Emo Nemo

Mily

Sarah

Shaidrian Rios

Jimmy Beans

miCCwatreSSop

Julie Wynne - videos

Kapuster

Nicky Tallon

Harini Sen

Vastralaya

Evan Shively (Perseus271)

It started when she was served a soft drink laced with LSD in a dangerous party game. Within months, she was hooked, trapped in a downward spiral that took her from her comfortable home and loving family to the mean streets of an unforgiving city. It was a journey that would rob her of her innocence, her youth -- and ultimately her life.\
  Read her diary. Enter her world. You will never forget her.\


This edition features George Orwell's best known novels – 1984 and Animal Farm – with an introduction by Christopher Hitchens. In 1984, London is a grim city where Big Brother is always watching you and the Thought Police can practically read your mind.  Winston Smith joins a secret revolutionary organization called The Brotherhood, dedicated to the destruction of the Party. Together with his beloved Julia, he hazards his life in a deadly match against the powers that be.Animal Farm is Orwell's classic satire of the Russian Revolution -- an account of the bold struggle, initiated by the animals, that transforms Mr. Jones's Manor Farm into Animal Farm--a wholly democratic society built on the credo that All Animals Are Created Equal. But are they?

Last night while I lay thinking here Some Whatifs crawled inside my ear And pranced and partied all night long And sang their same old Whatif song: Whatif I flunk that test?Whatif green hair grows on my chest?Whatif nobody likes me?Whatif a bolt of lightning strikes me?...This 20th anniversary of Shel Silverstein's A Light in the Attic includes a CD of highlights from his Grammy Award-winning album.Here in the attic of Shel Silverstein you will find Backward Bill, Sour Face Ann, the Meehoo with an Exactlywatt, and the Polar Bear in the Frigidaire. You will talk with Broiled Face, and find out what happens when Somebody steals your knees, you get caught by the Quick-Digesting Gink, a Mountain snores, and They Put a Brassiere on the Camel.From the creator of the beloved poetry collections Where the Sidewalk Ends and Falling Up, here is another wondrous book of poems and drawings.

Sylvia Plath's shocking, realistic, and intensely emotional novel about a woman falling into the grip of insanity. Esther Greenwood is brilliant, beautiful, enormously talented, and successful, but slowly going under—maybe for the last time. In her acclaimed and enduring masterwork, Sylvia Plath brilliantly draws the reader into Esther's breakdown with such intensity that her insanity becomes palpably real, even rational—as accessible an experience as going to the movies. A deep penetration into the darkest and most harrowing corners of the human psyche, The Bell Jar is an extraordinary accomplishment and a haunting American classic.

April, 1984. Winston Smith, thinks a thought, starts a diary, and falls in love. But Big Brother is watching him, and the door to Room 101 can swing open in the blink of an eye. Its ideas have become our ideas, and Orwell’s fiction is often said to be our reality. The definitive book of the 20th century is re-examined in a radical new adaptation exploring why Orwell’s vision of the future is as relevant as ever."This is a staging that reconsiders a classic with such steely power that it chills brain, blood and bone." - The Times"[A] pitilessly brilliant retelling." - Guardian"This risk-taking adaptation of George Orwell's masterpiece is doubleplusgood." - Telegraph"A theatrical tour de force that has the destructive power of an earthquake." - The Stage"Skilfully brought to life.... This is a very neat theatrical telling of the classic dystopian parable which is more a study of internal tension and tiny acts of defiance as it is a political drama... a work of extraordinary quality and intensity." - IndependentEric Arthur Blair (25 June 1903 – 21 January 1950), better known by his pen name George Orwell, was an English novelist and journalist, whose most famous works include the novella Animal Farm, and the classic dystopia 1984.Duncan Macmillan is an award-winning writer and director. Plays include: Lungs (Paines Plough/Sheffield Crucible and Studio Theatre Washington D.C.), Platform (Old Vic Tunnels), Monster (Royal Exchange/Manchester International Festival), The Most Humane Way to Kill A Lobster (Theatre 503), I Wish To Apologise For My Part In The Apocalypse, So Say All of Us and Family Tree (all BBC Radio 4).Robert Icke was artistic director of the Arden Theatre Company in Stockton-on-Tees from 2003–7 and of the Swan Theatre Company in Cambridge from 2005–8, where he was awarded the Susie Gautier-Smith Prize for his contribution to theatre.

