Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

Francis Chisholm is a compassionate and humble priest whose individuality and directness make him unpopular with other clergy. Considered a failure by his superiors, he is sent to China to maintain a mission amid desperate poverty, civil war, plague, and the hostility of his superiors. In the face of this constant danger and hardship, Father Chisholm finds the keys to the kingdom of heaven. Recognized as A. J. Cronin’s best novel, The Keys of the Kingdom is an enthralling, fast-moving, colorful tale of a deeply spiritual man called to do good in an imperfect world.  

Glen Runciter is dead. Or is everybody else? Someone died in an explosion orchestrated by Runciter's business competitors. And, indeed, it's the kingly Runciter whose funeral is scheduled in Des Moines. But in the meantime, his mourning employees are receiving bewildering — and sometimes scatological — messages from their boss. And the world around them is warping in ways that suggest that their own time is running out. Or already has.Philip K. Dick's searing metaphysical comedy of death and salvation (the latter available in a convenient aerosol spray) is a tour de force of paranoiac menace and unfettered slapstick, in which the departed give business advice, shop for their next incarnation, and run the continual risk of dying yet again.

Patrick Bateman is twenty-six and he works on Wall Street, he is handsome, sophisticated, charming and intelligent. He is also a psychopath. Taking us to head-on collision with America's greatest dream—and its worst nightmare—American Psycho is bleak, bitter, black comedy about a world we all recognise but do not wish to confront.

It started when she was served a soft drink laced with LSD in a dangerous party game. Within months, she was hooked, trapped in a downward spiral that took her from her comfortable home and loving family to the mean streets of an unforgiving city. It was a journey that would rob her of her innocence, her youth -- and ultimately her life.\
  Read her diary. Enter her world. You will never forget her.\


Marco Stanley Fogg is an orphan, a child of the sixties, a quester tirelessly seeking the key to his past, the answers to the ultimate riddle of his fate. As Marco sets out on a journey from the canyons of Manhattan to the deserts of Utah, he encounters a gallery of characters and a series of events as rich and surprising as any in modern fiction.Beginning during the summer that men first walked on the moon, and moving backward and forward in time to span three generations, Moon Palace is propelled by coincidence and memory, and illuminated by marvelous flights of lyricism and wit. Here is the most entertaining and moving novel yet from an author well known for his breathtaking imagination.

Steppenwolf is a poetical self-portrait of a man who felt himself to be half-human and half-wolf. This Faust-like and magical story is evidence of Hesse's searching philosophy and extraordinary sense of humanity as he tells of the humanization of a middle-aged misanthrope. Yet his novel can also be seen as a plea for rigorous self-examination and an indictment of the intellectual hypocrisy of the period. As Hesse himself remarked, "Of all my books Steppenwolf is the one that was more often and more violently misunderstood than any of the others".

\
  As I Lay Dying\
 is Faulkner’s harrowing account of the Bundren family’s odyssey across the Mississippi countryside to bury Addie, their wife and mother. Narrated in turn by each of the family members -- including Addie herself -- as well as others; the novel ranges in mood, from dark comedy to the deepest pathos. Considered one of the most influential novels in American fiction in structure, style, and drama, \
  As I Lay Dying\
 is a true 20th-century classic. This edition reproduces the corrected text of \
  As I Lay Dying\
 as established in 1985 by Noel Polk.

The Metamorphosis and Other Stories, by Franz Kafka, is part of the Barnes &amp; Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes &amp; Noble Classics:All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes &amp; Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.Virtually unknown during his lifetime, Franz Kafka is now one of the world’s most widely read and discussed authors. His nightmarish novels and short stories have come to symbolize modern man’s anxiety and alienation in a bizarre, hostile, and dehumanized world. This vision is most fully realized in Kafka’s masterpiece, “The Metamorphosis,” a story that is both harrowing and amusing, and a landmark of modern literature. Bringing together some of Kafka’s finest work, this collection demonstrates the richness and variety of the author’s artistry. “The Judgment,” which Kafka considered to be his decisive breakthrough, and “The Stoker,” which became the first chapter of his novel Amerika, are here included. These two, along with “The Metamorphosis,” form a suite of stories Kafka referred to as “The Sons,” and they collectively present a devastating portrait of the modern family.Also included are “In the Penal Colony,” a story of a torture machine and its operators and victims, and “A Hunger Artist,” about the absurdity of an artist trying to communicate with a misunderstanding public. Kafka’s lucid, succinct writing chronicles the labyrinthine complexities, the futility-laden horror, and the stifling oppressiveness that permeate his vision of modern life.Jason Baker is a writer of short stories living in Brooklyn, New York.

