Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

An emotionally broken woman, Kathy, suddenly finds herself homeless after her house is wrongly repossessed and auctioned. Seeking respite from his marriage, Lester, a sympathetic sheriff's deputy comes to the aid of Kathy and becomes intimately involved in her situation. Soon, Behrani, a proud emigrant Iranian and his family move into the house only to find their new lives burdened by harassment from Lester and Kathy as they attempt to reclaim her former home. The once prosperous colonel denies Kathy's pleas for he knows his recent purchase promises a profitable return and a better future for his adolescent son and his wife. But latent consequences lie beneath Behrani's well intentioned plan as Kathy's emotions spiral out of control and her actions spark a tragic chain of events that will leave no resident unscathed in the House of Sand and Fog.

Her family home in danger of being repossessed after her dad skips bail and disappears, Ozark teen Ree Dolly (Jennifer Lawrence) breaks the local code of conduct by confronting her kin about their conspiracy of silence. Should she fail to track her father down, Ree Dolly, her younger siblings, and their disabled mother will soon be rendered homeless.

Annie (Kristen Wiig), is a maid of honor whose life unravels as she leads her best friend, Lillian (Maya Rudolph), and a group of colorful bridesmaids (Rose Byrne, Melissa McCarthy, Wendi McLendon-Covey and Ellie Kemper) on a wild ride down the road to matrimony. Annie's life is a mess. But when she finds out her lifetime best friend is engaged, she simply must serve as Lillian's maid of honor. Though lovelorn and broke, Annie bluffs her way through the expensive and bizarre rituals. With one chance to get it perfect, she'll show Lillian and her bridesmaids just how far you'll go for someone you love.

In this crime-action tour de force, the South Boston state police force is waging war on Irish-American organized crime. Young undercover cop Billy Costigan is assigned to infiltrate the mob syndicate run by gangland chief Frank Costello. While Billy quickly gains Costello's confidence, Colin Sullivan, a hardened young criminal who has infiltrated the state police as an informer for the syndicate is rising to a position of power in the Special Investigation Unit. Each man becomes deeply consumed by their double lives, gathering information about the plans and counter-plans of the operations they have penetrated. But when it becomes clear to both the mob and the police that there is a mole in their midst, Billy and Colin are suddenly in danger of being caught and exposed to the enemy - and each must race to uncover the identity of the other man in time to save themselves. But is either willing to turn on their friends and comrades they've made during their long stints undercover?

Following a truck hijack in New York, five criminals are arrested and brought together for questioning. As none of them are guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser Söze is felt. It becomes clear that each one of them has wronged Söze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser Söze?

Bradley Thomas is a hard working man. After his wife's extramarital affair they admit the spark isn't there anymore and decide to have a baby. After being fired from his job, he turns to his friend who hires him as a drug dealer. A trade goes bad and he ends up in prison, the only problem is that a gang has kidnapped his wife and they will do an experimental operation on the baby unless Thomas kills one of the inmates in cell block 99. Bradley will not stop at anything until his wife is safe again.

A double-bill of thrillers that recall both filmmakers' favorite exploitation films. "Grindhouse" (a downtown movie theater in disrepair since its glory days as a movie palace known for "grinding out" non-stop double-bill programs of B-movies) is presented as one full-length feature comprised of two individual films helmed separately by each director. "Death Proof," is a rip-roaring slasher flick where the killer pursues his victims with a car rather than a knife, while "Planet Terror" shows us a view of the world in the midst of a zombie outbreak. The films are joined together by clever faux trailers that recall the '50s exploitation drive-in classics.

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