Vastralaya

Evan Shively (Perseus271)

Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Nobody Owens, known to his friends as Bod, is a perfectly normal boy. Well, he would be perfectly normal if he didn't live in a graveyard, being raised and educated by ghosts, with a solitary guardian who belongs to neither the world of the living nor the world of the dead.There are dangers and adventures for Bod in the graveyard: the strange and terrible menace of the Sleer; a gravestone entrance to a desert that leads to the city of ghouls; friendship with a witch, and so much more.But it is in the land of the living that real danger lurks, for it is there that the man Jack lives and he has already killed Bod's family.A deliciously dark masterwork by bestselling author Neil Gaiman, with illustrations by award-winning Dave McKean.

One night on the heath, the brave and respected general Macbeth encounters three witches who foretell that he will become king of Scotland. At first sceptical, he’s urged on by the ruthless, single-minded ambitions of Lady Macbeth, who suffers none of her husband’s doubt. But seeing the prophecy through to the bloody end leads them both spiralling into paranoia, tyranny, madness, and murder.This shocking tragedy - a violent caution to those seeking power for its own sake - is, to this day, one of Shakespeare’s most popular and influential masterpieces.

Twenty-seven-year old Anne Elliot is Austen's most adult heroine. Eight years before the story proper begins, she is happily betrothed to a naval officer, Frederick Wentworth, but she precipitously breaks off the engagement when persuaded by her friend Lady Russell that such a match is unworthy. The breakup produces in Anne a deep and long-lasting regret. When later Wentworth returns from sea a rich and successful captain, he finds Anne's family on the brink of financial ruin and his own sister a tenant in Kellynch Hall, the Elliot estate. All the tension of the novel revolves around one question: Will Anne and Wentworth be reunited in their love?Jane Austen once compared her writing to painting on a little bit of ivory, 2 inches square. Readers of Persuasion will discover that neither her skill for delicate, ironic observations on social custom, love, and marriage nor her ability to apply a sharp focus lens to English manners and morals has deserted her in her final finished work.

The war against Voldemort is not going well; even Muggle governments are noticing. Ron scans the obituary pages of the Daily Prophet, looking for familiar names. Dumbledore is absent from Hogwarts for long stretches of time, and the Order of the Phoenix has already suffered losses.And yet . . .As in all wars, life goes on. The Weasley twins expand their business. Sixth-year students learn to Apparate - and lose a few eyebrows in the process. Teenagers flirt and fight and fall in love. Classes are never straightforward, through Harry receives some extraordinary help from the mysterious Half-Blood Prince.So it's the home front that takes center stage in the multilayered sixth installment of the story of Harry Potter. Here at Hogwarts, Harry will search for the full and complete story of the boy who became Lord Voldemort - and thereby find what may be his only vulnerability.

It begins with a boy. Theo Decker, a thirteen-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by his unbearable longing for his mother, he clings to one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art.As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love-and at the center of a narrowing, ever more dangerous circle.The Goldfinch combines vivid characters, mesmerizing language, and suspense, while plumbing with a philosopher's calm the deepest mysteries of love, identity, and art. It is an old-fashioned story of loss and obsession, survival and self-invention, and the ruthless machinations of fate.

With a new Afterword to the 2002 edition, No Logo employs journalistic savvy and personal testament to detail the insidious practices and far-reaching effects of corporate marketing—and the powerful potential of a growing activist sect that will surely alter the course of the 21st century. First published before the World Trade Organization protests in Seattle, this is an infuriating, inspiring, and altogether pioneering work of cultural criticism that investigates money, marketing, and the anti-corporate movement.As global corporations compete for the hearts and wallets of consumers who not only buy their products but willingly advertise them from head to toe—witness today's schoolbooks, superstores, sporting arenas, and brand-name synergy—a new generation has begun to battle consumerism with its own best weapons. In this provocative, well-written study, a front-line report on that battle, we learn how the Nike swoosh has changed from an athletic status-symbol to a metaphor for sweatshop labor, how teenaged McDonald's workers are risking their jobs to join the Teamsters, and how "culture jammers" utilize spray paint, computer-hacking acumen, and anti-propagandist wordplay to undercut the slogans and meanings of billboard ads (as in "Joe Chemo" for "Joe Camel").No Logo will challenge and enlighten students of sociology, economics, popular culture, international affairs, and marketing."This book is not another account of the power of the select group of corporate Goliaths that have gathered to form our de facto global government. Rather, it is an attempt to analyze and document the forces opposing corporate rule, and to lay out the particular set of cultural and economic conditions that made the emergence of that opposition inevitable." —Naomi Klein, from her Introduction