A book must be like an axe to the frozen sea within usThe famous quote by Kafka is a perfect opener for The judgement, as he believed that literature can transform a person by opening him to depths of his inner self, the consciousness into which he may take plunge, only to find horrid self of him. Written over a single night with wild passion and unnerving revelation, the drama of father and son sends chilling waves right through your spine, set up a disturbing art, which is violent and unsettling, makes you uncomfortable, grabs you off guard but never leave you- that’s Kafka’s world to you. The punishment attending a failed bid to usurp authority, the brittle transition from vocal resistance to meek acceptance. What starts as an unassuming practically drowsy story of Georg's letter composing and choice to report his commitment to his removed companion in St. Petersburg, takes an abrupt and terrible turn when he talks about the letter and companion with his father. "Am I concealed at this point?" the dad inquires. "No!" he yells, losing the covers, remaining on the bed, whereupon he ridicules, disgraces, and fiercely dismantles his son. It occurs so all of a sudden that we as readers, similar to George the protagonist, are rattled and astonished. The narrative moves like a hellish nightmare wherein Georg unremittingly tries to justifies his decision to not to invite his friend during his engagement. The narrative draws out all your sympathy towards the friend of Georg, however you could not really do anything about it, for his whole endeavor has been a failure. The man would stay away from all his acquaintances in far Russia, he would be as alienated here too due to unfortunate but cruel circumstances. However, what right others have got to guide him on his situation- why his existence lingers upon the wish of others, how inauthentic his existence might be. You may want to guide him and thereby to move narrative out of netherworld of antipathy, however you would be hesitant to do so, for it may not change anything at all or perhaps you don’t have any right to do so. Although alienation and loneliness distance you from your emotions, for your true emotions blurt out of your consciousness only when they get chance to simulated by your confidants, but they also helps you keep your gruesome sensations deeply buried in the unknown depth of your consciousness. However, if you doesn’t constrain your emotions, as Georg’s friend does not, you would be as unhappy in the company of your friends as you would be alone, for true emotions are unwanted and unwarranted in our society since they may disturb the precarious equilibrium of the society. What could you say to a man like that, who had obviously lost his way, whom you might sympathize with, but could do nothing to help? Should you advise him to come home, to take up his old life here.. As you explore further, you discover the unrevealed corner of human psyche, you step in to soup of constant tussle between father and son. Wherein each of the players of the drama tries with his full might to twist the narrative to his own advantage. The father who feels undermined and tested by the more youthful age, who feels he is being uprooted and eventually supplanted, who doesn't feel regarded or appropriately thought about; and the son who has been picking up in power and impact, is going to be wed, and is prepared to expect a parental job towards his father. The pendulum of power keeps swinging between the son and father, both of who assert their whole beings in quashing the existence of the other, only to reveal a horrific tale of human existence wherein guilt, contemplation and disgust throw you off your so called morals. Kafka provides us with a state of mind, a progression, and a motivation, but not a philosophical underpinning, nor a moral assessment- that we are not told what ideals or worldview to embrace, nor on what psychological or religious bandwagons the story may be a passenger, in that regard it may be said to an existential tale of human emotions- a treatise about truth that changes according to emotions as both father and son use their own versions of truths to draw power from that. You’ve come to talk to me about this matter, to get my advice. That does you credit, no question. But it means nothing, less than nothing, if you don’t tell me the complete truth now. I don’t want to stir up matters that don’t belong here. Since the death of your dear mother, there have been certainly unlovely developments. Perhaps the time has come to talk about them, a little earlier than we might have expected. Like in most of the stories by Kafka, “The Judgement” is also characterized by careful and deliberate use of adjectives which give the narrative a sort of restraint as if it is being pulled forward by some unknown demonic force to produce a disquieting experience. It gives you a sense of illusion that Kafka’s stories make sense, even though their deepest psychological purpose is to offer the most oblique reflection possible on his personal occupation and travails. The stories of Kafka can’t be put in to typical genre of science fiction or fantasy, these stories are not stressed over sensible consistency or world-building, yet work in passionate and clairvoyant power. They are peppered with small details, where the truth of the story disintegrates around it and transforms itself with unforeseen rationale into something new. We are drawn into Kafka’s fictional world, where he breaks down the walls of typical realism (as we know it), sending us down into deeper psychological meanings where emotional pain and dislocated identities take over. The story could easily be said to one of the great and perfect works of poetic imagination drawn from the physic tussles of humanity. There is no such thing which with the exception of Kafka's long lasting, profound situated, and enormous dread of his capricious father can represent its defense. It lifts the story's second half to the degree of a surrealism and along these lines a sanely mysterious bad dream. The extraordinarily short and thick language remains in repulsive difference to the prevailing subjects of nervousness and fate in Georg's distraught race to his demise. Like Georg Bendemann, Kafka was plagued by the discord between his vocation and his literary ambitions, as well as by his own ambivalence about marriage, which he believed offered the greatest happiness, but which he feared would stifle his creativity. The underlying tension of the story begins to show itself as you move through layers within layers and unwraps them, disguised domineeringly so a casual reader might miss it. I am as I am, and that’s all there is to it, ‘he said to himself, ‘I can hardly take a pair of scissors to myself, and cut out a different person who might be a better friend of him.\
  4.5/5\