Where the Sidewalk Ends turns forty! Celebrate with this anniversary edition that features an eye-catching commemorative red sticker. This classic poetry collection, which is both outrageously funny and profound, has been the most beloved of Shel Silverstein's poetry books for generations.Where the sidewalk ends, Shel Silverstein's world begins. There you'll meet a boy who turns into a TV set and a girl who eats a whale. The Unicorn and the Bloath live there, and so does Sarah Cynthia Sylvia Stout who will not take the garbage out. It is a place where you wash your shadow and plant diamond gardens, a place where shoes fly, sisters are auctioned off, and crocodiles go to the dentist.Shel Silverstein's masterful collection of poems and drawings is one of Parent &amp; Child magazine's 100 Greatest Books for Kids. School Library Journal said, "Silverstein has an excellent sense of rhythm and rhyme and a good ear for alliteration and assonance that make these poems a pleasure to read aloud."Shel Silverstein's incomparable career as a children's book author and illustrator began with Lafcadio, the Lion Who Shot Back. In 1964, Shel's creativity continued to flourish as four more books were published in the same year—Don't Bump the Glump!, A Giraffe and a Half, Who Wants a Cheap Rhinoceros?, and the beloved classic The Giving Tree. Later he continued to build his remarkable body of work with Where the Sidewalk Ends, A Light in the Attic, Falling Up, Every Thing On It, The Missing Piece, The Missing Piece Meets the Big O, and Runny Babbit.

George Orwell's timeless and timely allegorical novel—a scathing satire on a downtrodden society’s blind march towards totalitarianism.“All animals are equal, but some animals are more equal than others.”A farm is taken over by its overworked, mistreated animals. With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned—a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.  When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell’s masterpiece have a meaning and message still ferociously fresh.

The unforgettable novel of a childhood in a sleepy Southern town and the crisis of conscience that rocked it, To Kill A Mockingbird became both an instant bestseller and a critical success when it was first published in 1960. It went on to win the Pulitzer Prize in 1961 and was later made into an Academy Award-winning film, also a classic.Compassionate, dramatic, and deeply moving, To Kill A Mockingbird takes readers to the roots of human behavior - to innocence and experience, kindness and cruelty, love and hatred, humor and pathos. Now with over 18 million copies in print and translated into forty languages, this regional story by a young Alabama woman claims universal appeal. Harper Lee always considered her book to be a simple love story. Today it is regarded as a masterpiece of American literature.