High Quality Content by WIKIPEDIA articles! Corelli's Mandolin, alternatively called Captain Corelli's Mandolin, is a 1993 novel written by Louis de Bernires which takes place on the island of Cephallonia (Kefalonia) during the Italian and German occupation of World War II. The main characters are Antonio Corelli, an Italian captain, and Pelagia, the daughter of the local physician, Dr. Iannis. An important event in the novel is the massacre of Italian troops by the Germans in September 1943.

In 1951 John Wyndham published his novel The Day of the Triffids to moderate acclaim. Fifty-two years later, this horrifying story is a science fiction classic, touted by The Times (London) as having “all the reality of a vividly realized nightmare.”Bill Masen, bandages over his wounded eyes, misses the most spectacular meteorite shower England has ever seen. Removing his bandages the next morning, he finds masses of sightless people wandering the city. He soon meets Josella, another lucky person who has retained her sight, and together they leave the city, aware that the safe, familiar world they knew a mere twenty-four hours before is gone forever.But to survive in this post-apocalyptic world, one must survive the Triffids, strange plants that years before began appearing all over the world. The Triffids can grow to over seven feet tall, pull their roots from the ground to walk, and kill a man with one quick lash of their poisonous stingers. With society in shambles, they are now poised to prey on humankind. Wyndham chillingly anticipates bio-warfare and mass destruction, fifty years before their realization, in this prescient account of Cold War paranoia.

I ordered David Copperfield on the internet, but received this kid's edition. I read Bleak House instead, on my Kindle, but found it very difficult. A Goodreads friend suggested reading some notes on David Copperfield or seeing the movie before I read it. I read this kid's book, following his advice. I plan to read the full version some day. I received the full version for Christmas.  This story is intense, and moves you deeply with David's constant struggles. You feel like you know the characters as they come and go. It reminded me of The Goldfinch, by Donna Tart. It's the same premise, about a boy's trials growing up. Considering The Goldfinch is one of my favorites, I will have to make some time to work through this great work.

Arch-swindler Moist Van Lipwig never believed his confidence crimes were hanging offenses - until he found himself with a noose tightly around his neck, dropping through a trapdoor, and falling into...a government job?By all rights, Moist should have met his maker. Instead, it's Lord Vetinari, supreme ruler of Ankh-Morpork, who promptly offers him a job as Postmaster. Since his only other option is a nonliving one, Moist accepts the position - and the hulking golem watchdog who comes along with it, just in case Moist was considering abandoning his responsibilities prematurely. Getting the moribund Postal Service up and running again, however, may be a near-impossible task, what with literally mountains of decades-old undelivered mail clogging every nook and cranny of the broken-down post office building; and with only a few creaky old postmen and one rather unstable, pin-obsessed youth available to deliver it. Worse still, Moist could swear the mail is talking to him. Worst of all, it means taking on the gargantuan, money-hungry Grand Trunk clacks communication monopoly and its bloodthirsty piratical head, Mr. Reacher Gilt.But it says on the building Neither Rain Nor Snow Nor Glom of Nit...Inspiring words (admittedly, some of the bronze letters have been stolen), and for once in his wretched life Moist is going to fight. And if the bold and impossible are what's called for, he'll do it - in order to move the mail, continue breathing, get the girl, and specially deliver that invaluable commodity that every human being (not to mention troll, dwarf, and, yes, even golem) requires: hope.

JPod, Douglas Coupland's most acclaimed novel to date, is a lethal joyride into today's new breed of tech worker. Ethan Jarlewski and five co-workers whose surnames begin with "J" are bureaucratically marooned in jPod, a no-escape architectural limbo on the fringes of a massive Vancouver game design company. The jPodders wage daily battle against the demands of a boneheaded marketing staff, who daily torture employees with idiotic changes to already idiotic games. Meanwhile, Ethan's personal life is shaped (or twisted) by phenomena as disparate as Hollywood, marijuana grow-ops, people-smuggling, ballroom dancing, and the rise of China. JPod's universe is amoral, shameless, and dizzyingly fast-paced like our own. Praise for JPod: "JPod is a sleek and necessary device: the finely tuned output of an author whose obsolescence is thankfully years away."-New York Times Book Review"It's to [Coupland's] credit that in JPod he's still nimble enough to take the post-modern man-too young for Boomer nostalgia and too old for youthful idealism-and drown his sorrows in a willful, joyful satire that revels in the same cultural conventions that it sends up."-Rocky Mountain News "It's time to admire [Coupland's] virtuoso tone and how he has refined it over 11 novels. The master ironist just might redefine E. M. Forster's famous dictate 'Only connect' for the Google age."-USA Today "Zeitgeist surfer Douglas Coupland downloads his brain into JPod."-Vanity Fair 