Already famous as the inspiration for the filmmaker Béla Tarr’s six-hour masterpiece, Satantango is proof that “the devil has all the good times.” The story of Satantango, spread over a couple of days of endless rain, focuses on the dozen remaining inhabitants of an unnamed isolated hamlet: failures stuck in the middle of nowhere. Schemes, crimes, infidelities, hopes of escape, and above all trust and its constant betrayal are Krasznahorkai’s meat. “At the center of Satantango,” George Szirtes has said, “is the eponymous drunken dance, referred to here sometimes as a tango and sometimes as a csardas. It takes place at the local inn where everyone is drunk. . . . Their world is rough and ready, lost somewhere between the comic and the tragic, in one small insignificant corner of the cosmos. Theirs is the dance of death.” “You know,” Mrs. Schmidt, a pivotal character, tipsily confides, “dance is my one weakness.”

Alternate Cover Edition ISBN: 0743273567 (ISBN13: 9780743273565)The Great Gatsby, F. Scott Fitzgerald's third book, stands as the supreme achievement of his career. This exemplary novel of the Jazz Age has been acclaimed by generations of readers. The story is of the fabulously wealthy Jay Gatsby and his new love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when The New York Times noted "gin was the national drink and sex the national obsession," it is an exquisitely crafted tale of America in the 1920s.The Great Gatsby is one of the great classics of twentieth-century literature.(back cover)

The shocking thing about the girls was how nearly normal they seemed when their mother let them out for the one and only date of their lives. Twenty years on, their enigmatic personalities are embalmed in the memories of the boys who worshipped them and who now recall their shared adolescence: the brassiere draped over a crucifix belonging to the promiscuous Lux; the sisters' breathtaking appearance on the night of the dance; and the sultry, sleepy street across which they watched a family disintegrate and fragile lives disappear.