There are some terrible reviews of SH5 floating around Goodreads, but one particularly awful sentiment is that Slaughterhouse-Five isn't anti-war.This is usually based on the following quote. "It had to be done," Rumfoord told Billy, speaking of the destruction of Dresden."I know," said Billy."That's war.""I know. I'm not complaining""It must have been hell on the ground.""It was," said Billy Pilgrim."Pity the men who had to do it.""I do.""You must have had mixed feelings, there on the ground.""It was all right," said Billy. "Everything is all right, and everybody has to do exactly what he does. I learned that on Tralfamadore."For context, Mr. Rumfoord is an old military historian described as "hateful and cruel" who wants to see weaklings like Billy exterminated.On Tralfamadore, Billy was introduced to the revelation that all things happen exactly as they do, and that they will always happen that way, and that they will never happen any other way. Meaning, time is all at once. The aliens, incidentally, admit to destroying the universe in a comical accident fated far into the future, and they're very sorry, but so it goes. &lt;- passive acceptanceThe entire story up to this point has been about Billy, buffeted like a powerless pathetic leaf in a storm, pushed this way and that by forces entirely outside his tiny purview. He lays catatonically in a hospital bed after the plane crash and the death of his wife, and all the time traveling back and forth from Dresden where toddlers and families and old grannies and anti-war civilians were burned alive in a carefully organized inferno (so it goes), and Billy is about ready to agree to absolutely anything. It can't be prevented. It can't be helped.You're powerless, after a while. What hope have we, or anyone caught in the middle of a war, or even the poor soldiers who are nothing but pawns and children (hence the children's crusade), to influence these gigantic, global events? Therefore, Billy agrees with the hateful, the cruel Mr. Rumfoord, who is revising his military history of WWII, having previously forgotten to mention the Dresden bombing. Women and children, not evaporated instantly, but melted slowly by chemicals and liquid flame, their leftovers, according to Billy, lying in the street like blackened logs, or in piles of families who died together in their little homes. Incidentally, how can anything be pro-war or anti-war? Because being anti-war is a bit like being anti-conflict, anti-death, and anti-suffering. Is there a book that's pro these things? Is there a book that touches on the subject of war and is not against it?We don't support wars, though we are sometimes forced to accept them. Anyone who thinks that the bombing of Dresden was necessary is delusional.It's like saying, "yo, look how they bombed these innocents - that shit was wrong! Let's go bomb some innocents, too."That's the sad truth of it.

Tonight I just finished reading Charlie and the Chocolate factory with my son. This is the first chapter book I've read all the way through with him. And it was a ton of fun. First off, I'll admit that I love the movie. I grew up with it. (I'm talking about the Gene Wilder version, of course.)I'll even admit to liking the movie better than the book. Which is something that doesn't happen very often with me. That said, the book is really, really good. It held my four-year old's attention. It's silly, and it's fun. And it's DARK. For those of you who haven't read the book, let me underline this fact for you. Dahl takes pains to really detail the fact that Charlie and his family aren't just hungry and poor. They're destitute. Charlie sleeps on a mattress on the floor. In the winter they are cold, and they're starving to death. And if you think I'm exaggerating on that last point, I'm not. One of the chapters is titled: The Family Begins to Starve. But you know what? I like this book better because of that. It's not sanitized pablum written by committee to be inoffensive. It's the story of a little boy who is in a fucking awful situation, but he is still good and kind and polite and then something really nice happens to him. That's a trope I can get behind. Its it a good book to read with your kids? Absolutely. That said, allow me to tangent off and share my thoughts as a total bastard:If Willie Wonka actually hired workers and paid them a living wage, maybe Charlie Bucket wouldn't be starving to death in the first place. Follow me here. Wonka is effectively running a company where everyone is paid in scrip. The Oompa Loompas are paid, quite literally, in beans. Beans that I'm guessing he has the Oompa Loompas themselves growing in some huge underground cavern. Let's not even get into the ethical tarpit of the fact that Wonka uproots an entire indigenous culture and enslaves them. Let's just look at this from a raw numbers point of view. Pure economics. The Oompa Loompas work in the factory. They are not paid. They never leave the factory. That means they don't pay rent. They don't buy groceries. They don't go to the movies, or take taxis ,or buy clothes. But *everyone* buys Wonka's chocolate. That means that money goes into the factory, but it doesn't come back out into the town. As a result, the local economy is crap. And it's because of this that Charlie's dad can't get a decent job. What's more, it's because of this that his dad *loses* his shitty job, and his family is starving to death. Willie Wonka isn't a childlike magic maker. He's a billionaire corporate fuckwit. He's the candy equivalent of Monsanto. There's no government oversight there. Osha would never have approved that bullshit boiled sweet boat and chocolate river. No. Dude is untouchable. And don't tell me he isn't. That shit that goes on with the other kids? Nobody even *thinks* of suing him. None of the parents even *hint* at it. He probably owns half the judges in the state, and a handful of senators, too. He's a fucking supervillian. And I would paid serious money to see a story where Batman kicks his ass. *End Rant* In closing, let me share something that Oot said while I was reading him this book: "Dad, Willie Wonka is just a regular human, but he *is* a little bit of a wizard like you." 