'Death has to happen. That's what bein' alive is all about. You're alive, and then you're dead. It can't just stop happening.'But it can. And it has. So what happens after death is now less of a philosophical question than a question of actual reality. On the Disc, as here, they need Death. If Death doesn't come for you, then what are you supposed to do in the meantime? You can't have the undead wandering about like lost souls. There's no telling what might happen, particularly when they discover that life really is only for the living...

Detective Inspector Tom Thorne now knows that three murdered young women were a killer's mistakes -- and that Alison was his triumph. And unless Thorne can enter the mind of a brilliant madman -- a frighteningly elusive fiend who enjoys toying with the police as much as he savors his sick obsession -- Alison Willetts will not be the last victim consigned forever to a hideous waking hell.Already an international bestseller, Mark Billingham's "Sleepyhead" is a chilling masterwork of crime fiction -- a boldly original experiment in terror that will beget dark dreams and sleepless nights.

Rather than go into the plot details I'd rather touch on the larger metaphors of the book in this review. Although the basic plot is chilling enough on its own (A man kidnaps a beautiful and intelligent young girl) the parts that truly disturbed me had to do more with what I believe Fowles was saying about modern culture and the rise of the middle class. Though this book is decidedly "British" in many ways, I think the issues he raises are applicable to any society where a large middle class is created in a relatively short amount of time. For me, this book is asking whether financial stability really leads to morality and more fulfilling lives (as in Major Barbara) or if perhaps we actually lose our souls once our bellies are fed.As some have mentioned in other reviews, Miranda is the stereotypical posh young artist. Born rich, it's easy for her to dismiss the complaints of the lower classes while at the same time hurling scorn at the society that produced her. I've met many people like Miranda (especially during my Masters at Columbia School of the Arts where trust fund babies were the norm, I went to school with a Pulitzer heiress for goodness sake) and usually found them boring and shallow, quick to namedrop an artist or recite tired rhetoric. But as her story progressed I began to like her more and more; Miranda is extremely self-aware, and I sensed that given time, she would grow out of her naivety and become a truly amazing woman. She is only 20 after all, barely an adult, and for all her idealistic pretension she is trying to evolve and grow (something that's can't be said for many of my Columbia peers). That's where the butterfly metaphor becomes even more apt; it's not just that she's a butterfly that Frederick has collected, it's what a butterfly represents: metamorphoses. It's almost as if Frederick has trapped her right when she was about to break out of her cocoon, halting her true beauty right before she was about to spread her wings. Which brings me to Frederick as a stand-in for middle-class mediocrity. Reading this book, I was often reminded of the idea that the opposite of love is not hate, but indifference. Frederick is indifferent to everything: art, war, sex, etc. The only thing he seems to respond to is a fleeting type of beauty, and all he wants to do with that beauty is possess it. Not love it, not understand it, just possess it. His need to possess is similar to the middle classes need to buy buy buy with no thought as to why it’s important to own the largest house, drive the nicest car or watch the most expensive television. As we’ve seen with the rise of divorce, prescription drugs, therapy, suicides and the general malaise of the populace during the latter half of the 20th century these things rarely produce happiness, if anything they produce more anxiety as credit debt rises while wages fall. What Fowles seems to be asking is “what are we doing with all this money and success, are we living more stable fulfilling lives, or are we turning into something just as bad or worse than the elite we despise?” Frederick’s winning the lottery should have been an opportunity for him to live the life he wanted free of economic worries, not a chance to commit evil. Similarly, the rise of the middle class in America and the UK should have been a renaissance of ideas once our bellies were fed. In many ways it was (the civil rights and feminist movements come to mind), but in others, like the rise of reality television, celebrity culture and punditry news, our success has just made us comfortable and indifferent to human suffering. We go on collecting pop music, techno gadgets, houses, cars, spouses, designer clothes, with no question or investigation as to why. With the internet we have the opportunity to learn about anything and everything, for the first time in history the entire history of the world is available at our fingertips. Why then does misinformation and stupidity seem to be on the rise rather then the reverse? Why then are we becoming less literate rather than more? Why when given the world, we’re choosing the slum instead? I agree with Miranda when she says art collectors are the worst offenders. The idea that art is merely an investment (just like the idea that a house is merely an investment rather than a home you share your life in) is abhorrent to me. I could never stand to look at an ugly painting in my home just because it was worth money, nor could I ever live with myself if I hoarded Picassos or Bacons or Kirchners purely for my own benefit. Because the true lover of beauty (and not all beauty is beautiful as Bacon proves) wants to share that beauty with the world. They want everyone to see, hear, taste, feel, and enjoy that beauty so that others lives may be enriched as well. They want everyone to feel as passionately as they do about what they love, but more importantly they just want others to feel. (the example of the American soldier in the book comes to mind) Anyone, regardless of class, money, status etc., is capable of living passionately and truthfully. Frederick is a perfect example of someone who chooses not to, or worse, just doesn’t really care either way. 

