Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

Inception, writer-director Christopher Nolan’s seventh feature film, joins the epic scope of The Dark Knight with the narrative sophistication of Memento. The story of a group of thieves who specialize in invading the mind through one’s dreams, Inception explores the Nolan’s signature psychological themes of memory, paranoia, and self-doubt as the protagonist, Dom Cobb, is pitted against a hostile subconscious spurred on by personal demons and regrets from the past. In a conversational preface, Nolan discusses with brother and frequent collaborator, Jonah, the genesis of the idea for the film and the decade-long process it took to write it. Detailing the results of Nolan’s efforts, Inception: The Shooting Script includes key storyboard sequences, full-color concept art, and an appendix on the workings of the mysterious Pasiv Device that Cobb and his fellow extractors use to initiate the dream-share. An exclusive exploration of a highly original concept, Inception: The Shooting Script is the record of a writer-director at the height of his craft.

The screenplay of the brilliant new film about rock 'n' roll journalism, from the writer/director of Jerry Maguire.Inspired by his own start in journalism as a teenage reporter for Rolling Stone, Cameron Crowe has created a coming-of-age story that is both funny and moving—and laced with sex, drugs, and rock 'n' roll. Set in 1973 and starring Frances McDormand, Billy Crudup, and Noah Taylor, Crowe's new film tells the story of a fifteen-year-old boy whose dream of becoming a rock journalist comes true when Rolling Stone sends him on tour with the up-and-coming rock band Stillwater—loosely based on Led Zeppelin—over the objections of his protective mother. Crowe brings the same wry humor he brought to Jerry Maguire as well as the brilliant evocations of teen life that animated his earlier cult film Fast Times at Ridgemont High to chronicle and celebrate a pivotal moment in rock history—and one teenage boy's place in it.

Two guys Jeunet and Carot made Delicatessen in 1991 which is an all time favourite of mine, then followed it up with The City of Lost Children four years later. Hard to believe, this second film is much weirder and much better, one of my top ten movies. (Not many other people liked it but I don’t care. Maybe they just made it for me. I think it gave people the creeps. It gave me the creeps but I like that kind of creeps.) So Jeunet and Caro had by now typed themselves as steampunk surrealists. Then Caro left to do something else and Jeunet’s next movie was the bad Alien film Alien : Resurrection.  Yeah, he sold out to Hollywood, and it didn’t work out. But hey, with a big paycheck he could do what he wanted to do now, which was Amelie. And now you could see that Caro was the Lennon and Jeunet the McCartney.As you no doubt know, Amelie is cutesy, fey, whimsical, a romantic comedy with no possible relation to real life, all goldenhued and cloying, which rhymes with annoying, and I expect has made more than a few people thwow up into their handbags. “A big fat dollop of saccharine fairy floss” says tombur1 on IMDB. “By the end of the movie you just want to reach into the screen and choke her” says AmomyBP. I see what they mean. The corn is as high as an elephant’s eye. Jeunet deliberately removed all the graffiti and litter from his exteriors by digital means. The more I think about this movie the sillier it is, but when I watch it that’s a different thing. So am I really saying that Ram is nearly as good as Abbey Road ? If there is a guilty movie pleasure this is it. (Leaving aside Italian nunsploitation movies, of course. We don’t want to talk about those. ) (Amelie unwittingly phones a sex shop to speak to one of their assistants but they mistake the nature of the call.)It’s true my movie taste is all over the place. What? You dare to admit to hating The Green Mile AND The Shawshank Redemption AND Vertigo ?? Yes, that’s me. So are you one of those guys who only like Battleship Potemkin and Last year at Marienbad? No, I hate those too.  What kind of monster are you?? (This is Amelie criticising old movies for not being realistic - she's got some nerve)All right, so what we got – cute shy loner girl meets cute shy loner boy in a manner that redefined the words convoluted and contrived. At the end – oh, spoiler! – they chug off into the Montmartrian sunset, literally, on a white Lambretta. Laughing. I can’t deny that – but I would say that a large amount of the movie is taken up with Amelie trying to fix other people’s problems (thus avoiding fixing her own). She does this by stealth and in so doing reveals herself to have psychopathic tendencies – she has no qualms in breaking into neighbours’ apartments and stealing stuff; once she conceives of an idea of improve someone’s life all normal rules of behaviour go out the window. Underneath the fairydust is a borderline-deranged passive aggressive type. The fairydust is mixed with ground glass. YANN TIERSEN’S SOUNDTRACKIn keeping with the retro visual style is the lush accordion waltz soundtrack by this composer who was a new name to me. The soundtrack album is great. Any fans of Gus Viseur or Tony Murena will lap this stuff up. POST-AMELIEThere have been three more films – A Very Long Engagement which bored me to death, Micmacs which is brilliant and The Young and Prodigious T S Spivet which is everything Amelie-haters say about Amelie – avoid, avoid. THIS BOOKAlas, we have the usual film studies lecturerspeak here. It’s crammed with banal clunkers such as :The nostalgic appropriation of Paris in Amelie has enchanted, concerned or angered the viewers, and become one of the most critically discussed elements of the film. However, by recycling and stimulating the collective memories fed by many past pictorial and cinematic sources, and by bringing his own personal imagery of the city, Jeunet has successfully created an enticing postmodern cityscape, which contributed to the success of the film, and is part and parcel of his aesthetic signature.I mean, who needs sentences like that in their life. Not you, not me. Two star book, five star movie.(I feel like that occasionally but then I lie down until the feeling passes.)