I don’t know what to do with these stars anymore. I give stars to books and then I think, ‘god, you give five stars to everything, people will think you are terribly undiscriminating’ – so then I give four stars or even three stars to some books. Then I look back and it turns out that that I’ve given four stars to Of Human Bondage and honestly, how could I possibly have thought it was a good idea to give that book less than five stars? It is the absurdity of human conventions that has us doing such things.Now, that is what is called a segue, from the Italian ‘seguire’ – to follow. For the last thirty years I have studiously avoided reading this book. I have done that because for the last thirty years I have known exactly what this book is about and there just didn’t seem any point in reading it. In high school friends (one of them even became my ex-wife) told me it was a great book about a man condemned to die because he was an outsider. Later I was told that this book was a story about something much like the Azaria Chamberlain case. A case where someone does not react in a way that is considered to be ‘socially appropriate’ and is therefore condemned.But after 30 years of avoiding reading this book I have finally relented and read it. At first I didn’t think I was going to enjoy it. It didn’t really get off to the raciest of starts and the character's voice – it is told in first person – was a bit dull. He is a man who lives entirely in the present, how terribly Buddhist of him – although, really there doesn’t seem to be all that much to him.My opinion of the book began to change at his mother’s funeral. I particularly liked the man who kept falling behind in the march to the cemetery and would take short cuts. Okay, so it is black humour, but Camus was more or less French – so black humour is more or less obligatory.I really hadn’t expected this book to be nearly so funny as it turned out. I’d always been told it was a ponderous philosophical text – and so, to be honest, I was expecting to be bored out of my skull. I wasn’t in the least bit bored.A constant theme in my life at present is that I read ‘classics’ expecting them to be about something and they end up being about something completely different. And given I’ve called this a ‘constant’ theme then you might think I would be less than surprised when a read a new ‘classic’ and it turns out to be completely different to my expectations. I’m a little more upset about this one than some of the others, as I’ve been told about this one before, repeatedly, and by people I’d have taken as ‘reputable sources’ – although, frankly, how well one should trust one’s ex-wife in such matters is moot.I had gotten the distinct impression from all of my previous discussions about this book that the guy ends up dead. In fact, this is not the case – he ends up at the point in his life where he has no idea if he will be freed or not. The Priest who comes to him at the end is actually quite certain that he will be freed. Let’s face it, he is only guilty of having murdered an Arab, and as we have daily evidence, Westerners can murder Arabs with complete impunity. The main point of the book to me is when he realises he is no longer ‘free’. He needs this explained to him – because life up until then had been about ‘getting used to things’ and one can 'get used to just about anything'. But the prison guard helpfully informs him that he is being ‘punished’ and the manifestation of that punishment is the removal of his ‘freedom’. Interestingly, he didn’t notice the difference between his past ‘free’ life and his current ‘unfree’ one. The most interesting part of the book to me was the very end, the conversation with the priest. The religious often make the mistake of thinking that Atheists are one thing – I’ve no idea how they ever came to make this mistake, but make it they do. Given that there are thousands upon thousands of different shades of Christians – from Jesuit Catholics to Anti-Disney Episcopalians – it should be fairly obvious that something like Atheism (without any ‘organised’ church or even system of beliefs) could not be in anyway ‘homogeneous’.I am definitely not the same kind of Atheist as Camus. To Camus there is no truth, the world is essentially absurd and all that exists is the relative truth an individual places on events and ideas. This makes the conversation with the priest fascinatingly interesting. To the priest the prisoner who is facing death is – by necessity – someone who is interested in God. You can play around with ideas like the non-existence of God when it doesn’t seem to matter (life is long and blasphemy can seem fun) – but surely when confronted with the stark truth of the human condition any man would turn away from their disbelief and see the shining light.Not this little black duck. Now, if I was in that cell I would have argued with the priest too – but I would not have argued in the same way that Meursault argues. No, I do not believe in God, but I do believe in truth, and so Camus’ arguments are barred to me.Meursault essentially says, “Look, I’m bored, I’m totally uninterested in the rubbish you are talking – now go away”. Now, this is a reasonable response. What is very interesting is that the priest cannot accept this as an answer. The world is not allowed to have such a person in it – if such a person really did exist then it would be a fundamental challenge to the core beliefs of the priest. So, he has to assume Meursault is either lying to him or is trying to taunt him. But it is much worse – he is absolutely sincere, he is not interested in this ‘truth’.I don’t know that the world is completely meaningless, it is conventional rather than meaningless. That those conventions are arbitrary (decided by the culture we grew up in) doesn’t make them meaningless, it makes them conventional. I don’t think I would like to live in a world where people go up and kill Arabs pretty much at random and with impunity, but then again, we have already established this is precisely the world I do live in. My point is that it would be better if we did adhere to some sort of moral principles and that these should be better principles than ‘he should be killed because he didn’t cry at his mum’s funeral’. Camus is seeking to say that all of our ‘moral principles’ in the end come to be as meaningless as that – we judge on the basis of what we see from the framework of our own limited experience. And look, yes, there is much to this – but this ends up being too easy.The thing I like most about Existentialism, though it isn’t really as evident in this book as it is in the actual philosophy – although this is something that Meursault is supposed to have grown to understand (sorry, just one more sub-clause) even though this wasn’t something I noticed at all while reading the book, was the notion of responsibility. I didn’t think in the end Meursault was all that much more ‘responsible’ for his actions than he had been at the start. But I do think that ‘responsibility’ is a key concept in morality and one that seems increasingly to be ignored.Better by far that we feel responsible for too much in our lives than too little – better by far that we take responsibility for the actions of our governments (say) than to call these governments ‘them’. I’m not advocating believing in The Secret - but that if one must err, better to err on the side of believing you have too much responsibility for how your life has turned out, rather than too little.So, what can I say? I enjoyed this much more than I expected – but I’m still glad I waited before reading it, I really don’t think I would have gotten nearly as much out of it at 15 as I did now.