Alternate Cover/publisher Edition ISBN 0743482832 (ISBN13: 9780743482837)Each edition includes:• Freshly edited text based on the best early printed version of the play• Full explanatory notes conveniently placed on pages facing the text of the play• Scene-by-scene plot summaries• A key to famous lines and phrases• An introduction to reading Shakespeare's language• An essay by an outstanding scholar providing a modern perspective on the play• Illustrations from the Folger Shakespeare Library's vast holdings of rare books

The house guests at Styles seemed perfectly pleasant to Captain Hastings; there was his own daughter Judith, an inoffensive ornithologist called Norton, dashing Mr Allerton, brittle Miss Cole, Doctor Franklin and his fragile wife Barbara , Nurse Craven, Colonel Luttrell and his charming wife, Daisy, and the charismatic Boyd-Carrington. So Hastings was shocked to learn from Hercule Poirot's declaration that one of them was a five-times murderer. True, the ageing detective was crippled with arthritis, but had his deductive instincts finally deserted him?The novel features Hercule Poirot and Arthur Hastings in their final appearances in Christie's works. It is a country house novel, with all the characters and the murder set in one house. Not only does the novel return the characters to the setting of her first, The Mysterious Affair at Styles, but it reunites Poirot and Hastings, who last appeared together in Dumb Witness in 1937. It was adapted for television in 2013.

With a compassionate realism and narrative sweep that recall the work of Charles Dickens, this magnificent novel captures all the cruelty and corruption, dignity and heroism, of India. The time is 1975. The place is an unnamed city by the sea. The government has just declared a State of Emergency, in whose upheavals four strangers--a spirited widow, a young student uprooted from his idyllic hill station, and two tailors who have fled the caste violence of their native village--will be thrust together, forced to share one cramped apartment and an uncertain future. As the characters move from distrust to friendship and from friendship to love, A Fine Balance creates an enduring panorama of the human spirit in an inhuman state.

Death Row guards at a penitentiary, in the 1930's, have a moral dilemma with their job when they discover one of their prisoners, a convicted murderer, has a special gift.

1999 American drama film directed by Frank Darabont

Walt Kowalski (Clint Eastwood) is a widower who holds onto his prejudices despite the changes in his Michigan neighborhood and the world around him. Kowalski is a grumpy, tough-minded, unhappy old man who can't get along with either his kids or his neighbors. He is a Korean War veteran whose prize possession is a 1972 Gran Torino he keeps in mint condition. When his neighbor Thao Lor (Bee Vang), a young Hmong teenager under pressure from his gang member cousin, tries to steal his Gran Torino, Kowalski sets out to reform the youth. Drawn against his will into the life of Thao's family, Kowalski is soon taking steps to protect them from the gangs that infest their neighborhood.

From the heights of notoriety to the depths of depravity, John Forbes Nash, Jr. experienced it all. A mathematical genius, he made an astonishing discovery early in his career and stood on the brink of international acclaim. But the handsome and arrogant Nash soon found himself on a painful and harrowing journey of self-discovery. After many years of struggle, he eventually triumphed over his tragedy, and finally - late in life - received the Nobel Prize.