I recently went to Las Vegas for the first, and probably only, time in my life. I hadn't read this book in years, and previously, it hadn't even been my favorite Hunter S. Thompson work. Thompson is dearly missed by many people, and on a personal level, I miss him deeply. He spoke to a true astonishment at the complete, unrelenting fuckedupedness of America and her politics, and he did it with a bite that was deserved and unmatched. He probably could have been a very rich super-novelist of popular, uninspired filth. He probably could have been a brilliant novelist of any kind. But he chose to do what he did, and he did it better than any of his generation. Like Mark Twain, he chronicled American stupidity in the tongue of his generation, and he captured it perfectly, from the insanity of the drug experience to the depravity of American politics. For years, no work of his stood out to me as much as Fear and Loathing on the Campaign Trail '72 or the Gonzo letters. Fear and Loathing in Las Vegas, to me, wasn't his best work. Then I went to Vegas. Suddenly, all the subtle differences between this and his other work made sense, and I realized that he had captured the true tackiness of the truest tacky city on the entire planet (though Dubai with their fucking Island fantasies are likely to take over soon). Fear &amp; Loathing in Las Vegas IS Las Vegas. It's a nightmare, a joke, a blunder of comical, cosmically-fucked proportions. It's not Sin City. It's where Sin goes to die when it's embarrassed for itself. It's where families go on vacations with ten-year-olds, children who get handed fliers for prostitutes. It's the living, pulsing, filthing embodiment of the Holy Dollar. It's sensory overload on a scale drugs can't equal, a place where you almost have to take a brimful of Valium and a pint of ether to feel normal and not feel utterly ashamed at the state of the human condition. It would make you want to blow your brains out if it weren't so goddamned fun, even if you're gay, you hate gambling and hookers make your brain itch. Yet you never, ever feel like it is evil or subversive or curious in any way. It's just about a buck, and every other blink reminds you of it. This is a place where Hunter S. Thompson could easily mingle with a law enforcement convention and not get noticed. This is a place where a lawyer could leave you with a hotel bill. This is a place where no questions get asked because no answers would make sense, and the only thing profound about any of it is that you know, on a gut level, that all the oil used to produce all the plastic used to build that city no doubt funded an island shaped like Australia that was built off the coast of the UAE over the weekend. This novel will never cease to be important, and one day, as a cultural artifact of a forgotten culture from a forgotten nation, it will be one of the most important anthropological pieces in existence. I wish he'd survived the Bush administration. We need this man.NC

An acclaimed bestseller and international sensation, Patrick Suskind's classic novel provokes a terrifying examination of what happens when one man's indulgence in his greatest passion—his sense of smell—leads to murder.In the slums of eighteenth-century France, the infant Jean-Baptiste Grenouille is born with one sublime gift—an absolute sense of smell. As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille's genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and fresh-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the "ultimate perfume"—the scent of a beautiful young virgin. Told with dazzling narrative brilliance, Perfume is a hauntingly powerful tale of murder and sensual depravity.

The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices-but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep. J.D. Salinger's classic novel of teenage angst and rebellion was first published in 1951. The novel was included on Time's 2005 list of the 100 best English-language novels written since 1923. It was named by Modern Library and its readers as one of the 100 best English-language novels of the 20th century. It has been frequently challenged in the court for its liberal use of profanity and portrayal of sexuality and in the 1950's and 60's it was the novel that every teenage boy wants to read.

The unforgettable, heartbreaking story of the unlikely friendship between a wealthy boy and the son of his father’s servant, The Kite Runner is a beautifully crafted novel set in a country that is in the process of being destroyed. It is about the power of reading, the price of betrayal, and the possibility of redemption; and an exploration of the power of fathers over sons—their love, their sacrifices, their lies.A sweeping story of family, love, and friendship told against the devastating backdrop of the history of Afghanistan over the last thirty years, The Kite Runner is an unusual and powerful novel that has become a beloved, one-of-a-kind classic.--khaledhosseini.com

A vicious fifteen-year-old droog is the central character of this 1963 classic. In Anthony Burgess's nightmare vision of the future, where criminals take over after dark, the story is told by the central character, Alex, who talks in a brutal invented slang that brilliantly renders his and his friends' social pathology. A Clockwork Orange is a frightening fable about good and evil, and the meaning of human freedom. And when the state undertakes to reform Alex to "redeem" him, the novel asks, "At what cost?"This edition includes the controversial last chapter not published in the first edition and Burgess's introduction "A Clockwork Orange Resucked."