Just about everything in Endora, Iowa (pop. 1,091 and dwindling) is eating Gilbert Grape, a twenty-four-year-old grocery clerk who dreams only of leaving. His enormous mother, once the town sweetheart, has been eating nonstop ever since her husband's suicide, and the floor beneath her TV chair is threatening to cave in. Gilbert's long-suffering older sister, Amy, still mourns the death of Elvis, and his knockout younger sister has become hooked on makeup, boys, and Jesus--in that order, but the biggest event on the horizon for all the Grapes is the eighteenth birthday of Gilbert's younger brother, Arnie, who is a living miracle just for having survived so long. As the Grapes gather in Endora, a mysterious beauty glides through town on a bicycle and rides circles around Gilbert, until he begins to see a new vision of his family and himself.

Annie Proulx has written some of the most original and brilliant short stories in contemporary literature, and for many readers and reviewers, "Brokeback Mountain" is her masterpiece. Now the major motion picture "Brokeback Mountain" is being hailed as equally masterful, with performances that are "the stuff of Hollywood history" "(The New York Times)." "Brokeback Mountain: Story to Screenplay" offers readers insight into how this classic short story was turned into an award-winning screenplay and film. "Brokeback Mountain" was originally published in "The New Yorker." It won the National Magazine Award. It also won an O. Henry Prize. Included in this volume is Annie Proulx's haunting story about the difficult, dangerous love affair between a ranch hand and a rodeo cowboy. Also included is the Oscar-nominated and Golden Globe-winning screenplay for the major motion picture, written by Larry McMurtry and Diana Ossana. All three writers have contributed essays on the process of adapting this critically acclaimed story for film. This book is an indispensable tool for film students and aficionados.

[Penguin Readers Level 4]“You ever heard of the Seven Deadly Sins, Mills? Greed, gluttony, wrath, envy, sloth, pride and lust.”Detective Somerset has just seven more days before he retires—and he wants to get through them as easily as possible. But when they find the body of the first victim he knows that isn’t going to make it any easier.

Meet Juno MacGuff (Ellen Page), a confidently frank teenage girl who calls the shots with a nonchalant cool and an effortless attitude as she journeys through an emotional nine-month adventure into adulthood. Quick-witted and distinctively unique, Juno walks Dancing Elk High's halls to her own tune—preferably anything by The Stooges—but underneath her tough, no-nonsense exterior is just a teenage girl trying to figure it all out.While most girls at Dancing Elk are updating their MySpace page or shopping at the mall, Juno is a whip-smart Minnesota teen living by her own rules. A typically boring afternoon becomes anything but when Juno decides to have sex with the charmingly unassuming Bleeker (Michael Cera). Faced with an unplanned pregnancy, she and best friend Leah (Olivia Thirlby) hatch a plan to find Juno's unborn baby the perfect set of parents courtesy of the local Penny Saver.They set their sights on Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), an affluent suburban couple longing to adopt their first child. Luckily, Juno has the support of her dad and stepmother (J. K. Simmons and Allison Janney). Juno's physical changes mirror her personal growth while the veneer of Mark and Vanessa's idyllic life starts to show signs of cracking. With a fearless intellect far removed from the usual teenage angst, Juno conquers her problems head-on, displaying a youthful exuberance both smart and unexpected.

When the DEA shut down its dummy corporation operation codenamed SWORDFISH in 1986, they had generated $400 million which they let sit around; fifteen years of compound interest has swelled it to $9.5 billion. A covert counter-terrorist unit called Black Cell, headed by the duplicitious and suave Gabriel Shear, wants the money to help finance their raise-the-stakes vengeance war against international terrorism, but it's all locked away behind super-encryption. He brings in convicted hacker Stanley Jobson, who only wants to see his daughter Holly again but can't afford the legal fees, to slice into the government mainframes and get the money.