Voldemort's (Ralph Fiennes') power is growing stronger. He now has control over the Ministry of Magic and Hogwarts. Harry (Daniel Radcliffe), Ron (Rupert Grint), and Hermione (Emma Watson) decide to finish Dumbledore's (Sir Michael Gambon's) work and find the rest of the Horcruxes to defeat the Dark Lord. But little hope remains for the trio and the rest of the Wizarding World, so everything they do must go as planned.

2010 British-American fantasy film directed by David Yates

Harry (Daniel Radcliffe), Ron (Rupert Grint), and Hermione (Emma Watson) continue their quest of finding and destroying Voldemort's (Ralph Fiennes') three remaining Horcruxes, the magical items responsible for his immortality. But as the mystical Deathly Hallows are uncovered, and Voldemort finds out about their mission, the biggest battle begins, and life as they know it will never be the same again.

2011 British-American fantasy film directed by David Yates

This is the tale of Harry Potter (Daniel Radcliffe), an ordinary eleven-year-old boy serving as a sort of slave for his aunt and uncle who learns that he is actually a wizard and has been invited to attend the Hogwarts School for Witchcraft and Wizardry. Harry is snatched away from his mundane existence by Rubeus Hagrid (Robbie Coltrane), the groundskeeper for Hogwarts, and quickly thrown into a world completely foreign to both him and the viewer. Famous for an incident that happened at his birth, Harry makes friends easily at his new school. He soon finds, however, that the wizarding world is far more dangerous for him than he would have imagined, and he quickly learns that not all wizards are ones to be trusted.

2001 British-American fantasy film directed by Chris Columbus

A city of monsters with no humans called Monstropolis centers around the city's power company, Monsters, Inc. The lovable, confident, tough, furry blue behemoth-like giant monster named James P. Sullivan (better known as Sulley) and his wisecracking best friend, short, green cyclops monster Mike Wazowski, discover what happens when the real world interacts with theirs in the form of a 2-year-old baby girl dubbed "Boo," who accidentally sneaks into the monster world with Sulley one night. And now it's up to Sulley and Mike to send Boo back in her door before anybody finds out, especially two evil villains such as Sulley's main rival as a scarer, chameleon-like Randall (a monster that Boo is very afraid of), who possesses the ability to change the color of his skin, and Mike and Sulley's boss Mr. Waternoose, the chairman and chief executive officer of Monsters, Inc.

2001 American computer-animated comedy film

As the clumsiest, most clueless cadet to enter George Washington Military Academy, Kelly seems to be fighting an uphill battle to fit in. But it's all out-out war when she butts heads with Cadet Captain Stone, a tough-as-nails, by-the-book "commanding officer" determined to break her spirit.

Undercover F.B.I. Agent Gracie Hart shows no signs of having any femininity in her demeanor or appearance. Generally a bright and capable Agent, she is in trouble at work when she makes an error in judgment in a case which results in a near disaster. As such, one of her by-the-books colleagues, Eric Matthews, who has never shown any inclination of thinking outside the box, is assigned to lead the high profile case of a terrorist coined The Citizen instead of her, while she is facing possible disciplinary action. Gracie pieces together the evidence to determine that The Citizen's next target will be the Miss United States beauty pageant. The pageant represents everything that Gracie abhors. Despite Gracie's mannish demeanor, Eric, with no other undercover female Agent remotely fitting the demographic, assigns her to go undercover as a pageant contestant to see if she can flush out The Citizen, who is perhaps one of the other contestants. Although the pageant administration, led by former winner Cathy Morningside and long time host Stan Fields, provide the F.B.I. with access to the pageant, Cathy in particular is less than thrilled to have a non-credible Gracie posing as a contestant, which she feels will ruin the pageant. The F.B.I. enlist the assistance of former pageant contestant coach Victor Melling, who is facing his own disgrace associated with the pageant, to do the nearly impossible task of transforming Gracie, not only into a woman, but a credible beauty pageant contestant. As Gracie proceeds in the transformation, she gets to know the other contestants, not only as potential criminals, but also as real people. She also discovers that another sinister element is present at the pageant. She will do whatever it takes to quash that element and protect her new friends, namely the other innocent contestants. But now displaying some femininity, Gracie begins to have more womanly feelings, and in turn, attracts the attention of men, one in particular about whom she is happy.

