Internet bubble, or the highly leveraged housing market—are often explained as the inevitable result of market cycles: What goes up must come down. In Liquidated, Karen Ho punctures the aura of the abstract, all-powerful market to show how financial markets, and particularly booms and busts, are constructed. Through an in-depth investigation into the everyday experiences and ideologies of Wall Street investment bankers, Ho describes how a financially dominant but highly unstable market system is understood, justified, and produced through the restructuring of corporations and the larger economy.Ho, who worked at an investment bank herself, argues that bankers’ approaches to financial markets and corporate America are inseparable from the structures and strategies of their workplaces. Her ethnographic analysis of those workplaces is filled with the voices of stressed first-year associates, overworked and alienated analysts, undergraduates eager to be hired, and seasoned managing directors. Recruited from elite universities as “the best and the brightest,” investment bankers are socialized into a world of high risk and high reward. They are paid handsomely, with the understanding that they may be let go at any time. Their workplace culture and networks of privilege create the perception that job insecurity builds character, and employee liquidity results in smart, efficient business. Based on this culture of liquidity and compensation practices tied to profligate deal-making, Wall Street investment bankers reshape corporate America in their own image. Their mission is the creation of shareholder value, but Ho demonstrates that their practices and assumptions often produce crises instead. By connecting the values and actions of investment bankers to the construction of markets and the restructuring of U.S. corporations, Liquidated reveals the particular culture of Wall Street often obscured by triumphalist readings of capitalist globalization.

Excerpt from Judaism as a Civilization: Toward a Reconstruction of American-Jewish Life "Judaism' and 'Jewish religion' arc not synonymous terms. 'Judaism' is more comprehensive than 'Jewish religion, ' for 'Jewish religion' is only a part of 'Judaism.' Judaism is the composite of the collected thoughts, sentiments and efforts of the Jewish people. In other words, Judaism is the sum total of all the manifestations of the distinctively Jewish national spirit. "The Jewish religion is, then, only a part of Judaism, though by far its most important part. Among no other people on earth has religion occupied so large, so significant a place in their spiritual life as it has among the Jews. But besides religion there were, and still are, other elements in Judaism." (Bernard Felsenthal, in Teacher in Israel, by Emma Felsenthal, New York, 1924, p. 212.) "It was a fatal mistake of the period of emancipation, a mistake which is the real source of all the subsequent disasters in modern Jewish life, that, in order to facilitate the fight for political equality, Judaism was put forward not as a culture, as the full expression of the inner life of the Jewish people, but as a creed, as the summary of a few abstract articles of faith, similar in character to the religion of the surrounding nations." (Israel Friedlaender, in Past and Present, Ark Pub. Co., Cincinnati, 1919, p. 267.) "Is the trend toward placing less emphasis on Judaism as a cult and more emphasis on Judaism as a civilization, i.e., identifying it with all the activities and relations of life?" (From a questionnaire submitted in 1925 to members of the Central Conference of American Rabbis.) Replies North South West TotalCult 3 8 4 15Civilization 20 12 18 50(Yearbook, C. C. A. R., 1926, p. 320.) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This Much Is True: You Have Been Lied To· The government is expanding.· Taxes are increasing.· More senseless wars are being planned.· Inflation is ballooning.· Our basic freedoms are disappearing.The Founding Fathers didn't want any of this. In fact, they said so quite clearly in the Constitution of the United States of America. Unfortunately, that beautiful, ingenious, and revolutionary document is being ignored more and more in Washington. If we are to enjoy peace, freedom, and prosperity once again, we absolutely must return to the principles upon which America was founded. But finally, there is hope . . . In THE REVOLUTION, Texas congressman and presidential candidate Ron Paul has exposed the core truths behind everything threatening America, from the real reasons behind the collapse of the dollar and the looming financial crisis, to terrorism and the loss of our precious civil liberties. In this book, Ron Paul provides answers to questions that few even dare to ask.Despite a media blackout, this septuagenarian physician-turned-congressman sparked a movement that has attracted a legion of young, dedicated, enthusiastic supporters . . . a phenomenon that has amazed veteran political observers and made more than one political rival envious. Candidates across America are already running as "Ron Paul Republicans.""Dr. Paul cured my apathy," says a popular campaign sign. THE REVOLUTION may cure yours as well.