Humbert Humbert - scholar, aesthete and romantic - has fallen completely and utterly in love with Lolita Haze, his landlady's gum-snapping, silky skinned twelve-year-old daughter. Reluctantly agreeing to marry Mrs Haze just to be close to Lolita, Humbert suffers greatly in the pursuit of romance; but when Lo herself starts looking for attention elsewhere, he will carry her off on a desperate cross-country misadventure, all in the name of Love. Hilarious, flamboyant, heart-breaking and full of ingenious word play, Lolita is an immaculate, unforgettable masterpiece of obsession, delusion and lust.

Tyrannical Nurse Ratched rules her ward in an Oregon State mental hospital with a strict and unbending routine, unopposed by her patients, who remain cowed by mind-numbing medication and the threat of electric shock therapy. But her regime is disrupted by the arrival of McMurphy – the swaggering, fun-loving trickster with a devilish grin who resolves to oppose her rules on behalf of his fellow inmates. His struggle is seen through the eyes of Chief Bromden, a seemingly mute half-Indian patient who understands McMurphy's heroic attempt to do battle with the powers that keep them imprisoned. Ken Kesey's extraordinary first novel is an exuberant, ribald and devastatingly honest portrayal of the boundaries between sanity and madness.

Victor Mancini, a medical-school dropout, is an antihero for our deranged times. Needing to pay elder care for his mother, Victor has devised an ingenious scam: he pretends to choke on pieces of food while dining in upscale restaurants. He then allows himself to be “saved” by fellow patrons who, feeling responsible for Victor’s life, go on to send checks to support him. When he’s not pulling this stunt, Victor cruises sexual addiction recovery workshops for action, visits his addled mom, and spends his days working at a colonial theme park. His creator, Chuck Palahniuk, is the visionary we need and the satirist we deserve.

Classmates called her "Italian" ... She is extremely beautiful and radiates a certain primitive, dangerous sexuality ... which is run by wild animal instincts: the girl is unpredictable, swift and mad. "The Italian" may violently, just like Szamanka, make love with a stranger and quietly steal whatever she liked. She exudes a powerful passion, a passion that knows no barriers, but passion fatal ... Once "The Italian" will meet a man who will give all her unbridled love ... and death together with it ...

Pierrot waxes romantic, entranced by the moon. Harlequin appears and bullies him, then uses a magic lantern to project an image of Columbine. Pierrot tries to court the illusory Columbine unsuccessfully, then enters a mystical moon-realm from which he returns dead.

Fletcher Munson is a lethargic, passive worker for a Scientology-like self-help corporation called Eventualism. After the death of a colleague, he is promoted to the job of writing speeches for T. Azimuth Schwitters, the founder and head of the group. He uses this as an excuse to be emotionally and romantically distant from his wife, who, he discovers, is having an affair with his doppelganger, a dentist named Dr. Jeffrey Korchek. As Munson fumbles with the speech and Korchek becomes obsessed with a new patient, a psychotic exterminator named Elmo Oxygen goes around the town seducing lonely wives and taking photographs of his genitals.

The story of the night Mary Shelley gave birth to the horror classic FRANKENSTEIN: Disturbed, drug-induced games are played and ghost stories are told one rainy night at the mad Lord Byron's country estate. Personal horrors are revealed, and the madness of the evening runs from sexual fantasy to the fiercest nightmare. Mary finds herself drawn into the sick world of her lover Shelley and stepsister Claire as Byron leads them all down the dark paths of their souls.

An erotic poem set in the fantasies of a young male prostitute.

In Castilla around 1940, a traveling movie theatre brings James Whale's black and white film classic "Frankenstein" (1931) to a small village. Two young girls, Isabel and Ana, are subsequently determined to find the monster themselves.