2000 comedy film directed by Donald Petrie

Emma Woodhouse is a congenial young lady who delights in meddling in other people's affairs. She is perpetually trying to unite men and women who are utterly wrong for each other. Despite her interest in romance, Emma is clueless about her own feelings, and her relationship with gentle Mr. Knightly.

Ancient China and the Qin Empire is out to conquer the six kingdoms. This makes its king a target for assassination. However, one man has single-handedly ensured the safety of the king, by killing the three most notorious assassins in the land. Treated as a hero, he is summoned for an audience with the king.

The carpenter, Jesus of Nazareth, tormented by the temptations of demons, the guilt of making crosses for the Romans, pity for men and the world, and the constant call of God, sets out to find what God wills for Him. But as His mission nears fulfillment, He must face the greatest temptation; the normal life of a good man. Based, not on the Gospels, but on Nikos Kazantzakis' novel of the same name.

Violet, not your average yoga instructor, pulls and twists Maggie's hot yoga studio to near breaking point in this mockumentary style short. Samantha's looking for love and Gary just wants to get into shape but both get caught up in Violet's climb to yoga enlightenment. Can one final shavasana untangle the pretzel Violet's weaved or will the yoga mats be pulled from underneath them?

Charlie Price grew up with his father in the family shoe business, but he never thought he'd take his father's place. But his father's untimely death places him exactly there, where he learns that Price and Sons Shoes is failing. While in despair at his failed attempts to save the business, Charlie has a chance encounter with flamboyant drag queen cabaret singer Lola. Her complaints about the inadequate footwear for her work, combined with the suggestion of one of Charlie's ex-employees, Lauren, lead to a bid to save the business by making men's fetish footwear. Charlie convinces Lola to be their footwear designer and the transition begins. Now this disparate lot must struggle with this unorthodox idea while dealing with the prejudice of the staff, Lola's discomfort in the small town, and the selfish manipulation of Charles' greedy fiancee, who cannot see the greater good in Charlie's dream.

24 hours in L.A.; it's raining cats and dogs. Two parallel and intercut stories dramatize men about to die: both are estranged from a grown child, both want to make contact, and neither child wants anything to do with dad. Earl Partridge's son is a charismatic misogynist; Jimmy Gator's daughter is a cokehead and waif. A mild and caring nurse intercedes for Earl, reaching the son; a prayerful and upright beat cop meets the daughter, is attracted to her, and leads her toward a new calm. Meanwhile, guilt consumes Earl's young wife, while two whiz kids, one grown and a loser and the other young and pressured, face their situations. The weather, too, is quirky.

Melanie Daniels is the modern rich socialite, part of the jet-set who always gets what she wants. When lawyer Mitch Brenner sees her in a pet shop, he plays something of a practical joke on her, and she decides to return the favor. She drives about an hour north of San Francisco to Bodega Bay, where Mitch spends the weekends with his mother Lydia and younger sister Cathy. Soon after her arrival, however, the birds in the area begin to act strangely. A seagull attacks Melanie as she is crossing the bay in a small boat, and then, Lydia finds her neighbor dead, obviously the victim of a bird attack. Soon, birds in the hundreds and thousands are attacking anyone they find out of doors. There is no explanation as to why this might be happening, and as the birds continue their vicious attacks, survival becomes the priority.

As a boy, Carl Fredricksen wanted to explore South America and find the forbidden Paradise Falls. About 64 years later he gets to begin his journey along with Boy Scout Russell by lifting his house with thousands of balloons. On their journey, they make many new friends including a talking dog, and figure out that someone has evil plans. Carl soon realizes that this evildoer is his childhood idol.

2009 American computer-animated comedy-adventure film

American singer, songwriter, author, and television personality

American singer, songwriter, record producer, and actor (born 1981)

American singer, songwriter, and record producer from Hawaii

American singer, songwriter and actress (born 1958)

The FBI teams up with a formerly-institutionalized scientist - who was performing experiments on the fringe of real science - and his son to investigate weird crimes that are seemingly part of a larger pattern, and may be connected with a global company called Massive Dynamic.

American science fiction television series

The series follows the life of anti-social, pain killer addict, witty and arrogant medical doctor Gregory House (Hugh Laurie) with only half a muscle in his right leg. He and his team of medical doctors try to cure complex and rare diseases from very ill ordinary people in the United States of America.