April, 1984. Winston Smith, thinks a thought, starts a diary, and falls in love. But Big Brother is watching him, and the door to Room 101 can swing open in the blink of an eye. Its ideas have become our ideas, and Orwell’s fiction is often said to be our reality. The definitive book of the 20th century is re-examined in a radical new adaptation exploring why Orwell’s vision of the future is as relevant as ever."This is a staging that reconsiders a classic with such steely power that it chills brain, blood and bone." - The Times"[A] pitilessly brilliant retelling." - Guardian"This risk-taking adaptation of George Orwell's masterpiece is doubleplusgood." - Telegraph"A theatrical tour de force that has the destructive power of an earthquake." - The Stage"Skilfully brought to life.... This is a very neat theatrical telling of the classic dystopian parable which is more a study of internal tension and tiny acts of defiance as it is a political drama... a work of extraordinary quality and intensity." - IndependentEric Arthur Blair (25 June 1903 – 21 January 1950), better known by his pen name George Orwell, was an English novelist and journalist, whose most famous works include the novella Animal Farm, and the classic dystopia 1984.Duncan Macmillan is an award-winning writer and director. Plays include: Lungs (Paines Plough/Sheffield Crucible and Studio Theatre Washington D.C.), Platform (Old Vic Tunnels), Monster (Royal Exchange/Manchester International Festival), The Most Humane Way to Kill A Lobster (Theatre 503), I Wish To Apologise For My Part In The Apocalypse, So Say All of Us and Family Tree (all BBC Radio 4).Robert Icke was artistic director of the Arden Theatre Company in Stockton-on-Tees from 2003–7 and of the Swan Theatre Company in Cambridge from 2005–8, where he was awarded the Susie Gautier-Smith Prize for his contribution to theatre.

The year is 1984 and the city is Tokyo.A young woman named Aomame follows a taxi driver’s enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 —“Q is for ‘question mark.’ A world that bears a question.” Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled. As Aomame’s and Tengo’s narratives converge over the course of this single year, we learn of the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator; a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector.A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell’s — 1Q84 is Haruki Murakami’s most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers.

Here are sixty-one stories that chronicle the lives of what has been called "the greatest generation." From the early wonder and disillusionment of city life in "The Enormous Radio" to the surprising discoveries and common mysteries of suburbia in "The Housebreaker of Shady Hill" and "The Swimmer," Cheever tells us everything we need to know about "the pain and sweetness of life."Goodbye, my brother --The common day --The enormous radio --O city of broken dreams --The Hartleys --The Sutton Place story --The summer farmer --Torch song --The pot of gold --Clancy in the Tower of Babel --Christmas is a sad season for the poor --The season of divorce --The chaste Clarissa --The cure --The superintendent --The children --The sorrows of gin --O youth and beauty! --The day the pig fell into the well --The five-forty-eight --Just one more time --The housebreaker of Shady Hill --The bus to St. James's --The worm in the apple --The trouble of Marcie Flint --The bella lingua --The Wrysons --The country husband --The duchess --The scarlet moving van --Just tell me who it was --Brimmer --The golden age --The lowboy --The music teacher --A woman without a country --The death of Justina --Clementina --Boy in Rome --A miscellany of characters that will not appear --The chimera --The seaside houses --The angel of the bridge --The brigadier and the golf widow --A vision of the world --Reunion --An educated American woman --Metamorphoses --Mene, mene, tekel, upharsin --Montraldo --The ocean --Marito in città --The geometry of love --The swimmer --The world of apples --Another story --Percy --The fourth alarm --Artemis, the honest well digger --Three stories --The jewels of the Cabots.

It is the inalienable right of every man, woman and child to wear khaki. Looking, acting, and ultimately being Prep is not restricted to an elite minority lucky enough to attend prestigious private schools, just because an ancestor or two happened to arrive here on the Mayflower. You don't even have to be registered Republican. In a true democracy everyone can be upper class and live in Connecticut. It's only fair. The Official Preppy Handbook will help you get there.

It is not that I love Hugh Nibley's writing style so much; but he is the ultimate historio-archeological packrat and has researched every topic of interest to him to the nth degree of what is available in the scholarship of the world at a given time. Fascinating and fabulous romp through the world of ideas. He additionally leaves you to draw your own conclusions, which I appreciate!My favorite chapters (now that I am finally done with all 600 pages) are 3 &amp; 7. What a gift to be trusted by an author to make the connections yourself.p. 534 (talking about C.S. Lewis) ". . . the test of the Christian is not to conform with the commandments and accept teachings which are perfectly right and sensible to any normal way of thinking; if the gospel consisted only of such convenient and unobjectionable things, we could be quite sure we were making it up ourselves. It is the very contrariness and even the absurdity of the Christian teachings that provide, for him, the highest proof of their divinity--this is not man's doing." Why else are we commanded to seek for answers if they are too easily accessible? The terrible questions that Nibley raises are "Strange doctrines" indeed! this book invites you to step beyond "the ignorant present."