Jack Mosley, a burnt-out detective, is assigned the unenviable task of transporting a fast-talking convict from jail to a courthouse 16 blocks away. However, along the way he learns that the man is supposed to testify against Mosley's colleagues, and the entire NYPD wants him dead. Mosley must choose between loyalty to his colleagues and protecting the witness, and never has such a short distance seemed so long...

In Los Angeles, a city where streets are overrun by drug dealers, those who have sworn to uphold the law are breaking them to clean up the streets. Denzel Washington plays L.A.P.D. detective Alonzo Harris, a veteran narcotics officer whose methods of enforcing the law are questionable, if not corrupt. 'Training Day' follows Harris as he trains rookie Jake Hoyt over a 24-hour period. Ethical dilemmas arise for Hoyt as well as the audience as questions present themselves as to whether or not Harris' methodology for ridding the streets of South Central Los Angeles of drugs is right or wrong.

In 1954, up-and-coming U.S. marshal Teddy Daniels is assigned to investigate the disappearance of a patient from Boston's Shutter Island Ashecliffe Hospital. He's been pushing for an assignment on the island for personal reasons, but before long he thinks he's been brought there as part of a twisted plot by hospital doctors whose radical treatments range from unethical to illegal to downright sinister. Teddy's shrewd investigating skills soon provide a promising lead, but the hospital refuses him access to records he suspects would break the case wide open. As a hurricane cuts off communication with the mainland, more dangerous criminals "escape" in the confusion, and the puzzling, improbable clues multiply, Teddy begins to doubt everything - his memory, his partner, even his own sanity.

Death Row guards at a penitentiary, in the 1930's, have a moral dilemma with their job when they discover one of their prisoners, a convicted murderer, has a special gift.

1999 American drama film directed by Frank Darabont

A weather man is reluctantly sent to cover a story about a weather forecasting "rat" (as he calls it). This is his fourth year on the story, and he makes no effort to hide his frustration. On awaking the 'following' day, he discovers that it's Groundhog Day again, and again, and again. First he uses this to his advantage, then comes the realisation that he is doomed to spend the rest of eternity in the same place, seeing the same people do the same thing every day.

Thirty-something Rob Gordon, a former club DJ, owns a not-so-lucrative used record store in Chicago. He not so much employs Barry and Dick, but rather keeps them around as they showed up at the store one day and never left. All three are vinyl and music snobs, but in different ways. Rob has a penchant for compiling top-five lists. The latest of these lists is his top-five break-ups, it spurred by the fact that his latest girlfriend, Laura, a lawyer, has just broken up with him. He believed that Laura would be the one who would last, partly as an expectation of where he would be at this stage in his life. Rob admits that there have been a few incidents in their relationship which in and of themselves could be grounds for her to want to break up. To his satisfaction, Laura is not on this top-five list. Rob feels a need not only to review the five relationships, which go back as far as middle school when he was 12, and try to come to terms with why the woman, or girl as the case may be, left him, but also, in the words of Charlie Nicholson, number four on the list, "what it all means" for why he has ended up where he is, which is nowhere, personally or professionally, close to what he envisioned. He also has to come to terms with what it means that Laura has moved on to Ian Raymond, a man for whom neither had any respect when they were together.

A day in the life of the employees of Empire Records. Except this is a day where everything comes to a head for a number of them facing personal crises - can they pull through together? And more importantly, can they keep their record store independent and not swallowed up by corporate greed?

Ned lived a happy life growing organic vegetables on a farm with his hippie girlfriend and his dog named Willie Nelson, but an unadvised incident with marijuana at a farmer's market lands him in jail. When he gets out of jail, he is off to live with his sisters. While Ned is still happy, his sisters are much less so after his honest, but unworldly manner contributes to revelations which manage to expose infidelity in one marriage, potentially illegal actions in one job opportunity, dishonesty in one budding relationship and morally unpleasant behaviour in one domestic partnership. He sees those problems as breakdowns in communication, but his sisters see him as an idiot. The truth the audience witness is that ultimately, Ned is a catalyst for good around him without consciously setting out to do so. The denouement of the film sees balance restored with a positive outcome for all in the family.

Seth and Evan are best friends, inseparable, navigating the last weeks of high school. Usually shunned by the popular kids, Seth and Evan luck into an invitation to a party, and spend a long day, with the help of their nerdy friend Fogell, trying to score enough alcohol to lubricate the party and inebriate two girls, Jules and Becca, so they can kick-start their sex lives and go off to college with a summer full of experience and new skills. Their quest is complicated by Fogell's falling in with two inept cops who both slow and assist the plan. If they do get the liquor to the party, what then? Is sex the only rite of passage at hand?

In 1987, James Brennan's dreams of a summer European tour before studying at an Ivy League school in New York City are ruined after his parents have a severe career setback. As a result, James must get a summer job to cover his upcoming expenses at the decrepit local amusement park, Adventureland, where he falls in love with a witty co-worker, Emily Lewin. In that bizarrely shady workplace, the young carnies have unforgettable and painful learning experiences about life, love and trust while James discovers what he truly values.