"In every generation there is a chosen one... she alone will stand against the vampires, the demons and the forces of darkness. She is the slayer." Buffy Summers knows this tale by heart, and no matter how hard she tries to be just a "normal girl", she can not escape from her destiny... Thankfully, she is not alone in her quest to save the world, as she has the help of her friends, the hilarious (and surprisingly quite effective) evil-fighting team called "The Scooby Gang". Together, Buffy & co. will slay their demons, survive one apocalypse after another, attend high school and college... and above all, understand that growing up can truly be Hell sometimes... literally.

1997 American supernatural drama TV series

Richard "Rick" Castle is a millionaire playboy who recently killed off his main character when a serial killer starts killing people like he does in his books. He teams up with New York police detective Kate Beckett to solve the case. He finds inspiration in Detective Beckett and starts shadowing her for his next book.

American police procedural comedy-drama television series (2009-2016)

Patrick Jane is a crime consultant with the California Bureau of Investigation. He has a particular gift for astute observation and reading people, honed through years of being a faux psychic. His gift makes him brilliant at solving murders, which is why the CBI have him around. However, his motive for taking on the role is purely one of revenge: find and kill the man who killed his wife and daughter - Red John.

American crime television series (2008-2015)

An American version of the popular British improvisational comedy show. Host Drew Carey, taking suggestions from the audience, assigns roles and scenarios to the comedian contestants, who must then improvise a skit on the spot.

Bizarre television comedy with Robin Williams as Mork from Ork, who is an alien sent to Earth in an egg, to investigate Earth and report back to his superiors. As an outsider, Mork is unfamiliar with human customs and often questions some of the strange traditions that we take for granted. Much of the humor relies on Williams' unique comic voices and mannerisms. The show was perhaps most famous for Mork's greeting, "Nanu Nanu".

"The Jeffersons" was perhaps the most-successful spin-off series to "All in the Family." George Jefferson was the Black version of Archie Bunker in many respects: both were loud-mouthed, opinionated, and set in their bigoted ways. By 1975, Jefferson's fledgling dry-cleaning business, Jefferson Cleaners, had successfully grown into a small chain; his newfound wealth led to moving his family to a "deluxe apartment in the sky" in Manhattan. His family included his wife Louise, a level-headed and open-minded woman who often had to scold George when his mouth got him into trouble; and their son Lionel, an engineering major at a local college. George especially disliked Tom and Helen Willis, an interracial couple (he was white, she was Black) whose daughter Jenny was dating and later married Lionel; Florence, his sharp-tongued maid; and Harry Bentley, the esoteric Englishman who lived next door. George often flaunted his wealth and displayed rude, arrogant, bigoted behavior; however, he often found that money didn't open every door or win him favor with everyone. In later years, George and Louise became grandparents when Lionel and Jenny welcomed their adorable little daughter Jessica; and Lionel and Jenny found work, he as an electrical engineer, she as a fashion designer; but Lionel and Jenny's marriage crumbled. Meanwhile, as Jefferson Cleaners continued to expand, George continually had to deal with competing dry-cleaning franchises who sought to put him out of business. In the final season, George and Tom formed a partnership and purchased Charlie's Bar, their favorite hangout.

Steven and Elyse Keaton, once 1960s radicals, now find themselves in Reagan-era America trying to raise a traditional suburban family. Their three first kids are Alex (a very ambitious Young Republican), Mallory (a ditzy and boy-crazy fashionista), and Jennifer (whom we first get to know as a precocious nine-year-old tomboy). Later on, a fourth child (Andrew) was added to the family. Most of the comedy arose from the conflict between the ex-hippie parents vs. the conservative Alex and the brainless beauty Mallory.

The Cleavers are the 1950's 'All-American Family' in this 'feel-good' family sitcom. Parents Ward and June, and older brother Wally, try to keep Theodore ('the Beaver') out of trouble. However, Beaver continues to end up in one kind of jam or another. Unlike real life, these situations are always easily resolved to the satisfaction of all involved and the Beaver gets off with a few stern moralistic words of parental advice. Instigator and troublemaker Eddie Haskell is an older kid who always manages to avoid being caught.