15-year-old Mike takes a job at the local swimming baths, where he becomes obsessed with an attractive young woman, Susan, who works there as an attendant. Although Susan has a fiancé, Mike does his best to sabotage the relationship, to the extent of stalking both her and her fiancé. Mike becomes increasingly desperate to have Susan for himself, with tragic results.

College student Jeffrey Beaumont returns to his idyllic hometown of Lumberton to manage his father's hardware store while his father is hospitalized. Walking though a grassy meadow near the family home, Jeffrey finds a severed human ear. After an initial investigation, lead police Detective John Williams advises Jeffrey not to speak to anyone about the case as they investigate further. Detective Williams also tells Jeffrey that he cannot divulge any information about what the police know. Detective Williams' high school aged daughter, Sandy Williams, tells Jeffrey what she knows about the case from overhearing her father's private conversations on the matter: that it has to do with a nightclub singer named Dorothy Vallens, who lives in an older apartment building near the Beaumont home. His curiosity getting the better of him, Jeffrey, with Sandy's help, decides to find out more about the woman at the center of the case by breaking into Dorothy's apartment while he knows she's at work. What Jeffrey finds is a world unfamiliar to him, one that he doesn't truly understand but one that he is unable to deny the lure of despite the inherent dangers of being associated with a possible murder. Still, he is torn between this world and the prospect of a relationship with Sandy, the two who are falling for each other, despite Sandy already being in a relationship with Mike, the school's star football player.

5 college boys, Takuma, Masaru, Shunsuke, Atsushi and Daigo all belong to sci-fi club, but they are not interested in science at all. They usually just hang around, play baseball or card, or take bath at the public bath. One day, they accidentally spill Coke on the remote controller of the air-conditioner. In the sweating bath-like clubroom, suddenly a time machine appears. Eventually, they decide to go back to "yesterday" to bring the remote-controller. The mission ought to be quite easy, however, gradually they come to be worried. "What if we change the past? Aren't we going to disappear like in movies?"

A horror movie testing two approaches to running an insane asylum - absolute freedom versus control and punishment - within the context of a world that combines the worst of both. Jean Berlot, a young man subject to a nightmare of being forced into a straitjacket by two orderlies, is befriended by a marquis. At the marquis's estate, Jean witnesses a black Mass, buries someone alive, and is invited to try preventive therapy. He's willing to enter a sanatorium because he believes he can rescue a young woman from there who has told him that the real director and staff of the clinic are locked in the basement. Jean conspires with her to set them free: the horrors have only begun.

Adam and Barbara are a normal couple...who happen to be dead. They have given their precious time to decorate their house and make it their own, but unfortunately a family is moving in, and not quietly. Adam and Barbara try to scare them out, but end up becoming the main attraction to the money making family. They call upon Beetlejuice to help, but Beetlejuice has more in mind than just helping.

On a wild and rain-swept late-November evening, somewhere at an empty stretch of road outside Ohio's merry Denton, blissfully-affianced, prudish, boringly-innocent young pair Brad Majors (Barry Bostwick) and Janet Weiss (Susan Sarandon) find themselves stranded on their way to visit an ex-tutor. Instead, the couple will inadvertently unearth the cross-dressing Dr. Frank-N-Furter's (Tim Curry's) spooky lair of inexhaustible oddities, just in time to partake in the out-of-this-world mad scientist's proud unveiling of his latest, delightfully extravagant, most daring creation: the ultimate male and the perfect sex symbol: the flaxen-haired Rocky Horror (Peter Hinwood). But, little by little, as the effervescent transgressive force gobbles up whole the unsuspecting visitors of the night, Brad and Janet slowly begin to embrace the potent fascinations of seduction, while an idolized Rocky roams free in the mansion. Who can interrupt man's union with the absolute pleasure?

A rich housewife murders her husband with her overweight maid's help and the two go on the run, ending up in Mortville, a town that provides refuge for criminals. They shack up with a lesbian ex-wrestler and her murderess lover before running into the tyrannical Queen Carlotta, ruler of Mortville.