Camden College. Sean Bateman is the younger brother of depraved Wall Street broker Patrick Bateman. He's also a drug dealer who owes a lot of money to "fellow" dealer Rupert Guest, as well as a well-known womanizer, for he sleeps with nearly half of the female population on campus. Lauren Hynde is, technically, a virgin. She's saving herself for her shallow boyfriend, Victor Johnson, who's left the States to backpack across Europe. Her slutty roommate, Lara, has the hots for Victor as well. Paul Denton, who used to date Lauren, is openly bisexual and attracted to Mitchell Allen, who's dating Candice to prove to Paul that he's not gay. Sean loves Lauren. Paul loves Sean. And Lauren may love Sean.

A drug dealer introduces one of his customers, a 'speed freak', to the man who runs the meth lab. A crazy three-day adventure ensues.

2002 crime film directed by Jonas Åkerlund

T.J., a high school freshman, lost his mother two months before in a car accident: his father pops pills and sits on the couch; his grandmother holds things together, chatting and cooking. T.J. wants the car back from the salvage yard where the owner's son is a bully. By happenstance, Hesher, a foul-mouthed squatter, moves in with T.J's family. T.J. also meets Nicole, a grocery clerk near poverty who helps him once. Hesher involves T.J. in crime, the bully is omnipresent, mom's car is slipping away, dad has checked out, T.J. watches Nicole at work, and his grandma invites him to join her morning walk: the odds are long that T.J. can assemble a family to help him thrive.

Curtis, a father and husband, is starting to experience bad dreams and hallucinations. Assuming mental illness, he seeks medical help and counseling. However, fearing the worst, he starts building an elaborate and expensive storm shelter in their backyard. This storm shelter threatens to tear apart his family, threatens his sanity and his standing in the community, but he builds it to save his family's life.

Set against the romantic desolation of Detroit and Tangiers, an underground musician, deeply depressed by the direction of human activities, reunites with his resilient and enigmatic lover. Their love story has already endured several centuries at least, but their debauched idyll is soon disrupted by her wild and uncontrollable younger sister. Can these wise but fragile outsiders continue to survive as the modern world collapses around them?

Set on an island off the coast of New England in the 1960s, as a young boy and girl fall in love they are moved to run away together. Various factions of the town mobilize to search for them and the town is turned upside down - which might not be such a bad thing.

Young Caucasian Dan Dunne teaches history and coaches the girls basketball team at a Brooklyn high school populated primarily by black and Hispanic students. To the chagrin of his superiors, Dan bucks the outlined curriculum of historical facts in favor of the philosophy of historical events, generally discussing the concept of dialectics. As such, he captures the imagination of his students, at least in the classroom. Outside of the classroom, Dan's life is in shambles. He has a distant but cordial relationship with his family. He uses illicit drugs rampantly. Although his former girlfriend Rachel was able to clean up her drug habit, Dan believes that rehab will not work for him. Due to a combination of these issues, he treats women poorly. Thirteen-year-old Drey is a student in his class and a player on his basketball team. Drey has her own problems. Her parents are divorced, with her father a virtually non-existent figure in her life and her EMT mother generally absent as she is always working to provide for Drey. Her older brother Mike is incarcerated for selling drugs for a local dealer named Frank. Mike took the fall for Frank, who in turn protects Drey whether she wants to be associated with him or not. Dan and Drey's relationship changes when Drey catches Dan, believing he is alone, smoking crack in the girl's locker room bathroom. He is totally stoned. Their resulting friendship, which is seen as inappropriate by the few who know, is based on each being unable to deal with their own life, but feeling like they can be at least a minor salvation in the other's life.

Six incarnations of Bob Dylan: an actor, a folk singer, an electrified troubadour, Rimbaud, Billy the Kid, and Woody Guthrie. Put Dylan's music behind their adventures, soliloquies, interviews, marriage, and infidelity. Recreate 1960s documentaries in black and white. Put each at a crossroads, the artist becoming someone else. Jack, the son of Ramblin' Jack Elliott, finds Jesus; handsome Robbie falls in love then abandons Claire. Woody, a lad escaped from foster care, hobos the U.S. singing; Billy awakes in a valley threatened by a six-lane highway; Rimbaud talks. Jude, booed at Newport when he goes electric, fences with reporters, pundits, and fans. He won't be classified.

The first German production from the world's leading Internet TV Network is set in a present-day German town where the disappearance of two young children exposes the double lives and fractured relationships among four families. In 10 hour-long episodes, the story takes on a surprising twist that ties back to the same town in 1986.

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