The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices-but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep. J.D. Salinger's classic novel of teenage angst and rebellion was first published in 1951. The novel was included on Time's 2005 list of the 100 best English-language novels written since 1923. It was named by Modern Library and its readers as one of the 100 best English-language novels of the 20th century. It has been frequently challenged in the court for its liberal use of profanity and portrayal of sexuality and in the 1950's and 60's it was the novel that every teenage boy wants to read.

Tyrannical Nurse Ratched rules her ward in an Oregon State mental hospital with a strict and unbending routine, unopposed by her patients, who remain cowed by mind-numbing medication and the threat of electric shock therapy. But her regime is disrupted by the arrival of McMurphy – the swaggering, fun-loving trickster with a devilish grin who resolves to oppose her rules on behalf of his fellow inmates. His struggle is seen through the eyes of Chief Bromden, a seemingly mute half-Indian patient who understands McMurphy's heroic attempt to do battle with the powers that keep them imprisoned. Ken Kesey's extraordinary first novel is an exuberant, ribald and devastatingly honest portrayal of the boundaries between sanity and madness.

"Once there was a tree...and she loved a little boy."So begins a story of unforgettable perception, beautifully written and illustrated by the gifted and versatile Shel Silverstein.Every day the boy would come to the tree to eat her apples, swing from her branches, or slide down her trunk...and the tree was happy. But as the boy grew older he began to want more from the tree, and the tree gave and gave and gave.This is a tender story, touched with sadness, aglow with consolation. Shel Silverstein has created a moving parable for readers of all ages that offers an affecting interpretation of the gift of giving and a serene acceptance of another's capacity to love in return.