Everybody knows that your life is a story. But what if a story was your life? Harold Crick (Will Ferrell) is your average I.R.S. Agent: monotonous, boring, and repetitive. But one day this all changes when Harold begins to hear an author inside of his head narrating his life. The narrator it is extraordinarily accurate, and Harold recognizes the voice as an esteemed author he saw on television. But when the narration reveals that he is going to die, Harold must find the author of the story, and ultimately his life, to convince her to change the ending of the story before it is too late.

Researching a book that takes her to Bali and the black magic cult of Leák, Cathy meets an evil witch which promises to train her in the dark arts. Tricked, Cathy is turned into a Penanggalan; a flying vampire with internal organs hanging from her neck. It is now up to the local holy men who are then enforced to do battle with the forces of evil.

Anna is becoming lost in the loneliness of her own world when she discovers she can visit another, a house she has drawn herself and occupied by a young disabled boy. But as she discovers more of the links between her fantasy world and the mundane present, she is drawn only deeper into a dream turning into a nightmare.

In "Labyrinth labyrinthos", a little girl and her cat find within the old longcase clock in her house a doorway to a strange supernatural world. Is it real or just a figment of her vivid imagination? In "Running Man", the champion of a popular deadly racing championship, where racers usually get themselves or each other killed, takes on the ultimate opponent. A reporter is there to witness the supernatural event. In "Construction Cancellation Order", a man is ordered to shut down robotic construction workers who are building some new facility for the government. Since the robots are all programmed to finish their work no matter what, they refuse to be shut down. A deadly game of cat and mouse begins between the man and the machines. However, the game was rigged from the start.

Every village has its band of fools, trying to get to the top, following their idols in drug habits, but staying losers till the end of their pathetic days. They all do this in the name of rock & roll. Three disabled rock musicians are looking for a drummer. Dries, a well known writer, seems the right guy for the job, were it not for the fact that his only handicap is that he can't play the drums. He joins the group as a perfect, but evil god walking down his mountain to play with the populace. With the arrival of this infiltrator, personal disputes and family feuds start to jeopardize the band's fragile future. Dries will manipulate them till they are willing to drink each others blood and their only future is written down in many Punk lyrics: "No Future".

In a post-apocalyptic world, in which a large part of the population consists of demented and deformed mutants being kept in reservations, a man embarks upon visiting the ruins of a museum buried under the sea which can only be accessed during low tide.

Vampires and ghouls stalk modern-day England, hunting the oblivious populace. Only the Hellsing foundation stands between the evil undead and the innocent humans who would be their prey. But there's something new out there - chips that give humans vampiric ability and bloodlust are being sold as the latest designer drug. With a new wave of evil creatures rising, Hellsing must rely on its two most unlikely recruits - ancient master vampire Alucard and the newly turned Seras Victoria - but can even they stand in the face of such overwhelming odds?

Dr. Kenzo Tenma, a young but extremely talented neurosurgeon, lives his life working in a hospital in Germany. He is respected by his superiors for his incredible surgical skills, envied by his peers and he is engaged to the daughter of the hospital director. But one day his bright future changes when a little boy is brought in with a serious head injury, along with his twin sister, the aftermath of a family massacre. He is faced with a huge dilemma when his superior orders him to abort the boy's surgery and operate on the mayor instead, who was brought in much later. He decides that "all life is equal" and goes against his superiors to save the boy's life (who arrived first), which ultimately results in the mayor's death. The boy survives, leaving Tenma's career in ruins, his engagement to his fiancé broken. His downward spiral begins when one night, while he is out cold in a drunken stupor, the twins vanish from the hospital and Tenma's superiors - along with the hospital director - are found dead. Tenma, having no alibi and the only one with motive, is the prime murder suspect. He goes into hiding and vows to find the twins and prove his innocence. Little did he know, that this is only the beginning of a terrifying journey through countries, buried secrets and the dark depths of the human psyche...

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