American sitcom television series from the 1950s and 60s

Sick of the complications of life in Manhattan, successful, wealthy attorney, Oliver Wendell Douglas buys a run down farm from con-man, Eustace Haney, much to his sophisticated Hungarian wife, Lisa's chagrin. When they arrive at the ramshackle place, Oliver and Lisa try to get used to the bizarre town of Hooterville while trying to make the shack home with the help of their humble but slightly slow hired hand, Eb. Ironically, Lisa is the one who makes friends with their cow, Eleanor, their chicken, Alice and Fred Ziffel's television-loving pet pig, Arnold who he treats like a son and seems to be smarter than the citizens in several ways.

Captain Tony Nelson is an astronaut. While on a mission, he discovered a mysterious bottle. Opening it, he released Jeannie (a Genie) who was so overjoyed at her release she promised to serve Captain Nelson. Nelson is unsure what to make of Jeannie, especially given that his work is highly secret and his superiors tend to keep a close eye on him.

Thomas Sullivan Magnum IV (Tom Selleck) is an ex-Navy "NIA" (ONI) Lieutenant, and Vietnam Special Ops veteran who resigned his commission at age thirty-three because he never got to be twenty-three. On the beautiful Hawaiian islands, Magnum is a P.I. who enjoys life, his buddies, and who works just hard enough to keep it real.

American crime drama television series (1980-1988)

Laverne DeFazio and Shirley Feeney were best friends and roommates coping with dates, neighbors, and each other During the late '50s and early '60s they worked as bottlecappers for Shotz Brewery in Milwaukee. They moved to Burbank, California in 1965 to start a new life when they got replaced at the brewery by an automated bottlecapper.

Darrin (Dick York/Dick Sargent) and Samantha Stephens (Elizabeth Montgomery) are a young, bi-species married couple: he's a mortal human being, she's a witch, something which she does not divulge to him until after their wedding. Darrin just wants them to live a simple, mortal life, to which Samantha agrees, meaning no witchcraft and no telling any of their mortal friends and relatives of her being a witch. However, that no witchcraft vow is difficult to maintain if only because of Samantha wanting or needing to use it to get out of one scrape or another, and her relatives, especially her mother Endora (Agnes Moorehead), the most constant thorn in Darrin's side, against the marriage and the idea of denying Samantha's heritage as a witch. Mortals in their lives also add to their complicated lives: Darrin's friend and spendthrift boss, Larry Tate (David White) of McMann and Tate Advertising, who always wants Darrin to do all the work while the company gets all the glory and money; their nosy neighbors, the Kravitzes, Gladys Kravitz (Sandra Gould/Alice Pearce), who always arrives at the most inopportune time to show her exasperated husband Abner Kravitz (George Tobias) that something funny is going on in the Stephens house; and Darrin's parents, his mother, Phyllis Stephens (Mabel Albertson), who is prone to splitting headaches which become more prevalent as she thinks she sees things in Samantha that just couldn't be in her mortal view. That complicated life gets even more complicated when they start a family, the children who could be mortal or who could be witches and warlocks.

Richie Cunningham and his friend Potsie face life at Jefferson High in Milwaukee Wisconsin in the 1950s. Lots of changes over time as kids come and go, new series spin off, Richie and pals go to college then the army. Even marriage.

1974-1984 television comedy set in the 1950s

Maxwell Smart is a bumbling secret agent, assigned by his "Chief" to foil KAOS' latest plans for taking over the world. Invariably, Smart's bumbling detective style lands him in hot water. Lucky for him, his faithful assistant "99" is there to bail him out.

American comedy television series, parodying the secret agent genre

The lives of the disparate group of employees and patrons at a Boston watering hole called "Cheers" over eleven years is presented. Over much of this period, Sam Malone (Ted Danson), a womanizing ex-Boston Red Sox pitcher and an alcoholic, owns the bar, its purchase and this life, which was his salvation from his alcoholism, which was largely the cause of the end of his baseball career. He ends up having a love-hate relationship with intellectual Diane Chambers (Shelley Long), who he hired as a waitress and whose cultured mentality is foreign to anyone else in the bar. He also has an evolving relationship with Rebecca Howe (Kirstie Alley), who managed the bar for the Lily Corporation, which bought it from Sam, but whose outward business savvy belied the fact that she was a mess of a woman who was struggling to find her place in life. The regular patrons are largely a bunch of self-identified losers, who bond because of their shared place in life, and because "Cheers" is their home away from home, and in many ways more a home than their actual home as witnessed by the fact that there "everybody knows your name".

music

movies

shows

books

Active tastebuds