With the Christmas season upon him, Detective Sergeant Bruce Robertson of Edinburgh's finest is gearing up socially—kicking things off with a week of sex and drugs in Amsterdam.There are some sizable flies in the ointment, though: a missing wife and child, a nagging cocaine habit, some painful below-the-belt eczema, and a string of demanding extramarital affairs. The last thing Robertson needs is a messy, racially fraught murder, even if it means overtime—and the opportunity to clinch the promotion he craves. Then there's that nutritionally demanding (and psychologically acute) intestinal parasite in his gut. Yes, things are going badly for this utterly corrupt tribune of the law, but in an Irvine Welsh novel nothing is ever so bad that it can't get a whole lot worse. . .

A criminal pleads insanity and is admitted to a mental institution, where he rebels against the oppressive nurse and rallies up the scared patients.

1975 drama film based on the novel by Ken Kesey

A family determined to get their young daughter into the finals of a beauty pageant take a cross-country trip in their VW bus.

2006 film by Jonathan Dayton and Valerie Faris

Jeff "The Dude" Lebowski, mistaken for a millionaire of the same name, seeks restitution for his ruined rug and enlists his bowling buddies to help get it.

An undercover cop and a mole in the police attempt to identify each other while infiltrating an Irish gang in South Boston.

2006 American crime thriller film directed by Martin Scorsese

A washed-up superhero actor attempts to revive his fading career by writing, directing, and starring in a Broadway production.

2014 film directed by Alejandro G. Iñárritu

When Alice Klieg wins the Mega-Millions lottery, she immediately quits her psychiatric meds and buys her own talk show.

A corrupt, junkie cop with bipolar disorder attempts to manipulate his way through a promotion in order to win back his wife and daughter while also fighting his own inner demons.

Three company workers who hate their jobs decide to rebel against their greedy boss.

1999 American comedy film written and directed by Mike Judge

In the deep south during the 1930s, three escaped convicts search for hidden treasure while a relentless lawman pursues them.

Based on the true story of Jordan Belfort, from his rise to a wealthy stock-broker living the high life to his fall involving crime, corruption and the federal government.

The lives of guards on Death Row are affected by one of their charges: a black man accused of child murder and rape, yet who has a mysterious gift.

1999 American drama film directed by Frank Darabont

Two imprisoned men bond over a number of years, finding solace and eventual redemption through acts of common decency.

1994 American drama film directed by Frank Darabont

A jury holdout attempts to prevent a miscarriage of justice by forcing his colleagues to reconsider the evidence.

Jerry Lundegaard's inept crime falls apart due to his and his henchmen's bungling and the persistent police work of the quite pregnant Marge Gunderson.

1996 film directed by Ethan and Joel Coen

Two victims of traumatized childhoods become lovers and psychopathic serial murderers irresponsibly glorified by the mass media.

Two criminals and their hostages unknowingly seek temporary refuge in a truck stop populated by vampires, with chaotic results.

A pragmatic U.S. Marine observes the dehumanizing effects the Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.

1987 war drama film directed by Stanley Kubrick

The story of Henry Hill and his life in the mob, covering his relationship with his wife Karen Hill and his mob partners Jimmy Conway and Tommy DeVito in the Italian-American crime syndicate.

The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

1994 American crime film directed by Quentin Tarantino

I Don't Feel at Home in This World Anymore (often stylized I don't feel at home in this world anymore.) is a 2017 American comedy thriller film written and directed by Macon Blair in his directorial debut. It stars Melanie Lynskey, Elijah Wood, David Yow, Jane Levy and Devon Graye. The film's title originates from an old gospel song "I Don't Feel at Home in This World Anymore", which was popularised by country singers Carter Family and Woody Guthrie.The film had its world premiere at the Sundance Film Festival on January 19, 2017; it went on to win the Grand Jury Prize for the U.S. Dramatic competition. It was released by Netflix on 24 February 2017.Nursing assistant Ruth returns home from a bad day at work to find she has been burgled. She reports to the police that the thief has stolen her medication, her grandmother's silverware and a laptop computer. When she asks Detective William Bendix for advice, he merely chastises her for leaving her door unlocked. Ruth asks her neighbors if they saw anything suspicious; one of them, Tony, becomes enraged that someone would target a neighbor. When a mobile app reveals the location of her laptop and the police refuse to do anything, she enlists Tony's help.