This groundbreaking collection gathers together for the first time the essential writings of the contemporary Mormon feminist movement--from its historic beginnings in the 1970s to its vibrant present, offering the best Mormon feminist thought and writing.No issue in Mormonism has made more headlines than the faith's distinctive approach to sex and gender. From its polygamous nineteenth-century past to its twentieth-century stand against the Equal Rights Amendment and its twenty-first-century fight against same-sex marriage, the Church of Latter-day Saints (LDS) has consistently positioned itself on the frontlines of battles over gender-related identities, roles, and rights. But even as the church has maintained a conservative position in public debates over sex and gender, Mormon women have developed their own brand of feminism by recovering the lost histories of female leadership and exploring the empowering potential of Mormon theology. The selections in this book-many gathered from out-of-print anthologies, magazines, and other ephemera--walk the reader through the history of Mormon feminism, from the second-wave feminism of the 1970s to contemporary debates over the ordination of women.Collecting essays, speeches, poems, and prose, Mormon Feminism presents the diverse voices of Mormon women as they challenge assumptions and stereotypes, push for progress and change in the contemporary LDS Church, and band together with other feminists of faith hoping to build a better world.

Amélie is a story about a girl named Amélie whose childhood was suppressed by her Father's mistaken concerns of a heart defect. With these concerns Amélie gets hardly any real-life contact with other people. This leads Amélie to resort to her own fantastical world and dreams of love and beauty. She later on becomes a young woman and moves to the central part of Paris as a waitress. After finding a lost treasure belonging to the former occupant of her apartment, she decides to return it to him. After seeing his reaction and his new found perspective - she decides to devote her life to the people around her. Such as, her father who is obsessed with his garden-gnome, a failed writer, a hypochondriac, a man who stalks his ex girlfriends, the "ghost," a suppressed young soul, the love of her life and a man whose bones are as brittle as glass. But after consuming herself with these escapades - she finds out that she is disregarding her own life and damaging her quest for love. Amélie then discovers she must become more aggressive and take a hold of her life and capture the beauty of love she has always dreamed of.

A young coming-of-age tale about a teenage boy, Simon Spier, goes through a different kind of Romeo and Juliet story. Simon has a love connection with a boy, Blue, by email, but the only problem is that Simon has no idea who he's talking to. Simon must discover who that boy is--who Blue is. Along the way, he tries to find himself as well.

Believing they have left behind shadowy figures from their past, newlyweds Christian and Ana fully embrace an inextricable connection and shared life of luxury. But just as she steps into her role as Mrs. Grey and he relaxes into an unfamiliar stability, new threats could jeopardize their happy ending before it even begins.

Christian and Ana decide to rekindle their relationship, except this time there are no more rules or punishments. As they begin to get used to their newfound relationship, Christian's past begins to haunt Ana as Christian struggles with his innermost thoughts.

Anastasia Steele, an English literature major at Washington State University, agrees to interview for the college newspaper a billionaire, Christian Grey, as a favour to her roommate, Kate Kavanagh. During the interview, Christian Grey takes an interest in Anastasia. Soon after it, he visits the hardware store where Anastasia works and offers her to do a photo shoot to accompany the article for which Anastasia had interviewed him. Later, Grey invites her to a cafe and also sends her first edition copies of two Thomas Hardy novels, including Tess of the d'Urbervilles, with a quote from the latter book about the dangers of relationships, on an accompanying card. His pursuing eventually brings a result - Anastasia and Grey start dating. In the course of their troubled relationship Anastasia slowly comes to uncover Grey's troubled past and realises that he is not good for any woman, let alone for himself. Although, she enjoys the bondage sex with Grey, she feels that she has to make a step that will take her all her strength and courage, for Christian Grey is a very dangerous man.

Ross Geller, Rachel Green, Monica Geller, Joey Tribbiani, Chandler Bing, and Phoebe Buffay are six twenty-somethings living in New York City. Over the course of 10 years and seasons, these friends go through life lessons, family, love, drama, friendship, and comedy.

After a meteor shower bursts from the heavens, raining destruction on the unsuspecting citizens of Smallville, years pass, and the healing process leaves the town's inhabitants with scars and secrets. From the ashes of tragedy, a popular yet awkward teen attempts to decipher the meaning of his life and his clouded past. As he struggles with the transition from boyhood to adulthood, Clark finds that his strength and strange abilities set him uncomfortably apart from his peers.

Based on the British series of the same name, Showtime's 'Queer as Folk' presents the American version. Following the lives of five gay men in Pittsburgh, 'Queer as Folk' is a riveting drama full of sex, drugs, adventure, friendship and love. Although the creators of 'Queer as Folk' wanted to present an honest depiction of gay life, it is by no means a comprehensive depiction. In addition to the usual sexual escapades and relationships of the five friends, the show explores critical gay political and health issues.

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