American alt-country/rock singer-songwriter

Canadian-American guitarist, singer and songwriter

American rock guitarist, pianist, singer, and songwriter; born 1952

A suspended lawyer is forced to enroll in a community college with an eccentric staff and student body.

American comedy television series created by Dan Harmon

Four previously married women live together in Miami, sharing their various experiences together and enjoying themselves despite hard times. Spin-offs Nurses (1991) and Empty Nest (1988).

Thirty-something Irish Catholic couple Sean and Claudia deal with their three children as well as Sean's judgmental father and carefree brother.

Greg the Bunny is one of the 3.2 million fabricated Americans ("puppets") living in the United States. Wanting a job that doesn't involve working only on Easter, he convinces his roommate Jimmy Bender to find him a job on the kid's s

Todd Margaret is an American who takes a job running the London sales team for an energy drink. He has no experience with British culture, knows nothing about sales and has only one employee, Dave.

A working class family and their oddball friends.

A divorced mom tries to keep pace with everyone around her.

This ABC show takes place in Jenkintown, Pennsylvania in the 1980s and follows the lives of a family named The Goldbergs.

A forty-six-year-old ex-drug addict returns to high school as a freshman.

In the unreal world of Sacred Heart Hospital, intern John "J.D." Dorian learns the ways of medicine, friendship and life.

American medical comedy-drama television series

The personal and professional life of Dev, a 30-year-old actor in New York.

A ne'er do well wins $100,000 in the lottery and decides to right all the wrongs from his past with his newfound realization.

This is a sketch-comedy show. The twist here is that all of the sketches (even the monologue) are connected in some strange way.

A therapist struggles with problems of his patients, while dealing with the ones in his personal life.

The misadventures of the staff of a struggling Top 40 rock radio station in Cincinnati, Ohio.

Nick Swardson's Pretend Time is a TV sketch comedy show created by and starring comedian and actor Nick Swardson. The show premiered on Tuesday, October 12, 2010, at 10 p.m. EST on Comedy Central and ran for two seasons, with the final first-run episode airing November 16, 2011.Each episode would begin with Swardson doing stand-up comedy on stage, in front of an audience at a comedy club. He would tell jokes and discuss a topic which would be relevant to the episode. This would usually be something random about himself or about the show. The episode would then cut away to several pretaped sketches.The show featured comedic sketches, such as Wheelchair Cat, a masturbating sniper, and a parody of Nightmare on Elm Street involving incest-related dreams. Each episode from the first season included appearances from an animated character named Gay Robot, who originally appeared on Adam Sandler's comedy album Shh...Don't Tell. Gay Robot was voiced by Nick Swardson.

After failing at a prestigious French clowning college, Chip Baskets looks to keep his dream of becoming a professional clown alive.

Series is based on what Maria has accepted to be "her life." The occasionally surreal episodes, refracted across multiple periods of the actor/comedian's life, tell the story of a woman who loses - and then finds - herself.

Comedy Bang! Bang!is a television series created and hosted by Scott Aukerman. The show aired weekly on IFC and was a spin-off of Aukerman's podcastComedy Bang! Bang!, which airs on the Earwolf network. Like the podcast, the series featured outlandish and farcical humor, often delivered in a deadpan manner. The mock talk show derived most of its comedy from its surreal spoofs of common late night tropes and from its characters' ineptitude.Reggie Watts leftComedy Bang! Bang!halfway through the fourth season to become the bandleader forThe Late Late Show with James Corden. Musician Kid Cudi took over bandleader and sidekick duties after Watts' departure. The season four finale aired on December 10, 2015 and was Cudi's final episode. The series was renewed for a 20-episode fifth season on May 5, 2015. "Weird Al" Yankovic took over the position of bandleader for the fifth season, which premiered on June 3, 2016.

Documentary Now parodies the current obsession with documentaries. Season one features six different stories and stylistic approaches paying tribute to the doc format.

American mockumentary television series on IFC

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